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2018rif. 195586Paris: Bernard Chauveau Editeur 2018. Paperback. Very Good. Fench language text. Black illustrated wraps. 71 pages : illustrations. Based on the correspondence exchanged with Marion Chanson between 2014 and 2018./ Includes bibliographical references. Bernard Chauveau Editeur paperback
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1855rif. List3682Philadelphia: Edward L. Walker 142 Chestnut St. above 6th 1855. Folio sheet music pictorial lithographed cover approximately 13.5 × 10.5 inches. Light edge wear and minor toning; very good with a strong impression of the cover illustration. An antebellum piano dance reflecting the plantation imagery that circulated widely in mid-nineteenth-century American popular music. “Cuba Plantation Dance” was composed by Chas. H. Wilson a little-documented composer whose name appears chiefly in connection with this work and issued in Philadelphia during the early 1850s by Edward L. Walker the predecessor firm to the major publishing house Lee & Walker. A copy is recorded in the Levy Collection at Johns Hopkins which dates the publication to 1855. The cover presents a stylized plantation landscape framed by tall stalks of sugar cane with a small central vignette of a dancing Black figure. The use of Cuban plantation imagery reflects contemporary American fascination with the Caribbean sugar economy and with plantation life beyond the United States. During the 1850s Cuba was one of the largest slave societies in the Atlantic world. By the midcentury the island’s sugar plantations relied on hundreds of thousands of enslaved Africans and the enslaved population of Cuba was estimated at roughly 400000 people in the 1840s–1850s working primarily in the rapidly expanding sugar industry. Although Spain formally agreed to end the Atlantic slave trade in 1820 illegal importations of enslaved Africans into Cuba continued for decades supplying labor for the island’s plantations well into the 1850s. American publishers frequently borrowed such imagery for plantation-themed dance music marketed to the parlor trade. Pieces labeled “plantation dances” or “Ethiopian dances” formed part of the broader culture of minstrel and plantation entertainment. The title page bears a dedication to “Miss Arabelle Conrad” typical of mid-century sheet music addressed to amateur pianists. Along with the aforementioned copy in the Levy collection we find copies at Michigan and Temple. Edward L. Walker, 142 Chestnut St., above 6th unknown
1962rif. 3117928New York: Simon and Schuster. Fine in Near Fine dust jacket. 1962. Second printing; 2nd. printing. Hardcover. Second printing. Fine in a very close to fine dust jacket. 255pp. 9 1/2" X 12" Tiny chip at crest of rear panel of jacket. A few tiny nicks in jacket. A choice copy. ; 9 1/2" X 12"; 255 pages . Simon and Schuster hardcover
1958rif. 3117927New York: Simon & Schuster and Williamson Music Inc. Fine in Fine dust jacket. 1958. First Edition; First Printing. Hardcover. First edition. Fine in fine dust jacket. 255pp. 9 1/2" X 12" 2 tiny closed edge nicks in jacket. Lovely copy.; 9 1/2" X 12" . Simon & Schuster and Williamson Music, Inc. hardcover
