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Best.-Nr. 63117874Cambridge University Press CUP . Papeback. New. pp. 358 Cambridge University Press CUP unknown
Best.-Nr. 63117880Cambridge University Press CUP . Papeback. New. pp. 424 Cambridge University Press CUP unknown
Best.-Nr. 63846600Indiana University Press USA . Hardback. New. Indiana University Press (USA) hardcover
Best.-Nr. 61839932Cambridge University Press CUP . Papeback. New. pp. 266 Cambridge University Press CUP unknown
Best.-Nr. 6390592Cambridge University Press CUP . Papeback. New. pp. 432 Cambridge University Press CUP unknown
Best.-Nr. 6422314Cambridge University Press CUP . Hardback. New. pp. 430 Cambridge University Press CUP hardcover
1912Best.-Nr. 48615Dent 1912. 8vo. First Edition thus; original series binding of grey ribbed cloth upper board framed and blocked in blind gilt back dark top pictorial endpapers a very good bright clean copy. Sole appearance in EL. EL 602; Seymour 87.0. VERY SCARCE. Dent, hardcover
1987Best.-Nr. 307442London: Folio Society 1987. First Edition Thus; First Printing. Hardcover. Near Fine in a Near Fine slipcase. Owner nameplate on FEP. Folio Society hardcover
1963Best.-Nr. 44025AB1963. England / U.S.A / Australia Penguin Books 1963. 13 cm x 20 cm. 153 pages. Original softcover. Very good condition with only very minor signs of external wear. "During the performances of fashionable operas in an unidentified but "civilized" town in northern Europe the musicians with the exception of the conscientious bass drummer tell tales read stories and exchange gossip to relieve the tedium of the bad music they are paid to perform. In this delightful and now classic narrative written by the brilliant composer and critic Hector Berlioz we are privy to twenty-five highly entertaining evenings with a fascinating group of distracted performers. As we near the two-hundredth anniversary of Berlioz's birth Jacques Barzun's pitch-perfect translation of Evenings with the Orchestra with a new foreword by Berlioz scholar Peter Bloom testifies to the enduring pleasure found in this most witty and amusing book. "Full of knowledge penetration good sense individual wit stock humor justifiable exasperation understanding exaggeration emotion and rhetoric of every kind" Randall Jarrell New York Times Book Review "To succeed in writing these tales as Berlioz most brilliantly does requires a combination of qualities which is very rare the many-faceted curiosity of the dramatist with the aggressively personal vision of the lyric poet" W. H. Auden The Griffin". Amazon. paperback
1982Best.-Nr. 72234AB1982. London / Melbourne / Toronto J.M. Dent & Sons Ltd 1982. 14.5 cm x 22 cm. 261 pages with eight pages of photographs four line illustrations and sixty-two music examples. Original Hardcover with original dustjacket in protective collector's Mylar. Near Fine. Excellent condition with only very minor signs of external wear. The Master Musicians Includes for example the following essays: Life: 1803 - 1830; 1831-1848. / Music: 1818 - 1830; 1831-1841. / Berlioz's Style / Appendix A: Calendar / Appendix C: Personalia etc. hardcover
1987Best.-Nr. 120558London: Folio Society 1987. First Edition; First Printing. Hardcover. Near Fine in a Near Fine slipcase. Folio Society hardcover
1951Best.-Nr. 44083Edinburgh: Printed for the Edinburgh Bibliographical Society 1951. First edition one of 320 copies no. 58. Illustrated. 205 pp. 1 vols. 4to. Wrapper staining on lower covers else VG. First edition one of 320 copies no. 58. Illustrated. 205 pp. 1 vols. 4to. Printed for the Edinburgh Bibliographical Society unknown
Best.-Nr. 66941New York: Broude Brothers N.D. Vintage Copy. Softcover. Very Good in wrappers. Crease to edge at rear panel. A few minor ink stains to front panel.; Masterworks of the Choral Art; 4to - over 9¾" - 12" tall. Broude Brothers unknown
1973Best.-Nr. 59004Chicago: University of Chicago Press 1973. First Edition Thus; First Printing. Softcover. Good in wrappers. Some creasing to wrappers. Sunning at spine.; 7.90 X 5 X 1.30 inches; 400 pages. University of Chicago Press unknown
2014Best.-Nr. H-822-033MAGNARD 2014. Paperback. Good. Former library book. Different cover. Edition 2014. Ammareal gives back up to 15% of this item's net price to charity organizations. MAGNARD paperback
1968Best.-Nr. 76587Paris: Gründ 1968. Relié. Etat satisfaisant. In-8. 649 pp. Edition du centenaire. Reliure éditeur. Petites déchirures sur les bords de la jaquette. Mention importante page de garde. Gründ unknown
1904Best.-Nr. OB1022Paris & Bruxelles Henry Lemoine 1904. Hard Cover. iii 276 p.; 25 cm. Second edition; first 1900. Widor-- composer organist teacher-- edited and amplified Berlioz's De l'instrumentation. Berlioz's originality as an orchestral writer prevented a school forming but influenced a generation of French and Russian musicians. Good slight foxing 3/4 leather rebacked. Stock#OB1022. Henry Lemoine hardcover
Best.-Nr. 478292Macmillan and Co. London. Hardcover. Good. This is the 1884 first English translation by Rachel Scott Russell Holmes and Elinor Holmes in 2 volumes 'comprising his travels in Italy Germany Russia and England' 'From 1803 to 1865'. Both volumes have brown cloth-covered boards with gilt lettering on spines and black decorative bands top and bottom. Both have bumped corners and rubbed spines with spines somewhat torn across tops and bottoms. Boards show light wear and slight stains. Dark green end papers are torn at joins to pages but holding; stitched binding holding well throughout. Pages tanned with a few stains here and there but generally clean and clear; edges lightly grubby with age. Vol. I has 336 pages; vol. II has 4 Macmillan and Co., London hardcover
Best.-Nr. 5090775-nnew. unknown
Best.-Nr. 7686909like new. unknown
2002Best.-Nr. DADAX0521239532Cambridge University Press 2002-09-02. hardcover. New. 7.10x1.00x10.25. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
Best.-Nr. CI-VA15-7HHEDec 01 1963. Very Good. unknown
Best.-Nr. MUSI1391Leipzig Heinze 1864. VI 209 S.; VI 242 S.; HLdr. d. Zt. etw. berieb. insges. guter und sauberer Zustand. Leipzig, Heinze 1864. unknown
Best.-Nr. STLD0022Paris Schonenberger 1855 Nr.: S. 996. 2°. 5 w. Bll. Gest. Tit. m. Vign. u. 312 gest. S. 3 w. Bll. HLdr.bd. d. Zt. m. Streicheisenverz. u. Tit. in Goldpräg. auf Rü. umseit. Sprengschnitt u. marmor. Vorsatzpapieren. Einband berieben an den Kanten bestoßen; Rü. geblichen u. stellenw. rissig; kl. Fehlstellen an den Kapitalen. Stempel des Verlagshauses Schonenberger u. alter Namenszug auf Tit. im Text vereinz. gebräunt u. abgegriffen die tlw. schlecht leserliche Pag. beinahe durchgeh. vom Vorbesitzer m. Bleistift ergänzt; beiliegend 2 Bll. m. Anmerkungen von alter Hand. Hopkinson 30 B S. 61 f.; Riemann I 150 f. hier 1856. EA. der maßgeblichen zweiten Ausgabe von Berlioz erstmals 1844 erschienenener Instrumentationslehre. Erweitert um die Anhänge 'L'art du chef d'orchestre' u. 'les nouveaux instruments'. B.'s ausführliche theoretische Behandlung der Instrumentierung war das erste Schulwerk dieser Art und wurde 1905 von Richard Strauss überarbeitet. Sie enthält vor allem eine ausführliche Instrumentenkunde die Tonumfang Klang und Charakter der Orchesterinstrumente und ihrer einzelnen Register abhandeln und befasst sich mit der Problematik unterschiedlicher Besetzungen und der Anzahl der Spieler in den einzelnen Gruppen. - B. widmete sein Instrumentations-Lehrwerk dem König v. Preußen Friedrich Wilhelm IV. Paris, Schonenberger [1855] (Nr.: S. 996). unknown
2010Best.-Nr. SONG1848211910Wiley 2010-03-29. 1. hardcover. Used: Good. 6.20x0.90x9.10. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
