654 résultats
1932réf. 140940789New York: Simon and Schuster 1932. First Edition. Near Fine. First trade edition first printing. Signed by George Gershwin and dated in the year of publication. Bound in publisher's original orange cloth with umber cloth overlay on front cover lettered in blue. Near Fine with light fading and small stain to spine cloth light shelf wear and soiling to cloth. Pages toned hinge at dedication page is lightly exposed. A lovely copy signed by the composer with illustrations by Constantin Alajalov. Simon and Schuster unknown
2000réf. __0711947589Chester Music 2000. Sheet Music. New. 136 pages. 12.01x9.02x0.39 inches. Chester Music unknown
1932réf. 1909112Random House 1932. Limited Edition. Hardcover. Very Good. Signed limited edition one of 300 signed by George Gershwin. In publisher's original leather covers. Random House hardcover
1932réf. 20017Simon & Schuster New York 1932. 1st edition. Hardcover Original Cloth. Good Condition. Illustrator: Alajalov. color plates present Slight foxing front/rear pages but body of book mostly clean and unfoxed. boards a bit rubbed soiled. Illustrator: Alajalov. Quantity Available: 1. Category: Music; Stage Musicals; Pictures of this item not already displayed here available upon request. Inventory No: 20017. . Simon & Schuster hardcover
1995réf. DADAX0769241735Alfred Music 1995-04-01. Two Piano ed. paperback. New. 8.60x0.20x11.70. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music paperback
réf. 40-16765New World Music Corporation. Paperback. Good. Good condition with wear and markings. New World Music Corporation paperback
1994réf. BN749504Leipzig Kiepenheuer Verlag 1994. 1994. George Gershwin. Eine Biographie in Bildern Texten und Dokumenten. George Gershwin. Eine Biographie in Bildern Texten und Dokumenten. Schebera Jürgen und George Gershwin Leipzig, Kiepenheuer Verlag unknown
réf. mon0003968017Simon & Schuster 1960T. hardcover. Good. 1.0000 13.0000 10.1000. First printing. Slipcase has minor wear. Pages are clean. Simon & Schuster hardcover
réf. 0671280708.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2005réf. Q-0757939813Alfred Publishing Co 2005-08-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Alfred Publishing Co paperback
1928réf. 21285London: Princes Theatre 1928. Small 8vo. 8 pp. Illustrated from four photographs including two of young Fred & Adele Astaire. Striking color illustrated staplebound wrappers. A fine copy rusted staples holding but fragile of the scarce opening night programme for Gershwins' performance of "Funny Face"; subsequent night programmes were of a different design. The London production of "Funny Face" starred Fred and Adele Astaire and Leslie Henses with Sydney Howard. "Funny Face" was Fred Astaire's nickname for his sister Adele. The show played a total of 267 performances in London. The show business careers of Fred and Adele Astaire began with the family's move to New York City in 1905. They finally broke into Broadway in 1917 with "Over the Top" a patriotic revue and performed for U.S. and Allied troops at this time as well. Throughout the 1920s Fred and Adele appeared on Broadway and the London stage. They won popular acclaim with the theater crowd on both sides of the Atlantic in shows such as Jerome Kern's The Punch and Judy 1922 George and Ira Gershwin's Lady Be Good 1924 and Funny Face 1927 and later in The Band Wagon 1931. By then Fred Astaire's tap dancing was recognized as among the best. The dynamic & hugely talented duo broke-up upon Adele's marriage in 1932 to her first husband Lord Charles Cavendish the second son of the 9th Duke of Devonshire. Fred continued on with his career and is widely considered the greatest dancer in film history. Princes Theatre unknown
1946réf. 14872Gershwin Publishing Corp. 1946. Original Wraps. Very Good. From "The Shocking Miss Pilgrim" starring Betty Grable and Dick Hyman with photo portraits of the two stars on the top front. 5-pages. On back advertisement for music from "Porgy and Bess" light bleeding of scores onto front wrapper light wear to top front left tip bottom right tip thin crease at top back left tip. Near Very Good. Gershwin Publishing Corp. paperback
1973réf. 03986FIRST DAY COVER OF A BLOCK OF 12 GEORGE GERSHWIN STAMPS Signed and dated by Ira Gershwin 2/28/1973. Fine. N.p. unknown books
1973réf. 03986FIRST DAY COVER OF A BLOCK OF 12 GEORGE GERSHWIN STAMPS Signed and dated by Ira Gershwin 2/28/1973. Fine. N.p. unknown
réf. 38560on a card together with the original typed envelope addressed to Mr Roland Sensini in Italy with his printed address in the famous street in Beverly Hills still known as the 'Street of the Stars 5" x 3" with envelope 1021 North Roxbury Drive Beverly Hills California 90210 postmarked 17th May With George he wrote more than a dozen Broadway shows featuring songs such as "I Got Rhythm" "Embraceable You" "The Man I Love" and "Someone to Watch Over Me". He was also responsible along with DuBose Heyward for the libretto to George's opera Porgy and Bess. unknown
1944réf. 163101Hollywood CA: Film Music Notes 1944. Three vintage gatherings of the periodical "Film Music Notes" FMN comprising all 26 issues published in 1942 through 1944 bound in three volumes each with titled wrappers "Film Music Notes / 1942" "Film Music Notes / 1943" and "Film Music Notes / 1944" with manuscript graphite red and blue pencil annotations on 39 pages of fourteen issues. The three gatherings found here comprise the first full three years of the periodical's publication beginning with "Volume I / January 1942 / Number IV" and ending with "Volume IV / December 1944 / Number III." Detailed inventory available upon request. The three bound gatherings are: "Film Music Notes / 1942" comprised of all eight issues published in 1942 from Vol. 1 No. IV through Vol. II No. III with each issue ranging from seven to nine pages. In 1942 FMN published only eight issues rather than the nine found in 1943 and 1944 combining the May and June issues into one "May-June 1942" issue Vol. II No. III. "Film Music Notes / 1943" comprised of all nine issues published in 1943 from Vol. II No. IV through Vol. III No. III with each issue ranging from eight to twelve pages. "Film Music Notes / 1944" comprised of all nine issues published in 1944 from Vol. III No. IV through Vol. IV No. III with each issue ranging from eleven to twenty three pages. The first issue of FMN Vol. 1 No. 1 not included in the bound volumes here was published in October 1941 and was spearheaded largely by the efforts of a group of Hollywood women on behalf of the National Federation of Music Clubs the Federation. On June 1 1941 as part of the "Festival of Motion Pictures" at the Federation's biennial American Music Festival the Federation feeling the Academy Awards were not adequately recognizing musicians and composers held their first film music awards night. The overwhelming success of the awards night as well as growing requests from music educators for resources and advise on how to teach about film music lead Federation members headed by chairperson Grace Widney Mabee to begin the publication of the groundbreaking periodical four months later which during its inception was largely built upon the Federation's existing structures and resources. In 1943 FMN was integral to the formation of the National Film Music Council NFMC created largely by Federation members and FMN contributors and editors Mabee Sigmund Spaeth FMN Advisory Chairman Constance Purdy FMN editor and others and was announced in the "Foreword" of FMN Vol. 2 No.1 October 1943 found in the volumes offered here. FMN continued publication for seventeen years ending in 1958. Issues of FMN are generally comprised of a "Foreword" followed by "Comments and Open Forum" which by the November 1942 issue Vol. II No. II had transitioned to "News Items" film reviews which focus on the use of music in film and range from five to 28 reviews per issue as well as various articles essays and biographies. Regular contributing authors found in the three bound volumes here include: Gail Kubik composer Margery Morrison FMN Associate Editor Purdy actress musician and FMN Editor Naomi Reynolds of The Musician's Congress and Spaeth musicologist author and FMN Advisory Chairman. Contributing authors found in the volumes on offer here include: Composers: Scott Bradley Rudy De Saxe Adolph Deutsch Nat W. Finston Arthur Kleiner William Lava Vernon Leftwich Alfred Newman Miklós Rózsa David Rudhyar Jack Schaindlin Max Steiner Herbert Stothart Franz Waxman Roy Webb and Charles Wolcott. As well as: Alice Evans Field MPPDA studio liason Chauncey Haines Jr. musician Hal Hall "The American Cinematographer" editor John Huntley British film historian Isabel Morse Jones LA Times critic and musician Jay Leyda experimental filmmaker Louis Lipstone head of Paramount Pictures music department Harry Mines LA Daily News critic Ivan Narodny Russian revolutionary and émigré Mildred Norton LA Daily News critic Cecil Stokes creator of the Auroratone and Dr. Bruno David Ussher musicologist and LA music critic. Articles found in the volumes on offer here include: "Cartoon Music of the Future" "George Pal's Puppetoons" "The Auroratone" "Scoring the Jungle Book" "Russian Music" "The Importance of Motion Picture Music" "Music in Government Films" a "Special Article" on Constantin Bakaleinikoff composer and Director of Music Department of RKO-Radio "Music of the Americas" "Screen Music Assumes New Stature" "Procedure of Preparing a Musical Score for a Picture" "José Iturbi Comes to the Screen" "Dmitri Shostakovich - Film Composer" "A Visit to the Music Recording Stage at Warner Bros." "What Music Arranging Does for the Pictures" "An Afternoon in the Home of Erich Wolfgang Korngold" "New Russian Music Born of War" "The Sixth Sense in Film Mechanics" "Notes on the Life and Works of Aaron Copland" "Rhapsody in Blue: A Day on the Gershwin Set" "British Film Music" "Mexican Films in Hollywood" and "An Institute of Music in Contemporary Life" among many others. All three volumes Very Good or better pages supple mimeograph duplication each bound with two gold brads. "Film Music Notes / 1942:" Tan titled wrappers eight issues 61 pages total. Pages Near Fine wrapper Very Good plus with light soiling and edgewear bound with two gold brads. "Film Music Notes / 1943:" Blue titled wrappers nine issues 85 pages total. Pages Near Fine wrapper Very Good plus with light soiling and edgewear bound with two gold brads. "Film Music Notes / 1944:" Tan titled wrappers nine issues. 132 pages total. Pages Near Fine with five paperclips on five different articles wrapper Very Good plus with light soiling edgewear and light dampstaining to the bottom left corner bound with two gold brads. Film Music Notes unknown books
1944réf. 163101Hollywood CA: Film Music Notes 1944. Three vintage gatherings of the periodical "Film Music Notes" FMN comprising all 26 issues published in 1942 through 1944 bound in three volumes each with titled wrappers "Film Music Notes / 1942" "Film Music Notes / 1943" and "Film Music Notes / 1944" with manuscript graphite red and blue pencil annotations on 39 pages of fourteen issues. The three gatherings found here comprise the first full three years of the periodical's publication beginning with "Volume I / January 1942 / Number IV" and ending with "Volume IV / December 1944 / Number III." Detailed inventory available upon request. The three bound gatherings are: "Film Music Notes / 1942" comprised of all eight issues published in 1942 from Vol. 1 No. IV through Vol. II No. III with each issue ranging from seven to nine pages. In 1942 FMN published only eight issues rather than the nine found in 1943 and 1944 combining the May and June issues into one "May-June 1942" issue Vol. II No. III. "Film Music Notes / 1943" comprised of all nine issues published in 1943 from Vol. II No. IV through Vol. III No. III with each issue ranging from eight to twelve pages. "Film Music Notes / 1944" comprised of all nine issues published in 1944 from Vol. III No. IV through Vol. IV No. III with each issue ranging from eleven to twenty three pages. The first issue of FMN Vol. 1 No. 1 not included in the bound volumes here was published in October 1941 and was spearheaded largely by the efforts of a group of Hollywood women on behalf of the National Federation of Music Clubs the Federation. On June 1 1941 as part of the "Festival of Motion Pictures" at the Federation's biennial American Music Festival the Federation feeling the Academy Awards were not adequately recognizing musicians and composers held their first film music awards night. The overwhelming success of the awards night as well as growing requests from music educators for resources and advise on how to teach about film music lead Federation members headed by chairperson Grace Widney Mabee to begin the publication of the groundbreaking periodical four months later which during its inception was largely built upon the Federation's existing structures and resources. In 1943 FMN was integral to the formation of the National Film Music Council NFMC created largely by Federation members and FMN contributors and editors Mabee Sigmund Spaeth FMN Advisory Chairman Constance Purdy FMN editor and others and was announced in the "Foreword" of FMN Vol. 2 No.1 October 1943 found in the volumes offered here. FMN continued publication for seventeen years ending in 1958. Issues of FMN are generally comprised of a "Foreword" followed by "Comments and Open Forum" which by the November 1942 issue Vol. II No. II had transitioned to "News Items" film reviews which focus on the use of music in film and range from five to 28 reviews per issue as well as various articles essays and biographies. Regular contributing authors found in the three bound volumes here include: Gail Kubik composer Margery Morrison FMN Associate Editor Purdy actress musician and FMN Editor Naomi Reynolds of The Musician's Congress and Spaeth musicologist author and FMN Advisory Chairman. Contributing authors found in the volumes on offer here include: Composers: Scott Bradley Rudy De Saxe Adolph Deutsch Nat W. Finston Arthur Kleiner William Lava Vernon Leftwich Alfred Newman Miklós Rózsa David Rudhyar Jack Schaindlin Max Steiner Herbert Stothart Franz Waxman Roy Webb and Charles Wolcott. As well as: Alice Evans Field MPPDA studio liason Chauncey Haines Jr. musician Hal Hall "The American Cinematographer" editor John Huntley British film historian Isabel Morse Jones LA Times critic and musician Jay Leyda experimental filmmaker Louis Lipstone head of Paramount Pictures music department Harry Mines LA Daily News critic Ivan Narodny Russian revolutionary and émigré Mildred Norton LA Daily News critic Cecil Stokes creator of the Auroratone and Dr. Bruno David Ussher musicologist and LA music critic. Articles found in the volumes on offer here include: "Cartoon Music of the Future" "George Pal's Puppetoons" "The Auroratone" "Scoring the Jungle Book" "Russian Music" "The Importance of Motion Picture Music" "Music in Government Films" a "Special Article" on Constantin Bakaleinikoff composer and Director of Music Department of RKO-Radio "Music of the Americas" "Screen Music Assumes New Stature" "Procedure of Preparing a Musical Score for a Picture" "José Iturbi Comes to the Screen" "Dmitri Shostakovich - Film Composer" "A Visit to the Music Recording Stage at Warner Bros." "What Music Arranging Does for the Pictures" "An Afternoon in the Home of Erich Wolfgang Korngold" "New Russian Music Born of War" "The Sixth Sense in Film Mechanics" "Notes on the Life and Works of Aaron Copland" "Rhapsody in Blue: A Day on the Gershwin Set" "British Film Music" "Mexican Films in Hollywood" and "An Institute of Music in Contemporary Life" among many others. All three volumes Very Good or better pages supple mimeograph duplication each bound with two gold brads. "Film Music Notes / 1942:" Tan titled wrappers eight issues 61 pages total. Pages Near Fine wrapper Very Good plus with light soiling and edgewear bound with two gold brads. "Film Music Notes / 1943:" Blue titled wrappers nine issues 85 pages total. Pages Near Fine wrapper Very Good plus with light soiling and edgewear bound with two gold brads. "Film Music Notes / 1944:" Tan titled wrappers nine issues. 132 pages total. Pages Near Fine with five paperclips on five different articles wrapper Very Good plus with light soiling edgewear and light dampstaining to the bottom left corner bound with two gold brads. Film Music Notes unknown
réf. 9990573085.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1944réf. 000668Chappell 1944. Chappell 1944. Sheet music pub by Chappell - pages torn but intact .with the signature of George Gershwin in bottom hand corner of front cover.- not sure whether this signature is original or printed. Signed by Author. Chappell unknown
1965réf. 1163913Verlag Der Morgen Berlin, 1965. 206 S.; Illustr.; 20,5 cm. Originalleinen mit illustr. Schutzumschlag.
1962réf. 139822Berlin, Der Morgen, 1962. M. einigen Abb. 207 S. OLwd. Name a. Vorsatz. Seitenränder etwas verblichen.
1961réf. 428791BBBerlin, Buchverlag Der Morgen, 1961. 8°, 206 Abb., m. einig. Abb., OLn., 2. A.
1960réf. V14635Berlin (Buchverlag Der Morgen) 1960 (= Erste Ausgabe). 8°, Originalleinen mit illustriertem Originalumschlag (Hardcover), 222 S.,
réf. 100-26536Harms. Sheet Music. Good. Good condition with wear and markings. Harms unknown
