Vivaldi, FrancoBiblio.com
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2017Best.-Nr. x-1138411965Chapman & Hall 2017. Hardcover. New. 240 pages. 9.21x6.14x0.79 inches. Chapman & Hall hardcover
1547Best.-Nr. 68039Apud Iacobum Giunta | Lugduni 1547 | 11 x 16 cm | relié
Best.-Nr. 535-Eo.J. Aquarell, weiß gehöht, über Bleistift, mit Bleistiftlinie umrandet, auf cremefarbenem Zeichenkarton, unten bezeichnet ?Orfanellie.?. 12:9 cm. - Verso Reste alter Montierungen. Vermutlich handelt es sich um eine Illustration zu Antonio Vivaldis (1678-1741) Musikstück ?Orfanelle?.
1537Best.-Nr. 031128Parisiis Paris 1537 Venundatur Parisiis: apud Ioannem Parvum (Jean Petit) sub lilio aureo, in via ad divum Iacobum Hardcover 1st Edition
1547Best.-Nr. 68039Lugduni Leiden: Apud Iacobum Giunta 1547. Fine. Apud Iacobum Giunta Lugduni Leiden 1547 11 x 16 cm relié New edition after the editio princeps of 1503. Title page in red and black. Gothic typeface. Editions from 1517 are found at the Bibliothèque nationale de France and the British Library. Contemporary limp vellum binding. Smooth spine with faded handwritten title. Joints cracked at foot. Foot headcap with 1 cm tear. Text block detached from binding. Last leaf loose. Lacking endpapers at end of volume and probably the index. Theological and moral work on contrition by the Dominican Vivaldi from Mantua professor of theology and advisor to the Marquis of Saluzzo. It was reprinted several times from 1503. Apud Iacobum Giunta hardcover
1962IN FOLIO CARRE' ( cm.42 X 36 ), 14 BIFOLI SCIOLTI DI CUI 4 CONTENENTI TRE FOGLI DI CARTA PREGIATA USO MANO CON LITOGRAFIE A COLORI SUL RECTO. DOPPIO FRONTESPIZIO SEMPRE LITOGRAFATO DELL'ARTISTA E FIRMATO, DI CUI UNO NELLA COPERTINA RIGIDA CON DORSO IN TELA. L'OPERA, RACCOGLIE IL TESTO DELLE QUATTRO STAGIONI , OGNI STAGIONE E' ILLUSTRATA DA TRE COMPOSIZIONI - OGNI COMPOSIZIONE E' LEGATA A UN MOTIVO. NELLA TERZA DI COPERTINA, TASCA PER UN DISCO A 33 GIRI CON LE 4 STAGIONI DI VIVALDI. LA CARTELLA, FU PRESENTATA A PARIGI ALL'ISTITUTO ITALIANO DI CULTURA. COME RIPORTATO NEL COLOPHON, LA PRESENTE EDIZIONE ORIGINALE E' LIMITATA A CINQUANTOTTO ESEMPLARI NUMERATI DA 1 A 58. NS.ESEMPLARE n°18. TERMINATO DI STAMPARE IL 16 MARZO 1962 PER CONTO DI EDIZIONI TERREMARE PRESSO LE OFFICINE GRAFICHE F.lli BARBE' IN MORTARA. ROMOLO CALCIATI, NATO A BORGO LAVEZZARO ( NO.) NEL 1924, PITTORE, GRAFICO E SCULTORE.TRA I PROTAGONISTI DELL'ARTE ITALIANA E INTERNAZIONALE DEL SECONDO 900 E DEI PRIMI ANNI DEL NUOVO SECOLO. INTERPRETE ORIGINALISSIMO DEL NEOSURREALISMO E DEL NEODADA. PATAFISICO TRA I PATAFISICI ENRICO BAJ, VINCENZO ACCAME, UGO NESPOLO, ROBERTO SANESI, MOLTO ATTIVA LA VICINANZA CON I POETI, DA LUCREZIO A VILLON E RONSARD A MONTALE A CARRIERI. NEL 1952 ESEGUI' I SUOI PRIMI QUADRI ASTRATTI. CELEBRE LA SERIE DI 170 ACQUEFORTI SUL DE RERUM NATURA. TESTI IN ITALIANO E FRANCESE. MANTENUTA LA CUSTODIA EDITORIALE IN CARTONE MUTO. OTTIMA CONSERVAZIONE DI QUESTA RARA PUBBLICAZIONE COMPLETA DELLE 12 LITOGRAFIE A COLORI FIRMATE DALL'AUTORE. ID, 5040
2002Best.-Nr. SBBIH-6IJFHQAYNM4RRICORDI 2002. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. RICORDI paperback
2017Best.-Nr. SBBIH-G2UIUEJDHJTPPeters Edition 2017. sheet_music. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Peters Edition unknown
1969Best.-Nr. 59525Rome Italy: Studio D'Arte Toninelli. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 124 pp. With 86 ills. 9 col. . 22 x 22 cm. -- with a bonus offer-- . 1969. Studio D'Arte Toninelli paperback
1732Best.-Nr. 39416London: I. Walsh . and I Hare 1732. 8 volumes. Small folio. Sewn. Housed in a custom-made brown linen clamshell archival box with printed title label to spine. Violino Primo: 1f. title 1 blank 2-27 1f. title 1 blank 2-7 i blank 8-18 pp. John Young overpaste to titles of both parts several minor edge stains. Violino Secondo: 1f. title 1 blank 2-25 1 blank 26-31 pp. Violino Terzo: 1f. title 1 blank 2-12 1 blank 13-17 1 blank 18-28 pp. Violino Quatro: 1f. title 1 blank 2-10 1 blank 11-15; 1 blank 2-7 1 blank 8-12 pp. Alto Primo: 1f. title 1 blank 2-23 pp. Alto Secondo: 1 title 2-23 pp. Violoncello: 1f. title 1 blank 2-27 pp. Violino e Cembalo: 1f.title 1blank 2-10; 1f.title 11-16 1 blank 2-5 1 blank 6-12 pp. Engraved throughout. Early manuscript numbering to upper margins of each page of music to parts for Violino Secondo Terzo and and Alto Primo. "No. 451" absent from the Violino e Cembalo part. All parts with Japanese paper reinforcement to spines and binder's pinholes to inner margins; some outer margins trimmed just affecting printed area. A mixed set predominantly a reissue of the second London edition first published in 1717; the Violino Primo and Violino e Cembalo parts from an earlier issue before 1730. Smith & Humphries 1520. BUC p. 1047. Ryom: Répertoire des Oeuvres d'Antonio Vivaldi. Les compositions instrumentales p. 17 6a and 9. RISM V2205 and VV2203. "In 1711 Etienne Roger the Amsterdam publisher brought out what was to become the most influential music publication of the first half of the 18th century: Vivaldi's L'estro armonico op. 3 dedicated to Grand Prince Ferdinando of Tuscany; it comprised 12 concertos divided equally into works for one two and four solo violins. The third fifth and 12th concertos from op. 3 along with the concerto published individually under the title 'The Cuckow' RV 335 became staples of the repertoire of many violinists were arranged for a variety of instruments and were extracted for use in violin tutors throughout the 18th century and beyond. Nowhere was the enthusiasm for Vivaldi's concertos stronger than in Germany. Bach transcribed several of them including five from op. 3 for keyboard and his noble patron Prince Johann Ernst of Saxe-Weimar wrote concertos in Vivaldi's style." Michael Talbot revised by Nicholas Lockey in Grove Music Online All lifetime editions of Vivaldi's works are rare. I. Walsh ... and I Hare unknown books
