2 504 résultats
réf. 34622Zurich: Hellmut Schumann. First edition. Paper wrappers. Very good to fine copies; occasional wear: tear along spine crease to corner or sunned wrappers; most copies near fine. Various Sizes. Includes catalogue nos. 470 100: Early Travels; 472: A Rare Book Miscellany; 475: A Miscellany of German Books; 476: 100 Books from the 16th Century; 480: Americana; 481: Autographs Documents and Manuscripts; 483; Old and Modern Art; 487: Deutsche Literatur des 17. bis 19. Fahrhunderts; 491: Incunables and Textual Manuscripts of the Middle Ages; 495: Books on Art; 497: Italy; 499: A Rare Book Miscellany including the Biblia Germanica Septima; 500: Galileo Galilei illus.; 504: German and Austrian Historical Sources Books and Manuscripts; 509: Books on Art; 511: The Art of Ornament and Writing illus.; 513: 200 Books & Manuscripts & a Small Lenin Collection; 524: 160 Books and Manuscripts illus; and Occasional List 4: Scarce French Books; two advertisements. Hellmut Schumann unknown books
1967réf. 621718New York: Bread and Puppet Press 1967. Softcover. Near Fine. First edition. 16mo. 32pp. Illustrated. Stapled illustrated wrappers. Adaptation of Ben A. Botkin's story "Gretchen and the White Steed" which was included in Botkin's Treasury of American Folkore. A very near fine copy. An early Bread & Puppet publication published before the theatre troupe and art collective moved to Vermont. OCLC locates two copies. Bread and Puppet Press unknown books
1902réf. 213852London England: Augener & Co 1902. Hardcover. VG- some wear esp. around edges of boards some creasing and minor tears to some pages pages uniformly tanned but otherwise good. Green boards with debossed red and gilt designs on cover gilt text on spine text block is fully gilt. 103 pp. Chiefly musical scores. Blondel's Song ; Fare Thee Well ; A Red Red Rose ; The Farewell ; Sunday on the Rhine ; O Sunny Beam! ; Thy Image Pure ; Loreley ; Repose ; Moonlight ; Spring Night ; Since mine Eyes have seen Him ; He the Best of all ; It cannot be ; The Ring ; In May ; When thy sweet Eyes I gaze upon ; The Poet's Love ; The Broken Heart ; The Two Grenadiers ; Love Thoughts ; Why o'er the Mountains wander ; Poor Peter ; Evening Song ; Jephtha's Daughter ; Sun of the Sleepless ; The Hero ; Knowest Thou the Land ; Clown's Song ; Thy Face so Lovely and so bright. Augener & Co hardcover books
1887réf. 177309Leipzig: Verl. v. Abel & Müller/ Verl. v. Carl Reißner 1887. Hardcover. VG_ overall wear to boards spine is only attached to one side inscription in ink on ffep light foxing throughout age toning to pages as expected with age of book but text and illustrations are otherwise clear. Brown boards with 3/4 black cloth black spine with gilt ruling/design and gilt lettering. Three books bound in one. First book is 69 pp with bw illustrations throughout. Second book is 96 pp with bw illustrations. throughout. Third book is 86 pp with bw illustrations throughout. Text for all three books is in German. Contains three books by Gustav Schumann bound together. The first book is illustrated by O. Carelli. The second and third are illustrated by Otto Gerlach. Verl. v. Abel & Müller/ Verl. v. Carl Reißner hardcover books
1987réf. 172441Krefeld: Der Oberstadtdirektor 1987. Paperback. VG- ex-library copy with call number label and bookplate. light wear to extremities. Color-illustrated wraps with pink spine lettering. 174 pp. 4 pages of leaves. BW and 4 color illustrations. Text in German. Includes bibliographical references. Catalogue of an exhibition from April 5 to July 26 1987. Der Oberstadtdirektor paperback books
1979réf. 118749Koln: Wienand 1979. Hardcover. VG clean and tight but with ex-lib. marks. Grey paper with spoon motif over boards; 127 pp. of which 8 are text. Text in German. Includes all kinds of images of tableware especially the patterns of the handles. With some place-settings shown. Wienand hardcover books
1891réf. 116709New York: C. W. Schumann 1891. Hardbound. Good and clean but with ex-lib. marks including bookplate and spine sticker;. Maroon cloth with gold figure on cover; 58 pp. with 22 bw illustrations;. The stories of various paintings: A Russian Wedding Feast Judgment of Paris Important Removal Precious Stones and more along with illustrations of other art works all owned by the New York jeweler C.W. Schumann. C. W. Schumann hardcover books
1900réf. 23389London: Novello Ewer and Co 1900. Cloth. Near Fine. 2 v 162 2 ads pages. 8vo. Publisher's original pebbled cloth with copper/gilt title on front cover spine blank. Signature of Julia Houston West and her address on front pastedown. Stamp of Carl Profer on title page and note written at top "J.H.W. sang the Part of the Piri - first time given in Boston by the Parker Club at Chickering Hall". Otherwise clean internally. Binding sound. Cloth. The copy of Julia Houston West called by the The New England Magazine Volume 32 Boston's greatest oratorio singer. The Parker Club was an amateur vocalist association established by James Cutler Dunn Parker in 1864. Parker was also the organist for the Boston Handel and Haydn Society hymntime dot com. A brochure for the Handel and Haydn Society season of 1898/99 for the Paradise and the Peri laid in although not apparently Julia West's performance. Novello, Ewer and Co unknown books
1900réf. 23390London: Novello Ewer and Co 1900. Cloth. Very Good. 2 v 162 2 ads pages. 8vo. Publisher's original black pebbled cloth blank. Front endpaper lacking. Paper label of conductor B.J. Lang on front cover and title page. All edges gilt. Cloth. Conductor B.J. Lang's copy. He conducted this work at The Cecilia in Boston March 31 1892 copy of program laid in. Manuscript notations sporatically throughout presumably in his hand. "Ever since its founding in 1876 The Boston Cecilia has enjoyed a history remarkable for its many fine conductors. The great B.J. Lang in his 33 years of leadership established a pattern of introducing new works to Boston audiences alongside standard repertoire. Many of those unknown pieces joined the canon—the Bach Mass in B Minor and Brahms Requiem to name but two. Among his novel ideas and new pieces now forgotten Lang had the audacity to program Bach for a Victorian audience whose taste ironically found “antique” music decidedly old-fashioned. The Cecilia as it was then known has long held a central place in the performing arts in this city. Antonin Dvo ák led the chorus in Boston’s first performance of his Requiem in 1892. It premiered Beethoven’s Missa Solemnis here and later sang it under Max Fiedler at the dedication of Symphony Hall in 1900. Commissioned by countryman Serge Koussevitsky Igor Stravinsky composed his Symphony of Psalms for the Boston Symphony when Cecilia in 1930 sang the choral part in the American premiere six days after its world debut in Switzerland. During those years Arthur Fiedler brought Cecilia through the Depression and World War II as the official chorus of the Boston Symphony. Under Koussevitzy this was a period of prominence if not independence." website of Boston Cecelia. Novello, Ewer and Co unknown books
1953réf. 203039Hannover Germany: Fackeltrager 1953. hardcover. very good/good. KollwitzKathe. 100 black & white drawings. Slim 8vo cloth dust wrapper; d.w.torn & browning. Hannover; Fackeltrager 1953. Very good with a good d.w. 100 Handzeichnungen von Kathe Kollwitz. Fackeltrager unknown books
1952réf. 115915Hanover: Fackeltrager 1952. First Edition. hardcover. very good. Profusely illus. Unpaginated. thin 8vo beige cloth d.w. Hanover: Fackeltrager 1952. Very good. Fackeltrager unknown books
réf. 44129Leipzig: C. F. Peters. Three volumes. 4to pp. 196 215 215. Indices. Frontis portrait in Vol. I. Cream paper over boards spine labels in red and gilt. Flyleaves removed owner's name on titles or pastedown covers little worn at corners and ends of spine occasional notes o/w a VG set. C. F. Peters unknown books
1849réf. 583030Boston: Geo. P. Reed & Co 1849. Softcover. Very Good. Unknown edition. Folio. Text in English and in German. Single bifolium making four pages. Notched and worn along the fold with several holes from once being bound within an album foxing and offsetting throughout still a very good and complete copy. For voice and piano. Plate imprint 2045. The lyrics to this song are from a poem by the German poet Robert Reineck who is not credited in the piece nor is a translator credited for the English lyrics. Unrecorded by OCLC and it appears to be equally scarce in the trade. Geo. P. Reed & Co unknown books
1909réf. 290154Leipzig: JOHANN AMBROSIUS BARTH 1909. Softcover. Very Good. First edition. Very good with slight creases to back cover stray marks and a little rubbing to the corners. JOHANN AMBROSIUS BARTH unknown books
1961réf. 49524N.P.: n.p. 1961. stiff paper wrappers cord-tied original mailing envelope. Renker Armin. large 8vo. stiff paper wrappers cord-tied original mailing envelope. 6 pages. A speech in memory of the papermaking authority Armin Renker. Tipped-in photo of Renker. Envelope is addressed to Olga Hirsch. n.p. unknown books
2002réf. 300922Glover VT/St. Johnsbury: Bread & Puppet Theater/Troll Press 2002. Pamphlet. 24p. 8.5x11 inches essays photos drawings very good expanded corrected reprint booklet in stapled red pictorial wraps. Originally published as an 8p. booklet in 1983. Bread & Puppet Theater/Troll Press unknown books
réf. 337858San Francisco: Mission Cultural Center 198-. 13x26 inch poster several edge creases upper margin somewhat toned. Mission Cultural Center unknown books
1993réf. 336467Glover VT: Bread & Puppet Theater 1993. 9p. 5.5x8.5 inches illustrated with cartoon drawings very good first edition of 4000 copies bound in stapled green pictorial wraps. Bread & Puppet Theater unknown books
2013réf. 41927Piscataway NJ: Gorgias Press 2013. First edition. Hardcover. vg. Quarto 9 1/4 x 6 1/4". XIII 1 272pp. Original illustrated paper covered boards with white lettering to spine and front cover. "This book is the first attempt to apply formal pragmatics to Judaic studies as a discipline under the auspices of cultural studies reconstructing the pragmatic approach in Judaism and defining some of the pragmatic limits assumed in the Torah. It is a continuation of previous work considering Judaic reasoning from the standpoint of analytic philosophy and logic. The present volume aims to explicate the Judaic pragmatic point of view with an emphasis on logic political studies ethics and speech act theory." From the Publishers. Binding and interior in very good condition. Gorgias Press hardcover books
1948réf. 114490New York: Chanticleer Press 1948. Hardcover. Good. First edition. Good plus fading of spine/panel edges slightly curved panels foxing of pg edges dark browning of end pgs bumping of corners/ends tiny black dot on back panel. Chanticleer Press hardcover books
1890réf. 131404Germany: Breitkopf 1890. Hardcover. Good/Fine. Good hardcover. 3/4 leather. Numerous selections of sheet music for piano forte which includes works by: Siebmann fine. Schimak Gustave Satter Louis Meyer Spindler J. Schulhoff Sydney Smith H. Steglich Schumann. Please feel free to inquire about which selections of music are in this book. Hinge beginning to crack. Corners rubbed. Leather spine dry and brittle. Crack down middle of spine. About an inch on bottom edge of spine peeling off. Pages light brown from age. Breitkopf hardcover books
1970réf. 299093New York: The Drama Review 1970. Magazine. 175p. illustrated with photos articles critique excerpts lightly worn paperback theatre journal in pictorial wraps. Also dada Film. Happenings.Opera. The Drama Review unknown books
1982réf. 46308Ithaca: New York State School of Industrial and Labor Relations Cornell University 1982. Paperback. xii 177p. in very good condition. Cornell studies in industrial and labor relations no. 22. New York State School of Industrial and Labor Relations, Cornell University paperback books
1872réf. 24907Leipzig: Breitkopf & Härtel PNs 7834 7835 7836 1872. Octavo. Original publisher's dark pink printed boards. No. 1: 1f. title 39 i blank pp. No. 2: 1f. title 36 pp. Title lithographed music engraved. Publisher's catalogue with prices in both Reichsthaler and Neugroschen to verso of lower board. Binding worn spine reinforced with old tape; lower wrapper lacking. Title browned and quite brittle edges chipped; browned throughout; some leaves frayed at edges with slight loss to corners; one leaf detached; tear to final page; small publisher's handstamp to lower right corner of both titles. Later edition a Titelauflage printed from plates of the first edition; title page differs only by the added price in Marks. Not in Hofmann McCorkle or Hoboken. The publisher's catalogue lists works published up to 1865 Niels W. Gade's Seventh Symphony op. 45 and Wilhelm Taubert's overture Der Sturm op. 134. The prices in Reichsthaler only also point to a date before 1871. Apparently the catalogue was added without alterations although it was no longer current. Mark currency was introduced in 1872. Breitkopf & Härtel [PNs 7834, 7835, 7836] unknown books
1872réf. 24846Leipzig: Breitkopf & Härtel PN 7834 7835 7836 1872. Octavo. Half black cloth with original publisher's green printed upper wrapper laid down to upper board. No. 1: 1f. title 39 i blank pp.; No. 2: 1f. title 36 pp.; No. 3: 1f. title 39 i blank pp. Title lithographed music engraved. Binding worn; lower wrapper lacking. Slightly worn foxed creased and stained; several leaves frayed or with small tears; some leaves detached; small publisher's handstamp to lower right corner of all titles. First Edition later issue printed from plates of the first edition with new title adding price in marks. Not in Hofmann McCorkle or Hoboken. The first edition of all three quartets first appeared in 1848. Breitkopf & Härtel [PN 7834, 7835, 7836] unknown books
