Opera QuadrivialiaBiblio.com
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Best.-Nr. 13987BDet danske Sprog- og Litteraturselskab Kopenhagen 1983-1984. Zusammen 859 Seiten Halbleineneinbände Name auf Vorsatz. unknown
Best.-Nr. 5h1837Nuova Era Internazionale s.r.l. ohne Ort 2006. 40 CDs mit je einem Booklet sowie ein 170seitiges Begleitbuch in original Pappbox ca. 37 x 15 x 14 cm. - neuwertig / Begleitheft fünfsprachig: englisch deutsch französisch italienisch und spanisch / Inhalt: De' Cavalieri Monteverdi Vivaldi Händel Piccinni Calderara Paisiello Cimarosa Gazzaniga Boccherini Salieri Rossini Mecadante Donizetti Bellini Verdi Leoncavallo Puccini Marinuzzi Menotti - unknown
Best.-Nr. 1h14756Apud Eman. Thurneysen Basel 1779. 619 S. Halbleder vorderer Einbanddeckel lose/fleckig/gebräunt/Widmung auf Vorsatz/berieben/leicht bestossen. unknown
1929Best.-Nr. 20354Paris: Opéra Privé de Paris 1929. Good/No Dust Jacket As Issued. RUSSIAN MODERNISM REBORN ON THE PARISIAN STAGE. A visually striking Première Saison program documenting the post-Diaghilev continuation of Russian operatic and theatrical culture in interwar Paris. Issued by the newly founded Opéra Privé de Paris in 1929 this richly illustrated production program for Rimsky-Korsakov's 'Tsar Saltan' preserves the artistic language of the Ballets Russes through tipped-in color costume and scenic designs after Ivan Bilibin and Alexandre Korovine. Founded immediately following the death of Sergei Diaghilev the Opéra Privé de Paris sought to sustain the creative energy of Russian émigré theater in Western Europe. This production united performers designers and musicians associated with the Russian diaspora transforming Pushkin's fairy-tale opera into a vivid expression of émigré modernism transplanted into the cultural life of Paris. PHYSICAL DESCRIPTION: Quarto format approximately 9.5 × 12.5 inches. Stapled illustrated wraps with full-color chromolithographic cover after Ivan Bilibin. Illustrated with six tipped-in color chromolithographs of costume designs after Bilibin executed from stage maquettes by Alexandre Korovine together with two additional tipped-in scenic plates and a tipped-in color portrait of Madame Maria Kousnezoff-Massenet by Nicolas Kousnezoff. Numerous illustrated period advertisements throughout including several full-page advertisements. CONDITION: One advertisement leaf detached but present. Plates remain vivid and visually strong with only light handling wear to the wraps. Staples sound. A well-preserved and unusually attractive example of interwar Parisian opera ephemera. Première Saison issue. Première Saison programs of the Opéra Privé de Paris survive in comparatively small numbers particularly examples retaining the full suite of tipped-in color plates after Ivan Bilibin. Comparable illustrated programs from this short-lived company appear only intermittently in the market especially in near-complete condition. HISTORICAL SIGNIFICANCE - The Opéra Privé de Paris was co-directed by the Russian soprano Maria Kousnezoff-Massenet and functioned as an important cultural bridge for displaced Russian artists after the Revolution. Though short-lived the company preserved important elements of Russian operatic staging and Ballets Russes visual identity during a transitional moment in European theater history. Ivan Bilibin's influence on Russian stage aesthetics remained profound well into the twentieth century and his designs for productions such as 'Tsar Saltan' helped define the visual mythology of Russian folklore on the international stage. This program captures a pivotal moment in the evolution of Russian theatrical modernism after the dissolution of the Ballets Russes. Following Diaghilev's death in 1929 Russian émigré artists in Paris sought new institutional forms through which to continue the aesthetic innovations that had transformed European stage culture during the previous two decades. The production of Rimsky-Korsakov's 'Tsar Saltan' adapted from Pushkin's fairy-tale poem provided an ideal vehicle for this visual and musical continuity. The decorative richness of Ivan Bilibin's folkloric imagery combined with the scenic interpretation of Alexandre Korovine preserves the highly ornamental stage language that became synonymous with Russian theatrical design in the early twentieth century. Beyond its theatrical importance the program also presents a vivid portrait of interwar Parisian cultural life. Its advertisements portraiture typography and chromolithographic inserts collectively illustrate the commercial and artistic environment surrounding Russian émigré performance culture in France between the wars. SUBJECTS: Ballets Russes Legacy Ivan Bilibin Stage Design Russian Émigré Art Paris Theater History Rimsky-Korsakov Tsar Saltan Interwar Opera Culture Russian Opera In Paris Chromolithographic Illustration Illustrated Performance Programs Opera Ephemera Theater History Russian Modernism Illustrated Programs. Opéra Privé de Paris unknown
1985Best.-Nr. x-0393018881W W Norton & Co Inc 1985. Hardcover. New. 584 pages. 9.50x7.00x1.50 inches. W W Norton & Co Inc hardcover
Best.-Nr. ria9781800856257_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
2000Best.-Nr. x-069105813XPrinceton Univ Pr 2000. Paperback. New. 288 pages. 9.00x6.25x1.00 inches. Princeton Univ Pr paperback
1931Best.-Nr. 003197Brattleboro VT: Vermont Printing Company 1931. Limited edition. Hardcover. Good. Epstein Abner J. Tall 8vo. 11 double-leaved pages. Bound in black cloth-backed boards with art deco design in magenta purple white black silver and gold. Illustrations in dark pink by Abner J. Epstein. Limited Edition of 250 copies this copy is number 94. Reprinted from Opera Guyed by Newman Levy. Inscribed by Levy: "To Harry -/Add this to your/collection of limited editions/Newman/Jacoby - '97." Good interior is heavily foxed and age-toned binding is rubbed especially at extremities some sunning to spine minor fraying to head and tail of spine. Solid copy in a striking binding. Vermont Printing Company hardcover
1926Best.-Nr. 171336Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Vintage reference photograph from the 1926 silent film showing Lillian Gish and John Gilbert in a playful moment. Mimeo snipe on the verso. Gish then MGM's highest paid actress had an unprecedented level of control over the production and was allowed input into direction story casting cinematography and costume design. 8 x 10 inches. Very Good moderately toned with nicks to the margins and creasing affecting the right portion of the photograph. Metro-Goldwyn-Mayer [MGM] unknown
1973Best.-Nr. 146818N.p.: N.p. 1973. Agency Draft script for the 1975 film. With 31 pages of director Ingmar Bergman's commentary bound in after the script. Text in Swedish. Based on the 1791 German opera about a young prince tasked with rescuing a princess from a mysterious high priest. Widely considered one of the most successful operatic adaptations to film ever released. Shot on location in Stockholm Sweden. Pale yellow untitled wrappers. Title page present dated November 1973 with credits for director Ingmar Bergman and screenwriter Alf Henrikson. 93 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a black comb binding. Criterion Collection 71. N.p. unknown
Best.-Nr. DADAX3447069902New unknown
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Best.-Nr. DADAX0367243180Routledge 2020-05-20. 1. hardcover. New. 6.14x0.63x9.21. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
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Best.-Nr. DADAX0367476975Routledge 2020-12-31. 1. hardcover. New. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
Best.-Nr. DADAX0367479222Routledge 2020-10-13. 1. hardcover. New. 6.15x0.78x9.21. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
Best.-Nr. DADAX0754667189New unknown
1992Best.-Nr. 167709Chicago: Club Stodola 1992. Vintage poster for a performance by bands 3 Penny Opera Righteous Podiatrist and Boney Pile circa 1980s at Chicago's Club Stodola. Stapled to the top left corner of the poster are four tickets for the event noting a date of June 19. Poster folded twice and addressed for mailing on the verso with a postmarked date of June 10 1992. Located on Chicago's north side Club Stodola was a neighborhood Polish bar-turned-music-club in the 1980s and 1990s that frequently hosted punk bands. 17 x 11 inches folded twice vertically. Tickets 5.25 x 2.25 inches. Generally Near Fine. Club Stodola unknown
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