Schumann, ColmarBiblio.com
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réf. 1168468086.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. RO50010732BREITKOPF ET HäRTEL. XXème. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 3 pages. Ornements en couverture de F. Wanderer.. . . . Classification Dewey : 780.26-Partitions
réf. RO50038020L. BONNEFOND. non daté. In-Folio. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages. 2 partitions. Une partition pour Violon solo et une partition pour Violon avec accompagnement Piano. Petites déchirures sur le dos et sur la page intérieure d'environ 0.2 cm n'altérant pas la lecture de la partition. Ornements sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
1964réf. mon0000154653Fackeltrager-Verlag 1964T. hardcover. Very Good. in x in x in. 1952 Edition. DJ in protective mylar cover. Mild general wear. DJ has tears and chipping. Pages clean. Binding sound. Book itself VG. Fackeltrager-Verlag hardcover
1952réf. 115915Hanover: Fackeltrager 1952. First Edition. hardcover. very good. Profusely illus. Unpaginated. thin 8vo beige cloth d.w. Hanover: Fackeltrager 1952. Very good. Fackeltrager unknown
1952réf. 234303Hannover.: Fackeltrager-Verlag. Schmidt-Kuster. 1952. First edition. . Decorated hard cover. . Fine copy owner inscription on end paper in fine very light edge wear dust jacket in mylar. 4to. Illustrated. Important reference work. Very scarce in this condition. Fackeltrager-Verlag. Schmidt-Kuster. hardcover
1952réf. 115915Hanover: Fackeltrager 1952. First Edition. hardcover. very good. Profusely illus. Unpaginated. thin 8vo beige cloth d.w. Hanover: Fackeltrager 1952. Very good. Fackeltrager unknown books
réf. 0243948859.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0267803133.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3896735209.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3428045017.Gperfect. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1979réf. DADAX3428045017Duncker & Humblot 1979-10-26. perfect. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Duncker & Humblot unknown
réf. BN603185Wien / Freiburg / Basel Herder Verlag 1991. Zum Fluß hinunter wo die Schiffe ziehn. Illustrationen von Barbara Schumann. Zum Fluß hinunter wo die Schiffe ziehn. Illustrationen von Barbara Schumann. Pludra Benno und Barbara Schumann Wien / Freiburg / Basel, Herder Verlag, 1991. unknown
1989réf. 12046Berlin: Der Kinderbuchverlag, 1989. 1. Auflage 94 Seiten , 25 cm, Pappeinband
1961réf. 49524N.P.: n.p. 1961. stiff paper wrappers cord-tied original mailing envelope. Renker Armin. large 8vo. stiff paper wrappers cord-tied original mailing envelope. 6 pages. A speech in memory of the papermaking authority Armin Renker. Tipped-in photo of Renker. Envelope is addressed to Olga Hirsch. n.p. unknown books
195498 S. OKart.
195498 S. OKArt.
réf. ria9783112786949_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
réf. 49991336-nnew. unknown
réf. 49991336like new. unknown
1975réf. __3112786947De Gruyter 1975. Hardcover. New. reprint edition. 90 pages. German language. 8.46x0.43x11.26 inches. De Gruyter hardcover
1864réf. 41093Leipzig: F. Whistling PN 429-431 1864. Octavo. Contemporary half dark green textured cloth with marbled boards titling gilt to spine. 1f. recto title verso blank 232 pp. Title lithographed music engraved. Provenance William Samuel Bambridge 1842-1923 conductor of the Marlborough Choral Society Marlborough College Wiltshire England with "W. S. Bambridge Marlborough College 1873" to front pastedown; publisher's handstamp to foot of title and handstamp in red ink "21451" to upper inner corner of title and first page of music. Binding worn rubbed and bumped; head of spine slightly frayed; hinges cracked. Slightly worn; some browning heavier to margins; occasional foxing; one signature partially detached. First Edition later issue; the first issue was published in November of 1847. McCorkle p. 269. Hofmann p. 137 "later issues bear the year to the title". "The Second Symphony coheres by virtue of a web of recurrent thematic strands. The technique of motivic recall is enhanced by Schumann's employment of contrapuntal combinations. Specifically the chorale theme introduced midway through the finale is integrated with the opening theme of the first movement also a chorale in the symphony's concluding passages. The displacement of the finale's initial march-like theme by a pair of interwoven chorales in essence lifts the Second Symphony from a secular to a quasi-religious plane." John Daverio and Eric Sams in Grove Music Online. F. Whistling [PN 429-431] unknown
1864réf. 41093Leipzig: F. Whistling PN 429-431 1864. Octavo. Contemporary half dark green textured cloth with marbled boards titling gilt to spine. 1f. recto title verso blank 232 pp. Title lithographed music engraved. Provenance William Samuel Bambridge 1842-1923 conductor of the Marlborough Choral Society Marlborough College Wiltshire England with "W. S. Bambridge Marlborough College 1873" to front pastedown; publisher's handstamp to foot of title and handstamp in red ink "21451" to upper inner corner of title and first page of music. Binding worn rubbed and bumped; head of spine slightly frayed; hinges cracked. Slightly worn; some browning heavier to margins; occasional foxing; one signature partially detached. First Edition later issue; the first issue was published in November of 1847. McCorkle p. 269. Hofmann p. 137 "later issues bear the year to the title". "The Second Symphony coheres by virtue of a web of recurrent thematic strands. The technique of motivic recall is enhanced by Schumann's employment of contrapuntal combinations. Specifically the chorale theme introduced midway through the finale is integrated with the opening theme of the first movement also a chorale in the symphony's concluding passages. The displacement of the finale's initial march-like theme by a pair of interwoven chorales in essence lifts the Second Symphony from a secular to a quasi-religious plane." John Daverio and Eric Sams in Grove Music Online. F. Whistling [PN 429-431] unknown books
1997réf. 1001444871997 in8. 1997. Broché.
