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1836réf. biblio261Two volumes. Quarto. Chez Amable Costes. Paris. 1836/1837. Complete set with 135 copper engraved plates and two folding engraved maps. Premier Partie: viij 56 16 48 28 48 24pp. Engraved half title title section titles folding map slightly darkened to edge 51 copper engraved plates as listed in tables des matières et indication des figures; Deuxieme Partie: 136 80 64 64pp. Title section titles 84 copper engraved plates as listed in tables des matieres et indication des figures plus one extra folding map. Contemporary quarter morocco faux shagreen vellum corner tips. Spines in six compartments gilt lettering and decoration gilt faded to base of spine Vol. I. Marbled endpapers. All edges blue. Crisp and bright occasional light toning to text. Light shelf wear. A desirable set. Carte Routiere de l'Italie dressee par Th. Duvotenay eleve de M.P.Lapie publiee par Amable Costes 1836. Second map grave Flahaut; ecrit par Arnoul. Chez Amable Costes hardcover
1932réf. 304611New York: Alfred A. Knopf. 533 pages. "First Edition" stated. A handsome copy in an attractive jacket that was backed with paper at an early date preserving the condition. . Near Fine. Hardcover. 1st Edition. 1932. Alfred A. Knopf hardcover
1857réf. 1053BERLIOZ Hector 1803-1869 French composer. An 11-line ALS to "Monsieur" signed "H. Berlioz." 1 full p. 8vo. N. p. Paris 30 December 1857. Berlioz writes to an unnamed correspondent about what he wrote as music critic for the Journal des Débats 17 November in reply to M. Benoît Jouvin's comments in Figaro. According to the Hector Berlioz website Berlioz had written about the first production of Margot a comic opera in three acts at the Théâtre Lyrique 5 November 1857 by Jules-Henri Vernoy de Saint-Georges and Adolphe de Leuven music by Antoine-Louis Clapisson and also wrote there about "Inauguration de la salle Beethoven. CONCERT D'OUVERTURE." Berlioz writes about a response from Jouvin the publisher of Figaro a man about whom it has been said always left the theater irritated. Berlioz writes: "It is in the Journal des Debats of November 17th that I have replied to the few lines that Mr. Jouvin has published in the Figaro. But as regards to the article that he wrote in answer to my reply I did not have to answer it and I did not do so. Many thanks for all the gracious things for me contained in your letter receive my best feelings." From 1834 to 1863 Berlioz wrote more than 400 contributions to the prestigious and influential Paris paper the Journal des Débats which represent rather less than half of his entire output as music critic. Apparently unpublished and not one of his well over 3000 letters found in his Correspondance général 1972-2003. Very good with edges slightly browned and three edges very slightly rough.
réf. 20031BERLIOZ HECTOR. 1803-1869. French composer; creator of Harold in Italy Symphonie Fantastique and other masterpieces. ALS. "Hector Berlioz". 2pp. 4to. Paris October 9 1834. To l'intendant general de la liste civile. In French with translation. "I am planning to give three concerts over the course of next November. The Salle des Menus Plaisirs which you have been kind enough to make available to me several times in the past is really the only venue in Paris that lends itself to these kinds of musical events. So I request that you will grant me permission to hold mine there. These concerts just like the ones I gave last years would take place on Sundays at 2 in the afternoon. With all my respect dear General Intendant your humble servant…" The 1830s were difficult for Berlioz. Bereft of the recognition he craved and unable to earn a steady income from composing he worked as a critic for several journals and newspapers and accepted the few commissions that came his way. Nevertheless he produced a number of works including the symphony Harold en Italiewhich premiered on November 23 1834 about a month and a half after writing our letter at the Paris Conservatoire then housed in the Salle des Menus Plaisirs a theater attached to the Hôtel des Menus-Plaisirs and the venue for most of Berlioz's symphonic works. Harold en Italie based on Byron's narrative poemso captivated Italian violinist and composer Niccolo Paganini for whom it was written that in 1838 he presented Berlioz with a gift of 20000 francs. Several weeks before the premiere the Paris Conservatoire was also the venue for another Berlioz program on November 9 which included his Symphonie fantastique as well as the first performances of Sara la baigneuse version H69A and la Belle voyageuse. A plaque outside the Salle du Conservatoire commemorates Berlioz's performances there. Our letter was written from 34 rue de Londres Berlioz's home between 1834 and 1836. Docketed in the top margin. Folded and slightly creased; a very early letter and as such uncommon.
1859réf. 33803Paris: Librairie Nouvelle 1859 320pp. Text in French. Tips and spine ends are bumped and heavily rubbed. Edges of boards are heavily rubbed. Boards have scuffs and scratches. Edges of text block are dust stained. Inisde boards and endpapers are toning. Paper clipping pasted to half title page causing a ghost to the facing page. Fore edge of page seven has a small tear. Page edges have light foxing. Text is unmarked. . Hardcover. Good/No Dust Jacket. Librairie Nouvelle hardcover
réf. 2090502130601136DOVER PUBLICATIONS N.A. Soft Cover. Fine. Number of pages: 320 pp Size: 23 cm x 30 cm DOVER PUBLICATIONS paperback