Charles GounodBiblio.com
950 résultats
réf. 1528181514.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 47021005like new. unknown
réf. 0259121479.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1867réf. 28878Paris: Choudens A.C. 1411. 1867. Large octavo. Flexible dark blue leather boards decorative endpapers. 1f. decorative lithographic title by Barbizet printed in purple 1f. dedication 'A Sa Majesté Charles XV Roi de Suède de Norvège" 1 named cast list and index 2-303 pp. Lithographed. Binding slightly worn. Light foxing soiling and offsetting; first and last leaves browned; occasional tears repaired; some loss to corners not affecting music; publisher's handstamp to lower right portion of title; circular owner's stamp to dedication and cast list; cast list leaf partially detached. First Edition. First performed at the Théâtre Lyrique in Paris on April 27 1867 with a libretto by Jules Barbier and Michel Carre after Shakespeare. "Roméo et Juliette was Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown
1867réf. 25608Paris: Choudens PN A.C. 1411. 1867. Large octavo. Quarter red pebbled cloth with marbled boards titling gilt to spine. 1f. recto decorative lithographic title by Barbizet printed in light purple verso blank 1f. recto dedication "A Sa Majesté Charles XV Roi de Suède de Norvège" printed in blue verso blank 1 named cast list and index 2-303 i blank pp. Lithographed. Named cast includes Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu. Publisher's handstamp to lower margin of title. Binding slightly worn rubbed and bumped; hinges split; endpapers browned. Some dampstaining to inner margins; occasional splitting creasing and small tears. First Edition first issue. Roméo et Juliette was first performed at the Théâtre Lyrique in Paris on 27 April 1867. The opera was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1411.] unknown
1873réf. 25627Paris: Choudens A.C. 1411. 1873. Large octavo. Quarter dark green pebbled cloth with dark green pebbled paper boards titling giilt to spine. 1f. recto decorative lithographic title by Barbizet printed in brown verso blank 1 named cast list and table of contents 2-269 270-283 "Supplement" i blank pp. Named cast includes both singers from the opera's first performance at the Théâtre Lyrique in Paris on April 27 1867 Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu and those from a subsequent restaging at the Opéra-Comique on January 20 1873 Carvalho Ducasse Decroix Duchène Bach Raoult Duvernoy Bernard Teste Melchissédec Ismaël-Bouhy and Nevue. Binding slightly worn rubbed and bumped. Minor foxing heavier to outer leaves; light dampstaining to outer margins of approximately 15 leaves; small tear to outer margin of pp. 145-146. Revised edition possibly issued to coincide with the 1873 revival. Roméo et Juliette was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown
1873réf. 25627Paris: Choudens A.C. 1411. 1873. Large octavo. Quarter dark green pebbled cloth with dark green pebbled paper boards titling giilt to spine. 1f. recto decorative lithographic title by Barbizet printed in brown verso blank 1 named cast list and table of contents 2-269 270-283 "Supplement" i blank pp. Named cast includes both singers from the opera's first performance at the Théâtre Lyrique in Paris on April 27 1867 Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu and those from a subsequent restaging at the Opéra-Comique on January 20 1873 Carvalho Ducasse Decroix Duchène Bach Raoult Duvernoy Bernard Teste Melchissédec Ismaël-Bouhy and Nevue. Binding slightly worn rubbed and bumped. Minor foxing heavier to outer leaves; light dampstaining to outer margins of approximately 15 leaves; small tear to outer margin of pp. 145-146. Revised edition possibly issued to coincide with the 1873 revival. Roméo et Juliette was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown books
1867réf. 28878Paris: Choudens A.C. 1411. 1867. Large octavo. Flexible dark blue leather boards decorative endpapers. 1f. decorative lithographic title by Barbizet printed in purple 1f. dedication 'A Sa Majesté Charles XV Roi de Suède de Norvège" 1 named cast list and index 2-303 pp. Lithographed. Binding slightly worn. Light foxing soiling and offsetting; first and last leaves browned; occasional tears repaired; some loss to corners not affecting music; publisher's handstamp to lower right portion of title; circular owner's stamp to dedication and cast list; cast list leaf partially detached. First Edition. First performed at the Théâtre Lyrique in Paris on April 27 1867 with a libretto by Jules Barbier and Michel Carre after Shakespeare. "Roméo et Juliette was Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown books
1867réf. 25608Paris: Choudens PN A.C. 1411. 1867. Large octavo. Quarter red pebbled cloth with marbled boards titling gilt to spine. 1f. recto decorative lithographic title by Barbizet printed in light purple verso blank 1f. recto dedication "A Sa Majesté Charles XV Roi de Suède de Norvège" printed in blue verso blank 1 named cast list and index 2-303 i blank pp. Lithographed. Named cast includes Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu. Publisher's handstamp to lower margin of title. Binding slightly worn rubbed and bumped; hinges split; endpapers browned. Some dampstaining to inner margins; occasional splitting creasing and small tears. First Edition first issue. Roméo et Juliette was first performed at the Théâtre Lyrique in Paris on 27 April 1867. The opera was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1411.] unknown books
1873réf. 36762Paris: Choudens Père et Fils PN A.C. 1411 1873. Large octavo. Quarter red morocco with matching pebbled paper boards with crown and "M" gilt to upper spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title verso publisher's notes 1 named cast list for performances in April 1867 and January 1873 2-249 i blank 251-290 supplement. With attractive engraved armorial bookplate of the Duke of Massa possibly Alfred 1837-1913 to front pastedown. Binding slightly worn rubbed and bumped; foot of spine frayed; joints splitting. Significantly browned throughout; tears to inner margins of first two leaves. First performed in Paris at the Lyrique on 27 April 1867 to a libretto by Barbier and Carré after Shakespeare. Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Music Online. Choudens Père et Fils [PN A.C. 1411] unknown books
1890réf. 28804Paris: Choudens Père & Fils PN A. C. 1411 1890. Large octavo. Half maroon cloth with marbled boards title label in manuscript to spine. 1f. recto illustrated title verso notes i named cast list and contents 2-71 i 72-80 81-132 i 133-137 138-249 250 blank 251-290 pp. Binding slightly worn and faded; repairs to inner margins of many leaves; tear to lower margin of title repaired. Third version second issue. First performed in Paris at the Lyrique on April 27 1867 to a libretto by Barbier and Carré after Shakespeare. Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Music Online. Choudens Père & Fils [PN A. C. 1411] unknown books
1867réf. 36761Paris: Choudens PN A.C. 1412 1867. Large octavo. Mid-tan morocco-backed dark brown pebbled paper boards with titling and rules gilt to upper. 1f. recto title printed in dark blue within architectural border verso blank 1f. recto dedication to "Charles XV Roi de Suède & de Norwège" verso blank 1f. recto cast and contents verso blank 3-147 i blank pp. Lithographed. Berlin agents Schlesinger and Lienau printed to foot of title; handstamp of former Viennese owner to upper outer corner of free front endpaper. Binding worn and rubbed; corners abraided. Light browning throughout most noticeable to first and last leaves; many signatures split. First Edition in this form evidently published for both French- and German-speaking markets. First performed in Paris at the Lyrique on 27 April 1867 to a libretto by Barbier and Carré after Shakespeare. Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1412] unknown books
1900réf. 28958Paris: Choudens Fils PN A.C. 1482 1900. Large octavo. Half black cloth with textured black paper boards. 1f. recto title verso blank i cast list and contents 2-253 i blank pp. Text in German. With occasional lyrics translated into Danish in manuscript. Binding slightly worn and shaken. Tear to outer margin of pp. 197-98. First performed in Paris at the Lyrique on 27 April 1867 to a libretto by Barbier and Carré after Shakespeare. Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1482] unknown books
1870réf. 25625Paris: Choudens A.C. 1482. 1870. Large octavo. Half dark blue morocco with maroon pebbled cloth boards and gilt rules spine in decorative compartments gilt titling gilt. 1f. recto decorative lithographic title by Barbizet printed in blue verso blank 1 recto cast list and table of contents 2-271 i blank pp. Publisher's handstamp to lower margin of title; oval handstamp of Dachauer & Vilanova in New York to lower margin of title and first page. Binding slightly worn rubbed and bumped; head of spine slightly chipped. Slightly worn; occasional foxing and creasing; first signature partially detached. First German edition. Lesure p. 108. Roméo et Juliette was first performed at the Théâtre Lyrique in Paris on 27 April 1867. The opera was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1482.] unknown books
1870réf. 25625Paris: Choudens A.C. 1482. 1870. Large octavo. Half dark blue morocco with maroon pebbled cloth boards and gilt rules spine in decorative compartments gilt titling gilt. 1f. recto decorative lithographic title by Barbizet printed in blue verso blank 1 recto cast list and table of contents 2-271 i blank pp. Publisher's handstamp to lower margin of title; oval handstamp of Dachauer & Vilanova in New York to lower margin of title and first page. Binding slightly worn rubbed and bumped; head of spine slightly chipped. Slightly worn; occasional foxing and creasing; first signature partially detached. First German edition. Lesure p. 108. Roméo et Juliette was first performed at the Théâtre Lyrique in Paris on 27 April 1867. The opera was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1482.] unknown
réf. RO50003595CHOUDENS. sans date. In-4. En feuillets. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 5 pages. Illustré d'une gravure noire et blanche. Rousseurs.. . . . Classification Dewey : 780.26-Partitions
réf. RO50004556CHOUDENS. Non daté. In-4. En feuillets. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Rousseurs. 6 pages.. . . . Classification Dewey : 780.26-Partitions
réf. R150201171CALMANN LEVY. NON DATE. In-8. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur frais. 68 pages. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1919réf. R150201172CALMANN LEVY. 1919. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Mouillures. 68 pages. . . . Classification Dewey : 782.1-Théâtre musical, opéra
réf. RO50040667CHOUDENS FILS.. Non daté. In-4. Broché. Etat d'usage, Livré sans Couverture, Dos frotté, Intérieur acceptable. 7 pages de partitions. Tampon de B. Philibert luthier.. . . . Classification Dewey : 780.26-Partitions
réf. RO40165436Calmann Lévy. Non daté. In-12. Broché. Etat d'usage, Plats abîmés, Dos satisfaisant, Intérieur acceptable. 68 pages. Papier annoté collé sur le dos. Tampons et annotation de bibliothèque en pages de garde et de titre. 1er plat manquant. Page de garde abîmée avec petit manque. Petit manque sur le bord du 2e plat.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
réf. RO50034012CHOUDENS. non-daté. In-8. Relié demi-cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 265 pages de partitions, pièce de titre et d'auteur avec roulettes et empruntes à froid.. . . . Classification Dewey : 780.26-Partitions
2000réf. R160119125OPERA DE BORDEAUX. 2000. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 51 pages.Nombreuses photographies en noir et blanc dans le texte et hors texte.. . . . Classification Dewey : 792-Théâtre
réf. RO50059976CHOUDENS. NON DATE. In-Folio. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 7 pages de partitions - clés de sol et de fa. . . . Classification Dewey : 780.26-Partitions
réf. RO50016976Inconnue. XXème. In-8. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ.. . . . Classification Dewey : 780.26-Partitions
