P-J De BerangerBiblio.com
1866ref. 864B15Paris: Perrotin 1866. Leather. Very Good Indeed. 11" by 7.5". Various. A new illustrated edition of this collection of songs by Pierre-Jean de Beranger. New popular edition. A collection of ancient and posthumous songs by Pierre-Jean de Beranger. Beranger was a prolific French poet and songwriter who was very popular in France during his lifetime. With illustrations throughout the text and a frontispiece. Collated complete. With a bookplate for Guille-Alles Library Guernsey to the front pastedown. In half morocco with cloth covered boards. Externally smart with some marks to the boards and rubbing to the extremities. With a bookplate for Guille-Alles Library Guernsey to the front pastedown and stamp to the next page. Internally firmly bound with bright pages with scattered spots to the first few pages. Very Good Indeed Perrotin hardcover
1830ref. 1038AG1830. O.J. um 1830. Kupferstich in Mischtechnik Strich- und Punktiermanier von Philippe Joseph Vallot 1796-1840 nach Charlet. Bildgrösse: 20 x 107 cm. Blattgrösse: 355 x 252 cm. Mit handschriftlicher Widmung des Kupferstechers Ph.J. Vallot an einen Freund. Stockfleckig. unknown
ref. 958AGO.J. um 1850. Lithographie von C. Motte. Bildgrösse: 14 x 16 cm. Blattgrösse: 37 x 28 cm. Stockfleckig. unknown
ref. 116BGO.J. um 1850. Stahlstich Brustbild von Samier nach Aug. Sandoz 1847. Bildgrösse: 13 x 10 cm. Blattgrösse: 25 x 16 cm. Stockfleckig. unknown
1847ref. 810F12Paris: Perrotin 1847. Leather. Very Good. 9.5" by 6.5". Not Stated. A three volume edition of the songs and music of French chansonnier Pierre-Jean de Beranger illustrated throughout. The complete three volume illustrated fourth edition of the music and songs of Pierre-Jean de Beranger the prolific French poet and chansonnier - songwriter - who enjoyed great popularity and influence in France during his lifetime.With the first two volumes consisting of de Beranger's songs and the final volume dedicated to the accompanying music.Illustrated with fifty-three plates. Collated complete.De Beranger is best known as the retrospective composer for the national anthem of Malaysia 'Negaraku' and Perak state anthem 'Allah Lanjutkan Usia Sultan'. In quarter morocco bindings with cloth covered boards. Gilt detailing to back strips. Marks and rubbing to boards most prominent to front board of volume I. Small loss to paper to rear board of volume II. Internally firmly bound. Significant spotting throughout most prominent to page perimeters. Very Good Perrotin hardcover
ref. 47092H. Fournier Ainé. Paris. 1837. . Edition illustrated by Grandville and Raffet. Volume 1: 4 4 facsimile of a letter from Beranger to Grandville LXXXI 375 PP with 1 head piece plus 47 b/w plates. Fp: Portrait of J. P. De Béranger. Volume 2: 4 399 PP with 1 head piece plus 49 b/w plates. Fp: Le ventru. Volume 3: 4 400 PP with 1 head piece plus 24 b/w plates. Quarter bound marbled boards gilt title on a decorated spine. Covers lightly rubbed. Occasional foxing spots o/wise a near fine set. French text. 23.2 x 15. H. Fournier Ainé. Paris. 1837. hardcover
1847ref. ZB1319979Paris: Perrotin 1847. Price HAS BEEN REDUCED by 10% until Monday Nov. 2 weekend sale item measures 9.5 x 6.75 inches xl 411 pp. frontis. portrait three page facsimile letter numerous engraved plates some of which are in color; bound in later gilt stamped decorated full red leather binder unidentified with the original illustrated paper wrappers dated 1848 retained a.e.g. light to moderate foxing else very good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Paris: Perrotin hardcover
ref. 4712iEDA. Bohné Cassel 1830. 180/II S. orig. Pbd. Rücken verfärbt/ durchgehend etwas stockfl./ NaT. Nach dem Französischen treu übersetzt von Ph. Engelhard geb. Gatterer unknown
1847ref. 85788Paris: Perrotin 1847. Fine. Perrotin Paris 1847 14.50 x 24 cm 2 volumes reliés New edition and first issue of the beautiful romantic illustrations. Half-aubergine shagreen bindings smooth spines set with gilt wavy fillets and decorated with gilt fleurons gilt friezes at head and foot of spines some rubbing to spines aubergine paper boards marbled endpapers and pastedowns contemporary bindings. Work illustrated with 52 beautiful steel engravings by Charlet Lemud Johannot Daubigny Pauquet Jacques Penguilly Rudder Raffet Sandoz. Scattered foxing. Perrotin hardcover
2017ref. 1-3841684785Publicia 2017. Paperback. New. 204 pages. Spanish language. 8.66x5.91x0.46 inches. Publicia paperback
1858ref. 85997Paris: Perrotin 1858. Fine. Perrotin Paris 1858-1868 16 x 25.50 cm 5 volumes reliés en 1 New edition with some parts in first edition revised by the author and illustrated with numerous steel engravings by Johannot Raffet de Lemud Grenier Jacques Pauquet Penguilly de Rudder Sandoz d'Aubigny Grandville. Half-red shagreen bindings spines with five raised bands outlined with black fillets marbled paper boards marbled endpapers and pastedowns. The set comprises the following volumes: Chansons in two volumes Dernières chansons Musique des chansons Album des chansons entirely illustrated with engravings by Jean Ignace Isidore Gérard Grandville Ma biographie. Some foxing a scrape to head of one joint of Ma biographie the volume Dernières chansons has been bound without its title and half-title pages. Perrotin hardcover
1821ref. 83789Paris: Chez Les Marchands de nouveautés 1821. Fine. Chez Les Marchands de nouveautés Paris 1821 - 1825 9.50 x 15.80 cm 2 volumes reliés First edition of these 3 works bound in 2 volumes. Following the Trial of messieurs de Béranger and Baudouin 14 manuscript songs retained by the prosecutor general against Béranger and censored. One understands the interest of this copy since the song collection was sold out or seized. Contemporary full straight-grained green morocco binding. Luxury binding from a major atelier but unsigned. Smooth spine decorated with a blind stamp with floral semé within a double gilt fillet frame. Boards decorated with multiple blind frames doubled with gilt fillets. Gilt edges. Triple gilt interior fillet. Spines uniformly faded. Small dark areas on the boards of one volume. Traces of rubbing. Scattered pale yellow foxing. Very handsome copies. Two days after the publication of the author's song collection published at his own expense the king's prosecutor for the Seine department filed a complaint against the chansonnier and ordered the seizure of the work the police only managed to seize 500 copies since 10000 had sold in a few days. He faced four charges: offense to morals attack on religious morality offense against the person of the king and incitement to wear a rallying sign unauthorized by the king the tricolor flag. He was condemned to a minimal sentence of three months in prison and a 500 F fine essentially for his attacks against the Capuchins and missionaries. Meanwhile his lawyer Dupin provoked a second trial by publishing his plea accompanied by the text of the incriminated songs as procedural documents. Béranger was a convinced republican and his songs became increasingly virulent under Louis XVIII. After the episode of his trial where all of Paris rushed to attend he became under Charles X an important figure of the liberal camp. An engaged author and today forgotten the chansonnier Béranger enjoyed immense celebrity but posterity has identified him with the acerbic criticisms of Flaubert and Baudelaire as a minor and bourgeois author unjustly revered. The history of his trial well before those of Baudelaire and Flaubert reveals the greater complexity of the author and stages the history of censorship under the Restoration. Chez Les Marchands de nouveautés hardcover
1834ref. 82009Paris: Perrotin 1834. Fine. Perrotin Paris 1834 13 x 22 cm 4 volumes reliés Edition with some parts in first edition illustrated with 100 of 103 vignettes after drawings by Daubigny Johannot Charlet Raffet Scheffer Devéria. Half red calf bindings with corners spines slightly faded with one raised band decorated with gilt and black romantic arabesques gilt friezes at head and foot gilt fillet frames on marbled paper boards marbled endpapers and pastedowns speckled edges some corners slightly bumped contemporary bindings. Some foxing four vignettes lacking in our copy. However our copy is complete with the two portraits of Béranger and the facsimile of a 4-page manuscript letter all placed at the beginning of volume I. Perrotin hardcover
1834ref. 791261834. Fine. 1834-1835 26 x 33 cm 3 volumes reliés First edition. Contemporary green half morocco bindings spines uniformly sunned with gilt fillets and dentelle motifs marbled paper covers morocco label ""Marie Seillan"" pasted on each volume spine-ends rubbed otherwise a handsome copy. Scattered foxing paper on some issues a little browned. Detailed volume contents : - Volume 1: 26 issues nos. 1 to 26 and 26 scores 2 lithographs with the first two scores an engraved portrait of Rossini vignettes in the text. - Volume 2: 25 issues nos. 27 to 52 and 26 scores vignettes in the text. - Volume 3: 26 issues nos. 1 to 26 and 26 scores two scores are missing and have been replaced by three others. Complete last volume with all lithographs as they were supplied without supplement for this new series. unknown
1847ref. 39111847. : 55 . Octavo 8vo Height cm: 246 CM Width cm: 162 CM Thickness cm: 22 CM unknown
1860ref. 233431860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. iii - 374 pp. 1 f. n.fol. et 1 f. bl. Reliure de l'poque de demi-chagrin maroquin sapin dos nerfs orns de filets gras et maigres en noir filet en pointills dors sur les nerfs larges fleurons dors titre dor tranches mouchetes. L'ouvrage recÂle 14 sur 14 dlicates planches - ici en premier tirage - graves sur acier d'aprÂs Aim de Lemud. ''En 1860 Perrotin rimprima cette dition de 1857 et y insra une suite de 14 figures de Aim de Lemud pour l'illustrer''. in Carteret. ''A. de Lemud a compos en 1860 une suite de 14 dessins pour illustrer les DerniÂres Chansons. Ces gravures publies par Perrotin ont t tires sur blanc et sur Chine avant la lettre''. in Vicaire. ''ElÂve de Paul Delaroche Lemud peintre d'inspiration romantique exposa au Salon de 1869 mais ce sont surtout ses lithographies qui le firent connatre''. in Osterwalder citant la prsente contribution de l'artiste. ''Lemud a fait aussi de l'illustration notamment pour les Chansons de Branger''. in Bnzit. Fin 1805 lÕancien Caveau ressuscite. La Cl du Caveau est publie chaque anne. Ce recueil de chansons et dÕairs permet Branger entr au Caveau moderne fin 1813 Dsaugiers et leurs amis de faire connatre leurs chansons au peuple mais des copies circulent dj et Branger est connu pour Le Snateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 Branger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libralisme. AprÂs le retour du roi Louis XVIII en 1815 Branger va exploiter les thÂmes du respect de la libert de la haine de lÕAncien Rgime de la suprmatie clricale du souvenir des gloires passes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et clÂbre les gloires de la Rpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. Branger apporte la posie dont ont besoin ceux qui ont dsert la cause royale. Le cercle de ses amitis sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer la Minerve avec tienne de Jouy Charles-Guillaume tienne et Benjamin Constant . Brivois Bibliographie des ouvrages illustrs du XIXÂme p. 56 - Carteret III Le Trsor du bibliophile p. 83 - Escoffier Le Mouvement romantique 1735 pour l'dition de 1857 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littrature franÂaise p. 40 - Osterwalder I Dictionnaire des illustrateurs p. 617 - Bnzit VI Dictionnaire des peintres p. 574 - Clouzot Guide du bibliophile franÂais p. 31 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 191. Angles coupes et coiffes lgÂrement lims. Claires rousseurs dans le corps d'ouvrage ; dont quelques feuillets sont davantage pourvus. Du reste bonne condition. b42961 unknown
1860ref. 233441860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. 1 frontispice grav n.fol. 416 pp. et 1 f. bl. Reliure de l'poque de demi-chagrin maroquin sapin dos nerfs orns de filets gras et maigres en noir filet en pointills dors sur les nerfs larges fleurons dors titre dor tranches mouchetes. Seconde dition ; en partie originale ''plus complÂte que celle de 1857. De plus elle est illustre et augmente de nombreuses notes''. in Carteret. L'exemplaire s'ouvre sur un frontispice figurant l'auteur par Charles et recÂle en outre 8 sur 8 planches graves d'aprÂs d'Aubigny Sandoz et Wattier ainsi que d'une photographie contrecolle sur papier fin in fine. Fin 1805 lÕancien Caveau ressuscite. La Cl du Caveau est publie chaque anne. Ce recueil de chansons et dÕairs permet Branger entr au Caveau moderne fin 1813 Dsaugiers et leurs amis de faire connatre leurs chansons au peuple mais des copies circulent dj et Branger est connu pour Le Snateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 Branger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libralisme. AprÂs le retour du roi Louis XVIII en 1815 Branger va exploiter les thÂmes du respect de la libert de la haine de lÕAncien Rgime de la suprmatie clricale du souvenir des gloires passes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et clÂbre les gloires de la Rpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. Branger apporte la posie dont ont besoin ceux qui ont dsert la cause royale. Le cercle de ses amitis sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer la Minerve avec tienne de Jouy Charles-Guillaume tienne et Benjamin Constant . Escoffier Le Mouvement romantique 1735 pour l'dition de 1857 - Carteret III Le Trsor du bibliophile p. 85 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littrature franÂaise p. 40 pour l'dition de 1857 - Brivois Bibliographie de l'Oeuvre de Branger p. 84 - Brivois Bibliographie des ouvrages illustrs du XIXÂme p. 56 - Clouzot Guide du bibliophile franÂais p. 31. Angles coupes et coiffes lgÂrement lims. Quelques feuillets oxyds. Ingales mais claires rousseurs dans le texte. Du reste bonne condition. b42961 unknown
1857ref. 52585Paris: Gustave Havard Libraire-Éditeur 1857. 8vo 18x12 cm. Green half-calf spine with ribbons gilt in compartments very sl.rubbed; covers with green decorated paper; marbled endpapers; marbled edges. viii292 pp. With frontispiece: original photo by Adolphe Bilordeaux pasted in. Photo of a bas-relief representing the bust of Pierre Jean de Béranger on his deathbed. - Brown spots in places but on the whole a good copy of this rare second edition with the original photo. Gustave Havard, Libraire-Éditeur unknown
1836ref. 1715Paris: H. Fournier Aine 1836. Hardcover. Very Good. Grandville j. j. Raffet. Octavo. Three 3 volumes. lxxxi 375; 399; 400pp. Half maroon cloth with marbled boards. Black morocco spine label with lettering in gilt. Minimal to no edge wear to volumes each with a later glassine protector. Bindings square and tight. Volume one with early bookseller's catalogue description for this set tipped in with light remnants of other possible clippings and an early paper repair to page 159 in margin. Each volume clean and tight with sporadic foxing throughout. Over 100 in-text illustrations by J. J. Grandville and Raffet. A very nice set. H. Fournier Aine hardcover
1937ref. 66986Paris: Editions de La Belle Etoile 1937. Fine. Editions de La Belle Etoile Paris 1937 19 x 24 cm broché Illustrated edition with 16 original watercolors by Rojan one of 1500 numbered copies on Navarre laid paper the only issue after 16 Holland. Spine very slightly faded without gravity handsome copy. Editions de La Belle Etoile unknown
1830ref. 62548Paris: PerrotinGuillaumin 1830. Fine. Perrotin Guillaumin Paris 1830 7.50 x 11.50 cm relié New edition illustrated with a vignette on the title page. Full glazed navy blue calf binding smooth spine richly decorated with gilt fillets fleurons and friezes covers framed with gilt dentelle with cold-stamped mandorla at center marbled endpapers and pastedowns gilt pointillé on leading edges yellow speckled edges corners slightly bumped contemporary Romantic binding. Some foxing certain leaves with light dampstains at head and foot. Handsome copy in contemporary Romantic binding. PerrotinGuillaumin unknown
1821ref. 31265Paris Didot 1821 Paris Plassan 1825. 8vo. Bound uncut in one nice cont. red hcalf with gilt back. Bdg. w. a few traces of use. Some brownspotting. Printed on good paper. Woodcut vignettes to all three title-pages and several text-vignettes in the last work. First editions of both parts of Beranger's "Chansons". Béranger's famous and influential song appeared in five parts in all beginning with the "Chansons morales et autres" in 1816. The two present collections constitute part two and three. The first part from 1816 is extremely scarce but this second part merely called "Chansons" is probably the most interesting and noteworthy off all the song-collections as well as being the most comprehensive. "Une édition plus complète parut en 1821 2 vol. in 18 Paris Firmin Didot. Cette édition résultant d´une souscription patronnée par le banquier Laffitte et A.-S. L- Bérard fut tirée à 10000 exemplaires; elle fut pursuivie et l´auteur quoique habilement défendu par M. Dupin l´aîné fut condamné á trois mois de prison et á 500 fr. d´amende." Brunet 1 pp. 781. The author was prosecuted and condemned to imprisonment for three monts because of the appearance of this edition. The two last parts "Chansons inédites" and "Chansons nouvelles et dernières" appeared in 1828 and 1833. These two collections contain some of the most important of Béranger's songs among these the influential Napoleonic ones. His songs develloped from being joyous odes into strong satirical and political songs; -"le gouvernement clérical et rétrograde de la Restauration fut particulièrement visé avec une verve mordante et caractéristique. C'est pour cela peut-être qu'il est un des plus grands créateurs de la légende napoléonienne car il oppose l'époque glorieuse de l'Empire à la mesquinerie qui lui succéda." Lafont-Bompiani I:368. His obvoiusly satirical tone partly explains his great political influence at the time -he is a master of portraying the Bourbon government clericalism the old reactionary nobility and as a contrast the glorious souvenirs of Napoleon. "Voltairienne sentimentale mais frivole politique et satirique mais avec simplicité évitant toute complication de doctrine et toute morale tragique la poésie de Béranger est la représentation typique de cette première partie du XIXe siècle où la société est encore imbue des moeurs et des idées du XVIIIe et où le romantisme a peine à effacer complètement les formes littéraires et l'esprit de l'ancien régime." Bompiani I pp. 368.Carteret I:134. unknown
1835ref. 4414Paris n.d.ab. 1835. 12mo. Very nice cont.full longgrained morocco. Richly gilt back broad gilt borders on sides edges gilt. Contains all 72 fine engr.plts. Bound with all 4 orig. blue printed wrappers. Plates brownspotted in margins. unknown
1834ref. 48838Paris: Perrotin 1834. Fine. Perrotin Paris 1834 13.50 x 21.50 cm 5 volumes reliés Edition with some parts in first edition illustrated with 104 vignettes after drawings by Daubigny Johannot Charlet Raffet Scheffer Devéria. Half cherry red calf bindings spines with four raised bands decorated with gilt and blind fillets as well as blind typographical motifs and gilt romantic arabesques gilt friezes at head and foot black shagreen title and volume labels marbled paper boards marbled endpapers and pastedowns marbled edges contemporary romantic bindings. The illustrations are distributed as follows: Volume 1: 1 frontispiece and 25 figures Volume 2: 33 figures Volume 3: 40 figures Volume 4: 6 including 1 portrait plus 1 facsimile. Our set is complete with the fifth volume consisting of the music for Béranger's songs. Handsome set almost entirely free of foxing and bound in charming contemporary romantic binding. Perrotin hardcover
1847ref. 49325Paris: Perrotin 1847. Fine. Perrotin Paris 1847 14.50 x 24 cm 2 volumes reliés New edition and first printing of the beautiful romantic illustrations. Half red shagreen bindings spines with four raised bands set with gilt borders decorated with double gilt and black compartments enhanced with gilt typographical motifs double gilt fillets on red paper boards endpapers and pastedowns of marbled paper contemporary binding. Work illustrated with 52 beautiful steel engravings by Charlet Lemud Johannot Daubigny Pauquet Jacques Penguilly Rudder Raffet Sandoz. Pleasant copy. Perrotin hardcover
