1237 resultados
ref. 75732Couverture rigide. Bon/157p. in-8. 1937 157pp in-8 208pp reliure d'amateur demi-basane couvertures conservées Edition ornée de 16 aquarelles par Rojan! Un des ex. numérotés sur Vélin navarre! unknown
ref. 66167Couverture rigide. Bon/1834. in-8. Paris 1834 in-8 320 413 397 & 411pp Reliures en demi veau cerise ornés de filets dorés et à froid ainsi que de motifs à froid et d'arabesques romantiques dorées Edition en partie originale illustrée de 104 vignettes d'après les dessins de Daubigny Johannot Charlet Raffet Scheffer Devéria etc. unknown
ref. 78659Couverture rigide. Bon/1841. in-8. Paris 1841 in-8 500pp reliure demi-chagrin Très bel exemplaire! unknown
1840ref. LA - HAY279071840. Paris H. Fournier Ainé Éditeur. relié demi-cuir marron à coins. Faibles rousseurs en pages liminaires ensuite très éparses ; excellente reliure bon exemplaire. format : 125/8 cm. dos orné à froid d'un grand motif floral et des titres dorés. unknown
ref. 51753943like new. unknown
ref. 43338109like new. unknown
ref. 26020357-nnew. unknown
ref. 42632388like new. unknown
ref. 26020357like new. unknown
1858ref. 85997Paris: Perrotin 1858. Fine. Perrotin Paris 1858-1868 16 x 25.50 cm 5 volumes reliés en 1 New edition with some parts in first edition revised by the author and illustrated with numerous steel engravings by Johannot Raffet de Lemud Grenier Jacques Pauquet Penguilly de Rudder Sandoz d'Aubigny Grandville. Half-red shagreen bindings spines with five raised bands outlined with black fillets marbled paper boards marbled endpapers and pastedowns. The set comprises the following volumes: Chansons in two volumes Dernières chansons Musique des chansons Album des chansons entirely illustrated with engravings by Jean Ignace Isidore Gérard Grandville Ma biographie. Some foxing a scrape to head of one joint of Ma biographie the volume Dernières chansons has been bound without its title and half-title pages. Perrotin hardcover
1847ref. 85788Paris: Perrotin 1847. Fine. Perrotin Paris 1847 14.50 x 24 cm 2 volumes reliés New edition and first issue of the beautiful romantic illustrations. Half-aubergine shagreen bindings smooth spines set with gilt wavy fillets and decorated with gilt fleurons gilt friezes at head and foot of spines some rubbing to spines aubergine paper boards marbled endpapers and pastedowns contemporary bindings. Work illustrated with 52 beautiful steel engravings by Charlet Lemud Johannot Daubigny Pauquet Jacques Penguilly Rudder Raffet Sandoz. Scattered foxing. Perrotin hardcover
1834ref. 791261834. Fine. 1834-1835 26 x 33 cm 3 volumes reliés First edition. Contemporary green half morocco bindings spines uniformly sunned with gilt fillets and dentelle motifs marbled paper covers morocco label ""Marie Seillan"" pasted on each volume spine-ends rubbed otherwise a handsome copy. Scattered foxing paper on some issues a little browned. Detailed volume contents : - Volume 1: 26 issues nos. 1 to 26 and 26 scores 2 lithographs with the first two scores an engraved portrait of Rossini vignettes in the text. - Volume 2: 25 issues nos. 27 to 52 and 26 scores vignettes in the text. - Volume 3: 26 issues nos. 1 to 26 and 26 scores two scores are missing and have been replaced by three others. Complete last volume with all lithographs as they were supplied without supplement for this new series. unknown
1937ref. 66986Paris: Editions de La Belle Etoile 1937. Fine. Editions de La Belle Etoile Paris 1937 19 x 24 cm broché Illustrated edition with 16 original watercolors by Rojan one of 1500 numbered copies on Navarre laid paper the only issue after 16 Holland. Spine very slightly faded without gravity handsome copy. Editions de La Belle Etoile unknown
1830ref. 62548Paris: PerrotinGuillaumin 1830. Fine. Perrotin Guillaumin Paris 1830 7.50 x 11.50 cm relié New edition illustrated with a vignette on the title page. Full glazed navy blue calf binding smooth spine richly decorated with gilt fillets fleurons and friezes covers framed with gilt dentelle with cold-stamped mandorla at center marbled endpapers and pastedowns gilt pointillé on leading edges yellow speckled edges corners slightly bumped contemporary Romantic binding. Some foxing certain leaves with light dampstains at head and foot. Handsome copy in contemporary Romantic binding. PerrotinGuillaumin unknown
1834ref. 48838Paris: Perrotin 1834. Fine. Perrotin Paris 1834 13.50 x 21.50 cm 5 volumes reliés Edition with some parts in first edition illustrated with 104 vignettes after drawings by Daubigny Johannot Charlet Raffet Scheffer Devéria. Half cherry red calf bindings spines with four raised bands decorated with gilt and blind fillets as well as blind typographical motifs and gilt romantic arabesques gilt friezes at head and foot black shagreen title and volume labels marbled paper boards marbled endpapers and pastedowns marbled edges contemporary romantic bindings. The illustrations are distributed as follows: Volume 1: 1 frontispiece and 25 figures Volume 2: 33 figures Volume 3: 40 figures Volume 4: 6 including 1 portrait plus 1 facsimile. Our set is complete with the fifth volume consisting of the music for Béranger's songs. Handsome set almost entirely free of foxing and bound in charming contemporary romantic binding. Perrotin hardcover
1847ref. 49325Paris: Perrotin 1847. Fine. Perrotin Paris 1847 14.50 x 24 cm 2 volumes reliés New edition and first printing of the beautiful romantic illustrations. Half red shagreen bindings spines with four raised bands set with gilt borders decorated with double gilt and black compartments enhanced with gilt typographical motifs double gilt fillets on red paper boards endpapers and pastedowns of marbled paper contemporary binding. Work illustrated with 52 beautiful steel engravings by Charlet Lemud Johannot Daubigny Pauquet Jacques Penguilly Rudder Raffet Sandoz. Pleasant copy. Perrotin hardcover
1880ref. 35076Paris: Garnier frères 1880. Fine. Garnier frères Paris s. d. circa 1880 21.50 x 31 cm relié Edition with some parts in first edition and illustrated with 186 drawings by the best artists of the period. Half khaki shagreen binding with corners spine with five raised bands set with gilt fillets decorated with double gilt compartments adorned with gilt decorative motifs gilt initials at foot light scratches on joints marbled paper boards marbled endpapers and pastedowns contemporary binding. Edition expanded with 12 new songs with accompaniment by Pierre Létorey. Illustrations by Giacomelli Grandville Viollat Crépon Riou Worms. Handsome copy. Garnier frères hardcover
1875ref. 37050Paris: Garnier frères 1875. Fine. Garnier frères Paris 1875 - 4 vol. reliés Half brown shagreen binding spine with 4 raised bands decorated with gilt dots gilt title and volume number gilt tools and double gilt fillets on the panels black cloth pasted on boards triple blind-stamped frame on boards some small tears traces of rubbing fresh interiors contemporary bindings. Some leaves of the Chansons de Béranger Volume II are slightly loosened but still holding some plates are detached but present. Volumes I and II each contain 53 steel engravings after Charlet A. de Lemud Johannot Grenier Jacque Pauquet Penguilly De Rudder Raffet and Sandoz. Musique de Béranger is illustrated by Grandville numerous full-page plates in black and white. The work contains notated airs both old and modern augmented with music for posthumous songs with airs composed by Béranger Halévy Gounod and Laurent De Rille. Les Dernières chansons de Béranger from 1834 to 1851 are expanded with a letter and preface by the author. Handsome set of 4 volumes collecting the works of Béranger richly decorated with illustrations by Grandville Charlet A. De Lemud Johannot Grenier Jacque Pauquet Penguilly De Rudder Raffet and Sandoz plates in black and white. Garnier frères hardcover
1845ref. 30958Paris: Perrotin 1845. Fine. Perrotin Paris 1845 14 x 22.50 cm relié Third edition partly in first edition as augmented with two airs with piano accompaniments by Mme Mainvielle-Fodor. Half brown sheep binding with corners smooth spine very slightly faded decorated with dotted and gilt fillets as well as blind fillets and showing small traces of rubbing blind friezes framing the marbled paper boards some traces of rubbing on the edges contemporary binding. Small scattered foxing a printed stamp on the half-title page as bookplate. Rare. Perrotin hardcover
1856ref. 8090Paris: Perrotin 1856. Fine. Perrotin Paris 1856 6.50 x 11 cm relié Elzevirian edition with some parts of the text in first edition. Full black paper boards binding spine in four compartments decorated with gilt compartments and gilt fillets two small tears without loss to joints boards with blind frames top and edges gilt. Handsome copy almost free from foxing. Perrotin hardcover
2010ref. DADAX1166778835Kessinger Publishing 2010-09-10. paperback. New. 6.00x0.83x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010ref. DADAX1166617076Kessinger Publishing 2010-09-10. paperback. New. 6.00x0.84x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
ref. 04866Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" "The First Superstar of French Popular Music" A presentation copy inscribed by Béranger to Rangot accompanied by a one-page autograph letter from Rangot and an original pencil sketch of Béranger by Monnier MONNIER Henri illustrator. Chansons de Pierre Jean de Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. First edition. A presentation copy inscribed by Béranger to Rangot accompanied by a one-page autograph letter from Rangot dated 21 August 1831 and an original pencil sketch of Béranger by Henri Monnier dated 16 August 1831 pasted on the verso of the title-page. Extra-illustrated by the insertion of eighty-six engraved plates on India paper mounted throughout by or after such artists as Bellangé Boilly Boulanger Charlet Devéria Fragonard Grandville Grenier Isabey Johannot Monnier Scheffer Vernet and Delacroix. Two octavo volumes 8 13/16 x 5 1/2 inches; 225 x 140 mm. iv 1-192 iv preface 193-439 1 blank 2 2-7 Biographie du Citoyen Béranger; iv 1-433 1 blank 435-438 pp. With an original pencil sketch by Monnier pasted onto the verso of the first title-page. Illustrated with thirty-three of forty superb hand-colored lithographs by Henri Monnier and numerous vignette wood-engravings by Achille Devéria. Seven plates not included: nos. 21 26 28 31 35 37 and 39 as noted by Carteret III p.272 these particular plates are "very often missing". These seven missing plates are highlighted below within the listing of all 40 plates. Bound ca. 1828 by R. Hering & Muller volume 2 stamp-signed in gilt at foot of spine in half dark blue scored calf spines elaborately tooled and lettered in gilt marbled endpapers edges uncut. A wonderful and important copy. Provenance: With two bookplates of M.A. Tessier Architecte: his engraved ex-libris with oak wreath vol. I verso of front free endpaper and the Tessier family armorial bookplate Semper Progrediens - "Ever Forward" on the front pastedowns of both volumes. "The forty drawings by Henri Monnier lithographed with a pen on stone and colored with a brush are very rare complete. Seven of these lithographs are often missing they are: The Court Dress The Exile The Good Old Man The Marquise of Pretintaille The Flight of Love The Voyager The two Grenadiers." Carteret III p. 72. The signed presentation translated reads: "Nothing more ridiculous for an author than to write something at the head of his works; but an admirable obstinacy obliges me here to obey. - Béranger". An ironic comment on the absurdity of authors inscribing their own books. The Autograph Letter Signed "Rangot" 21 Aug. 1831 translated reads: "Dear and precious friend. the amiable good Béranger will do all you wish and has promised to honor me with a visit or two. I hope that the bonds of friendship will soon bring me the happiness of seeing you. Your poor very devoted but true friend Rangot. Paris 21 August 1831 Grande rue No. 81." With a postscript in Italian: "A thousand thousand respects to your amiable kind and good wife to whom I wish a child who in all things will resemble the father." The signatory to the Als. "Rangot" leaves open the possibility of "Ragot." No individual of that exact name is recorded among Béranger's principal circle of publishers chansonniers or correspondents. It is therefore probable that "Rangot" was a minor literary or personal acquaintance acting as an intermediary arranging introductions to the poet at a time 1831 just after the July Revolution when Béranger's fame and political sensitivity made such mediation necessary. While one could tentatively connect the name with Louis-François Ragot 1782-1857 a Parisian man of letters active in minor journals of the period this identification remains unverified in standard bibliographies Vicaire Escoffier Carteret or collections of Béranger's correspondence. The original Pencil Sketch of Béranger signed and captioned dated 16 August 1831 by Henri Monnier. Reads: "Béranger the poet looking at the statue of Guillaume le Conquérant by the sculptor Archereau at the Champs-Élysées." With annotation: "I made this sketch of Béranger with all the possible politeness and convenience; it was impossible for me to take his face but from the back he gave me a good profile. I placed myself in a corner where I could see him well hidden for a poet who deserves to be observed must be carefully preserved." "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie. Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison. The plates: 1. Le Roi d'Yvetot 2. La Bacchante 3. Le Sénateur 4. La Gaudriole 5. Roger Bontemps 6. Ma Grand'Mère 7. Ma Mère Aveugle 8. Le Petit Homme Gris 9. La Bonne Fille 10. L'Éducation des Demoiselles 11. Madame Grégoire 12. Les Gueux 13. Le Vieux Célibataire 14. Le Commencement du Voyage 15. Requête des Chiens de Qualité 16. Vieux Habits! Vieux Galons! 17. Le Nouveau Diogène 18. Le Maitre d'École 19. La Chatte 20. Bon Vin et Fillette 21. L'Habit de Cour 22. Ce n'est plus Lisette 23. L'Hiver 24. La Bonne Vieille 25. La Vivandière 26. L'Exilé 27. La Bouquetière et le Croque-Mort 28. Le Bon Vieillard 29. L'Aveugle de Bagnolet 30. Les Cartes ou l'Horoscope 31. La Marquise de Pretintaille 32. Le Tailleur et la Fée 33. Le Violon Brisé 34. Les Hirondelles 35. La Fuite de l'Amour 36. Le Vieux Sergent 37. Le Voyageur 38. Le Grenier 39. Les Deux Grenadiers 40. Les Souvenirs du Peuple Extra B&W Illustrations on India Paper mounted 86 Total: Opposite Pages: 13. Le Roi d'Yvetot - Grenier del.; Fry sc. 16. La Bacchante - A. Deveria del.; Cousin sc. 18. Le Sénateur - Tony Johannot del. & sc. 24. La Gaudriole - E. Deveria del.; T.M. Fontaine sc. 27. Roger Bontemps - Charlet del.; Frilley sc. 40. Ma Mère Aveugle - Grenier del.; Jaquemot sc. 43. Le Petit Homme Gris - Tony Johannot del.; Lecomte sc. 45. La Bonne Fille - Bellangé del.; Dulompré sc. 55. Charles Sept - Th. Fragonard del.; C. Cousin sc. 59. Les Gueux - E. Isabey del.; Fry sc. 68. Le Vieux Célibataire - Grenier del.; Wedgewood sc. 73. Les Gaulois et Les Francs - Adam del.; Ashby sc. 77. Frétillon - H. Bellanger del.; T.M. Fontaine sc. 106. La Grande Orgie - Tony Johannot del.; Revel sc. 123. Le Troisième Mari - E. Deveria del.; Wedgewood sc. 126. Vieux Habits! Vieux Galons! - Charlet del.; Ashby sc. 134. Le Maitre d'École - Grandville del.; Lefèver Jne. sc. 136. Le Célibataire - Warren del. & sc. 145. La Chatte - Tony Johannot del. & sc. 150. Les Parques - Tony Johannot del.; Deshauxents sc. 158. Bon Vin et Fillette - Alf. Johannot del.; Blanchard sc. 177. Le Prisonnière et Le Chevalier - Alf. Johannot del.; Cousin sc. 189. Le Bedeau - Alf. Johannot del.; Pelée sc. 220. Le Vieux Ménétrier - Charlet del.; Frilley sc. 225. Le Deux Soeurs de Charité - Boulanger del.; Jaquemot sc. 231. Ce n'est plus Lisette - Tony Johannot del.; Blanchard sc. 234. Le Marquis de Carabas - Charlet del.; Blanchard sc. 237. L'Hiver - Alf. Johannot del. & sc. 245. Paillasse - Henri Monnier del.; Lefèver Jne. sc. 248. Mon Ame - A. Scheffer del.; Touzé sc. 260. Mon Habit - A. Scheffer del.; Ashby sc. 277. La Bonne Vieille - Alf. Johannot del.; Blanchard sc. 279. La Vivandière - E. Isabey del.; Ashby sc. 285. L'Exilé - Grenier del.; Pelée sc. 294. Ma Nacelle - Gudin del.; Fry sc. 300. Le Dieu des Bonnes Gens - H. Vernet del.; Touzé sc. 309. Les Clefs du Paradis - Decamps del.; Mauduit sc. 315. Le Bon Vieillard - Alf. Johannot del.; C. Cousin sc. 318. Qu'elle est Jolie! - Grenier del.; A. Lefèver sc. 320. L'Aveugle de Bagnolet - Alf. Johannot del.; Cousin sc. 334. Le Retour dons La Patrie - Vigneron del.; Frilley sc. 338. Le Ventru - E. Lami del.; Lefèver Jne. sc. 348. Le Champ d'Asile - A. Johannot del.; Dutillon sc. 359. Les Cartes ou l'Horoscope - Boulanger del.; Wedgewood sc. 366. Le Révérends Pères - Tony Johannot del.; Bein sc. 369. Les Enfans de La France - Dupré del.; Levasseur sc. 385. Les Étoiles qui Filent - Bellangé del.; Lefèver Jne. sc. 391. Le Temps - Boilly del.; Fry sc. Light water staining affecting lower margin of text and plates from pp.359-end. 415. Louis XI - Delacroix del.; Pouvoyeur sc. 428. L'Orage - Charlet del.; Bein sc. 432. Le Cinq Mai - Alf. Johannot del.; Lefèver Jne. sc. 51 plates 14. La Liberté - Roqueplan del.; Frilley sc. 26. L'Ombre d'Anacréon - Champion del.; Fry sc. 31. La Sylphide - Devéria del.; Pelée sc. 37. Pigeon Messager - Devéria del.; Lefèver Jne. sc. 45. Le Censeur - Scheffer del.; Frilley sc. 50. La Cantharide ou Le Philtre - Tony Johannot del.; Cousin sc. 55. Le Tailleur et la Fée - Roqueplan del.; Corbould sc. 62. Le Malade - Tony Johannot del.; Marckl sc. 66. L'Épée de Damoclès - Eug. Deveria del.; Plée sc. 72. Le Violon Brisé - Bellangé del.; Girard sc. 75. Le Contrat de Marige - Charlet del.; Frilley sc. 77. Le Chant du Cosaque - Tony Johannot del.; Konig sc. 79. Les Hirondelles - Bonnington del.; Corbould sc. 91. Le Vieux Sergent - Bellangé del.; Ashby sc. 97. L'Ange Exilé - Eug. Deveria del.; Durand sc. 101. Le Voyageur - Tony Johannot del.; Revel sc. 104. Mon Enterrement - Devéria del.; Fry sc. 118. Treize a Table - Eug. Devéria del.; Migneret sc. 120. Lafayette en Amérique - Tony Johannot del.; Frilley sc. 124. Psara - Delacroix del.; Pouvoyeur sc. 133. Le Grenier - Grenier del.; T.M. Fontaine sc. 135. L'Échelle de Jacob - Tony Johannot del.; Lefèver sc. 138. Le Chapeau de La Mariée - Alf. Johannot del.; Leroux sc. 151. Le Chasseur et La Laitière - Alf. Johannot del. & sc. 161. Couplets - Lemaitre del. & sc. 169. Les Deux Grenadiers - Charlet del.; Lefèver Jne. sc. 179. La Mort du Diable - Decamp del.; Durand sc. 185. Le Petit Homme Rouge - Saint-Evre del.; Tavernier sc. 188. Les Bohémienes - n/a 192. Les Souvenirs du Peuple - Charlet del.; Lefèver Jne. sc. 197. L'Ange Gardien - D.C. del.; Lefèver Jne. del. & sc. 206. Le Tombeau de Manuel - Warren del. & sc. 359. Le Missionnaires - n/a 361. Le Bon Dieu - Charlet del.; Fry sc. 366. Le Vieux Drapeau - Bellangé del.; Fry sc. 35 plates. Paris: Baudouin Frères, Éditeurs, 1828 unknown
ref. 24392727like new. unknown
1860ref. 233431860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. iii - 374 pp. 1 f. n.fol. et 1 f. bl. Reliure de l'poque de demi-chagrin maroquin sapin dos nerfs orns de filets gras et maigres en noir filet en pointills dors sur les nerfs larges fleurons dors titre dor tranches mouchetes. L'ouvrage recÂle 14 sur 14 dlicates planches - ici en premier tirage - graves sur acier d'aprÂs Aim de Lemud. ''En 1860 Perrotin rimprima cette dition de 1857 et y insra une suite de 14 figures de Aim de Lemud pour l'illustrer''. in Carteret. ''A. de Lemud a compos en 1860 une suite de 14 dessins pour illustrer les DerniÂres Chansons. Ces gravures publies par Perrotin ont t tires sur blanc et sur Chine avant la lettre''. in Vicaire. ''ElÂve de Paul Delaroche Lemud peintre d'inspiration romantique exposa au Salon de 1869 mais ce sont surtout ses lithographies qui le firent connatre''. in Osterwalder citant la prsente contribution de l'artiste. ''Lemud a fait aussi de l'illustration notamment pour les Chansons de Branger''. in Bnzit. Fin 1805 lÕancien Caveau ressuscite. La Cl du Caveau est publie chaque anne. Ce recueil de chansons et dÕairs permet Branger entr au Caveau moderne fin 1813 Dsaugiers et leurs amis de faire connatre leurs chansons au peuple mais des copies circulent dj et Branger est connu pour Le Snateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 Branger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libralisme. AprÂs le retour du roi Louis XVIII en 1815 Branger va exploiter les thÂmes du respect de la libert de la haine de lÕAncien Rgime de la suprmatie clricale du souvenir des gloires passes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et clÂbre les gloires de la Rpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. Branger apporte la posie dont ont besoin ceux qui ont dsert la cause royale. Le cercle de ses amitis sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer la Minerve avec tienne de Jouy Charles-Guillaume tienne et Benjamin Constant . Brivois Bibliographie des ouvrages illustrs du XIXÂme p. 56 - Carteret III Le Trsor du bibliophile p. 83 - Escoffier Le Mouvement romantique 1735 pour l'dition de 1857 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littrature franÂaise p. 40 - Osterwalder I Dictionnaire des illustrateurs p. 617 - Bnzit VI Dictionnaire des peintres p. 574 - Clouzot Guide du bibliophile franÂais p. 31 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 191. Angles coupes et coiffes lgÂrement lims. Claires rousseurs dans le corps d'ouvrage ; dont quelques feuillets sont davantage pourvus. Du reste bonne condition. b42961 unknown