1 006 résultats
réf. RO50002089MARCEL LABBE. sans date. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages , tampon violet , signature à l'encre , photo au dos de Victor Alix par Manuel.. . . . Classification Dewey : 780.26-Partitions
réf. RO50038493FERNAND ANDRIEU. non daté. In-8. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé, 1 page. Partiton cartonnée pour 3ème Trombone UT. tampon sur la première page n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
réf. 0486283496.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2013réf. SONG0486283496Dover Publications 2013-10-17. First Edition. paperback. Used: Good. 9.42x1.20x12.24. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
réf. RO50032841CHAPPEL & CO. SANS DATE. In-4. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 246 pages. Pour piano.. . . . Classification Dewey : 780.26-Partitions
1862In 16, pp. 36. Br. muta coeva. Traduzione ital. del Fausy di Barbier e Carre' con musiche di Gounod.
1862réf. 26503Milano: Francesco Lucca PNs 13851-13876 1862. Folio. Dark gold cloth-backed wrappers. 1f. recto with lithographic illustration of a scene from the opera verso blank. 1f. recto title verso blank 1f. recto named cast list verso table of contents with plate and page numbers 247 i blank pp. Engraved. Text in Italian. Named cast includes Giuseppe Morini Giorgio Atry Luigi Colonnese Vincenzo Paraboschi Leonilda Boschetti Maria Gualtieri and Prassede Dompieri. Lacking upper wrapper lower worn and soiled. Slightly worn and soiled; margins and outer leaves foxed; occasional fraying perforations chips and small tears not affecting music; upper portions of some leaves dampstained. First Italian edition of the second version. OCLC no. 16852458. Faust was first performed at the Théâtre Lyrique in Paris on March 19th 1859 in a version with spoken dialogue; recitatives were added in 1860 and a ballet in 1869. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. "The historical importance of Faust is that it sounded a new note in French music. The conventional pomposities of the grand opera which then dominated the stage were superseded by a more intimate and poetic approach. The fashion Gounod set was one of conversational exchange rather than declamation." James Harding: Gounod p. 114. Francesco Lucca [PNs 13851-13876] unknown books
1862réf. 26503Milano: Francesco Lucca PNs 13851-13876 1862. Folio. Dark gold cloth-backed wrappers. 1f. recto with lithographic illustration of a scene from the opera verso blank. 1f. recto title verso blank 1f. recto named cast list verso table of contents with plate and page numbers 247 i blank pp. Engraved. Text in Italian. Named cast includes Giuseppe Morini Giorgio Atry Luigi Colonnese Vincenzo Paraboschi Leonilda Boschetti Maria Gualtieri and Prassede Dompieri. Lacking upper wrapper lower worn and soiled. Slightly worn and soiled; margins and outer leaves foxed; occasional fraying perforations chips and small tears not affecting music; upper portions of some leaves dampstained. First Italian edition of the second version. OCLC no. 16852458. Faust was first performed at the Théâtre Lyrique in Paris on March 19th 1859 in a version with spoken dialogue; recitatives were added in 1860 and a ballet in 1869. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. "The historical importance of Faust is that it sounded a new note in French music. The conventional pomposities of the grand opera which then dominated the stage were superseded by a more intimate and poetic approach. The fashion Gounod set was one of conversational exchange rather than declamation." James Harding: Gounod p. 114. Francesco Lucca [PNs 13851-13876] unknown
réf. 66114P., Melottée, 1922, in 12 broché, 165 pages.
1898Buona copertina ma non originale e akcune pagine con rammendi
réf. RO50041309CHOUDENS.. Non daté. In-4. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 36 pages de partitions. Tampon de Choudens et un second de L.Ben. Inscriptions au crayon à papier.. . . . Classification Dewey : 780.26-Partitions
réf. RO50064590choudens. Non daté. In-8. Broché. Bon état, Couv. convenable, Agraffes rouillées, Intérieur frais. 36 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
réf. RO50034021CHOUDENS. non-daté. In-8. Broché. A relier, Couv. défraîchie, Dos à nerfs, Intérieur frais. 36 pages de partitions, couverture illustrée d'une gravure noir et blanc.. . . . Classification Dewey : 780.26-Partitions
réf. RO50027628Choudens. Début XXème. In-8. Broché. Etat d'usage, Plats abîmés, Mors arrachés, Quelques rousseurs. 36 pages. Ornements en couverture et en page titre. Quelques écritures au crayon.. . . . Classification Dewey : 780.26-Partitions
réf. RO50063431Choudens éditeur. Non daté. In-Folio. Broché. Etat d'usage, Couv. convenable, Mors fendus, Intérieur frais. 45 pages de partitions en noir et blanc. Quelques annotations au crayon à papier . Tampon encreur en couverture et sur plusieurs pages sans conséquence pour la lecture des partitions.. . . . Classification Dewey : 780.26-Partitions
1923réf. RO50049956MARCEL LABBE. 1923. In-8. Broché. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 20 pages de partitions environ, en plusieurs feuillets. Dos renforcé.. . . . Classification Dewey : 780.26-Partitions
1881réf. 27462Paris 1881. 279 x 198 mm. Signed by the artist in pencil at lower left. A very good impression on laid paper. Remnants of hinges to upper corners of verso. Béraldi: Les Graveurs du XIXe Siècle Paris: 1885-92 XI-188. Faust an opera in five acts to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval was first performed in Paris at the Théâtre Lyrique on March 15 1859. "Faust became particularly important to the French musical establishment at the end of the century. A work by a winner of the Prix de Rome that could claim to be thoroughly modern and personal in style at its première and go on to international stages was a significant enhancement to the musical prestige of a French operatic culture previously dominated by Meyerbeer and the none-too-easily exportable genre of opéra comique. Its national value was enhanced because after some initial assessments as 'Wagnerian' Gounod's compositional voice in Faust was heard as important in the definition of a 'French' musical aesthetic." Steven Huebner in Grove Music Online. Renouard 1845-1924 was a noted painter and engraver whose works are held at the Louvre the Opéra Museum etc. unknown books
1881réf. 27462Paris 1881. 279 x 198 mm. Signed by the artist in pencil at lower left. A very good impression on laid paper. Remnants of hinges to upper corners of verso. Béraldi: Les Graveurs du XIXe Siècle Paris: 1885-92 XI-188. Faust an opera in five acts to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval was first performed in Paris at the Théâtre Lyrique on March 15 1859. "Faust became particularly important to the French musical establishment at the end of the century. A work by a winner of the Prix de Rome that could claim to be thoroughly modern and personal in style at its première and go on to international stages was a significant enhancement to the musical prestige of a French operatic culture previously dominated by Meyerbeer and the none-too-easily exportable genre of opéra comique. Its national value was enhanced because after some initial assessments as 'Wagnerian' Gounod's compositional voice in Faust was heard as important in the definition of a 'French' musical aesthetic." Steven Huebner in Grove Music Online. Renouard 1845-1924 was a noted painter and engraver whose works are held at the Louvre the Opéra Museum etc. unknown
1914réf. 28515Bryn Mawr PA: Oliver Ditson Company 1914. Date is the copyright date. Vocal Score by Leo Delibes. English Version by H.F. Chorley. Revised and Extended by Charles Fonteyn Mannney. Into by Philip Hale. Soft Cover. Very Good/No Dust Jacket. Illus. by Barbier J.; Carre M. libretto. 4to - over 9¾" - 12" tall. Oliver Ditson Company Paperback
réf. LRB722Format : grand in'4 — Reliure : Demi'reliure d'époque en cuir brun, dos à nerfs orné du titre doré, plats en percaline grenat — Langue : Français — État du livre : Frottements et décolorations sur les plats, coins émoussés, petites épidermures au dos. Intérieur avec rousseurs éparses et bords légèrement brunis, ensemble solide et lisible. — Particularités : Page de titre « Théâtre National de l'Opéra ». Mention « 4e édition avec les récitatifs ajoutés par l'auteur (réduits au piano par Émile Périer) ». Tableau de distribution et catalogue des morceaux en début de volume. Note manuscrite datée 8 octobre 1904 sur un feuillet liminaire
réf. RO50066019Choudens éditeur. Non daté. In-12. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 116 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
réf. RO50002091MARCEL LABBE. sans date. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages , tampon violet , photo au dos de Victor Alix par Manuel.. . . . Classification Dewey : 780.26-Partitions
réf. RO50002090MARCEL LABBE. sans date. In-8. En feuillets. Etat passable, Couv. défraîchie, Dos satisfaisant, Intérieur bon état. 4 pages , tampon violet , signature à l'encre , photo au dos de Victor Alix par Manuel, partie manquante dans un coin, mais n'alterant pas la lecture de la partition .. . . . Classification Dewey : 780.26-Partitions
réf. RO50002088MARCEL LABBE. sans date. In-8. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages , tampon violet , signature à l'encre , photo au dos de Victor Alix par Manuel.. . . . Classification Dewey : 780.26-Partitions
réf. RO50042766CHOUDENS. NON DATE. In-Folio. Broché. Etat d'usage, Tâchée, Dos abîmé, Rousseurs. 7 pages de partitions. Edition simplifiée par Alfres Godard. 21ème édition. Tampons sur le premier plat ainsi que sur la page n°2. Déchirures et rousseurs importantes sur l'ensemble des pages. Papier collé sur le dos afin de renforcer la couverture, ainsi que sur la déchirure présente sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
