582 résultats
1920réf. 012675Paris France: A. Durand & Fils. 1920. Book. Good. Soft cover. Elephant Folio - over 15" - 23" tall. Softcover 1920 edition. Front cover has bottom edge tears and creases with name and date to top corner. Binding firm. Pages unmarked and clean. Text in good condition. 28p. A. Durand & Fils. Paperback
réf. 1589027199745GLN-501, A, Durand & Fils, Editeurs, Paris
réf. RO50056625A. DURAND & FILS. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Intérieur acceptable. 15 pages de partitions. Plats désolidarisés. Tampon sur la page de titre. A Madame Marie Jaëll.. . . . Classification Dewey : 780.26-Partitions
réf. RO50018235A. Durand & Fils. XXème. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 15 pages.. . . . Classification Dewey : 780.26-Partitions
réf. RO50035533A. DURAND & Fils. Non daté. In-4. En feuillets. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 7 pages de partitions,. . . . Classification Dewey : 780.26-Partitions
1870réf. 877761870. Fine. An exceedingly rare Saint-Saëns unpublished score novembre 1870 33.20 x 24.50 cm un bifeuillet Unpublished and signed autograph score by Camille Saint-Saëns. Two pages of handwritten music for solo voice and piano on an oblong bifolium with twenty staves. Autograph inscription on the first page signed by Saint-Saëns with his signature and date ""Nov. 1870"" appearing again on the second page. Trace of vertical fold with a tiny tear along the fold a small marginal tear on 1 cm of the first page without damage to the manuscript. An exceptional unpublished autograph manuscript of a Persian melody for voice and piano composed by Camille Saint-Saëns during the Siege of Paris in November 1870 enriched with a autograph inscription: 'A Geneviève Bréton / Hommage de respectueux dévouement' To Geneviève Bréton / In homage with respectful devotion signed and dated on the second page 'Nov 1870 C. Saint Saëns'. The lyrics of the piece were directly inspired by its dedicatee the fiancée of the painter and tenor Henri Regnault 'the most musical of all the painters' Saint-Saëns École buissonnière translation by Edwin Gile Rich who was the first performer of several other Mélodies persanes. Geneviève Bréton a cultured and passionate woman was a fixture in the literary and artistic salons of her time surrounded by composers painters and the young Parnassian poets of her generation. Saint-Saëns likely met her through his friend the orientalist painter Henri Regnault a Prix de Rome laureate with whom she fell madly in love in Italy in 1867. A handsome young man already celebrated for his art Regnault also fascinated Saint-Saëns with his 'exquisite tenor; voice . alluring in its timbre and irresistible in its attractiveness just as he was himself' as the composer would later recall in 1913. Regnault premiered several of his compositions: 'In 1868 Regnault was the first to embody the role of Samson in the second act of the celebrated opera Samson et Dalila created during a private evening performance. Saint-Saëns renewed their collaboration by entrusting the artist with two of the Mélodies persanes composed for tenor voice.' Manon Bertaux. The Mélodies persanes op. 26 based on verses by the Parnassian poet Armand Renaud consist in their published version of three works for tenor Sabre en main Au Cimetière Tournoiement and three for contralto La Brise La Splendeur vide La Solitaire. They form one of Saint-Saëns's most famous cycles and belong to the golden age of French mélodie. This manuscript for voice and piano with its ardent colourful tone can unquestionably be linked to this set of melodies begun in June 1870 and sold by Saint-Saëns to his publisher Hartmann shortly afterwards. However Manon Bertaux's research has shown that 'the composer sold Hartmann an incomplete cycle having composed his final melodies at the beginning of the Siege of Paris from September onward"". Dated November 1870 our melody - as far as we know unknown to biographers and musicologists - is one of those composed in the midst of the Franco-Prussian war: 'Serving as a National Guard during the Siege of Paris Saint-Saëns continued his activities as a musician and composer alongside his duties guarding the ramparts'. It appears that both the text and music of this composition remained entirely unpublished and were never sent to Hartmann. For his part the painter Henri Regnault enlisted as a maverick also risked his life in an attempt to break the siege much to the dismay of Geneviève who confided her worries in her now famous diary Ramsay 1985. The young lovers had finally become engaged after years of opposition from the young woman's mother. Saint-Saëns likely offered this exquisite melody to Geneviève as a betrothal gifta radiant piece of warmth for the anxious young woman and here is the first of its two verses: « Ka-douja la chanteu-se Au manteau noir Qu'on trouve sous l'y-eu-se Quand unknown
1909réf. 582858Paris: A. Durand & Fils 1909. Softcover. Good. Unknown edition. Folio. Two nested bifoliums making eight pages. Text in French. Outer biolium nearly separated along the fold inner bifolium partially separated along the fold edgewear toning and an old price and an abrasion from the removal of a sticker on the rear cover a complete but good only copy. For voice and piano. Plate imprint "D. & F. 5145." OCLC locates only two holdings and it appears to be equally scarce in the trade. A. Durand & Fils unknown books
1909réf. 582858Paris: A. Durand & Fils 1909. Softcover. Good. Unknown edition. Folio. Two nested bifoliums making eight pages. Text in French. Outer biolium nearly separated along the fold inner bifolium partially separated along the fold edgewear toning and an old price and an abrasion from the removal of a sticker on the rear cover a complete but good only copy. For voice and piano. Plate imprint "D. & F. 5145." OCLC locates only two holdings and it appears to be equally scarce in the trade. A. Durand & Fils unknown
réf. RO50015687A. Durand & Fils. début XXème. In-8. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 4 pages.. . . . Classification Dewey : 780.26-Partitions
réf. 40-16777G. Schirmer Inc. Paperback. Good. Good condition with wear and markings. G. Schirmer, Inc paperback
réf. 40-20047G. Schirmer Inc. Paperback. Good. Good condition with wear and markings. G. Schirmer, Inc paperback
1936réf. RO60154514Sonzogno. 1936. In-12. Broché. Etat d'usage, Couv. défraîchie, Agrafes rouillées, Papier jauni. 39 pages. Texte en italien. Rousseurs. Une perforation traversant l'ouvrage entier, sans incidence sur la lecture.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
réf. RO50010334A. Durand & Fils. 1934.. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Mouillures. 5 pages. Gravure couleur de L. Denis en couverture.. . . . Classification Dewey : 780.26-Partitions
réf. 0366506250.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0366506161.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. RO50037116A.DURAND ET FILS. NON DATE. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages. Partition pour chant seul + paroles.. . . . Classification Dewey : 780.26-Partitions
réf. RO80095922DURAND A. et FILS. Non daté. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 44 pages.. . . . Classification Dewey : 792-Théâtre
réf. 9877Paris, A. Durand et fils, s.d. (ca 1892). 1 vol. in-4°, demi-basane noire, dos à fx-nerfs orné de filets et de fleurons dorés. Reliure de l'époque, épidermures, qq. cahiers déboîtés. Frontispice h.-t. en couleurs, (25) ff., 268 pp. [C04]
réf. 4319Paris, A. Durand et Fils, Éditeur, sans date (1892 ?). Grand in-8 (27,8 cm) 27 feuillets encadrés en rouge, 268 pages, illustré d’une chromolitho de G. Clairin en frontispice. Reliure demi-chagrin marron, dos à nerfs orné de fleurons et filets dorés, plats et gardes marbrés. Nerfs, coins et coupes légèrement frottés. Très bel état intérieur. [ D. S. et Cie 2186 ].
réf. 24842Paris, A. Durand et Fils, Éditeur, sans date (1892 ?). Grand in-8 (27,8 cm) 27 feuillets encadrés en rouge, 268 pages, illustré d'une chromolitho de G. Clairin en frontispice. Reliure demi-chagrin marron, dos à nerfs . Nerfs, coins et coupes légèrement frottés. Reliure aux armes du Duc de MASSA,avec son ex libris gravé, bel état intérieur. [ D. S. et Cie 2186 .De la bibliothèque du duc de Massa (ex-libris).
réf. np1346Durand et Schoenewerk Relié In-4 (19,5 x 28 cm), reliure demi-peau, dos lisse orné de filets dorés, 264 pages, partition piano et chant, sans date ; épidermures sur le cuir, coupes frottées, charnière du premier plat un peu fragilisée, quelques rousseurs aux tranches, page 153-154 presque désolidarisée du corps d'ouvrage, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
réf. R260162525DURAND / CALMANN LEVY. NON DATE. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. 44 pages de texte. Papier de soie collé au dos en réparation.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
réf. RO50003207A. Durand & Fils. non daté. In-Folio. En feuillets. Etat d'usage, Couv. défraîchie, Dos frotté, Quelques rousseurs. 9 pages, partition pour piano, 1er plat illustré par L. Denis, tampon, petites déchirures sur les bords sans incidences sur le texte, dos renforcé par papier kraft.. . . . Classification Dewey : 0-GENERALITES
réf. ROD0024995Durand et Fils. sd. In-12. Broché. Etat d'usage, Couv. défraîchie, Agraffes rouillées, Intérieur bon état. 44 pages. Rousseurs sur la couverture. Dos frotté et déchiré sur l'agraffe.. . . . Classification Dewey : 792-Théâtre
1946réf. 43623Couverture souple. Broché. 20 pages. Couverture légèrement défraîchie.
