Jerome BerangerBiblio.com
1 373 résultats
réf. 26020357like new. unknown
1858réf. 85997Paris: Perrotin 1858. Fine. Perrotin Paris 1858-1868 16 x 25.50 cm 5 volumes reliés en 1 New edition with some parts in first edition revised by the author and illustrated with numerous steel engravings by Johannot Raffet de Lemud Grenier Jacques Pauquet Penguilly de Rudder Sandoz d'Aubigny Grandville. Half-red shagreen bindings spines with five raised bands outlined with black fillets marbled paper boards marbled endpapers and pastedowns. The set comprises the following volumes: Chansons in two volumes Dernières chansons Musique des chansons Album des chansons entirely illustrated with engravings by Jean Ignace Isidore Gérard Grandville Ma biographie. Some foxing a scrape to head of one joint of Ma biographie the volume Dernières chansons has been bound without its title and half-title pages. Perrotin hardcover
1847réf. 85788Paris: Perrotin 1847. Fine. Perrotin Paris 1847 14.50 x 24 cm 2 volumes reliés New edition and first issue of the beautiful romantic illustrations. Half-aubergine shagreen bindings smooth spines set with gilt wavy fillets and decorated with gilt fleurons gilt friezes at head and foot of spines some rubbing to spines aubergine paper boards marbled endpapers and pastedowns contemporary bindings. Work illustrated with 52 beautiful steel engravings by Charlet Lemud Johannot Daubigny Pauquet Jacques Penguilly Rudder Raffet Sandoz. Scattered foxing. Perrotin hardcover
2017réf. 1-3841684785Publicia 2017. Paperback. New. 204 pages. Spanish language. 8.66x5.91x0.46 inches. Publicia paperback
1821réf. 83789Paris: Chez Les Marchands de nouveautés 1821. Fine. Chez Les Marchands de nouveautés Paris 1821 - 1825 9.50 x 15.80 cm 2 volumes reliés First edition of these 3 works bound in 2 volumes. Following the Trial of messieurs de Béranger and Baudouin 14 manuscript songs retained by the prosecutor general against Béranger and censored. One understands the interest of this copy since the song collection was sold out or seized. Contemporary full straight-grained green morocco binding. Luxury binding from a major atelier but unsigned. Smooth spine decorated with a blind stamp with floral semé within a double gilt fillet frame. Boards decorated with multiple blind frames doubled with gilt fillets. Gilt edges. Triple gilt interior fillet. Spines uniformly faded. Small dark areas on the boards of one volume. Traces of rubbing. Scattered pale yellow foxing. Very handsome copies. Two days after the publication of the author's song collection published at his own expense the king's prosecutor for the Seine department filed a complaint against the chansonnier and ordered the seizure of the work the police only managed to seize 500 copies since 10000 had sold in a few days. He faced four charges: offense to morals attack on religious morality offense against the person of the king and incitement to wear a rallying sign unauthorized by the king the tricolor flag. He was condemned to a minimal sentence of three months in prison and a 500 F fine essentially for his attacks against the Capuchins and missionaries. Meanwhile his lawyer Dupin provoked a second trial by publishing his plea accompanied by the text of the incriminated songs as procedural documents. Béranger was a convinced republican and his songs became increasingly virulent under Louis XVIII. After the episode of his trial where all of Paris rushed to attend he became under Charles X an important figure of the liberal camp. An engaged author and today forgotten the chansonnier Béranger enjoyed immense celebrity but posterity has identified him with the acerbic criticisms of Flaubert and Baudelaire as a minor and bourgeois author unjustly revered. The history of his trial well before those of Baudelaire and Flaubert reveals the greater complexity of the author and stages the history of censorship under the Restoration. Chez Les Marchands de nouveautés hardcover
1834réf. 82009Paris: Perrotin 1834. Fine. Perrotin Paris 1834 13 x 22 cm 4 volumes reliés Edition with some parts in first edition illustrated with 100 of 103 vignettes after drawings by Daubigny Johannot Charlet Raffet Scheffer Devéria. Half red calf bindings with corners spines slightly faded with one raised band decorated with gilt and black romantic arabesques gilt friezes at head and foot gilt fillet frames on marbled paper boards marbled endpapers and pastedowns speckled edges some corners slightly bumped contemporary bindings. Some foxing four vignettes lacking in our copy. However our copy is complete with the two portraits of Béranger and the facsimile of a 4-page manuscript letter all placed at the beginning of volume I. Perrotin hardcover
1834réf. 791261834. Fine. 1834-1835 26 x 33 cm 3 volumes reliés First edition. Contemporary green half morocco bindings spines uniformly sunned with gilt fillets and dentelle motifs marbled paper covers morocco label ""Marie Seillan"" pasted on each volume spine-ends rubbed otherwise a handsome copy. Scattered foxing paper on some issues a little browned. Detailed volume contents : - Volume 1: 26 issues nos. 1 to 26 and 26 scores 2 lithographs with the first two scores an engraved portrait of Rossini vignettes in the text. - Volume 2: 25 issues nos. 27 to 52 and 26 scores vignettes in the text. - Volume 3: 26 issues nos. 1 to 26 and 26 scores two scores are missing and have been replaced by three others. Complete last volume with all lithographs as they were supplied without supplement for this new series. unknown
1937réf. 66986Paris: Editions de La Belle Etoile 1937. Fine. Editions de La Belle Etoile Paris 1937 19 x 24 cm broché Illustrated edition with 16 original watercolors by Rojan one of 1500 numbered copies on Navarre laid paper the only issue after 16 Holland. Spine very slightly faded without gravity handsome copy. Editions de La Belle Etoile unknown
1830réf. 62548Paris: PerrotinGuillaumin 1830. Fine. Perrotin Guillaumin Paris 1830 7.50 x 11.50 cm relié New edition illustrated with a vignette on the title page. Full glazed navy blue calf binding smooth spine richly decorated with gilt fillets fleurons and friezes covers framed with gilt dentelle with cold-stamped mandorla at center marbled endpapers and pastedowns gilt pointillé on leading edges yellow speckled edges corners slightly bumped contemporary Romantic binding. Some foxing certain leaves with light dampstains at head and foot. Handsome copy in contemporary Romantic binding. PerrotinGuillaumin unknown
1834réf. 48838Paris: Perrotin 1834. Fine. Perrotin Paris 1834 13.50 x 21.50 cm 5 volumes reliés Edition with some parts in first edition illustrated with 104 vignettes after drawings by Daubigny Johannot Charlet Raffet Scheffer Devéria. Half cherry red calf bindings spines with four raised bands decorated with gilt and blind fillets as well as blind typographical motifs and gilt romantic arabesques gilt friezes at head and foot black shagreen title and volume labels marbled paper boards marbled endpapers and pastedowns marbled edges contemporary romantic bindings. The illustrations are distributed as follows: Volume 1: 1 frontispiece and 25 figures Volume 2: 33 figures Volume 3: 40 figures Volume 4: 6 including 1 portrait plus 1 facsimile. Our set is complete with the fifth volume consisting of the music for Béranger's songs. Handsome set almost entirely free of foxing and bound in charming contemporary romantic binding. Perrotin hardcover
1847réf. 49325Paris: Perrotin 1847. Fine. Perrotin Paris 1847 14.50 x 24 cm 2 volumes reliés New edition and first printing of the beautiful romantic illustrations. Half red shagreen bindings spines with four raised bands set with gilt borders decorated with double gilt and black compartments enhanced with gilt typographical motifs double gilt fillets on red paper boards endpapers and pastedowns of marbled paper contemporary binding. Work illustrated with 52 beautiful steel engravings by Charlet Lemud Johannot Daubigny Pauquet Jacques Penguilly Rudder Raffet Sandoz. Pleasant copy. Perrotin hardcover
1880réf. 35076Paris: Garnier frères 1880. Fine. Garnier frères Paris s. d. circa 1880 21.50 x 31 cm relié Edition with some parts in first edition and illustrated with 186 drawings by the best artists of the period. Half khaki shagreen binding with corners spine with five raised bands set with gilt fillets decorated with double gilt compartments adorned with gilt decorative motifs gilt initials at foot light scratches on joints marbled paper boards marbled endpapers and pastedowns contemporary binding. Edition expanded with 12 new songs with accompaniment by Pierre Létorey. Illustrations by Giacomelli Grandville Viollat Crépon Riou Worms. Handsome copy. Garnier frères hardcover
1875réf. 37050Paris: Garnier frères 1875. Fine. Garnier frères Paris 1875 - 4 vol. reliés Half brown shagreen binding spine with 4 raised bands decorated with gilt dots gilt title and volume number gilt tools and double gilt fillets on the panels black cloth pasted on boards triple blind-stamped frame on boards some small tears traces of rubbing fresh interiors contemporary bindings. Some leaves of the Chansons de Béranger Volume II are slightly loosened but still holding some plates are detached but present. Volumes I and II each contain 53 steel engravings after Charlet A. de Lemud Johannot Grenier Jacque Pauquet Penguilly De Rudder Raffet and Sandoz. Musique de Béranger is illustrated by Grandville numerous full-page plates in black and white. The work contains notated airs both old and modern augmented with music for posthumous songs with airs composed by Béranger Halévy Gounod and Laurent De Rille. Les Dernières chansons de Béranger from 1834 to 1851 are expanded with a letter and preface by the author. Handsome set of 4 volumes collecting the works of Béranger richly decorated with illustrations by Grandville Charlet A. De Lemud Johannot Grenier Jacque Pauquet Penguilly De Rudder Raffet and Sandoz plates in black and white. Garnier frères hardcover
1845réf. 30958Paris: Perrotin 1845. Fine. Perrotin Paris 1845 14 x 22.50 cm relié Third edition partly in first edition as augmented with two airs with piano accompaniments by Mme Mainvielle-Fodor. Half brown sheep binding with corners smooth spine very slightly faded decorated with dotted and gilt fillets as well as blind fillets and showing small traces of rubbing blind friezes framing the marbled paper boards some traces of rubbing on the edges contemporary binding. Small scattered foxing a printed stamp on the half-title page as bookplate. Rare. Perrotin hardcover
1856réf. 8090Paris: Perrotin 1856. Fine. Perrotin Paris 1856 6.50 x 11 cm relié Elzevirian edition with some parts of the text in first edition. Full black paper boards binding spine in four compartments decorated with gilt compartments and gilt fillets two small tears without loss to joints boards with blind frames top and edges gilt. Handsome copy almost free from foxing. Perrotin hardcover
réf. 107910Paris Bibliothèque Nationale de France 2018. 4° 191 S. zahlr. Abb. Kart. Ecken am Fuss min. gestaucht sonst tadell. Sprache: franz.- Pablo Picasso 1881-1973 est certainement l’un des artistes les plus complets du xxe siècle : à la fois peintre dessinateur sculpteur graveur il n’a cessé d’approfondir toutes les techniques explorant les champs et les modes d’expression les plus divers. À partir des années 1910 il découvre le monde du spectacle et travaille à la création de décors et costumes qui marqueront l’histoire du ballet. Parade 1917 Le Tricorne 1919 Pulcinella 1920 Mercure 1924 constituent autant de repères majeurs pour cet art. L’héritage de Picasso reste d’ailleurs vivace au sein du répertoire du Ballet de l’Opéra de Paris témoignant de l’importance de la place qu’il occupe dans le paysage chorégraphique.Mais il faut dépasser le cadre du ballet pour découvrir que l’intérêt de Picasso pour la danse s’est en réalité exprimé dès ses plus jeunes années. Des danseuses de cirque des années 1900 aux danses érotiques du dernier Picasso en passant par les scènes de bacchanales des années 1940 à 1960 tout a semblé prétexte à représenter des corps en mouvement. La dynamique du mouvement dansé a ainsi traversé toute l’œuvre du maître allant parfois jusqu’à alimenter son geste artistique.L’exposition organisée par la Bibliothèque nationale de France et l’Opéra national de Paris explore les différentes facettes du rapport de Picasso à la danse entre vie de troupe et recherches créatrices entre beaux-arts et spectacle vivant. 010 Paris, Bibliothèque Nationale de France, 2018 unknown
2010réf. DADAX1166778835Kessinger Publishing 2010-09-10. paperback. New. 6.00x0.83x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010réf. DADAX1166617076Kessinger Publishing 2010-09-10. paperback. New. 6.00x0.84x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
réf. 04866Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" "The First Superstar of French Popular Music" A presentation copy inscribed by Béranger to Rangot accompanied by a one-page autograph letter from Rangot and an original pencil sketch of Béranger by Monnier MONNIER Henri illustrator. Chansons de Pierre Jean de Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. First edition. A presentation copy inscribed by Béranger to Rangot accompanied by a one-page autograph letter from Rangot dated 21 August 1831 and an original pencil sketch of Béranger by Henri Monnier dated 16 August 1831 pasted on the verso of the title-page. Extra-illustrated by the insertion of eighty-six engraved plates on India paper mounted throughout by or after such artists as Bellangé Boilly Boulanger Charlet Devéria Fragonard Grandville Grenier Isabey Johannot Monnier Scheffer Vernet and Delacroix. Two octavo volumes 8 13/16 x 5 1/2 inches; 225 x 140 mm. iv 1-192 iv preface 193-439 1 blank 2 2-7 Biographie du Citoyen Béranger; iv 1-433 1 blank 435-438 pp. With an original pencil sketch by Monnier pasted onto the verso of the first title-page. Illustrated with thirty-three of forty superb hand-colored lithographs by Henri Monnier and numerous vignette wood-engravings by Achille Devéria. Seven plates not included: nos. 21 26 28 31 35 37 and 39 as noted by Carteret III p.272 these particular plates are "very often missing". These seven missing plates are highlighted below within the listing of all 40 plates. Bound ca. 1828 by R. Hering & Muller volume 2 stamp-signed in gilt at foot of spine in half dark blue scored calf spines elaborately tooled and lettered in gilt marbled endpapers edges uncut. A wonderful and important copy. Provenance: With two bookplates of M.A. Tessier Architecte: his engraved ex-libris with oak wreath vol. I verso of front free endpaper and the Tessier family armorial bookplate Semper Progrediens - "Ever Forward" on the front pastedowns of both volumes. "The forty drawings by Henri Monnier lithographed with a pen on stone and colored with a brush are very rare complete. Seven of these lithographs are often missing they are: The Court Dress The Exile The Good Old Man The Marquise of Pretintaille The Flight of Love The Voyager The two Grenadiers." Carteret III p. 72. The signed presentation translated reads: "Nothing more ridiculous for an author than to write something at the head of his works; but an admirable obstinacy obliges me here to obey. - Béranger". An ironic comment on the absurdity of authors inscribing their own books. The Autograph Letter Signed "Rangot" 21 Aug. 1831 translated reads: "Dear and precious friend. the amiable good Béranger will do all you wish and has promised to honor me with a visit or two. I hope that the bonds of friendship will soon bring me the happiness of seeing you. Your poor very devoted but true friend Rangot. Paris 21 August 1831 Grande rue No. 81." With a postscript in Italian: "A thousand thousand respects to your amiable kind and good wife to whom I wish a child who in all things will resemble the father." The signatory to the Als. "Rangot" leaves open the possibility of "Ragot." No individual of that exact name is recorded among Béranger's principal circle of publishers chansonniers or correspondents. It is therefore probable that "Rangot" was a minor literary or personal acquaintance acting as an intermediary arranging introductions to the poet at a time 1831 just after the July Revolution when Béranger's fame and political sensitivity made such mediation necessary. While one could tentatively connect the name with Louis-François Ragot 1782-1857 a Parisian man of letters active in minor journals of the period this identification remains unverified in standard bibliographies Vicaire Escoffier Carteret or collections of Béranger's correspondence. The original Pencil Sketch of Béranger signed and captioned dated 16 August 1831 by Henri Monnier. Reads: "Béranger the poet looking at the statue of Guillaume le Conquérant by the sculptor Archereau at the Champs-Élysées." With annotation: "I made this sketch of Béranger with all the possible politeness and convenience; it was impossible for me to take his face but from the back he gave me a good profile. I placed myself in a corner where I could see him well hidden for a poet who deserves to be observed must be carefully preserved." "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie. Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison. The plates: 1. Le Roi d'Yvetot 2. La Bacchante 3. Le Sénateur 4. La Gaudriole 5. Roger Bontemps 6. Ma Grand'Mère 7. Ma Mère Aveugle 8. Le Petit Homme Gris 9. La Bonne Fille 10. L'Éducation des Demoiselles 11. Madame Grégoire 12. Les Gueux 13. Le Vieux Célibataire 14. Le Commencement du Voyage 15. Requête des Chiens de Qualité 16. Vieux Habits! Vieux Galons! 17. Le Nouveau Diogène 18. Le Maitre d'École 19. La Chatte 20. Bon Vin et Fillette 21. L'Habit de Cour 22. Ce n'est plus Lisette 23. L'Hiver 24. La Bonne Vieille 25. La Vivandière 26. L'Exilé 27. La Bouquetière et le Croque-Mort 28. Le Bon Vieillard 29. L'Aveugle de Bagnolet 30. Les Cartes ou l'Horoscope 31. La Marquise de Pretintaille 32. Le Tailleur et la Fée 33. Le Violon Brisé 34. Les Hirondelles 35. La Fuite de l'Amour 36. Le Vieux Sergent 37. Le Voyageur 38. Le Grenier 39. Les Deux Grenadiers 40. Les Souvenirs du Peuple Extra B&W Illustrations on India Paper mounted 86 Total: Opposite Pages: 13. Le Roi d'Yvetot - Grenier del.; Fry sc. 16. La Bacchante - A. Deveria del.; Cousin sc. 18. Le Sénateur - Tony Johannot del. & sc. 24. La Gaudriole - E. Deveria del.; T.M. Fontaine sc. 27. Roger Bontemps - Charlet del.; Frilley sc. 40. Ma Mère Aveugle - Grenier del.; Jaquemot sc. 43. Le Petit Homme Gris - Tony Johannot del.; Lecomte sc. 45. La Bonne Fille - Bellangé del.; Dulompré sc. 55. Charles Sept - Th. Fragonard del.; C. Cousin sc. 59. Les Gueux - E. Isabey del.; Fry sc. 68. Le Vieux Célibataire - Grenier del.; Wedgewood sc. 73. Les Gaulois et Les Francs - Adam del.; Ashby sc. 77. Frétillon - H. Bellanger del.; T.M. Fontaine sc. 106. La Grande Orgie - Tony Johannot del.; Revel sc. 123. Le Troisième Mari - E. Deveria del.; Wedgewood sc. 126. Vieux Habits! Vieux Galons! - Charlet del.; Ashby sc. 134. Le Maitre d'École - Grandville del.; Lefèver Jne. sc. 136. Le Célibataire - Warren del. & sc. 145. La Chatte - Tony Johannot del. & sc. 150. Les Parques - Tony Johannot del.; Deshauxents sc. 158. Bon Vin et Fillette - Alf. Johannot del.; Blanchard sc. 177. Le Prisonnière et Le Chevalier - Alf. Johannot del.; Cousin sc. 189. Le Bedeau - Alf. Johannot del.; Pelée sc. 220. Le Vieux Ménétrier - Charlet del.; Frilley sc. 225. Le Deux Soeurs de Charité - Boulanger del.; Jaquemot sc. 231. Ce n'est plus Lisette - Tony Johannot del.; Blanchard sc. 234. Le Marquis de Carabas - Charlet del.; Blanchard sc. 237. L'Hiver - Alf. Johannot del. & sc. 245. Paillasse - Henri Monnier del.; Lefèver Jne. sc. 248. Mon Ame - A. Scheffer del.; Touzé sc. 260. Mon Habit - A. Scheffer del.; Ashby sc. 277. La Bonne Vieille - Alf. Johannot del.; Blanchard sc. 279. La Vivandière - E. Isabey del.; Ashby sc. 285. L'Exilé - Grenier del.; Pelée sc. 294. Ma Nacelle - Gudin del.; Fry sc. 300. Le Dieu des Bonnes Gens - H. Vernet del.; Touzé sc. 309. Les Clefs du Paradis - Decamps del.; Mauduit sc. 315. Le Bon Vieillard - Alf. Johannot del.; C. Cousin sc. 318. Qu'elle est Jolie! - Grenier del.; A. Lefèver sc. 320. L'Aveugle de Bagnolet - Alf. Johannot del.; Cousin sc. 334. Le Retour dons La Patrie - Vigneron del.; Frilley sc. 338. Le Ventru - E. Lami del.; Lefèver Jne. sc. 348. Le Champ d'Asile - A. Johannot del.; Dutillon sc. 359. Les Cartes ou l'Horoscope - Boulanger del.; Wedgewood sc. 366. Le Révérends Pères - Tony Johannot del.; Bein sc. 369. Les Enfans de La France - Dupré del.; Levasseur sc. 385. Les Étoiles qui Filent - Bellangé del.; Lefèver Jne. sc. 391. Le Temps - Boilly del.; Fry sc. Light water staining affecting lower margin of text and plates from pp.359-end. 415. Louis XI - Delacroix del.; Pouvoyeur sc. 428. L'Orage - Charlet del.; Bein sc. 432. Le Cinq Mai - Alf. Johannot del.; Lefèver Jne. sc. 51 plates 14. La Liberté - Roqueplan del.; Frilley sc. 26. L'Ombre d'Anacréon - Champion del.; Fry sc. 31. La Sylphide - Devéria del.; Pelée sc. 37. Pigeon Messager - Devéria del.; Lefèver Jne. sc. 45. Le Censeur - Scheffer del.; Frilley sc. 50. La Cantharide ou Le Philtre - Tony Johannot del.; Cousin sc. 55. Le Tailleur et la Fée - Roqueplan del.; Corbould sc. 62. Le Malade - Tony Johannot del.; Marckl sc. 66. L'Épée de Damoclès - Eug. Deveria del.; Plée sc. 72. Le Violon Brisé - Bellangé del.; Girard sc. 75. Le Contrat de Marige - Charlet del.; Frilley sc. 77. Le Chant du Cosaque - Tony Johannot del.; Konig sc. 79. Les Hirondelles - Bonnington del.; Corbould sc. 91. Le Vieux Sergent - Bellangé del.; Ashby sc. 97. L'Ange Exilé - Eug. Deveria del.; Durand sc. 101. Le Voyageur - Tony Johannot del.; Revel sc. 104. Mon Enterrement - Devéria del.; Fry sc. 118. Treize a Table - Eug. Devéria del.; Migneret sc. 120. Lafayette en Amérique - Tony Johannot del.; Frilley sc. 124. Psara - Delacroix del.; Pouvoyeur sc. 133. Le Grenier - Grenier del.; T.M. Fontaine sc. 135. L'Échelle de Jacob - Tony Johannot del.; Lefèver sc. 138. Le Chapeau de La Mariée - Alf. Johannot del.; Leroux sc. 151. Le Chasseur et La Laitière - Alf. Johannot del. & sc. 161. Couplets - Lemaitre del. & sc. 169. Les Deux Grenadiers - Charlet del.; Lefèver Jne. sc. 179. La Mort du Diable - Decamp del.; Durand sc. 185. Le Petit Homme Rouge - Saint-Evre del.; Tavernier sc. 188. Les Bohémienes - n/a 192. Les Souvenirs du Peuple - Charlet del.; Lefèver Jne. sc. 197. L'Ange Gardien - D.C. del.; Lefèver Jne. del. & sc. 206. Le Tombeau de Manuel - Warren del. & sc. 359. Le Missionnaires - n/a 361. Le Bon Dieu - Charlet del.; Fry sc. 366. Le Vieux Drapeau - Bellangé del.; Fry sc. 35 plates. Paris: Baudouin Frères, Éditeurs, 1828 unknown
réf. 24392727like new. unknown
réf. 04859Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" "The First Superstar of French Popular Music" Thirty Three of Forty as is often the case Hand Colored Lithograph Plates by Henri Monnier MONNIER Henri illustrator. Chansons de P.J. Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. First edition. Two octavo volumes 8 1/4 x 5 1/8 inches; 209 x 130 mm. ii 1-439 1 blank; ii 1-438 pp. Bound without the half-titles and the additional four-page preface in volume one. Plate 18 Le Maitre D'École and the following two leaves of text pp. 135-138 with neatly repaired tears marginal on plate. Light scattered foxing throughout mainly affecting text only. Thirty-three of forty superb hand colored lithograph plates by Henri Monnier and numerous charming black & white vignettes by Achille Devèria. The plates that were never included in this copy are numbers: 21 26 28 31 35 37 & 39. These seven plates are highlighted below within the listing of all 40 plates. Contemporary English bead-grain brown morocco covers elaborately decorated in gilt and blind. Spines with four raised bands elaborately tooled and lettered in gilt in compartments powder blue coated endpapers all edges gilt. Spines slightly darkened light rubbing to extremities. With the armorial bookplate of Stephens Lyne Stephens on front pastedowns. A very good copy in a contemporary binding. "The forty drawings by Henri Monnier lithographed with a pen on stone and colored with a brush are very rare complete. Seven of these lithographs are often missing they are: The Court Dress The Exile The Good Old Man The Marquise of Pretintaille The Flight of Love The Voyager The two Grenadiers." Carteret III p. 72. KVK locates no complete copies; OCLC locates just one complete copy in libraries and institutions worldwide: Paris-Est Marne-La-Vallee-Bu France. "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie. Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison. Stephens Lyne-Stephens 1801-1860 was an English Tory politician who represented Barnstaple before the 1832 Reform Act. After inheriting a family fortune from glass manufacture in Portugal he was later reputed to be the richest commoner in England. The plates: 1. Le Roi d'Yvetot 2. La Bacchante 3. Le Sénateur 4. La Gaudriole 5. Roger Bontemps 6. Ma Grand'Mère 7. Ma Mère Aveugle 8. Le Petit Homme Gris 9. La Bonne Fille 10. L'Éducation des Demoiselles 11. Madame Grégoire 12. Les Gueux 13. Le Vieux Célibataire 14. Le Commencement du Voyage 15. Requête des Chiens de Qualité 16. Vieux Habits! Vieux Galons! 17. Le Nouveau Diogène 18. Le Maitre d'École 19. La Chatte 20. Bon Vin et Fillette 21. L'Habit de Cour p. 205 22. Ce n'est plus Lisette 23. L'Hiver 24. la Bonne Vieille 25. La Vivandière 26. L'Exilé p. 285 27. La Bouquetière et le Croque-Mort 28. Le Bon Vieillard p. 315 29. L'Aveugle de Bagnolet 30. Les Cartes ou L'Horoscope 31. La Marquise de Pretintaille p. 402 32. Le Tailleur et la Fée 33. Le Violon Brisé 34. Les Hirondelles 35. La Fuite de l'Amour p. 87 36. Le Vieux Sergent 37. Le Voyageur p. 111 38. Le Grenier 39. Les Deux Grenadiers p. 169 40. Les Souvenirs du Peuple Champfleury Monnier p.364; Escoffier The Romantic Movement N°675; Marie 653-692; Vicaire I-402. Paris: Baudouin Frères, Éditeurs, 1828 unknown
1860réf. 233431860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. iii - 374 pp. 1 f. n.fol. et 1 f. bl. Reliure de l'poque de demi-chagrin maroquin sapin dos nerfs orns de filets gras et maigres en noir filet en pointills dors sur les nerfs larges fleurons dors titre dor tranches mouchetes. L'ouvrage recÂle 14 sur 14 dlicates planches - ici en premier tirage - graves sur acier d'aprÂs Aim de Lemud. ''En 1860 Perrotin rimprima cette dition de 1857 et y insra une suite de 14 figures de Aim de Lemud pour l'illustrer''. in Carteret. ''A. de Lemud a compos en 1860 une suite de 14 dessins pour illustrer les DerniÂres Chansons. Ces gravures publies par Perrotin ont t tires sur blanc et sur Chine avant la lettre''. in Vicaire. ''ElÂve de Paul Delaroche Lemud peintre d'inspiration romantique exposa au Salon de 1869 mais ce sont surtout ses lithographies qui le firent connatre''. in Osterwalder citant la prsente contribution de l'artiste. ''Lemud a fait aussi de l'illustration notamment pour les Chansons de Branger''. in Bnzit. Fin 1805 lÕancien Caveau ressuscite. La Cl du Caveau est publie chaque anne. Ce recueil de chansons et dÕairs permet Branger entr au Caveau moderne fin 1813 Dsaugiers et leurs amis de faire connatre leurs chansons au peuple mais des copies circulent dj et Branger est connu pour Le Snateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 Branger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libralisme. AprÂs le retour du roi Louis XVIII en 1815 Branger va exploiter les thÂmes du respect de la libert de la haine de lÕAncien Rgime de la suprmatie clricale du souvenir des gloires passes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et clÂbre les gloires de la Rpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. Branger apporte la posie dont ont besoin ceux qui ont dsert la cause royale. Le cercle de ses amitis sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer la Minerve avec tienne de Jouy Charles-Guillaume tienne et Benjamin Constant . Brivois Bibliographie des ouvrages illustrs du XIXÂme p. 56 - Carteret III Le Trsor du bibliophile p. 83 - Escoffier Le Mouvement romantique 1735 pour l'dition de 1857 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littrature franÂaise p. 40 - Osterwalder I Dictionnaire des illustrateurs p. 617 - Bnzit VI Dictionnaire des peintres p. 574 - Clouzot Guide du bibliophile franÂais p. 31 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 191. Angles coupes et coiffes lgÂrement lims. Claires rousseurs dans le corps d'ouvrage ; dont quelques feuillets sont davantage pourvus. Du reste bonne condition. b42961 unknown
1860réf. 233441860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. 1 frontispice grav n.fol. 416 pp. et 1 f. bl. Reliure de l'poque de demi-chagrin maroquin sapin dos nerfs orns de filets gras et maigres en noir filet en pointills dors sur les nerfs larges fleurons dors titre dor tranches mouchetes. Seconde dition ; en partie originale ''plus complÂte que celle de 1857. De plus elle est illustre et augmente de nombreuses notes''. in Carteret. L'exemplaire s'ouvre sur un frontispice figurant l'auteur par Charles et recÂle en outre 8 sur 8 planches graves d'aprÂs d'Aubigny Sandoz et Wattier ainsi que d'une photographie contrecolle sur papier fin in fine. Fin 1805 lÕancien Caveau ressuscite. La Cl du Caveau est publie chaque anne. Ce recueil de chansons et dÕairs permet Branger entr au Caveau moderne fin 1813 Dsaugiers et leurs amis de faire connatre leurs chansons au peuple mais des copies circulent dj et Branger est connu pour Le Snateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 Branger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libralisme. AprÂs le retour du roi Louis XVIII en 1815 Branger va exploiter les thÂmes du respect de la libert de la haine de lÕAncien Rgime de la suprmatie clricale du souvenir des gloires passes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et clÂbre les gloires de la Rpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. Branger apporte la posie dont ont besoin ceux qui ont dsert la cause royale. Le cercle de ses amitis sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer la Minerve avec tienne de Jouy Charles-Guillaume tienne et Benjamin Constant . Escoffier Le Mouvement romantique 1735 pour l'dition de 1857 - Carteret III Le Trsor du bibliophile p. 85 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littrature franÂaise p. 40 pour l'dition de 1857 - Brivois Bibliographie de l'Oeuvre de Branger p. 84 - Brivois Bibliographie des ouvrages illustrs du XIXÂme p. 56 - Clouzot Guide du bibliophile franÂais p. 31. Angles coupes et coiffes lgÂrement lims. Quelques feuillets oxyds. Ingales mais claires rousseurs dans le texte. Du reste bonne condition. b42961 unknown
réf. EEzz3506fParis Perrotin 1829. Vort. gest. Porträttaf. Titelbl. 49 von 53 gest. Tf. mit je e. Seidenhemdchen mit kleiner Illustration am Titelblatt. Sehr gut erhaltener heller Lederband d. Zeit mit e. Rückenschildchen in Gold- sowie Rückenverzierungen in Gold- u. Schwarzprägung Einbanddeckel mit goldgeprägten Linien u. blindgeprägten Bordüren gerahmt mit jeweils einer großen blindgeprägten Arabeske in der Mitte der Einbanddeckel sowie dreiseitiger Stehkanten- und reicher Innenkantenverzierung in Goldprägung Vorsatz marmoriert mit Goldschnitt mit e. Lesebändchen unbedeutend fleckig Bindung gelockert. Tafeln teilw. schwach stockfleckig. Mit Vermerk von alter Hand am vorderen Schmutzumschlagblatt avers. NUC 75469 - der französische Lyriker und Liedtexter Pierre Jean de Béranger 1780-1857 wegen seiner kritischen Chanson verfolgt und mehrmals zu Gefängnisstrafen verurteilt wurde gerade deswegen auch zum populärsten in ganz Europa bekannten französischen Lyriker seiner Zeit. Vorliegend die Erstausgabe eines kleinformatiges Bildbändchen mit einer Sammlung - von den bekanntesten französischen Künstlern der Zeit entworfenen u. gestochenen - bildlicher Darstellungen seiner Chansons. Mit e. Porträt des Chansondichters. Außerordentlich seltenes Werk in dekorativem Einband. Paris, Perrotin 1829. unknown
réf. 05079Paris: Baudouin Frères Éditeurs 1828. One of the Finest Surviving Copies of Béranger's Great Illustrated Masterpiece Complete in the Original Ten Livraisons Preserving Every Publisher's Printed Wrapper The Publisher's Presentation Inscription and Two Complete Suites of Henri Monnier's Contemporary Hand-Colored Lithographs MONNIER Henri illustrator. DEVÉRIA Achille illustrator. BÉRANGER Pierre-Jean. Chansons de P. J. Béranger Anciennes Nouvelles et Inédites avec des Vignettes de Devéria et des Dessins coloriés d'Henri Monnier. Suivies des Procès Intentés à l'Auteur. Paris: Baudouin Frères Éditeurs 1828. First edition preserved complete in the ten original publisher's printed livraisons each retaining its original pale green decorative wrapper with the contemporary presentation inscription of the printer and publisher Rignoux on the opening wrapper. Octavo 8 7/8 x 5 3/4 inches; 225 x 147 mm. Illustrated with forty magnificent contemporary hand-colored lithographs by Henri Monnier and hundreds of wood-engraved text vignettes by Achille Devéria. Accompanied by the exceedingly rare complete duplicate suite of all forty contemporary hand-colored lithographs likewise preserved within the publisher's original printed wrappers bringing the total to eighty original contemporary hand-colored lithographs. The front wrapper of the First Livraison bears the contemporary presentation inscription of the printer-publisher Rignoux. Publisher's original pale green printed wrappers each with its own distinctive wood-engraved vignette. A superb entirely unsophisticated survival. The principal work remains complete in all ten original livraisons while the two complete suites of Monnier's lithographs are preserved separately one housed in an original Second Livraison wrapper and the duplicate suite in an original Fifth Livraison wrapper exactly as issued. Together with: BÉRANGER Pierre-Jean. Poniatowski. Hatons-Nous. Chansons Dédiées au Général Lafayette Premier Grenadier de la Garde Polonaise. Suivies du 14 Juillet 1829 et des Couplets à mes Amis devenus Ministres. Paris: À l'Agence du Comité. 1831. First edition. Octavo 8 7/8 x 5 3/4 inches; 225 x 147 mm. 1-23 1 blank. Preserved in its original blue printed wrapper. The entire collection housed in a handsome three-quarter green morocco clamshell case. Pierre-Jean de Béranger was the most celebrated songwriter political poet and popular literary figure of nineteenth-century France. His chansons were sung not only in theaters and cafés but in workshops military barracks taverns and private drawing rooms throughout the country becoming inseparable from everyday French life. Combining lyrical elegance with wit patriotism and fearless political commentary Béranger exercised an influence unmatched by any French popular poet of his generation. His repeated prosecutions and imprisonment under the Bourbon Restoration only increased his fame transforming him into the literary voice of liberal France and one of the defining cultural figures of the nineteenth century. The present work has long been regarded as the greatest illustrated edition of Béranger's songs. To accompany the text the publishers assembled two of the foremost artists of the Romantic generation. Achille Devéria supplied hundreds of exquisitely engraved woodcut vignettes that enrich almost every page while Henri Monnier created forty original lithographs that rank among the earliest masterpieces of French Romantic book illustration. Executed with Monnier's characteristic humanity humor and penetrating observation of everyday Parisian life these compositions perfectly complement the spirit of Béranger's verse capturing both its comic brilliance and its emotional warmth. Although complete copies of the illustrated edition are themselves of the utmost rarity the present example belongs to an altogether different order of survival. Not only does it preserve all ten original publisher's livraisons each retaining its fragile printed wrapper - ephemeral elements almost invariably discarded when nineteenth-century subscribers had their parts bound - but it also preserves the publisher's complete duplicate suite of Henri Monnier's forty contemporary hand-colored lithographs likewise retained in their original wrappers exactly as issued. Such duplicate suites were intended for collectors wishing to preserve an additional set of illustrations yet they were almost always separated damaged or discarded during the binding process. We have been unable to trace another copy preserving every original livraison together with both complete contemporary hand-colored suites. The visual effect is simply extraordinary. The contemporary hand-coloring remains remarkably fresh and luminous throughout delicately executed in the finest Parisian manner of the late Restoration. Together the two complete suites comprise eighty original contemporary hand-colored lithographs transforming the work into one of the most spectacular surviving monuments of French Romantic illustrated publishing. The front wrapper of the First Livraison bears the contemporary presentation inscription of the printer and publisher Rignoux providing an unusually appealing contemporary association with the publication itself. Equally remarkable is the survival of every original wrapper preserving the work precisely as subscribers first received it in 1828. Such wrappers rank among the most ephemeral survivals of nineteenth-century publishing and are seldom encountered complete. Henri Monnier's illustrations occupy a pivotal place in the history of French caricature. Produced before the celebrated Scènes Populaires and the works that established him as one of the supreme visual chroniclers of nineteenth-century Paris they reveal an artist already in complete command of expressive characterization theatrical composition and psychological observation. These early lithographs anticipate the qualities that would later influence Honoré Daumier and define an entire generation of French Romantic satirical art. Together with Devéria's refined wood engravings they constitute one of the great achievements of Romantic book illustration. Accompanying the principal work is the scarce first edition of Poniatowski. Hatons-Nous. published in 1831 and preserved like the Chansons in its original printed wrapper. Dedicated to General Lafayette and inspired by the Polish struggle for national independence it reflects the liberal political ideals that permeate so much of Béranger's writing. Its presence provides an exceptionally appropriate contemporary companion to the monumental illustrated edition while further enhancing the historical and bibliographical importance of the collection. Few illustrated books of the Romantic period survive in anything approaching their original published state; fewer still preserve every ephemeral wrapper and virtually none retain the publisher's complete duplicate suite of hand-colored plates. This extraordinary copy preserves not merely Béranger's greatest illustrated work but the entire experience of its publication exactly as nineteenth-century collectors first acquired it. It stands as a landmark of French Romantic literature political history music and illustrated book production and is unquestionably among the finest surviving copies of Henri Monnier's first great lithographic masterpiece. "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie. KVK locates no complete copies. OCLC records only a single complete institutional copy at Université Paris-Est Marne-la-Vallée France. References: Champfleury Monnier p. 364; Escoffier Le Mouvement Romantique 675; Marie 653-692; Vicaire I 402. Paris: Baudouin Frères, Éditeurs, 1828 unknown
