Berlioz, HectorBiblio.com
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Best.-Nr. 1108031935.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009Best.-Nr. DADAX1104216205Kessinger Publishing 2009-03-20. hardcover. New. 6.00x1.06x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
Best.-Nr. 478292Macmillan and Co. London. Hardcover. Good. This is the 1884 first English translation by Rachel Scott Russell Holmes and Elinor Holmes in 2 volumes 'comprising his travels in Italy Germany Russia and England' 'From 1803 to 1865'. Both volumes have brown cloth-covered boards with gilt lettering on spines and black decorative bands top and bottom. Both have bumped corners and rubbed spines with spines somewhat torn across tops and bottoms. Boards show light wear and slight stains. Dark green end papers are torn at joins to pages but holding; stitched binding holding well throughout. Pages tanned with a few stains here and there but generally clean and clear; edges lightly grubby with age. Vol. I has 336 pages; vol. II has 4 Macmillan and Co., London hardcover
1884Best.-Nr. BK-dd50e9bdeb4aMacmillan and Co. 1884. Hardcover/Hardback. Good. This first edition of Hector Berlioz's autobiography published in 1884 is an essential addition to any collection centered on musical history and 19th-century culture. Beautifully translated by Rachel and Eleanor Holmes it covers Berlioz's travels and professional endeavors across Europe. This volume especially appeals to those fascinated by the intersection of music and history during the Victorian era.Publisher: Macmillan and Co. Year: 1884. Binding: Hardcover/Hardback. Condition notes: Some wear on the cover and spine especially at the ends but text is clear and pages intact. Actual item shown in the photos. Ships from Montreal Canada. Macmillan and Co. hardcover
Best.-Nr. ria9783337298029_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Autobiography of Hector Berlioz Member of the Institute of France from 1803 to 1865 - Comprising his travels in Italy Germany Russia and England. Vol. 2 is an unchanged high-quality reprint of the original edition of 1884. Hansebo paperback
Best.-Nr. ria9783337349066_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Autobiography of Hector Berlioz - Vol. 2 is an unchanged high-quality reprint of the original edition of 1884. Hansebooks is editor of the literature on different topic areas such as research and science travel and expeditions cookin paperback
Best.-Nr. ria9781108031936_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Hector Berlioz 1803–69 was one of the most original and colourful composers of his generation. The autobiography reflects the man - exuberant idealistic opinionated and witty - and gives us a fascinating first-hand insight into paperback
Best.-Nr. ria9781108031929_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Hector Berlioz 1803–69 was one of the most original and colourful composers of his generation. The autobiography reflects the man - exuberant idealistic opinionated and witty - and gives us a fascinating first-hand insight into paperback
2011Best.-Nr. Cambridge-9781108031929Cambridge University Press 2011. PAPERBACK. New. Cambridge University Press paperback
2011Best.-Nr. Cambridge-9781108031929Cambridge University Press 2011. PAPERBACK. New. Cambridge University Press paperback
2011Best.-Nr. Cambridge-9781108031936Cambridge University Press 2011. PAPERBACK. New. Cambridge University Press paperback
2011Best.-Nr. Cambridge-9781108031936Cambridge University Press 2011. PAPERBACK. New. Cambridge University Press paperback
Best.-Nr. 0265550793.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0260316008.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1331029120.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1331029031.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. B9783337298029Paperback / softback. New. paperback
Best.-Nr. B9783337349066Paperback / softback. New. paperback
Best.-Nr. B9781108031929Paperback / softback. New. Hector Berlioz 1803-69 was one of the most original and colourful composers of his generation. The autobiography reflects the man - exuberant idealistic opinionated and witty - and gives us a fascinating first-hand insight into his life. This first English translation from the original French was published in 1884. paperback
Best.-Nr. B9781108031936Paperback / softback. New. Hector Berlioz 1803-69 was one of the most original and colourful composers of his generation. The autobiography reflects the man - exuberant idealistic opinionated and witty - and gives us a fascinating first-hand insight into his life. This first English translation from the original French was published in 1884. paperback
Best.-Nr. 63117874Cambridge University Press CUP . Papeback. New. pp. 358 Cambridge University Press CUP unknown
Best.-Nr. 63117880Cambridge University Press CUP . Papeback. New. pp. 424 Cambridge University Press CUP unknown
2 Bde. ca. 780 S. 8°. OKart. Nachdruck der Ausgabe 1884.
Best.-Nr. 4168015 measures titled and signed below the music: "Thème e Bal e La Symphonie Fantastique. H. Berlioz." Undated but ca. 1840-1850. The complete main theme of the second movement "Un Bal" carried by the violins in measures 38 to 54 of the full score. 1 leaf. Notated in dark brown ink within decorative dark gold borders on Lard-Esnault paper. Oblong quarto 227 x 300 mm. "The composition of the 'Symphonie fantastique' was a momentous event in Berlioz's career his first full-scale masterpiece and equally momentous in the history of music as the first unequivocal declaration of romantic ideas in style and musical language and its echo has pervaded all music of passion and personal experience to this day . Of Harriet Smithson's identity as the 'beloved' portrayed by an 'idée fixe' in the form of an obsessive theme that recurs in all the movements there can be no question." MacDonald: Berlioz p. 18. With: - Roger Gustave-Hippolyte 1825-1879. Autograph musical quotation signed "G. Roger" being a 12-measure song for voice and piano commencing "d'autiens tu beau miage" to lower portion of recto. With to verso: - Adam Adolphe 1803-1856. Autograph musical quotation signed "Ad. Adam" being a 16-measure waltz for pian. - Halévy Fromental 1799-1862. Autograph musical quotation signed "F. Halévy" being a 22-measure work for piano titled "Suite." A dynamic excerpt from one of the great revolutionary works of the Romantic period constructed around a recurring "idée fixe" a concept originating with Berlioz's revolutionary Symphonie Fantastique and presenting here as a recurring theme associated with Berlioz's obsession with Irish actress Harriet Smithson. A unique artifact incorporating a rare quotation from one of the most outstanding works of the symphonic repertoire of the Romantic period the whole linking Berlioz with three important French musical figures of the mid-19th century. unknown
Best.-Nr. 416811 leaf. Oblong folio 268 x ca. 170 mm. 7 measures notated in black ink on one side of the leaf. Unsigned. Several notes crossed out and a final passage rewritten. A first draft of a polyphonic theme. Identified in German in contemporary manuscript at head: "Handschrift von Hector Berlioz Erste Skizze. Benvenuto Cellini." Some wear and browning; slightly creased at folds; lower edge unevenly trimmed. The present manuscript not recorded in Holoman. Benvenuto Cellini an opéra semi-seria in two acts to a libretto by Léon de Wailly and Auguste Barbier assisted by Alfred de Vigny was based on the memoirs of Benvenuto Cellini. Set in 16th century Rome during the papacy of Clement VII the work premiered in Paris on 10 September 1838 at the Opéra and was produced in a revised version in Weimar at the Grossherzogliches Hoftheater on 20 March 1852 and with further revision in three acts on 17 November 1852. "Whether it originated as a serious or a comic opera the result in all its many versions is a compound a characteristic blend of idealism and farce grandeur and wit breadth and vivacity. Berlioz poured into Benvenuto Cellini every drop of invention and feeling at his command in a torrent of notes that make up a long and very lively opera and its heterogeneity so baffling to Parisians in 1838 and Londoners in 1853 is one of its main virtues." Macdonald: Berlioz p. 106. "Berlioz stands as the leading musician of his age in a country France whose principal artistic endeavour was then literary in an art music whose principal pioneers were then German. In many senses the Romantic movement found its fullest embodiment in him yet he had deep Classical roots and stood apart from many manifestations of that movement. His life presents the archetypal tragic struggle of new ideas for acceptance to which he gave his full exertions as composer critic and conductor. And though there were many who perceived greatness in his music from the beginning his genius only came to full recognition in the 20th century. . In Berlioz's own words Benvenuto Cellini 'contains a variety of ideas an energy and exuberance and a brilliance of colour such as I may perhaps never find again.' " Hugh Macdonald in Grove Music Online A rare working manuscript from one of Berlioz's important stage works evidencing the compositional process through its autograph revisions. While short musical quotations in Berlioz's hand are not rare his sketch leaves are very rare to the market; we have located only one example at auction in over 30 years. unknown
