BerliozBiblio.com
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2002rif. DADAX0521239532Cambridge University Press 2002-09-02. hardcover. New. 7.10x1.00x10.25. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
rif. CI-VA15-7HHEDec 01 1963. Very Good. unknown
rif. MUSI1391Leipzig Heinze 1864. VI 209 S.; VI 242 S.; HLdr. d. Zt. etw. berieb. insges. guter und sauberer Zustand. Leipzig, Heinze 1864. unknown
rif. 354342 pp. of a bifolium. Octavo. Dated "31 Juillet" no year. To an unidentified male correspondent. On lined paper. In French with translation. Berlioz apologizes for not being able to edit his article on Bortnyansky with which he hopes his correspondent will be satisfied. "The fragment of musical criticism which I wanted to add to the item on Bortnianski is in the hands of Mr. M. Levy's printer who is at present bringing out a book which contains this article. It is impossible for me - since the printer is not in Paris - to rework my manuscript. Therefore be good enough to be satisfied with the Russian article; it is accurate on the whole and it would be difficult for me to redo a study on Bortnianski and Emperor of Russia's singers that is already done." The composer/critic goes on say that he would be happy for extracts of the article to appear in L'Illustration and in a postscript asks his correspondent to send him a copy of the periodical in which his article appears. Slightly worn; creased at folds and very slightly overall. Dmitri Stepanovich Bortnyansky 1751-1825 was a Ukrainian singer composer and music director active in Russia. "During the 19th century Bortnyansky choral concertos and hymns gained popularity across Western Europe; some copies of concertos preserved in the library of the Hofkapelle in Vienna date from as early as 1780. Berlioz who heard the concertos in Russia in the 1840s praised the 'incredible freedom' of their approach to choral sonority Les soirées de l'orchestre Paris 1852 and included Bortnyansky's music in several of his own concerts in Paris." Marika Kuzma in Grove Music Online "Berlioz stands as the leading musician of his age in a country-France-whose principal artistic endeavour was then literary and in an art-music-whose principal pioneers were then German. In many senses the Romantic movement found its fullest embodiment in him yet he had deep Classical roots and stood apart from many manifestations of that movement. His life presents the archetypal tragic struggle of new ideas for acceptance to which he gave his full exertions as composer critic and conductor. And though there were many who perceived greatness in his music from the beginning his genius only came to full recognition in the 20th century. . Berlioz's views were presented regularly to readers of the Paris press. . He published three collections of criticism: Les soirées de l'orchestre 1852 Les grotesques de la musique 1859 and A travers chants 1862. In his feuilletons he wrote of new operas and singers .; his opinion on momentous occasions was of crucial interest for example at the première of Le prophète in 1849. He reviewed most of the concerts of the Société des Concerts; he wrote of new instruments and musical gadgets of his own impressions of music abroad and of important musicians visiting France; he wrote biographical notices of Gluck Beethoven Spontini Méhul and himself; he wrote fiction and fantasy often with a critical purpose; he wrote serialized treatises on orchestration and conducting. There are in short few facets of musical practice of the time untouched in his feuilletons. . In general Berlioz's opinions are trenchant and clearly expressed." Hugh Macdonald in Grove Music Online. unknown
rif. STLD0022Paris Schonenberger 1855 Nr.: S. 996. 2°. 5 w. Bll. Gest. Tit. m. Vign. u. 312 gest. S. 3 w. Bll. HLdr.bd. d. Zt. m. Streicheisenverz. u. Tit. in Goldpräg. auf Rü. umseit. Sprengschnitt u. marmor. Vorsatzpapieren. Einband berieben an den Kanten bestoßen; Rü. geblichen u. stellenw. rissig; kl. Fehlstellen an den Kapitalen. Stempel des Verlagshauses Schonenberger u. alter Namenszug auf Tit. im Text vereinz. gebräunt u. abgegriffen die tlw. schlecht leserliche Pag. beinahe durchgeh. vom Vorbesitzer m. Bleistift ergänzt; beiliegend 2 Bll. m. Anmerkungen von alter Hand. Hopkinson 30 B S. 61 f.; Riemann I 150 f. hier 1856. EA. der maßgeblichen zweiten Ausgabe von Berlioz erstmals 1844 erschienenener Instrumentationslehre. Erweitert um die Anhänge 'L'art du chef d'orchestre' u. 'les nouveaux instruments'. B.'s ausführliche theoretische Behandlung der Instrumentierung war das erste Schulwerk dieser Art und wurde 1905 von Richard Strauss überarbeitet. Sie enthält vor allem eine ausführliche Instrumentenkunde die Tonumfang Klang und Charakter der Orchesterinstrumente und ihrer einzelnen Register abhandeln und befasst sich mit der Problematik unterschiedlicher Besetzungen und der Anzahl der Spieler in den einzelnen Gruppen. - B. widmete sein Instrumentations-Lehrwerk dem König v. Preußen Friedrich Wilhelm IV. Paris, Schonenberger [1855] (Nr.: S. 996). unknown
2010rif. SONG1848211910Wiley 2010-03-29. 1. hardcover. Used: Good. 6.20x0.90x9.10. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
2002rif. SONG0521239532Cambridge University Press 2002-09-02. hardcover. Used: Good. 7.10x1.00x10.25. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
2010rif. DADAX116527633XKessinger Publishing 2010-09-10. paperback. New. 6.00x0.74x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010rif. DADAX116767474XKessinger Publishing 2010-09-10. paperback. New. 6.00x0.89x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2014rif. 11402Oxford University Press 2014. 1st Edition . Hardcover. Very Good/Very Good. Hardcover xx300 pages NOT ex-library. Interior is clean and bright throughout with unmarked text no inscriptions no stamps firmly bound. A white glue mark on the front board. Untorn jacket with some creasing faint marks. -- "Berlioz the composer was also a writer and critic. His Memoirs and Evenings with the Orchestra are well-known and well-loved. This book offers a selection of his day-to-day criticism in English taking him from his student days as a participant in musical polemics over Rossini to his first years of mature success: in 1834 he began writing for the newly founded Revue et gazette musicale the French counterpart to Schumann's Neue Zeitschrift f r Musik; in 1835 he became music critic at the Journal des d bats the most influential such post of the day. Through Berlioz's eyes we follow musical events during one of the richest periods in French cultural history - the decade surrounding the Revolution of 1830 a year that also saw Victor Hugo's victory for the Romantics in the Classical bastion of the Th tre-Fran ais of and the premiere of Berlioz's Symphonie fantastique. A substantial introduction situates Berlioz's criticism in these watershed years that bring the advent of the as yet unknown Beethoven in France along with the first modern symphony orchestra a recognized musical canon the first successful French music journals and music criticism designed to guide and instruct rather than to judge. Each selection is accompanied by an introductory paragraph and explanatory notes. The most entertaining of critics Berlioz has found here the "good English-language anthology" of his criticism that Jacques Barzun founder of modern Berlioz studies called for in 1950." -- Contents: Introduction; Musical Polemic: On Dilettanti & Armide and Gluck; Arts: Observations on Classical and Romantic Music; Concert Society of the Conservatoire: First Concert; Music Review: Concerts 1833-1834; Gluck Part I; Music Review: Beethoven and the Dilettanti of Bordeaux & Henri Reber Quartets & Funeral Service for Choron; Rossini's William Tell Part I; Boieldieu; Notice to Readers Idle Enough to Read My Articles; Gluck's Iphigenia in Tauris; Music Review: elle Letters for Piano by Chr tien Urhan; Gabussi's Ernani at the Th tre-Italien; Music Review: Op ra: William Tell - Op ra-Comique: Z mire et Azor Reprise - Concerts; Conservatoire Orchestra: First Concert Eighth Season; Critical Review: Le Moine Text by milien Pacini Music by G. Meyerbeer; Third Concert at the Conservatoire: Symphonies by Haydn and Beethoven; Music Review: Royal Academy of Music: First Performance of La Juive Opera in Five Acts by MM & Concert by the Pupils of Choron at the H tel de Ville; Concert Society of the Conservatoire: Fourth Concert; Sixth Conservatoire Concert; Concert by Franz Liszt: H tel de Ville; M. Cherubini's Requiem at the Invalides and M. Lesueur's Te Deum at Notre Dame; On the Score of H rold's Zampa; Music Review; Mozart's Don Juan; Religious Music: M. Lesueur: Rachel No mi Ruth et Booz Oratorios - M. Urhan: Auditions; Op ra-Comiqu - Concerts: Virtuosos and Composers; First Conservatoire Concert of the Season; Meyerbeer's Les Huguenots: Acts 4 and 5; Concerts at the Conservatoire: The Magic Flute and Les Myst res d'Isis - Mozart's Corrector; Liszt; Antoine Reicha; Musical Entertainments: Le Si ge de Corinthe at the Op ra - M. Ole Bull - M. Labarre and His Harp School - Music of Public Festivals - Paris Artists and Music Lovers Celebrating the Victory at Fleurus in 1794 - Amateur Fund-raiser for the Wounded in 1830 - Huge Chorus in the Galerie Colbert; Progress of Musical Education in France: M. Joseph Mainzer and M. Aub ry du Boulley; Polytechnical Society: Awards Ceremony; Op ra: William Tell - Debut of Duprez; Royal Academy of Music: Premiere of La Chatte m tamorphos e en femme Ballet in Three Acts by MM Charles Duveyrier and Corali Music by M. Montfort; Biographical Notes; Short Bibliography; Index Oxford University Press hardcover
2010rif. DADAX1160741905Kessinger Publishing 2010-03-19. paperback. New. 6.00x0.84x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010rif. DADAX1165491842Kessinger Publishing 2010-09-10. paperback. New. 6.00x0.85x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
1972rif. mon0000154130William Reeves 1972T. hardcover. Good. in x in x in. No jacket. A spot on spine. William Reeves hardcover
2013rif. DADAX3846018155Salzwasser-Verlag Gmbh 2013-06-13. Illustrated. paperback. New. 5.83x1.31x8.27. Buy with confidence. Excellent Customer Service & Return policy. Salzwasser-Verlag Gmbh paperback
rif. 3846018155.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 73703Leipzig Verlag von Gustav Heinze 1864 Auflage: 1. Halbleder gebunden; Rückengoldprägung Farbkopfschnitt / 4 in 2 Bände / Anz. Seiten: 400 304 209 242 / 135 x 196 cm / Zustand: gut leichte Gebrauchsspuren; Einbände leicht berieben Ecken etwas bestossen Innengelenke angeplatzt Papier leicht gebräunt und gering stockfleckig Autorisierte deutsche Ausgabe von Richard Pohl Inhalt: Bd. 1: A travers chants. Musikalische Studien Huldigungen Einfälle und Kritiken; Bd. 2: Orchester-Abende. Musikalische Novellen und Genrebilder Band 1; Bd. 3: Orchester-Abende. Musikalische Novellen und Genrebilder Band 2; Bd. 4: Musikalische Grotesken. Humoristische Feuilletons Leipzig, Verlag von Gustav Heinze, 1864, Auflage: 1. unknown
1994rif. DADAX0253311640Indiana University Press 1994-06-22. Annotated. hardcover. New. 9.48x6.42x1.02. Buy with confidence. Excellent Customer Service & Return policy. Indiana University Press hardcover
1994rif. SONG0253311640Indiana University Press 1994-06-22. Annotated. hardcover. Used: Good. 9.48x6.42x1.02. Buy with confidence. Excellent Customer Service & Return policy. Indiana University Press hardcover
rif. DADAX0274610604Wentworth Press 2018-08-02. hardcover. New. 6.14x0.94x9.21. Buy with confidence. Excellent Customer Service & Return policy. Wentworth Press hardcover
rif. DADAX0274266490Wentworth Press 2018-07-30. hardcover. New. 6.14x1.25x9.21. Buy with confidence. Excellent Customer Service & Return policy. Wentworth Press hardcover
2010rif. DADAX1169750567Kessinger Publishing 2010-09-10. hardcover. New. 8.50x0.63x11.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
1882rif. 953T20Paris: Calmann Levy 1882-1886. Leather. Very Good Indeed. 7" by 4.5". None. Three smartly bound volumes of works from French Romantic composer and conductor Hector Berlioz in the original French. French. Three volumes. A collection from Louis-Hector Berlioz a French Romantic composer and conductor. This collection contains: Lettres Intimes 1882. Second edition. A collection of over one hundred personal letters and intimate correspondences from Berlioz between 1825 and 1867. With a preface from Charles-Francois Gounod a French composer. Les Soirees de l'Orchestre 1884. Fourth edition. An account of various orchestra performances witnessed by the author with reference to the differences between performances of each musician as well as changes made from one night to the next. A Travers Chants 1886. Fourth edition. A collection of musical studies through song with critiques of the works of important composers and conductors. Bound in quarter calf with marbled boards. Externally smart with light rubbing to the extremities and fading to the spine. The odd small mark to the boards. Internally firmly bound. Pages are very bright with the odd small spot. Minor age toning to the endpapers. Very Good Indeed Calmann Levy hardcover
1878rif. 956Y21Paris : Calmann Levy 1878. Leather. Very Good. 7.5" by 5". None. A handsomely bound third edition of Hector Berlioz's highly entertaining narrative centring on the exchanges of orchestral performers. The third edition under publisher Calmann Levy. Another third edition was published under Michel Levy in 1871. Bound in quarter crushed morocco with marbled paper covered boards and endpapers. This charming narrative takes the reader through twenty-five evenings in the company of various groups of musicians who tell tales and exchange gossip in between their performances of fashionable operas in northern Europe. From French Romantic composer and conductor Hector Berlioz whose own operas include 'Benvenuto Cellini' and 'Les Troyens'. Bound in quarter crushed morocco with marbled paper covered boards and endpapers. Externally smart with rubbing to the extremities notably to the spine head. Internally firmly bound. Pages are lightly age toned with scattered spots throughout. Very Good Calmann Levy hardcover
2017rif. 2-8446044285Ediciones Akal 2017. Hardcover. New. Spanish language. 9.76x7.09x1.73 inches. Ediciones Akal hardcover
2015rif. 2-8446041596Ediciones Akal 2015. Perfect Paperback. New. Spanish language. 9.45x6.77x0.63 inches. Ediciones Akal paperback
