Béranger

Béranger — marelibri

1860ref. 233441860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. 1 frontispice grav n.fol. 416 pp. et 1 f. bl. Reliure de l'poque de demi-chagrin maroquin sapin dos nerfs orns de filets gras et maigres en noir filet en pointills dors sur les nerfs larges fleurons dors titre dor tranches mouchetes. Seconde dition ; en partie originale ''plus complÂte que celle de 1857. De plus elle est illustre et augmente de nombreuses notes''. in Carteret. L'exemplaire s'ouvre sur un frontispice figurant l'auteur par Charles et recÂle en outre 8 sur 8 planches graves d'aprÂs d'Aubigny Sandoz et Wattier ainsi que d'une photographie contrecolle sur papier fin in fine. Fin 1805 lÕancien Caveau ressuscite. La Cl du Caveau est publie chaque anne. Ce recueil de chansons et dÕairs permet Branger entr au Caveau moderne fin 1813 Dsaugiers et leurs amis de faire connatre leurs chansons au peuple mais des copies circulent dj et Branger est connu pour Le Snateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 Branger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libralisme. AprÂs le retour du roi Louis XVIII en 1815 Branger va exploiter les thÂmes du respect de la libert de la haine de lÕAncien Rgime de la suprmatie clricale du souvenir des gloires passes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et clÂbre les gloires de la Rpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. Branger apporte la posie dont ont besoin ceux qui ont dsert la cause royale. Le cercle de ses amitis sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer la Minerve avec tienne de Jouy Charles-Guillaume tienne et Benjamin Constant . Escoffier Le Mouvement romantique 1735 pour l'dition de 1857 - Carteret III Le Trsor du bibliophile p. 85 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littrature franÂaise p. 40 pour l'dition de 1857 - Brivois Bibliographie de l'Oeuvre de Branger p. 84 - Brivois Bibliographie des ouvrages illustrs du XIXÂme p. 56 - Clouzot Guide du bibliophile franÂais p. 31. Angles coupes et coiffes lgÂrement lims. Quelques feuillets oxyds. Ingales mais claires rousseurs dans le texte. Du reste bonne condition. b42961 unknown

MONNIER, Henry; DEVERIA, Achille; BERANGER, Pierre-Jean deBiblio.com

Chansons de P.J. Béranger Anciennes Nouvelles et Inédites

ref. 05079Paris: Baudouin Frères Éditeurs 1828. One of the Finest Surviving Copies of Béranger's Great Illustrated Masterpiece Complete in the Original Ten Livraisons Preserving Every Publisher's Printed Wrapper The Publisher's Presentation Inscription and Two Complete Suites of Henri Monnier's Contemporary Hand-Colored Lithographs MONNIER Henri illustrator. DEVÉRIA Achille illustrator. BÉRANGER Pierre-Jean. Chansons de P. J. Béranger Anciennes Nouvelles et Inédites avec des Vignettes de Devéria et des Dessins coloriés d'Henri Monnier. Suivies des Procès Intentés à l'Auteur. Paris: Baudouin Frères Éditeurs 1828. First edition preserved complete in the ten original publisher's printed livraisons each retaining its original pale green decorative wrapper with the contemporary presentation inscription of the printer and publisher Rignoux on the opening wrapper. Octavo 8 7/8 x 5 3/4 inches; 225 x 147 mm. Illustrated with forty magnificent contemporary hand-colored lithographs by Henri Monnier and hundreds of wood-engraved text vignettes by Achille Devéria. Accompanied by the exceedingly rare complete duplicate suite of all forty contemporary hand-colored lithographs likewise preserved within the publisher's original printed wrappers bringing the total to eighty original contemporary hand-colored lithographs. The front wrapper of the First Livraison bears the contemporary presentation inscription of the printer-publisher Rignoux. Publisher's original pale green printed wrappers each with its own distinctive wood-engraved vignette. A superb entirely unsophisticated survival. The principal work remains complete in all ten original livraisons while the two complete suites of Monnier's lithographs are preserved separately one housed in an original Second Livraison wrapper and the duplicate suite in an original Fifth Livraison wrapper exactly as issued. Together with: BÉRANGER Pierre-Jean. Poniatowski. Hatons-Nous. Chansons Dédiées au Général Lafayette Premier Grenadier de la Garde Polonaise. Suivies du 14 Juillet 1829 et des Couplets à mes Amis devenus Ministres. Paris: À l'Agence du Comité. 1831. First edition. Octavo 8 7/8 x 5 3/4 inches; 225 x 147 mm. 1-23 1 blank. Preserved in its original blue printed wrapper. The entire collection housed in a handsome three-quarter green morocco clamshell case. Pierre-Jean de Béranger was the most celebrated songwriter political poet and popular literary figure of nineteenth-century France. His chansons were sung not only in theaters and cafés but in workshops military barracks taverns and private drawing rooms throughout the country becoming inseparable from everyday French life. Combining lyrical elegance with wit patriotism and fearless political commentary Béranger exercised an influence unmatched by any French popular poet of his generation. His repeated prosecutions and imprisonment under the Bourbon Restoration only increased his fame transforming him into the literary voice of liberal France and one of the defining cultural figures of the nineteenth century. The present work has long been regarded as the greatest illustrated edition of Béranger's songs. To accompany the text the publishers assembled two of the foremost artists of the Romantic generation. Achille Devéria supplied hundreds of exquisitely engraved woodcut vignettes that enrich almost every page while Henri Monnier created forty original lithographs that rank among the earliest masterpieces of French Romantic book illustration. Executed with Monnier's characteristic humanity humor and penetrating observation of everyday Parisian life these compositions perfectly complement the spirit of Béranger's verse capturing both its comic brilliance and its emotional warmth. Although complete copies of the illustrated edition are themselves of the utmost rarity the present example belongs to an altogether different order of survival. Not only does it preserve all ten original publisher's livraisons each retaining its fragile printed wrapper - ephemeral elements almost invariably discarded when nineteenth-century subscribers had their parts bound - but it also preserves the publisher's complete duplicate suite of Henri Monnier's forty contemporary hand-colored lithographs likewise retained in their original wrappers exactly as issued. Such duplicate suites were intended for collectors wishing to preserve an additional set of illustrations yet they were almost always separated damaged or discarded during the binding process. We have been unable to trace another copy preserving every original livraison together with both complete contemporary hand-colored suites. The visual effect is simply extraordinary. The contemporary hand-coloring remains remarkably fresh and luminous throughout delicately executed in the finest Parisian manner of the late Restoration. Together the two complete suites comprise eighty original contemporary hand-colored lithographs transforming the work into one of the most spectacular surviving monuments of French Romantic illustrated publishing. The front wrapper of the First Livraison bears the contemporary presentation inscription of the printer and publisher Rignoux providing an unusually appealing contemporary association with the publication itself. Equally remarkable is the survival of every original wrapper preserving the work precisely as subscribers first received it in 1828. Such wrappers rank among the most ephemeral survivals of nineteenth-century publishing and are seldom encountered complete. Henri Monnier's illustrations occupy a pivotal place in the history of French caricature. Produced before the celebrated Scènes Populaires and the works that established him as one of the supreme visual chroniclers of nineteenth-century Paris they reveal an artist already in complete command of expressive characterization theatrical composition and psychological observation. These early lithographs anticipate the qualities that would later influence Honoré Daumier and define an entire generation of French Romantic satirical art. Together with Devéria's refined wood engravings they constitute one of the great achievements of Romantic book illustration. Accompanying the principal work is the scarce first edition of Poniatowski. Hatons-Nous. published in 1831 and preserved like the Chansons in its original printed wrapper. Dedicated to General Lafayette and inspired by the Polish struggle for national independence it reflects the liberal political ideals that permeate so much of Béranger's writing. Its presence provides an exceptionally appropriate contemporary companion to the monumental illustrated edition while further enhancing the historical and bibliographical importance of the collection. Few illustrated books of the Romantic period survive in anything approaching their original published state; fewer still preserve every ephemeral wrapper and virtually none retain the publisher's complete duplicate suite of hand-colored plates. This extraordinary copy preserves not merely Béranger's greatest illustrated work but the entire experience of its publication exactly as nineteenth-century collectors first acquired it. It stands as a landmark of French Romantic literature political history music and illustrated book production and is unquestionably among the finest surviving copies of Henri Monnier's first great lithographic masterpiece. "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie. KVK locates no complete copies. OCLC records only a single complete institutional copy at Université Paris-Est Marne-la-Vallée France. References: Champfleury Monnier p. 364; Escoffier Le Mouvement Romantique 675; Marie 653-692; Vicaire I 402. Paris: Baudouin Frères, Éditeurs, 1828 unknown

David Brass Rare Books, Inc. · Estados UnidosUS$ 13.500,00≈ € 12.061,12

MONNIER, Henri; DEVERIA, Achille; BERANGER, Pierre-Jean deBiblio.com

Chansons de P.J. Béranger Anciennes Nouvelles et Inédites

ref. 04871Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" "The First Superstar of French Popular Music" Thirty Three of Forty Hand Colored Lithograph Plates by Henri Monnier MONNIER Henri illustrator. Chansons de P.J. Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. First edition. Two octavo volumes 8 1/8 x 5 1/8 inches; 207 x 130 mm. ii 1-439 1 blank; iv 1-438 pp. Some light waterstaining to the top edge of the first few leaves in volume one not affecting text. Thirty-three of forty superb hand colored lithograph plates by Henri Monnier and numerous charming black & white vignettes by Achille Devèria. The color plates have the original tissue guards. The plates that were never included in this copy are numbers: 21 26 28 31 35 37 & 39.These seven plates are highlighted below within the listing of all 40 plates. Contemporary quarter russia over blue boards spines decoratively ruled in gilt two black morocco labels lettered in gilt pink marbled endpapers. Head and tail of spines expertly and almost invisibly repaired corners rubbed. Bookplates removed from front pastedowns. A very good copy. "The forty drawings by Henri Monnier lithographed with a pen on stone and colored with a brush are very rare complete. Seven of these lithographs are often missing they are: The Court Dress The Exile The Good Old Man The Marquise of Pretintaille The Flight of Love The Voyager The two Grenadiers." Carteret III p. 72. KVK locates no complete copies; OCLC locates just one complete copy in libraries and institutions worldwide: Paris-Est Marne-La-Vallee-Bu France. All other copies that are recorded or that we know of have the same thirty-three of forty hand colored plates. It would appear that the seven plates numbers 21 26 28 31 35 37 & 39 were either destroyed soon after printing or purposely left out in all but the very first copies. "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie. Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison. Stephens Lyne-Stephens 1801-1860 was an English Tory politician who represented Barnstaple before the 1832 Reform Act. After inheriting a family fortune from glass manufacture in Portugal he was later reputed to be the richest commoner in England. The plates: 1. Le Roi d'Yvetot 2. La Bacchante 3. Le Sénateur 4. La Gaudriole 5. Roger Bontemps 6. Ma Grand'Mère 7. Ma Mère Aveugle 8. Le Petit Homme Gris 9. La Bonne Fille 10. L'Éducation des Demoiselles 11. Madame Grégoire 12. Les Gueux 13. Le Vieux Célibataire 14. Le Commencement du Voyage 15. Requête des Chiens de Qualité 16. Vieux Habits! Vieux Galons! 17. Le Nouveau Diogène 18. Le Maitre d'École 19. La Chatte 20. Bon Vin et Fillette 21. L'Habit de Cour p. 205 22. Ce n'est plus Lisette 23. L'Hiver 24. la Bonne Vieille 25. La Vivandière 26. L'Exilé p. 285 27. La Bouquetière et le Croque-Mort 28. Le Bon Vieillard p. 315 29. L'Aveugle de Bagnolet 30. Les Cartes ou L'Horoscope 31. La Marquise de Pretintaille p. 402 32. Le Tailleur et la Fée 33. Le Violon Brisé 34. Les Hirondelles 35. La Fuite de l'Amour p. 87 36. Le Vieux Sergent 37. Le Voyageur p. 111 38. Le Grenier 39. Les Deux Grenadiers p. 169 40. Les Souvenirs du Peuple Champfleury Monnier p.364; Escoffier The Romantic Movement N°675; Marie 653-692; Vicaire I-402. Paris: Baudouin Frères, Éditeurs, 1828 unknown

David Brass Rare Books, Inc. · Estados UnidosUS$ 1.750,00≈ € 1.563,48

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