Clericetti GiuseppeMareMagnum
563 resultados
2020ill., br.
Paris, Calmann-Lévy, 1885. In-12 ; 3ff (fx-titre, titre, dédicace)-XXXI pp (introduction)-318 pp. Demi-chagrin rouge, dos à 5 nerfs, pièce de titre (couvert non conservées). Edition originale. Bel exemplaire.
198336 pages. Features: Cover art "Moonlight" by Marc Saint-Saens; Contemporary Tapestries - A Rothmans Collection; Investing in Art - The Canadian Art Market - Still Yielding Profits; Mark Wolfleg Jr. - A Heritage; Vancouver Printmakers; The Dinner Party - An Invitation; Drawing - The Basis of the Arts; The New Freedom in Art (Part II); Keepsake - Alberta Photographs; and more. Colour ads include works by Zoltan Szabo, Tony Onley, Dorothy Knowles, Ila Maria, Nicholas De Grandmaison, and Reta Cowley (back cover). Unmarked with average wear. A sound copy. Book
1991ref. 37705Magna, 1991. CD CD
1977ref. 50051Deutsche Grammophon, [1977]. 431 166-2 CD CD
ref. 47673Jvc, (o.J.). JVCXR-0227-2 CD CD
1992ref. 29241Deutsche Grammophon, 1992. 435 781-2 1 CD CD
2007ref. 52271JVC, 2007. JM-XR24048 CD Digipack
2004ref. 46404Deutsche Grammophon, 2004. 0730599 DVD DVD
2012ref. x-271162448XVrin 2012. Paperback. New. 1172 pages. French language. 9.37x6.69x1.65 inches. Vrin paperback
2004ref. x-0754632806Ashgate Pub Ltd 2004. Hardcover. New. illustrated edition. 153 pages. 9.75x6.50x1.00 inches. Ashgate Pub Ltd hardcover
ref. B11S204954Du PreJacqueline. audioCD. Like New. 5x5x2. As pictured. Discs are pristine. In original case. Carefully packed and promptly shipped. Du Pre,Jacqueline unknown
ref. 6j1361Decca Music ohne Ort 2015. CD mit einer Laufzeit von ca. 34 Minuten in original Kunststoffhülle. - neuwertig/original verlagsfrisch verschweißt/gespielt vom Detroit symphony Orchestra unter der Leitung von Paul Paray - unknown
ref. 1-1628763035Alfred Pub Co 1899. Paperback. New. 12.13x9.29x0.83 inches. Alfred Pub Co paperback
1996ref. x-031329481XPraeger Pub Text 1996. Hardcover. New. 229 pages. 9.75x6.50x1.00 inches. Praeger Pub Text hardcover
ref. 33070Paris: Pierre Lafitte. No year ca. 1900. Orig. green cloth gilt. All edges gilt. With dustjacket. 350 pp.: illustrations; 38x28 cm. Text in French. d.j. sl. worn In very good condition. See picture. ¶ 'Ont collabore a cet ouvrage: Marcel Adam A. Boschot Raoul Brévannes Alfred Bruneau Gustave Bret Robert Brussel M.D. Calvocoressi Édouard Colonne Henri de Curzon Paul-Louis Garnier A.M. Gédalge Félicien Grétry Ad. Jullien Pierre Lalo Wanda Landowska Maurice Lefèvre De Nuovina Georges Pioch André Pirro J.G. Prod'homme Camille Saint-Saens Louis Schneider Albert Schweizer Julien Tiersot Félix Weingartner. Pierre Lafitte hardcover
1999ref. 1-0805061800Henry Holt & Co 1999. SAL. New. pck rei/co edition. 48 pages. 10.00x9.50x0.75 inches. Henry Holt & Co unknown
1902ref. 29030Paris: A. Durand & Fils PN D. & F. 6094 1902. Large octavo. Original publisher's decorative ivory wrappers. 1f. recto blank verso frontispiece 1f. recto decorative title verso note 1f. recto notes on first performance and cast list verso blank 1f. recto contents verso blank 151 i blank pp. Together with a program for a 15 March 1903 performance of the work in Paris at the Théâtre du Châtelet. 10 ff. Wrappers somewhat soiled; spine worn and with small tears. First Edition. Ratner II p. 398. First performed at the Théâtre des Arénes de Béziers in August 1902. A. Durand & Fils [PN D. & F. 6094] unknown
1910ref. 28600Paris: Durand & Cie D. F. 7747 1910. Quarto. Full textured dark red flexible cloth boards titling gilt to spine. 1f. dedication 1f. notes on first performance and cast list 1f. contents 213 i blank pp. Manuscript notes in pencil recording the cast of the performance at the Paris Opéra on 22 November 1911 under André Messager the 16th performance of the work in Paris. Binding slightly worn; joints partially split; endpapers browned. Uniform light browning; some signatures split. Lacking title. First Edition. Ratner II p. 318. [Durand & Cie] [D. F. 7747] unknown
1900ref. 36740Paris: A. Durand et Fils PN D. & F. 5583 1900. Large octavo. Quarter dark brown morocco with marbled boards raised bands on spine in compartments black title label gilt marbled endpapers. 1f. recto half-title verso blank 1f. recto dedication verso publication note 1f. recto blank verso heliogravure portrait engraving of Saint-Saëns with reproduction autograph musical quotation 1f. recto title in red and black verso blank 1f. recto notes on first performances and named cast list verso blank 1f. recto color plate depicting Dalila holding Samson's hair verso blank 1f. recto notes on first performance and named cast list verso blank 1f. irecto index verso blank 285 i blank pp. Named cast for the first performance in Weimar at the Théatre Grand-Ducal on 2 December 1877 includes Muller Férenczy and Milde; for the first performance in France in Rouen at the Théatre des Arts on 3 March 1890 Bossy Lafarge and Mondaud; and for the first performance in Paris at the Théatre Lyrique de l'Éden on 31 October 1890 Bloch Talazac and Bouhy. Binding slightly worn rubbed and bumped; endpapers browning. Some minor internal wear; light uniform browning. Revised version. Ratner II p. 23. A. Durand et Fils [PN D. & F. 5583] unknown
1996ref. __9051839782Rodopi 1996. Paperback. New. 273 pages. French language. 8.30x5.80x0.90 inches. Rodopi paperback
1892ref. 29584Paris: A. Durand & Fils PN D.S. 3714 1892. Large octavo. 1f. recto title printed in sepia within decorative border by L. Denis printed in sepia and light green verso blank 1f. recto named cast list verso blank 1f. recto index verso blank 234 pp. Title and three following leaves with early Parisian handstamp somewhat blurred. First leaves slightly foxed; scattered light foxing; final leaves slightly creased. Ratner II p. 10. "Like Mozart to whom he was often compared Saint-Saëns was a brilliant craftsman versatile and prolific who contributed to every genre of French music. He was one of the leaders of the French musical renaissance of the 1870s." Sabina Teller Ratner et al. in Grove Music Online. A. Durand & Fils [PN D.S. 3714] unknown
1879ref. 26260Paris: Durand Schoenewerk PN D.S. & Cie. 2551 1879. Large octavo. Half mid-blue cloth with marbled boards speckled edges marbled endpapers. 1f. dedication 1f. decorative title printed in red and blue 1f. engraved frontispiece portrait of Etienne Marcel by G. Fraipont after A. de Neuville 1f. named cast list 1f. table of contents 365 i blank pp. Named cast includes Delrat Stéphanne Plançon De Grave Echetto Baron Nerval Reine Mézeray Amélie Luigini Legénisel Bonnefond Morfer and Frédéric. Publisher's and vendor's handstamps to lower blank margin of title. Binding very slightly worn and rubbed; minor soiling and wear to outer edge. Occasional very light soiling not affecting music. A very attractive copy overall. First Edition. Ratner II p. 99. First performed at the Grand Theatre in Lyons on 8 February 1879. Saint-Saens and Gallet took as subject matter for their historical drama the life of Etienne Marcel hero of the 1358 popular rebellion during the regency of the Dauphin Charles. The subject held contemporary resonance in the rebuilding of Paris following the destruction of the Commune. Durand Schoenewerk [PN D.S. & Cie. 2551] unknown
1890ref. 26602Paris: Durand et Schoenewerk PN D.S. 4025 1890. Large octavo. Quarter contemporary red morocco with marbled boards raised bands on spine in decorative compartments gilt marbled endpapers. 1f. half-title 1f. illustration of a scene from the opera 1f. title i facsimile of 2 medallions under which the text "Benvenuto fecit" is printed i note regarding the mise en scène i named cast list for the first performance ii table of contents i blank 391 i blank pp. With publisher's partial handstamp to lower outer corner of half-title. Supplement "Annexe" to pp. 388-391. Binding slighty worn rubbed and bumped. Minor foxing. Contemporary musical notation somewhat smudged. An attractive copy overall. First Edition of the first version. Ratner II p. 205. Ascanio to a libretto by Louis Gallet after Paul Meurice's play Benvenuto Cellini was first performed in Paris at the Opéra on March 21 1890. "Composed in 1887-8 Ascanio makes a grand opera of a play of intrigue set in Paris in 1539. Meurice whom Saint-Saëns knew well had collaborated with Alexandre Dumas père on his novel Benvenuto Cellini published in 1843 and had fashioned a successful play from the story in 1852. To avoid confusion with Berlioz's opera the title was changed even though Cellini is still the principal character in the drama and a scene in the play where Cellini runs out of metal when casting a statue was not included. The choice of an episode from Cellini's life that took place in France at the court of François I satisfied Saint-Saëns' longstanding desire to base his operas on French history and by casting the third act as a fête at Fontainebleau a departure from Meurice's play he found an opportunity for an extensive divertissement of 12 dances very much in the spirit and to some extent in the style of French Baroque opera." Hugh Macdonald in Grove Music Online. Durand et Schoenewerk [PN D.S. 4025] unknown
