TIENOT YvonneLivre Rare Book
Berlioz, Hector,Biblio.com
Benvenuto Cellini
réf. 47079281like new. unknown
GreatBookPrices · États-Unis58,51 $US≈ 52,27 €
1 341 résultats
1951réf. M83231Bruxelles, Henry Lemoine 1951 138pp.+ 2 planches (portrait et facsimile d'un autographe de Berlioz), signé avec dédicace par l'auteur "A monsieur Paul Tinel, etc.", 19cm., br.orig., bon état, M83231
1969réf. LFA-126738715Un ouvrage de 96 pages, format 110 x 210° mm, illustré, broché, publié en 1969, Classiques Hachette de la Musique, bon état
réf. 47079281like new. unknown
réf. 1019924977.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0243967462.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0331518805.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. RO50028765Edition Cranz. XXème. In-8. Broché. Bon état, Tâchée, Dos fané, Intérieur frais. 51 pages. Ornements couleur en couverture.. . . . Classification Dewey : 780.26-Partitions
réf. R160215416Librairie Théâtrale. non daté. In-12. Broché. Etat d'usage, Couv. légèrement passée, Agrafes rouillées, Papier jauni. 100 pages. . . . Classification Dewey : 792-Théâtre
réf. FR12021HLivret programme complet.
réf. 27341Amsterdam, De Nederlandse Opera, 1991 originele papieren uitgeversomslag met flappen in bruin/geel, 22x16.4 cm., 104 pp., geillustreerd in kleur. ISBN 9050820395.
réf. 36359Paris, Aubier, Editions Montaigne, 1979. 13 x 22, ca 160 pp., broché, bon état.
réf. 087597094X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1885586779.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 68529P., Correa, 1941, in 12 broché, 185 pages ; couverture illustrée.
réf. CTC82CC
réf. FR10959fBroché. Couverture un peu défraîchie.
réf. 76888Corrêa 1941 livre biographie 18,5*12 181 pages
1907réf. C00004154Leipzig: Breitkopf & Haertel 1907. Hardcover. Near Fine. 1907 edition Band XIX/XX of Berlioz' Wrke - Opern Abteligung I. Folio in cloth-backed green boards with gray printed cover onlay 280 pp. engraved music that is one can see the plate impression on the pages. Very good slight shaking to inner hinges text clean and bright. Breitkopf & Haertel hardcover
1985réf. 1-0769246443Warner Bros Pubns 1985. Paperback. New. n facsimile reprint edition. 236 pages. 10.40x7.40x0.60 inches. Warner Bros Pubns paperback
1985réf. Q-0769246443Alfred Music 1985-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
réf. 0769246443.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985réf. DADAX0769246443Alfred Music 1985-03-01. paperback. New. 7.00x0.60x10.50. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music paperback
1890réf. RO50043852"PH. MAQUET. 1890. In-4. Broché. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 1 page de partition + 2 pages concernant ""Le Salon de 1890"" avec le portrait du paysagiste Français à qui vient d'être décernée la grande médaille d'Honneur + 1 page avec le tableau ""Daphnis et Chloé"" du paysagiste Français. Pliures et légères déchirures.. . . . Classification Dewey : 780.26-Partitions"
réf. 416811 leaf. Oblong folio 268 x ca. 170 mm. 7 measures notated in black ink on one side of the leaf. Unsigned. Several notes crossed out and a final passage rewritten. A first draft of a polyphonic theme. Identified in German in contemporary manuscript at head: "Handschrift von Hector Berlioz Erste Skizze. Benvenuto Cellini." Some wear and browning; slightly creased at folds; lower edge unevenly trimmed. The present manuscript not recorded in Holoman. Benvenuto Cellini an opéra semi-seria in two acts to a libretto by Léon de Wailly and Auguste Barbier assisted by Alfred de Vigny was based on the memoirs of Benvenuto Cellini. Set in 16th century Rome during the papacy of Clement VII the work premiered in Paris on 10 September 1838 at the Opéra and was produced in a revised version in Weimar at the Grossherzogliches Hoftheater on 20 March 1852 and with further revision in three acts on 17 November 1852. "Whether it originated as a serious or a comic opera the result in all its many versions is a compound a characteristic blend of idealism and farce grandeur and wit breadth and vivacity. Berlioz poured into Benvenuto Cellini every drop of invention and feeling at his command in a torrent of notes that make up a long and very lively opera and its heterogeneity so baffling to Parisians in 1838 and Londoners in 1853 is one of its main virtues." Macdonald: Berlioz p. 106. "Berlioz stands as the leading musician of his age in a country France whose principal artistic endeavour was then literary in an art music whose principal pioneers were then German. In many senses the Romantic movement found its fullest embodiment in him yet he had deep Classical roots and stood apart from many manifestations of that movement. His life presents the archetypal tragic struggle of new ideas for acceptance to which he gave his full exertions as composer critic and conductor. And though there were many who perceived greatness in his music from the beginning his genius only came to full recognition in the 20th century. . In Berlioz's own words Benvenuto Cellini 'contains a variety of ideas an energy and exuberance and a brilliance of colour such as I may perhaps never find again.' " Hugh Macdonald in Grove Music Online A rare working manuscript from one of Berlioz's important stage works evidencing the compositional process through its autograph revisions. While short musical quotations in Berlioz's hand are not rare his sketch leaves are very rare to the market; we have located only one example at auction in over 30 years. unknown books
réf. 4168015 measures titled and signed below the music: "Thème e Bal e La Symphonie Fantastique. H. Berlioz." Undated but ca. 1840-1850. The complete main theme of the second movement "Un Bal" carried by the violins in measures 38 to 54 of the full score. 1 leaf. Notated in dark brown ink within decorative dark gold borders on Lard-Esnault paper. Oblong quarto 227 x 300 mm. "The composition of the 'Symphonie fantastique' was a momentous event in Berlioz's career his first full-scale masterpiece and equally momentous in the history of music as the first unequivocal declaration of romantic ideas in style and musical language and its echo has pervaded all music of passion and personal experience to this day . Of Harriet Smithson's identity as the 'beloved' portrayed by an 'idée fixe' in the form of an obsessive theme that recurs in all the movements there can be no question." MacDonald: Berlioz p. 18. With: - Roger Gustave-Hippolyte 1825-1879. Autograph musical quotation signed "G. Roger" being a 12-measure song for voice and piano commencing "d'autiens tu beau miage" to lower portion of recto. With to verso: - Adam Adolphe 1803-1856. Autograph musical quotation signed "Ad. Adam" being a 16-measure waltz for pian. - Halévy Fromental 1799-1862. Autograph musical quotation signed "F. Halévy" being a 22-measure work for piano titled "Suite." A dynamic excerpt from one of the great revolutionary works of the Romantic period constructed around a recurring "idée fixe" a concept originating with Berlioz's revolutionary Symphonie Fantastique and presenting here as a recurring theme associated with Berlioz's obsession with Irish actress Harriet Smithson. A unique artifact incorporating a rare quotation from one of the most outstanding works of the symphonic repertoire of the Romantic period the whole linking Berlioz with three important French musical figures of the mid-19th century. unknown books
