Opera Omnia LatinaBiblio.com
Tom Jones
réf. 0365703273.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Bonita · États-Unis54,77 $US≈ 49,02 €
907 résultats
1963réf. x00605Minerva 1963. 4to. 351 pp. Very Good. Lettering to spine a bit faded 1" tear to rear endpaper. Facsimile. Minerva hardcover
2010réf. A220426ahmug174992Opus Arte 2010. dvd. Acceptable. 5x0x7. Ex-library item. Expect stickers on the disc artwork and case. We fully expect this to work fine but it is sold untested. Priority shipping available on this item. NO international shipping Opus Arte unknown
réf. 24586Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead two others from the same address and two from 112 Jermyn Street London. Agreement: 15 April 1943. Poster: 1950 / 1951 Glasgow Alhambra. From the Macqueen-Pope papers. See his entry in the Oxford DNB. Eleven items in fair overall condition on lightly aged and creased paper. All six of Arnold’s communications are signed ‘Tom Arnold’. Arnold’s two TLsS are dated 2 October 1942 and 23 July 1959. In the second of these 1p landscape 8vo he thanks MP for a producing a piece of writing which ‘suits the mood’: ‘I appreciate your doing this and the speed with which you tackled it for me. . And I am sending you my cheque as you say “on friendship terms” which I also appreciate.’ He hopes they will have lunch one day ‘and have a nice chat about this and that - to which I shall look forward.’ The letter is accompanied by unsigned carbons of MP’s receipt for payment five guineas for the work and its covering letter both typed and dated 24 July 1959. In the letter MP suggests a meeting writing that he will be ‘writing a book about the Palace Theatre and would like to do you justice therein and I have an idea which I think would be of interest to you in another direction. Indeed it might be just what you are looking for.’ A note by Arnold of 4 January 1957 thanks MP ‘for the material you sent me for the Lecture’ and is accompanied by a carbon of a typed short biography clearly by MP of ‘Tom Arnold’ 1p 4to. In it MP refers to Arnold as ‘the very epitome of Show Business. Never before in theatrical history has one manager had so many or so varied interests. He is King of Pantomime presenter of great circuses theatre proprietor revue musical comedy and straight play producer. He runs an ice rink he is the man whose amazingly beautiful and expert shows on ice dazzle - not only people in this country - but all over the Continent indeed all over the world. He finds time to have a share in running piers at seaside resorts and also pleasure cruises. In other words he is a Napoleon of Show Business. And in his spare time he writes excellent short stories. And he has made Films as well.’ In two of the other Arnold TNsS he thanks MP for telegrams wishing him good luck over his productions of ‘The Glorious Days’ 1952 and ‘Over the Moon’ 1953. The tenth item is a Memorandum of Agreement for MP to work as a press agent between ‘TOM ARNOLD LIMITED / and / W. J. MACQUEEN-POPE Esq.’ dated 15 April 1943. 3pp foolscap 8vo typed and folded into the customary packet. Signed by ‘Tom Arnold’ over a stamp and ‘Walter James Macqueen Pope’. The final item is a small poster for a Tom Arnold production of ‘Cinderella’ produced by Robert Nesbitt at the Glasgow Alhambra. Text on one side in red and blue with illustrations of the stars Harry Gordon Alec Finlay Robert Wilson and Duncan Macrae. Most of the other side is taken up with an attractive illustration of Cinderella and an old crone printed in black red and grey with text at top left. Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead, two others from the same address, unknown
réf. 0365703273.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 68-8866Leicester UK: Royal Opera House 1960. Theatre Poster Broadside. 35 x 24.5 cm. Good with marginal tears and minor losses. Leicester, UK: Royal Opera House, 1960. unknown
1973réf. 146818N.p.: N.p. 1973. Agency Draft script for the 1975 film. With 31 pages of director Ingmar Bergman's commentary bound in after the script. Text in Swedish. Based on the 1791 German opera about a young prince tasked with rescuing a princess from a mysterious high priest. Widely considered one of the most successful operatic adaptations to film ever released. Shot on location in Stockholm Sweden. Pale yellow untitled wrappers. Title page present dated November 1973 with credits for director Ingmar Bergman and screenwriter Alf Henrikson. 93 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a black comb binding. Criterion Collection 71. N.p. unknown
1929réf. 20354Paris: Opéra Privé de Paris 1929. Good/No Dust Jacket As Issued. RUSSIAN MODERNISM REBORN ON THE PARISIAN STAGE. A visually striking Première Saison program documenting the post-Diaghilev continuation of Russian operatic and theatrical culture in interwar Paris. Issued by the newly founded Opéra Privé de Paris in 1929 this richly illustrated production program for Rimsky-Korsakov's 'Tsar Saltan' preserves the artistic language of the Ballets Russes through tipped-in color costume and scenic designs after Ivan Bilibin and Alexandre Korovine. Founded immediately following the death of Sergei Diaghilev the Opéra Privé de Paris sought to sustain the creative energy of Russian émigré theater in Western Europe. This production united performers designers and musicians associated with the Russian diaspora transforming Pushkin's fairy-tale opera into a vivid expression of émigré modernism transplanted into the cultural life of Paris. PHYSICAL DESCRIPTION: Quarto format approximately 9.5 × 12.5 inches. Stapled illustrated wraps with full-color chromolithographic cover after Ivan Bilibin. Illustrated with six tipped-in color chromolithographs of costume designs after Bilibin executed from stage maquettes by Alexandre Korovine together with two additional tipped-in scenic plates and a tipped-in color portrait of Madame Maria Kousnezoff-Massenet by Nicolas Kousnezoff. Numerous illustrated period advertisements throughout including several full-page advertisements. CONDITION: One advertisement leaf detached but present. Plates remain vivid and visually strong with only light handling wear to the wraps. Staples sound. A well-preserved and unusually attractive example of interwar Parisian opera ephemera. Première Saison issue. Première Saison programs of the Opéra Privé de Paris survive in comparatively small numbers particularly examples retaining the full suite of tipped-in color plates after Ivan Bilibin. Comparable illustrated programs from this short-lived company appear only intermittently in the market especially in near-complete condition. HISTORICAL SIGNIFICANCE - The Opéra Privé de Paris was co-directed by the Russian soprano Maria Kousnezoff-Massenet and functioned as an important cultural bridge for displaced Russian artists after the Revolution. Though short-lived the company preserved important elements of Russian operatic staging and Ballets Russes visual identity during a transitional moment in European theater history. Ivan Bilibin's influence on Russian stage aesthetics remained profound well into the twentieth century and his designs for productions such as 'Tsar Saltan' helped define the visual mythology of Russian folklore on the international stage. This program captures a pivotal moment in the evolution of Russian theatrical modernism after the dissolution of the Ballets Russes. Following Diaghilev's death in 1929 Russian émigré artists in Paris sought new institutional forms through which to continue the aesthetic innovations that had transformed European stage culture during the previous two decades. The production of Rimsky-Korsakov's 'Tsar Saltan' adapted from Pushkin's fairy-tale poem provided an ideal vehicle for this visual and musical continuity. The decorative richness of Ivan Bilibin's folkloric imagery combined with the scenic interpretation of Alexandre Korovine preserves the highly ornamental stage language that became synonymous with Russian theatrical design in the early twentieth century. Beyond its theatrical importance the program also presents a vivid portrait of interwar Parisian cultural life. Its advertisements portraiture typography and chromolithographic inserts collectively illustrate the commercial and artistic environment surrounding Russian émigré performance culture in France between the wars. SUBJECTS: Ballets Russes Legacy Ivan Bilibin Stage Design Russian Émigré Art Paris Theater History Rimsky-Korsakov Tsar Saltan Interwar Opera Culture Russian Opera In Paris Chromolithographic Illustration Illustrated Performance Programs Opera Ephemera Theater History Russian Modernism Illustrated Programs. Opéra Privé de Paris unknown
1919réf. 432211919. First Edition. GILBERT AND SULLIVAN D'OYLY CARTE OPERA COMPANY. Poster ""Gilbert and Sullivan's ""The Yeoman of the Guard"" by Dudley Hardy"". WITH: Billboard ""Opera Company's 1919/1920 Season by Dudley Hardy and John Hassall"". London: David Allen & Sons 1919. Single sheet measuring 20 by 30 inches; nine unassembled dovetailing sheets measuring 7-1/2 by 10 feet assembled. $900.Original poster depicting the headsman with axe from Gilbert and Sullivan's ÒThe Yeoman of the GuardÓ accompanied by a large billboard in parts announcing the seasonÕs productions with three poster designs: ÒThe YeomanÓ ÒThe GondoliersÓ and ÒThe Mikado.ÓThe poster advertises Gilbert and Sullivan's ""Yeoman of the Guard"" widely recognized as Sullivan's most accomplished musical score. A classic Savoy Opera the piece isÑrather unusuallyÑset during the 16th century at the Tower of London bringing in quasi-Shakespearean dialogue and a darker atmosphere. The accompanying billboardÑmeasuring over 70 square feetÑpromotes the 1919 season's productions including ""Yeoman"" the musical theater favorite ""The Mikado"" and Gilbert and Sullivan's last major success ""The Gondoliers."" Hardy and Hassall were among the premier graphic artists of their time having built reputations both as book illustrators and specialists in poster design. Hardy was influenced by French chalk drawings and poster art while Hassall attributes his style to Japanese prints. ""Yeoman"" poster fine. Chipping and creasing to separate panels of original billboard. A wonderful pair. unknown
1976réf. 100846New York April 19 1976. 1976. Fine. - Over 60 words typed on 10-1/2 inch high by 7-1/4 inch wide "MET: Metropolitan Opera Association Lincoln Center" stationery. The executive director of the Metropolitan Opera Anthony Bliss replies to City Center's former producer and director Jean Dalrymple's suggestion that she could be helpful to City Center again in managing the four ballet companies associated with the MET "Regardless of what kind of arrangements we may make on behalf of the ballet companies we certainly will want to get the benefit of your ideas and experience." Signed "Tony". Folded for mailing else fine. Together with the retained copy of Jean Dalrymple's letter of April 6 1976. The executive director of the Metropolitan Opera Anthony A. Bliss 1913-1991 gave up his law practice in 1974 to take over what was then a financially troubled organization. He co-operated with music director & chief conductor James Levine and the director of production John Dexter in the early 1980's. Bliss was also co-chairman of the Joffrey Ballet. Though tall and distinctive looking his wife Sally described him as "the most unsophisticated man I ever met. I pick out his clothes." and elaborated by saying "He has no gourmet instincts: I could feed him a can of Alpo." With a sense of humor Bliss then started keeping a can of dog food on his desk. President Lyndon Johnson appointed Bliss to the original National Council on the Arts. The recipient Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jos Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. New York, April 19, 1976. hardcover
1980réf. 28607New York: October 14 1980. 1980. Very good. - sc Quarto 11 inches high by 8-3/8 inches high. 201 words typed on a sheet of cream paper with her address typed at the top. Signed "Constance DeJong". The left edge of the paper is darkened & there is a light paper-clip mark to the top left corner with a small light stain just below the body of the letter. Very good. DeJong writes to Gary Wilkie of Contexts in Seattle to ask if she could present her new work there as part of a tour that will take her to Portland Oregon. She encloses a photo and resume: "It's not very up to date in terms of the new work I'd be presenting or the recently completed book and opera I wrote with Philip Glass." A publicity sheet from Art Performances New York states: "Constance DeJong is one of the young post-modern writers who has made performance a natural extension of her work as a writer. By blending some of the traditional techniques of theatre - lighting movement music - performances extend her work beyond the written word into an almost tactile presence a context where the narrative can come to life. New York: October 14, 1980. unknown
réf. 1390363414.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1390498174.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 033244063X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 81240Nuovo Sistema di Tastiera e Musicografia proposto dall' ingegnere Valentino Arnò - 1 ed. 1860 - Pag. 31 con 4 tavole f.t. - Copertina morbida rifatta - Testo in italiano - Condizioni buone. Copertina originale in brossura conservata. Alcune pagine con macchia all'angolo superiore. unknown
1998réf. 28043VARIETY 1998. MAGAZINE NEWSPAPERS LIGHT RUB WEAR 1ST EDITION 1998 VG 10 1/2 IN X 14 1/4 . Musical Show which also launched career of Sarah Brightman Female lead Christine who was married to Andrew Lloyd Webber Phantom based on a Gaston Leroux novel various articles & color pictures other shows etc Born 1942 & is British who was married to Andrew Lloyd Webber Phantom based on a Gaston Leroux novel . Signed by Author. 1st Edition. Soft Cover. Very Good/No Jacket. VARIETY paperback
réf. 1390274128.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0366926535.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1966réf. 139935Columbia Records 1966. lp_record. Very Good. 0x0x0. All three discs without visible wear in clean sleeves with numbers notated in upper corners; 62-page libretto with photos is clean and unmarked with glossy cover; box has minimal wear. Columbia Records unknown
1870réf. A114288Sydney: Gibbs Shalllard & Co. 1870. Very Good. small octavo. card covers 24pp. ÔFirst produced in Australia at the Prince of Wales Opera House Sydney May 1870Õ. Advertisement for the opening of the new Melbourne Town Hall on the rear wrapper suggests that this is for a Melbourne performance. Wrappers rather worn but complete & tight. Very scarce Gibbs, Shalllard & Co. unknown
réf. 0428511007.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1994réf. 2110502150502368Ongaku no Tomosha 1994. Soft Cover. Fine. Volume: 1 Ongaku no Tomosha paperback
réf. 30923Condizioni buone come da immagini unknown
réf. 0428685242.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0365746223.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 906318Mississauga Ontario: Performance Media Group Ltd A Very Solid Clean Book. Published To Support The Performance Of Wagner's Ring By The Canadian Opera Company. In Near Fine Condition No Marks Or Inscriptions. Black Boards With Pictures Of Trees Silhouetted By A Prismatic Colour Circle. No Shelf Or Reading Wear. In Excellent Condition. Performance Media Group Ltd hardcover
