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Best.-Nr. Bloomsbury-9781350156210Bloomsbury Academic. Hardback. New. 208 pages Bloomsbury Academic hardcover
1635Best.-Nr. 34074Thomas Purfoot. London. 1635. First edition. Very small slim 8vo. Pagination is as follows: A2Title A3-A4 B-H3 H4. All text present. Bound in full mottled calf with later e/ps. Very attractively and professionally rebacked new spine has contrasting lettering piece and raised bands. Light tape marks to the earlier calf boards but the whole volume is clean and sound with pages browned as is normal with a volume of this age. The last page of text is torn along outer margin but text is not affected. hardcover
1970Best.-Nr. 298855New York.: Macmillan. 1970. 1st Edition first printing. Blue cloth white spine title blindstamped seagull device on covers. Near fine ink name to ffep in a very good dust jacket with slight edgewear and minor chipping to the spine head. 22x16.7 cm. $4.95 price on dust jacket flap. weight: 0.8 lb. Illustrated with photos. Macmillan. hardcover
1995Best.-Nr. DADAX3540583572Springer 1995-04-18. Corrected 1998. hardcover. New. 6.30x1.20x9.20. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
Best.-Nr. 90698aafFrankfurt a/m., Druck u. Verlag v. E.G. May & Wirsing, o.J., um 1870, 39 x 28.3 cm, handkolorierte Lithographie, Passepartout (52.5x42.5 cm).
2010Best.-Nr. DADAX3642082076Springer 2010-12-06. Softcover reprint of the original 1st ed. 1999. paperback. New. 9.21x1.11x6.14. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
2010Best.-Nr. DADAX3642082068Springer 2010-12-06. Softcover reprint of hardcover 1st ed. 2001. paperback. New. 6.10x1.06x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
1989Best.-Nr. 2352Berlin: Verlag Ullstein GmbH 1989. First German Edition. Paper Boards. Fine/Near Fine in Archival Plastic. A beautiful First German Edition assumed of Richard Bach's classic work signed by the author on the half-title page. In fine dark blue paper boards the book is clean solid and in beautiful condition. An important feature of this edition are the beautiful full-page watercolor illustrations throughout the book. The dustjacket is also in very nice condition with only very light wear at the edges. There is no price on the dustjacket which is slightly clipped at the top; we are unsure if a price ever existed. The beautiful dustjacket is protected by an archival plastic cover. This book was signed November 28 2005 during a wonderful 2 hours we spent with Mr. Bach one of our favorite authors. Verlag Ullstein GmbH unknown
1970Best.-Nr. 016694The Macmillian Company 1970. Book. Fine. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. Fine Copy In Like Jacket. $4.95 On Flap. Stated First Printing. Rare Iconic Classic Book of 70's. Gorgeous Fresh Copy. The Macmillian Company Hardcover
1970Best.-Nr. 016694The Macmillian Company 1970. Book. Fine. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. Fine Copy In Like Jacket. $4.95 On Flap. Stated First Printing. Rare Iconic Classic Book of 70's. Gorgeous Fresh Copy. The Macmillian Company Hardcover books
1850Best.-Nr. 50501Johann Sebastien Bach's Le clavecin bien tempere ou preludes et fugues remains among the most influential compositions written for keyboard performance and study. This early nineteenth century Leipzig printing by C.F. Peters issued circa 1850 contains both books of preludes and fugues in all major and minor keys and includes editorial work and a preface by Carl Czerny the Austrian composer and noted student of Ludwig van Beethoven. Czerny's association with the edition places the work within the early Romantic rediscovery and study of Bach's music among professional musicians and conservatory circles. Early Peters editions of Bach scores from this period appear infrequently on the market particularly substantial quarto examples retaining both parts in one volume. Good. Full leather binding secure with leather loss at hinges and corners moderate exterior wear and generally clean pages with expected age toning. 4to two volumes in one. Collation: 87 pp; 99 pp. Edition: circa 1850 edited by Carl Czerny with preface. Item number #50501. PHOTOS AVAILABLE UPON REQUEST. C.F. Peters hardcover
1975Best.-Nr. 599386New York: Harper & Row 1975. Hardcover. Fine/Very Good. First edition. Small quarto. Pictures by Steven Kellogg. Fine in a very good dust jacket with a tear on the front panel a chip on the spine foot and some toning. Warmly Inscribed with a drawing by the author to editor and author Charlotte Zolotow. From the library of Charlotte Zolotow editor and publisher at Harper’s celebrated children’s books department and acclaimed author of over 65 children’s books. She is credited for her contributions to the Children’s Liberation Movement which believed the rights and emotional concerns of children be recognized and treated as the equal of adults. Harper & Row hardcover
1975Best.-Nr. 599386New York: Harper & Row 1975. Hardcover. Fine/Very Good. First edition. Small quarto. Pictures by Steven Kellogg. Fine in a very good dust jacket with a tear on the front panel a chip on the spine foot and some toning. Warmly Inscribed with a drawing by the author to editor and author Charlotte Zolotow. From the library of Charlotte Zolotow editor and publisher at Harper’s celebrated children’s books department and acclaimed author of over 65 children’s books. She is credited for her contributions to the Children’s Liberation Movement which believed the rights and emotional concerns of children be recognized and treated as the equal of adults. Harper & Row hardcover books
1972Best.-Nr. 013863MacMillan. Twelfth Printing. Signed by the author. GIft inscription on half title page. Unclipped DJ in archival cover. . Near Fine. Hardcover. 1st Edition. 1972. MacMillan hardcover
Best.-Nr. BN105487C.H.Beck. Hardcover. Private Krankenversicherung: MB/KK- und MB/KT-Kommentar Grauer Kommentar Private Krankenversicherung: MB/KK- und MB/KT-Kommentar Grauer Kommentar C.H.Beck hardcover
1974Best.-Nr. BN496451Kopenhagen : G.E.C. Gad 1974. 1974. Handbuch der Luthersprach ; Laut- und Formenlehre in Luthers Wittenberger Drucken bis 1545 ; Teil 1: Vokalismus Handbuch der Luthersprach ; Laut- und Formenlehre in Luthers Wittenberger Drucken bis 1545 ; Teil 1: Vokalismus H Bach Kopenhagen : G.E.C. Gad unknown
1999Best.-Nr. x-3540586105Springer Verlag 1999. Hardcover. New. 1st edition. 528 pages. 9.50x6.50x1.00 inches. Springer Verlag hardcover
2008Best.-Nr. BN129283Universität Kaiserslautern 2008. 2008. Softcover. Umsturzsicherheit von Doppeldeckeromnibussen Umsturzsicherheit von Doppeldeckeromnibussen Peter Bach Universität Kaiserslautern paperback
Best.-Nr. 40251Leipzig: Breitkopf & Härtel PN 5089. Becker Carl Ferdinand 1804-1877 editor. Oblong quarto. Full modern vellum. 1f. recto title verso blank 1f. foreword 1f. index 5-211 pp. With printed signature of the editor Carl Ferdinand Becker 1804-1877 dated 9 December 1831 to foreword. 4-part settings for organ or other keyboard instrument without text. Werkverzeichnis number in pencil to each chorale. Minor internal wear. Third edition. Kenney: Riemenschneider Memorial Bach Catalogue 1439. RISM B450. "Bach's chorale writing is characterized by the 'speaking' quality of the part-writing and the harmonies - meaning that they aim to be a direct interpretation of the text. In its pervasive counterpoint and its expressiveness Bach's harmonic style stands out from that of his contemporaries who preferred plain homophonic textures in their chorales. This simpler approach found in the chorales of such as Graupner or Telemann with movement mostly in minims was well suited to congregational singing but Bach took no account of that in his chorales which are deliberately more artistic rhythmically often more lively written in crotchets and frequently bolder in their harmonies." Christoph Wolff and Walter Emery in Grove Music Online "Becker was a German organist musicologist music collector and bibliographer. He was educated at the Thomasschule under Johann Gottfried Schicht and also studied with the organists Friedrich Schneider and Johann Andreas Dröbs. He played the violin in the Gewandhaus Orchestra 1820-33 and in the theatre orchestra 1821-4. He was organist at the Peterskirche 1825-37 and later at the Nikolaikirche 1837-54. When the Leipzig Conservatory was founded in 1843 Mendelssohn invited Becker to become its first organ professor. . One of his special interests was J.S. Bach; he was a founder-member of the Bach-Gesellschaft." Alec Hyatt King revised by Peter Krause in Grove Music Online. Breitkopf & Härtel [PN 5089] unknown
Best.-Nr. 40251Leipzig: Breitkopf & Härtel PN 5089. Becker Carl Ferdinand 1804-1877 editor. Oblong quarto. Full modern vellum. 1f. recto title verso blank 1f. foreword 1f. index 5-211 pp. With printed signature of the editor Carl Ferdinand Becker 1804-1877 dated 9 December 1831 to foreword. 4-part settings for organ or other keyboard instrument without text. Werkverzeichnis number in pencil to each chorale. Minor internal wear. Third edition. Kenney: Riemenschneider Memorial Bach Catalogue 1439. RISM B450. "Bach's chorale writing is characterized by the 'speaking' quality of the part-writing and the harmonies - meaning that they aim to be a direct interpretation of the text. In its pervasive counterpoint and its expressiveness Bach's harmonic style stands out from that of his contemporaries who preferred plain homophonic textures in their chorales. This simpler approach found in the chorales of such as Graupner or Telemann with movement mostly in minims was well suited to congregational singing but Bach took no account of that in his chorales which are deliberately more artistic rhythmically often more lively written in crotchets and frequently bolder in their harmonies." Christoph Wolff and Walter Emery in Grove Music Online "Becker was a German organist musicologist music collector and bibliographer. He was educated at the Thomasschule under Johann Gottfried Schicht and also studied with the organists Friedrich Schneider and Johann Andreas Dröbs. He played the violin in the Gewandhaus Orchestra 1820-33 and in the theatre orchestra 1821-4. He was organist at the Peterskirche 1825-37 and later at the Nikolaikirche 1837-54. When the Leipzig Conservatory was founded in 1843 Mendelssohn invited Becker to become its first organ professor. . One of his special interests was J.S. Bach; he was a founder-member of the Bach-Gesellschaft." Alec Hyatt King revised by Peter Krause in Grove Music Online. Breitkopf & Härtel [PN 5089] unknown books
1971Best.-Nr. 67360The MacMillan Company. Very Good in Very Good dust jacket. 1971. Reprint. Hardcover. Personal inscription and illustration by Bach on third page. Owner name embossed seal on front free-endpaper and title page. Binding tight and straight inner pages clean and unmarked.; 93 pages; Signed by Author . The MacMillan Company hardcover
2012Best.-Nr. __3761824475Barenreiter-Verlag Karl Votterle 2012. Paperback. New. German language. 15.12x9.45x1.34 inches. Barenreiter-Verlag Karl Votterle paperback
1999Best.-Nr. BN671875Médecine Sciences Publications 1999. 1999. Softcover. IMMUNOLOGIE. 3ème édition IMMUNOLOGIE. 3ème édition Jean-François Bach Médecine Sciences Publications paperback
2008Best.-Nr. BN704934MENAIBUC 2008. 2008. Softcover. Jonathan livingston le goéland nouvelle traduction par léandre sahiri Jonathan livingston le goéland nouvelle traduction par léandre sahiri Richard Bach MENAIBUC paperback
1972Best.-Nr. 5379London: Turnstone Press LTD 1972. UK First Edition First Printing. Hardcover leatherette. Russell Munson. An uncommon find – A First Edition First 1972 Printing so stated of the UK edition of Richard Bach’s “Jonathan Livingston Seagull.” This edition’s book comes in leatherette light blue panels with silver stamped lettering on the spine. Book clean throughout tightly bound and sharp cornered. The spine is unmarred and without wrinkling. Very minor toning common with clean front and back pastedowns. A gorgeous copy. Accompanied by a complete dust jacket not price clipped as we have often noticed for these UK edition dust jackets. Dust jacket has a ¾th inch closed tear to the back cover upper left. Minor edge wear and chipping to the head and foot of the dust jacket spine though the dust jacket spine itself is clean without sunning or wrinkling. The UK dust jacket for this title is a bit busier than its US counterpart. Included is the price £1.50 Ray Bradbury’s review of the book along with 9 separate paragraphs for additional Turnstone Press Ltd. Publications including works by Marion Campbell Gopi Krishna John Philip Cohane Psychics Magazine Peter Richelieu Cyrus H. Gordon Herbert B. Greenhouse and P. D. Ouspensky. The inner front cover flap includes a long introduction of “Johnathan Livingston Seagull” by the publisher. The dust jacket’s pictorial back cover features Ernest K. Gann’s review of the book where Gann compares the story to St. Expurey’s “The Little Prince.” “Jonathan Livingston Seagull” suffered many rejections prior to publication after which it became Bach’s most famous title and an enduring classic selling millions of copies. Rumor has it that both Bach and Bradbury were in a book group at the time of “Jonathan Livingston Seagull’s” publication which Bradbury endorsed stating: “Richard Bach with this book does two things. He gives me flight. He makes me young. For both I am deeply grateful.” Soon after Bach’s success a member from the book group decided to playfully spoof “Jonathan Livingston Seagull” with a short satire story titled “Ludwig Von Wolfgang Vulture” which Bradbury also endorsed: “Dolph Sharp with this book does three things. He turns a vulture into a mockingbird. He gives a gull a plucking. And he tickles us with the feathers. I’m grateful all over again. Turnstone Press LTD hardcover
