5.117 Ergebnisse
1980Best.-Nr. BN449770Schillinger 1980. 1980. Breisgau-Hochschwarzwald Breisgau-Hochschwarzwald Bach Hermann Schillinger unknown
1988Best.-Nr. BN435685DuMont Reiseverlag. 1988. 1988. Hardcover. Constantin Brancusi. Constantin Brancusi. Bach Friedrich Teja DuMont Reiseverlag. hardcover
1999Best.-Nr. BN426046Laaber 1999. 1999. Hardcover. Die Achtzehn Grossen Orgelchoräle BWV 651-668 und canonische Veränderungen über "Vom Himmel hoch" BWV 769 : Faksimile der Originalhandschrift Die Achtzehn Grossen Orgelchoräle BWV 651-668 und canonische Veränderungen über "Vom Himmel hoch" BWV 769 : Faksimile der Originalhandschrift Bach Johann Sebastian Laaber hardcover
2010Best.-Nr. BN421456Mediapolis 2010. 2010. Berlin-Pankow : aus der Orts- und Baugeschichte Berlin-Pankow : aus der Orts- und Baugeschichte Bezirksamt Pankow von Berlin. Kerstin Lindstädt. Fotogr.: Hans Bach ; Heinz Liepold Mediapolis unknown
1984Best.-Nr. BN395796Bärenreiter 1984. 1984. Hardcover. Weihnachts Oratorium Weihnachts Oratorium Johann Sebastian Bach Bärenreiter hardcover
1979Best.-Nr. BN513241Grafenau/Württ. : Lexika-Verlag 1979. 1979. Wärmepumpen. Autoren: Kurt Bach . Kontakt & Studium ; Bd. 26 Wärmepumpen. Autoren: Kurt Bach . Kontakt & Studium ; Bd. 26 Kurt Bach Grafenau/Württ. : Lexika-Verlag unknown
194944 pages. Features: Gorgeous cover illustration of Newfoundland outport by John Phillips; Morley Callaghan asks "Which Myth Do You Follow?"; Half-page colour ad for Swift's Prem tinned meat; Handsome one-page ad for Snyder's Furniture of Waterloo, Ontario; Newfoundland (is welcomed to Confederation) - Photo-illustrated article by Prime Minister Joseph R. Smallwood; Quicksand (short story); Girl Overboard! (short story); Nice one-page colour O'Keefe's ad includes large reproduction of John Worsley painting of boy watching construction of new high school; Hot From the Cold War - Austin Cross reports from Europe; Half-page two-colour ad for Canadian Admiral Corp features their AC-DC-Battery "Personal" portable radio and Model 5R12 Mahogany radio; 3/4-page two-colour (black and blue) Royal Canadian Navy (RCN) recruiting ad; Cats, Cats, Cats! - photo-illustrated article; Half-page ad for the 1949 C.N.E.; Uncommon half-page ad for Burgess batteries; Half-page Bank of Nova Scotia (BNS) ad shows paperboy visiting accountant in branch; Charming half-page colour ad for Canada Dry; Photo-illustrated article on swimwear fashions for ladies; Half-page colour ad for Heinz baby foods; Attractive half-page colour ad for Aylmer Tomato juice, catsup and soup; Great vintage one-page colour-photo ad for Burns tinned meat balls, bologna and hamburgers; Cooking article with recipe for blueberry jelly; Small photo ad for Kranich & Bach pianos of Toronto; Tips for keeping your home cool; Half-page Javex ad; Half-page ad for Frigidaire ranges; Nice one-page Frigidaire fridge ad; Magnificent back cover colour Coke ad shows aerial image of busy supermarket with enormous Coke cooler on its roof; and more. Average wear. Unmarked. A nice copy of this wonderful vintage issue. Book
Best.-Nr. 054783Leipzig, Brüssel, London, New York - New York, Lon, Verlag Breitkopf und Härtel - Johnson Reprint Corporation / Company. Vorhanden sind folgende Jahrgänge: 1904 - 1950 - (Nachdruck der Jahrbücher 1967). Zusammen 47 Jahrgänge in 37 Heften, teilweise Doppelhefte, die Hefte 1940 - 1948 sind in einem Heft zusammengefasst.; Jahrgang 1951/ 1952 (Nachdruck 1970); Ab hier Originalausgaben, erschienen in: Evangelische Verlagsanstalt, Berlin. 1970 - 1974, 1977, 1978, 1981 - 1984, 1986 - 1999. Zusammen 25 Jahrgänge in 25 Heften. Insgesamt 73 Jahrgänge, pro Heft zwischen 100 und 200 Seiten. Die Hefte enthalten meist Notenbeispiele und wenige Abbildungen. Der Zustand der Jährbücher ist überwiegend gut, nur ein Heft ist am Rücken unten 2cm eingerissen. ;; Beigabe: Einundzwanzigstes Deutsches Bachfest. Vom 6. bis 8. Oktober 1934 in Bremen. Herausgegeben von Neue Bachgesellschaft e. V., Leipzig. 68 Seiten. Obroschur (selbige ist beschädigt - kleine Ausrisse, Einrisse). 8°. Mit Veranstaltungsverzeichnis (6 Seiten, doppelt vorhanden), Anschreiben, Bestellkarte usw.. 8°. OBroschur / Karton.
1977Best.-Nr. 112028London: William Heinemann 1977. Cloth/dust jacket Octavo. Hardcover. Very good. blue cloth silver lettering dust jacket clipped 143 pp. inscribed by the author to Roger Lumont on the front endpaper. William Heinemann hardcover
2017Best.-Nr. x-1138455040Taylor & Francis 2017. Hardcover. New. 2nd new edition. 344 pages. 9.21x6.14x1.18 inches. Taylor & Francis hardcover
Best.-Nr. 26526464-nnew. unknown
Best.-Nr. Bloomsbury-9781575911366Susquehanna University Press. Hardback. New. 216 pages Susquehanna University Press hardcover
Best.-Nr. Bloomsbury-9781575911366Susquehanna University Press. Hardback. New. 216 pages Susquehanna University Press hardcover
1997Best.-Nr. x-3540585974Springer Verlag 1997. Hardcover. New. 1st ed. 1st 997. corr. 2nd printing edition. 404 pages. 9.75x6.75x1.00 inches. Springer Verlag hardcover
1870Best.-Nr. 40392Leipzig & Berlin: Edition Peters No. 263.3 PN 3406 1870. Folio. Contemporary half black cloth with marbled boards dark red leather title label gilt to upper. 1f. recto title verso blank p. 3 editor S. W. Dehn's note indicating that the original manuscript was the source for the edition 4-26 pp. Music engraved. With bookplate of William Kimmel 1908-1982 music professor at Hunter College and City University Graduate Center to front pastedown and "R Lippe 1910" to upper right corner of title. Rectangular handstamp of Munich musicseller Carl Lischer to blank lower margin of title. Binding worn; endpapers browned with free front endpaper detached. Slightly browned; title browned brittle and mostly detached with edge chips and tears those to inner portion somewhat crudely repaired with old tape; final leaf partially detached with crude paper repairs. First Edition later issue. Schmieder 2 p. 764. Leipzig catalogue 216 without Berlin imprint. Not in Hoboken. "In early 1721 Bach must have been preparing the Brandenburg Concertos whose autograph full score was dedicated on March 24 1721 to the Margrave Christian Ludwig of Brandenburg-Schwedt brother of the first Prussian king before whom Bach had played in Berlin while acquiring the new Cöthen harpsichord in February 1719. What he played is not known; but he was invited to send in some compositions. The margrave's reaction to the receipt of the six works assembled for him by Bach is also not known. . In the score bearing the dedication to Margrave Christian Ludwig of Brandenburg the so-called Brandenburg Concertos are dated March 24 1721. This is merely a terminus ante quem for the concertos themselves must have been written over a considerable period before being assembled in 1721 as a collection of 'Concerts avec plusieurs instruments' not as a single work in several parts. . The special significance of the Brandenburg Concertos resides in the fact that like Vivaldi's they abandon the standard type of concerto grosso and use a variety of solo combinations. The originality of Bach's ideas extends far beyond Vivaldi's as do the density of the compositional texture and the level of professional virtuosity. The devising of concise head-motifs particularly in the first movements shows a strong Italian influence. All of Bach's instrumentations are unprecedented. They feature all kinds of combinations from homogeneous string sound nos.3 and 6 to the heterogeneous mixing of brass woodwind string and keyboard instruments." Christoph Wolff in Grove Music Online. Edition Peters, No. 263.3 [PN 3406] unknown
1870Best.-Nr. 40392Leipzig & Berlin: Edition Peters No. 263.3 PN 3406 1870. Folio. Contemporary half black cloth with marbled boards dark red leather title label gilt to upper. 1f. recto title verso blank p. 3 editor S. W. Dehn's note indicating that the original manuscript was the source for the edition 4-26 pp. Music engraved. With bookplate of William Kimmel 1908-1982 music professor at Hunter College and City University Graduate Center to front pastedown and "R Lippe 1910" to upper right corner of title. Rectangular handstamp of Munich musicseller Carl Lischer to blank lower margin of title. Binding worn; endpapers browned with free front endpaper detached. Slightly browned; title browned brittle and mostly detached with edge chips and tears those to inner portion somewhat crudely repaired with old tape; final leaf partially detached with crude paper repairs. First Edition later issue. Schmieder 2 p. 764. Leipzig catalogue 216 without Berlin imprint. Not in Hoboken. "In early 1721 Bach must have been preparing the Brandenburg Concertos whose autograph full score was dedicated on March 24 1721 to the Margrave Christian Ludwig of Brandenburg-Schwedt brother of the first Prussian king before whom Bach had played in Berlin while acquiring the new Cöthen harpsichord in February 1719. What he played is not known; but he was invited to send in some compositions. The margrave's reaction to the receipt of the six works assembled for him by Bach is also not known. . In the score bearing the dedication to Margrave Christian Ludwig of Brandenburg the so-called Brandenburg Concertos are dated March 24 1721. This is merely a terminus ante quem for the concertos themselves must have been written over a considerable period before being assembled in 1721 as a collection of 'Concerts avec plusieurs instruments' not as a single work in several parts. . The special significance of the Brandenburg Concertos resides in the fact that like Vivaldi's they abandon the standard type of concerto grosso and use a variety of solo combinations. The originality of Bach's ideas extends far beyond Vivaldi's as do the density of the compositional texture and the level of professional virtuosity. The devising of concise head-motifs particularly in the first movements shows a strong Italian influence. All of Bach's instrumentations are unprecedented. They feature all kinds of combinations from homogeneous string sound nos.3 and 6 to the heterogeneous mixing of brass woodwind string and keyboard instruments." Christoph Wolff in Grove Music Online. Edition Peters, No. 263.3 [PN 3406] unknown books
Best.-Nr. 60492Winterthur Amadeus 2010. Gr.8° 805 S. Abb. a. Taf. Noten Kart. m. OU OU etw. fleckig u. rndrissig Umschlag m. Zeitungsartikel etc.a. Vs. montiert innen sonst tadellos. EA. Das Buch schliesst seit dem Erscheinen von Hermann Kellers Standardwerken vor sechzig Jahren im unübersehbar grossen Schrifttum über Johann Sebastian Bach eine Lücke. In Bernhard Billeters breit gefächerten Schriften bildet Bach den Forschungsschwerpunkt mit 31 ihm gewidmeten musikwissenschaftlichen eröffentlichungen. Die Verbindung von Theorie und Praxis in jahrzehntelanger Konzert- und Unterrichtstätigkeit kommt dem Autor zugute in der Beschreibung von über 500 Werken Bachs. 010 Winterthur, Amadeus, 2010 unknown
1900Best.-Nr. 16489-MUVery Good condition: tight staple-bound oversized music book 101 pp. found no marking in text bottom spine corner bumped some minor outer/corner wear name and personal file number on upper front cover. Publication dat unknown cover traditional two-tone green Kalmus issue. Edwin F. Kalmus paperback
1900Best.-Nr. 16490-MUVery Good condition: tight staple-bound oversized music book 101 pp. found no marking in text bottom spine corner bumped some minor outer/corner wear name and personal file number on upper front cover. Publication dat unknown cover traditional two-tone green Kalmus issue. Edwin F. Kalmus paperback
2001Best.-Nr. Manohar-9783540586081Springer 2001. Hardcover. New. Springer hardcover
2001Best.-Nr. Manohar-9783540586081Springer 2001. Hardcover. New. Springer hardcover
1970Best.-Nr. 10050New York: The Macmillan Company 1970. First Edition. Near Fine/About Fine. Russell Munson. first printing stated; 91 pages; publisher's blue cloth spine lettered in white seagull image is blind-stamped on both covers; pictorial dust jacket with price of $4.95 on front flap and 3/8" closed tear at head of rear spine fold. "50454" printed on rear panel of book and dust jacket. Internally clean and bright with no markings of any kind. The Macmillan Company unknown
2006Best.-Nr. 92828Please read! This listing is for a signed first printing stated of the paperback edition of Jonathan in only fair condition. It is flamboyantly signed and inscribed "For Eric! With joy!" as Richard is wont to do. Please examine my photos. The cover has many blemishes but the book is solid actually feels unread and the interior is clean. This copy is significant for being a ridiculously scarce 1st printing with a signature but condition may be regarded as an issue. Signed by author. Scribner paperback
1970Best.-Nr. 10050New York: The Macmillan Company 1970. First Edition. Near Fine/About Fine. Russell Munson. first printing stated; 91 pages; publisher's blue cloth spine lettered in white seagull image is blind-stamped on both covers; pictorial dust jacket with price of $4.95 on front flap and 3/8" closed tear at head of rear spine fold. "50454" printed on rear panel of book and dust jacket. Internally clean and bright with no markings of any kind. The Macmillan Company unknown books
1961Best.-Nr. 010199Chicago: Paul Theobold 1961. First Edition. Hardcover. Very Good. 42 loose black and white drawings each 11 by 10 inches laid-in folder with white polished-surace folder housed in orange paper covered slipcase. Title page inscribed by the artist "Christmas Greetings for Elodie and Bob. Herbert 1961". Herbert Bayer was a member of the notable German art school and its subsequent art movement the Bauhaus group. Educated under masters such as Kadinsky Klee and Moholy-Nagy founder Walter Gropius appointed Bayer the director of the School's Printing and Advertising departments. Using theories of reductive minimalism Bayer produced typefaces drawings and masteries of modern graphic design in Europe and America. Uncommon inscribed. Some sunfading to edges of slipcase rest near fine. $375. Paul Theobold hardcover
