DRINKING SONGSABAA
6 170 résultats
1842réf. 30886Paris: Renaud 1842. Small octavo 147 x 90 mm. Original publisher's dark ivory wrappers with titling within decorative floral border and small pictorial woodcut vignette to upper. 1f. recto half-title verso woodcut illustration with printer's note 1f. recto title with pictorial woodcut vignette verso blank 112 103! pp. Uncut. With numerous woodcut illustrations throughout most comic in nature. The present collection contains the text of the songs but no music is present. Wrappers slightly worn soiled and stained; minor chipping to lower blank left corner; a few small edge tears; spine very slightly defective with minor loss to blank areas. Occasional foxing; edges slightly dusty. Heavily mispaginated. A very good copy overall. A rare collection of drinking songs without music and oenophilic odes with amusing woodcut vignettes in the style of Grandville. OCLC 1 copy only at the Bibliothèque nationale. Printed by moquet et Hauquelin rue de la Harpe 90. Renaud unknown books
1815réf. 21633France 1815. 1 vols. Sm. 4to. Contemporary sheep gilt spine. Rubbed several leaves excised else a very good copy. 1 vols. Sm. 4to. The volume commences with three full-page pencil sketches and then begins the manuscripts of verses epigrams etc. The first part of the volume contains several verses that are addressed to Madame Sophie Arnould the famous actress and operatic singer. The latter portion appears to be a slightly later hand. Some pieces are dated including a piece entitled "A Ma Mére le 1er Janvier 1811" signed N. V. A. Loiseau which faced a page entitled "Envoi" which is addressed "A Mlle. Loiseau à l'age de 16 ans par Mr. S. Gautier." The verses pertain to many subjects one a "Vers pour l Portrait de l'Empereur" another"Air le vin de Bourgogne " and there is a piece at the back of the volume relating to Waterloo. An excellent collection providing a very interesting view of the France of this time. unknown books
1887réf. 240229Boston: Oliver Ditson 1887. paperback. good. and Other Concert Companies. Published musical notations. 80pp. 4to pr. wrs. wrappers chipped and torn including large tear in front wrapper title page lightly soiled in margin and chipped on bottom margin front wrapper lightly soiled. Boston: Oliver Ditson 1887. Oliver Ditson unknown books
1884réf. WRCLIT59632Boston: Oliver Ditson & Co. 1884. 96pp. Large octavo. Gilt cloth. Likely one of a number of printings with music reprinted from a variety of sources. A few pencil notes crack at toe of front inner hinge else very good. Includes works by Root Work Foster and many others. Oliver Ditson & Co. hardcover books
1815réf. 21633France 1815. 1 vols. Sm. 4to. Contemporary sheep gilt spine. Rubbed several leaves excised else a very good copy. 1 vols. Sm. 4to. The volume commences with three full-page pencil sketches and then begins the manuscripts of verses epigrams etc. The first part of the volume contains several verses that are addressed to Madame Sophie Arnould the famous actress and operatic singer. The latter portion appears to be a slightly later hand. Some pieces are dated including a piece entitled "A Ma Mére le 1er Janvier 1811" signed N. V. A. Loiseau which faced a page entitled "Envoi" which is addressed "A Mlle. Loiseau à l'age de 16 ans par Mr. S. Gautier." The verses pertain to many subjects one a "Vers pour l Portrait de l'Empereur" another"Air le vin de Bourgogne " and there is a piece at the back of the volume relating to Waterloo. An excellent collection providing a very interesting view of the France of this time. unknown
1900réf. 449010London : Bayley and Ferguson 1900. First Edition. Hardcover. Poor copy in the original title-blocked cloth. Spine bands worn; panel edges somewhat dust-toned and rubbed as with age. Stained and marked. Previous owner's marks. Missing front lining page. Physical description; 1 score 100 pages ; 25 cm. Notes; For voice and piano or chorus SATB. Chiefly arranged by Archibald Ferguson. Subjects; Songs Scottish Gaelic. Folk songs Scottish Gaelic. Part songs. Choral music SATB. Scottish music Collections. London : Bayley and Ferguson hardcover
1826réf. AQ28603Paisley: Printed by G. Caldwell 1826. 8pp. Woodcut to title page. Single folded sheet unopened as issued. Browned and spotted. A Paisley printed chapbook in original state comprised of four narrative songs in Scots dialect including 'Blue Bonnets over the Border' a rousing Jacobite ballad commonly attributed to Sir Walter Scott. . 8vo. Printed by G. Caldwell unknown
1889réf. HAY069031889. Lille L. Quarré Libraire-Editeur. brochés. Le dernier plat du volume 2 est absent le brochage est faible avec petits manques en têtes et pieds des dos les plats sont défaîchis et insolés il y a quelques rousseurs uniquement sur la tranche du premier volume ainsi qu'une signature et une mention à l'encre sur les pages de garde ; l'intérieur des deux volumes de préférence à relier est en très bon état. 2 vol. in-8. avec de nombreuses partitions musicales et une planche illustrée dépliante au premier volume ; orné de quelques bandeaux et lettrines. unknown
1818réf. 41243Berne: J. J. Burgdorfer 1818. Oblong quarto. Original publisher's mid-green printed wrappers. 1f. recto title verso blank 1f. "Inhalt" v-x "Préface de la seconde édition" xi-xxiv "Avant-propos de la troisième édition" 126 music 127-131 "Worterklärungen" 132-133 "Traduction Interlinèaire du Ranz des Vaches d'Appenzell p. 24" 134-135 "Verbesserungen in der Musik." 136 "Verbesserungen." pp. 55 songs in German/Swiss dialects with the exception of those to pp. 107-122 in French. Preface by Johann Rudolf Wyss noted Swiss editor writer and scholar. Typeset throughout. With illustration of Alphorn player to upper and Swiss female figure to lower wrapper. "Articles de Fonds en livres et objects d'arts concernant la Suisse qu'on trouve aussi chez les principaux libraires de la Suisse" to verso of upper and recto of lower wrapper. Scored mainly for voice and piano with instrumental selections for piano and unspecified treble instrument. Wrappers worn with several small stains and tears to edges; upper nearly detached with lower margin of verso repaired with ivory tape. Light uniform browning; occasional minor foxing and small stains; signatures loose. Third edition. OCLC 20912723. A compilation of traditional Swiss folk songs and occasional instrumental selections including music for the Alphorn and solo piano compositions many arranged by Ferdinand Fürchtegott Huber. The alphorn was a "wooden trumpet of pastoral communities in the Alps. . The commonest length of the alphorn is about 185 cm in which case its range extends to the 5th or 6th harmonic as quoted by Beethoven at the end of the Pastoral Symphony. . Alphorns were known best as herdsmen's calling instruments serving also in some areas to summon to church and formerly to war. They may also be numinous: among the Mari of Russia the long wooden trumpet is made for the spring festival and afterwards sacrificially burnt or hidden in a sacred place. Overall likeness in making and using alphorns and their distribution suggest that they possibly may have originated among post-Celtic peoples of the Migration Era. There is no firm evidence of prior existence; 'cornu alpinus' in Tacitus is less than proof of a wooden trumpet of which the earliest specimen from the 9th-century Oseberg ship Oslo Vikingskiphuset supports iconographic suggestions that wooden trumpets of moderate size were used as summoning and military instruments in early medieval northern Europe in addition to their pastoral functions." Anthony C. Baines revised by Max Peter Baumann in Grove Music Online. Rossini evoked the Alphorn in his iconic 1829 William Tell Overture. Of great importance to the preservation of the oral heritage of Swiss alpine herders. J. J. Burgdorfer unknown
1865réf. 000014958Paris: Librairie Internationale A. Lacroix Verboeckhoven & Co 1865. Later edition. Hardcover. Near Fine. Small 8vo. 5 iv-x 6 17-293 5 pp. Half contemporary red artificially grained sheep over marbled paper boards spine in six compartments with gold lettering on the spine. Marbled endpapers and pastedowns. This edition not in Graesse. The Song of Roland portrays a French knight who fought for Charlemagne at the end of the eighth century. The poem is said to be the oldest surviving complete work of French literature. The epic poem is followed by "Chronique de Turpin" the Carolingnian work on Charlemagne's campaigns in early-medieval Spain. The Turpin Chronicle is based on military legends of early-medieval France but it is not in fact historical. Its composition is said to have taken place at the end of the eleventh century into the beginning of the twelfth century. Translated from the Anglo-Norman into modern French by Alex. De Saint-Albin; the Turpin Chronicle was originally written in Latin but is published here in French. A lovely edition of the epic poem integral to the French literary and historical canons. A bookplate from 1875 on the front pastedown the faint odor of tobacco to the leaves. Librairie Internationale A. Lacroix, Verboeckhoven & Co hardcover
1870réf. 018050Boston: Faust's Statue 1870. Book. NVG. Soft cover. 1st Edition. Softcover plain paper cover has marginal wear light soiling. Interior has uncut pages minor spot foxing thus near very good. While dated 1793 the paper and Sabin 70917 suggest this is the 1870 facsimile. . Faust's Statue Paperback
1855réf. List3682Philadelphia: Edward L. Walker 142 Chestnut St. above 6th 1855. Folio sheet music pictorial lithographed cover approximately 13.5 × 10.5 inches. Light edge wear and minor toning; very good with a strong impression of the cover illustration. An antebellum piano dance reflecting the plantation imagery that circulated widely in mid-nineteenth-century American popular music. “Cuba Plantation Dance” was composed by Chas. H. Wilson a little-documented composer whose name appears chiefly in connection with this work and issued in Philadelphia during the early 1850s by Edward L. Walker the predecessor firm to the major publishing house Lee & Walker. A copy is recorded in the Levy Collection at Johns Hopkins which dates the publication to 1855. The cover presents a stylized plantation landscape framed by tall stalks of sugar cane with a small central vignette of a dancing Black figure. The use of Cuban plantation imagery reflects contemporary American fascination with the Caribbean sugar economy and with plantation life beyond the United States. During the 1850s Cuba was one of the largest slave societies in the Atlantic world. By the midcentury the island’s sugar plantations relied on hundreds of thousands of enslaved Africans and the enslaved population of Cuba was estimated at roughly 400000 people in the 1840s–1850s working primarily in the rapidly expanding sugar industry. Although Spain formally agreed to end the Atlantic slave trade in 1820 illegal importations of enslaved Africans into Cuba continued for decades supplying labor for the island’s plantations well into the 1850s. American publishers frequently borrowed such imagery for plantation-themed dance music marketed to the parlor trade. Pieces labeled “plantation dances” or “Ethiopian dances” formed part of the broader culture of minstrel and plantation entertainment. The title page bears a dedication to “Miss Arabelle Conrad” typical of mid-century sheet music addressed to amateur pianists. Along with the aforementioned copy in the Levy collection we find copies at Michigan and Temple. Edward L. Walker, 142 Chestnut St., above 6th unknown
1889réf. 2495Boston Ticknor & Co 1889. HBNO DJ spine GOOD- condition former owner name1889 1st edtiion illustrated melody with written music on last pg VG- NODJ. First Separate. Hard Cover. Boston, Ticknor & Co hardcover
1883réf. 58068London: Kegan Paul Trench and Co 1883. Third illustrated edition. with sixteen plates. Green cloth with gilt decs to spine and front and black decs to rear AEG. Period owner name to front endpaper gutters cracked throughout pp clean and tidy plates bright. Cloth. Very Good Minus/No Jacket. Illus. by Chapman Geo. R. 4to. Kegan Paul Trench and Co Hardcover
1900réf. 2224180518049RED FOLEYS SONGS OF INSPIRATION BOOK 1953 SHEET MUSIC FOLDER 525 1900-01-01. Sheet music. Very Good. Nice looking sheets has minor edge wear. has name on cover. . RED FOLEYS SONGS OF INSPIRATION BOOK 1953 SHEET MUSIC FOLDER 525 unknown
1900réf. 1269120517087RED FOLEYS SONGS OF INSPIRATION BOOK 1953 SHEET MUSIC FOLDER 525 1900-01-01. Sheet music. Very Good. Nice looking book has minor edge wear. RED FOLEYS SONGS OF INSPIRATION BOOK 1953 SHEET MUSIC FOLDER 525 unknown
1867réf. 1150737Marburg, Koch, 1867. 240 S. Ppbd d. Zeit (St. a. T.).
1867réf. 1150553Karlsruhe, Braun, 1867. 8, 234 S. Lwd.
1886réf. 4857Marburg, N. G. Elwert?sche Verlagsbuchhandlung, 1886. mit illustriertem Titel. HLwd.d.Zt., XVIII; 260 S., 8°, 3. verm. Aufl.
1880réf. 1811241165xbvkCaen, Typ. F. Le Blanc-Hardel, 1880. 24 unopened pages. - Publisher's decorated, titled papercover; 8vo.(ca. 23 x 16 cm).
1851réf. 1150682Frankfurt/Main, Brönner, 1851. 627 S. Hldrbd d. Zeit m. Rückenvergoldung (gering berieben, hint. Innengelenk gelockert).
1832réf. 310142Perrotin - Guillaumin, Paris, 1832. 258, 229,174 pages. Originalleinen. 13,5cm
1855réf. 4472FBParis, Garnier Verlag, 1855. 4°. 27,5 x 19,5 cm. Halblederband der Zeit mit Rückenvergoldung, Vorsätzen aus Moiré-Papier und Rundum-Goldschnitt.
1890réf. 11559C.F. Peters, Leipzig, o.J (um 1890). 213 Seiten, goldgeprägter roter OLeinenband, 200 Lieder mit Noten sind aufgeführt. An einer unteren Rückenfalz aufgeplatzt, durchgehend stark stockfleckig. Buchladenstempel auf Titelblatt (`C.A. Chailler & Co. Musikalienhandlung gegr. 1835 Berlin S.W. Leipzigerstr. 56`). Mehrzeilige private Widmung von alter Hand; datiert 1894. Brauchbares Exemplar.
1826réf. 34196ABruxelles:, de Vroom., 1826. (ca. 12 x 7,7 cm). XVII, 476 S. Ganzleinwand der Zeit mit etwas abgeriebenem goldgeprägtem Rückentitel. Einband etwas berieben, Seiten etwas stockfleckig, kleiner Namenszug auf dem Titel, insgesamt noch gut erhalten. - Coiffes, mors, coins et bords frottés. Texte frais, quelques rousseurs.
