Violon, James Macalinao (Author)Biblio.com
482 résultats
2025réf. x-9999329497Eliva Press 2025. Paperback. New. 169 pages. 6.00x0.39x9.00 inches. Eliva Press paperback
réf. A9781807380212Hardback. New. hardcover
1830réf. 40871England 1830. Pierre Rode 1774-1830; Sir Henry Rowley Bishop 1786-1855; Adalbert Gyrowetz 1763-1850; Anon. Copyist musical manuscript. Oblong folio 245 x 305 mm. Sewn. Notated in black and brown ink on 14-stave rastrum-ruled paper. 10 pp. Contains five variation sets for violin by various composers: 1 Tema with Variations for the Violin. 3 pp. Nine variations on a waltz-like theme in F major. Following each variation the scribe indicates "tutti" or "to the tutti" indicating that these variations may have been performed with an ensemble of musicians. Unlocated. 2 Bishop Sir Henry Rowley 1786-1855 and Anon Variations from Home Sweet Home. 2 pp. Five variations on Rowley's well-known song. Bishop was an English composer who "in his day he enjoyed a commanding reputation as the guardian of the best traditions of English song and for a time he kept English opera alive almost single-handed. Yet he is now remembered for little but the song Home Sweet Home." Nicholas Temperley and Bruce Carr in Grove Music Online 3 Rode Pierre 1774-1830 Theme with Variations for the Violin. 2 pp. Four variations originally published as a solo for violin accompanied by a second violin viola and cello. "At the height of his career Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach he imbued it with characteristically French verve piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos martial dash and melting cantilena. His gift for lyrical often melancholy melody which represents a prominent trend in French music of this period made his music particularly attractive to German early Romantic composers. . At the height of his career Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach he imbued it with characteristically French verve piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos martial dash and melting cantilena. His gift for lyrical often melancholy melody which represents a prominent trend in French music of this period made his music particularly attractive to German early Romantic composers. . His innate gifts as a teacher are demonstrated in his 24 Caprices which balance the musical and technical needs of the student and have become an indispensable part of the violin curriculum." Boris Schwarz revised by Clive Brown in Grove Music Online 4 Gyrowetz Adalbert 1763-1850 Variations. 3 pp. Eight variations on a Tyrolean folksong popular at the time and the subject of numerous variation sets. Gyrowetz was a noted Bohemian composer and conductor. 5 Rossini Gioachino 1792-1868 Variations from the Tanti Palpiti. 2 pp. Five variations. The composer's Di tanti palpiti was the subject of variation sets by celebrated composers including Paganini Giuliani and Gelinek. Unlocated. Several small stains mainly to blank margins; minor soiling to final page mainly affecting its eight blank staves. These variations by the composers represented in the present manuscript are virtuosic incorporating rapid scales and arpeggios passages in double stops and bariolage. unknown
réf. BN116207Sinful Souls Sinful Souls unknown
réf. BN378037Kassel Bärenreiter 1977. Faksimile der Noten-Handschrift nach dem Exemplar in der Staatsbibliothek Preußischer Kulturbesitz Berlin Faksimile der Noten-Handschrift nach dem Exemplar in der Staatsbibliothek Preußischer Kulturbesitz Berlin Sei solo a Violino da Joh. Seb. Bach Kassel, Bärenreiter 1977. unknown
1820réf. 46032Paris Crochard 1820. Uncut with orig. printed wrappers Juin-issue. In "Annales de Chimie et de Physique Par MM. Gay-Lussac et Arago" Tome XIV Juin issue pp. 113-222. Entire issue in orig. wrappers. Savart's paper: pp. 113-172 and 3 folded engraved plates. First printing of a pioneer paper on the acoustics of the violin and on the construction of the Trapezoidal Fiddle."In his earliest work Savart gave the first explanation of the function of certain parts of the violin. To learn how vibrations are transmitted from the strings to the rest of the instrument he induced vibrations in a free wood plate by passing a vibrating string over a bridge at its center; he also used Chladni’s sand-pattern technique to observe the resulting nodal lines. Savart showed that the bridge transmits the string’s vibrations; that the plate can be made to vibrate at any frequency; and that the corresponding mode is a modification of an unforced mode. He demonstrated that the sound post also serves to transmit vibrations and he explained that it therefore should not be placed under a nodal line. Thinking that symmetry and regularity would produce the best tone Savart built a trapezoidal violin with rectangular sound holes. When the instrument was played before a committee that included Biot the Composer Cherubini and other members of the Academy of Sciences and the Académie des Beaux-Arts its tone was judged as extremely clear and even but somewhat subdued."DSB.The issue also contains Eilhard Mitscherlich' famous paper in the first French version "Sur la Relation qui existe entre la forme cristalline et les proportions chimiques" pp. 172-190. unknown
1820réf. 46029Paris Crochard 1820. No wrappers. In "Annales". In "Annales de Chimie et de Physique Par MM. Gay-Lussac et Arago" Tome XIV Juin issue pp. 113-222. Entire issue offered with halftitlepage to vol. 14. Savart's paper: pp. 113-172 and 3 folded engraved plates. Plates with some scattered brownspots. First printing of a pioneer paper on the acoustics of the violin and on the construction of the Trapezoidal Fiddle."In his earliest work Savart gave the first explanation of the function of certain parts of the violin. To learn how vibrations are transmitted from the strings to the rest of the instrument he induced vibrations in a free wood plate by passing a vibrating string over a bridge at its center; he also used Chladni’s sand-pattern technique to observe the resulting nodal lines. Savart showed that the bridge transmits the string’s vibrations; that the plate can be made to vibrate at any frequency; and that the corresponding mode is a modification of an unforced mode. He demonstrated that the sound post also serves to transmit vibrations and he explained that it therefore should not be placed under a nodal line. Thinking that symmetry and regularity would produce the best tone Savart built a trapezoidal violin with rectangular sound holes. When the instrument was played before a committee that included Biot the Composer Cherubini and other members of the Academy of Sciences and the Académie des Beaux-Arts its tone was judged as extremely clear and even but somewhat subdued."DSB.The issue also contains Eilhard Mitscherlich' famous paper in the first French version "Sur la Relation qui existe entre la forme cristalline et les proportions chimiques" pp. 172-190. unknown
réf. CW-18-3949596867772Good. unknown
réf. ria9786205514948_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The monograph presents the pelagic trawl surveys were accomplished in 2020-2021 in the Bulgarian Sector of the Black Sea. A scientific team has produced a biological analysis of the results obtained from the survey. The biological analy paperback
réf. ria9789999329491_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Atty. James Macalinao Violon is a multi-awarded lawyer educator scholar and servant-leader whose work bridges the fields of law education and transformative leadership. He currently serves as the Chief University Legal Counsel and paperback
réf. ria9789999322263_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; James M. Violon born June 6 1990 in Valencia City Bukidnon Philippines is a distinguished academic and legal professional. He graduated cum laude with a BA in Political Science from Central Mindanao University in 2012 and earned a paperback
réf. 63-9212London UK: Yehudi Menuhi International Violin Competition 1960s-1980s. Dossier full of loose clippings Very Good.From the Collection of Audrey J. Burford supporter of Classical Music from Blackheath London. London UK: Yehudi Menuhi International Violin Competition, 1960s-1980s. unknown
réf. B9786205514948Paperback / softback. New. paperback
2005réf. 200-04246Ensemble Mirable 2005-11-20. audioCD. Good. Good condition CD with case and notes. Looks like an interesting title! Ensemble Mirable unknown
réf. 2220061760.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 9999322263.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1775réf. 15714Paris: Mr. Le Duc LeJeune editeur 1775. 4to pp. ii 6. Signed by the editor/publisher LeJeune with the label of bookseller Mlle Castagnery affixed to the cover. The title is printed within a decorative border and the item is in very good condition. RSM L411. Lamotte 1751-1781 was born in Vienna and played a concerto before the Emperor at th age of 12. After a period of study he joined the Emeror's private chapel. He played in London in 1776. Mr. Le Duc LeJeune editeur unknown
réf. 9999329497.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1440173664.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 9786560790315COLLI BOOKS EDITORA. new. O menino Caio foi desafiado a salvar as crianas da cidade de Celul�polis que viviam pregadas nas telas dos celulares. Se no aceitasse os desafios ele e todas elas ficariam presas nas telas e no viveriam mais no mundo real. COLLI BOOKS EDITORA unknown
réf. 9788545000945FORUM. new. A presente obra Ǹ fruto da disserta��o de Mestrado em Direito do Estado pela Universidade Federaldo Paranǭ. Nela o Professor Tarso Cabral Violin realiza uma anǭlise cr�tica do ideǭrio do 'terceiro setor' no contexto do neoliberalismo e do gerencialismo e aprofunda o tema das parcerias entre a Administra��o P�blica e as entidades da sociedade civil sem fins lucrativos criticando as ONGs que de contEstadoras passaram em sua maioria a ser 'parceiras' do Estado como substitutas dele informando os questionamentos que existem quanto ao pr��prio termo 'terceiro setor' defendendo a sociedade civil organizada mas n�o como autor responsǭvel pelas quest��es sociais. Baseando-se em autores como Antonio Gramsci Carlos Nelson Coutinho Carlos Monta��o Celso Ant�nio Bandeira de Mello Romeu Felipe Bacellar Filho Cǭrmen L�cia Antunes Rocha Maria Sylvia Zanella Di Pietro S�lvio Lu�s Ferreira da Rocha Boaventura de Souza Santos entre outros o autor estuda o Estado a sociedade civil os servi��os sociais o princ�pio da subsidiariedade a Administra��o P�blica patrimonialismo burocracia e gerencialismo o Estado ampliado gramsciano os movimentos sociais e por fim esmi���a temas jur�dicos como as pessoas jur�dicas de direito privado sem fins lucrativos associa����es funda����es etc. entidades paraestatais organiza����es sociais organiza����es da sociedade civil de interesse p�blico OSCIPs parcerias com o 'terceiro setor' contratos administrativos conv�nios contratos de gest�o e termos de parceria a rela��o entre as licita����es e o 'terceiro setor' a terceiriza��o e a privatiza��o via 'terceiro setor' e a Ordem Social da Constitui��o. Portanto a presente obra Ǹ essencial para os estudiosos do 'terceiro setor' seja em seu aspecto jur�dico ou n�o assim como para os interessados no Direito Administrativo principalmente em temas como as licita����es e os acordos de vontade firmados entre a Administra��o P�blica e o 'terceiro setor'. A 3� edi��o alǸm de atualizada trata da nova Lei das Organiza����es da Sociedade Civil OSC a Lei 13.019/2014 assim como comenta a Decis�o do STF na ADIn 1.923 sobre a Lei das Organiza����es Sociais Lei 9.637/98. Em 2011 o autor foi honrado com a indica��o pela Secretaria Nacional de Justi��a do MinistǸrio da Justi��a e com o convite da Secretaria Geral da Presid�ncia da Rep�blica para participar como debatedor do Simp��sio Internacional Marco Regulat��rio das Organiza����es da Sociedade Civil que foi o embri�o da Lei das OSC. FORUM unknown
1847réf. 29822Paris: Aubert & Cie 1847. 215 x 220 mm. sheet size 346 x 253 mm. Printed on wove paper. Signed by the artist in the stone. Some foxing; remnants of paper mounting tape to verso. Aubert & Cie unknown
1945réf. 29582Chicago: William Lewis & Son 1945. Quarto. Publisher's full dark red cloth with titling in gilt and black to upper and spine dark red endpapers. 1f. recto blank tipped-in errata slip 1f. recto half-title verso limitation statement 1f. recto title verso copyright 1f. recto dedication to the author's wife verso blank 1f. recto "Introductory Note" verso blank 1f. foreword 13-14 publisher's statement 15 contents 16 blank 17 "Instruments Illustrated in Chronological Order" 18 blank 19-379 i blank pp. including indices a bibliography and a 5-page list of subscribers. In original slipcase. With numerous illustrations of instruments throughout. Binding very slightly worn; slipcase worn. First Edition limited to 1400 copies this numbered 1190 in ink. "Although Doring is well known and was highly regarded as an expert on classical instruments and bows his reputation rests mainly on his publications. The first issue of Violins appeared in March 1938 and in October the name was changed to Violins and Violinists; it ceased publication in December 1960. In addition to information on violin performances and performers the magazine carried detailed and informative essays on classic violin makers of the past; the best known of these were Doring's long articles which were published in book form as How Many Strads Chicago 1945 and The Guadagnini Family of Violin Makers Chicago 1949." Philip J. Kass in Grove Music Online. A cornerstone of the literature. William Lewis & Son unknown books
1964réf. 28816London: Paul Hamlyn 1964. Large quarto. 1f. half-title 1f. title 1f. recto introduction verso contents 2ff. list of illustrations 11-445 i blank i "Scale Plans of Instruments" i blank pp. xxxii full-page illustrative plates of scale plans of instruments. Profusely illustrated throughout. Ex libris the violinist Herbert Garber with his signature in ink to lower outer corner of free front endpaper. Very slightly browned. Garber d. 2003 was a violinist violist pianist conductor and music educator; he attended Juilliard NYU and Columbia studying the violin with Theodore Pashkus and conducting with Leon Barzin. Paul Hamlyn unknown books
1999réf. 28818Chicago: Bein & Fushi Inc 1999. Large quarto. Publisher's full dark red cloth with titling in gilt and black to upper and spine dark red endpapers patterned in gilt. 1f. recto blank verso brief publisher's catalogue 1f. recto half-title verso blank 1f. recto title verso copyright 1f. dedication to Charles Beare verso blank 1f. recto acknowledgements verso blank 1f. recto foreword verso blank 13 publisher's statement 14-15 contents 16-17 "List of Instruments Illustrated in Chronological Order" 18 blank 19-464 pp. including 3 pp. List of Subscribers at conclusion. With numerous illustrations of instruments throughout. Bein & Fushi, Inc unknown books
