1 134 résultats
réf. 1331568773.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. B9781167221323New. unknown
réf. 1120900026.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 116722132X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1357283407.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0266094651.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1343350190.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 68-8835San Francisco CA: Wade's Opera House 1876. Fabric Broadside. 22 x 16 cm. Very Good. Scarce. San Francisco, CA: Wade's Opera House, 1876. unknown
réf. 0332464954.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1994réf. 2091502135413351Ongaku no Tomosha 1994. Soft Cover. Fine. Number of books: 1 Ongaku no Tomosha paperback
réf. 0267956916.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1965réf. 951New York: Viking Press 1965. Hardcover. Very Good/very good. Illus. Folio. The Metropolitan Opera Co. in New York. Viking Press hardcover
réf. 1436691923.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1817réf. AQ35159London: s.n. 1817. Single leaf broadside. Browned with staining and chipping to edges and some loss to upper right corner. An apparently unrecorded playbill displaying an early effort by London's Lyceum Theatre renamed The English Opera House in the summer of 1817 to present an illumination of the 'audience part of the theatre' during a performance of The Persian Hunters or the Rose of Gurgistan a comic opera featuring music by English composer Charles Edward Horn 1786-1849. Although the use of gaslight in street-lamps had first been demonstrated a decade prior in 1807 the goal to introduce gaslighting to the commercial stage took years to evolve into the competitive landscape of 1817 where three of London's premier West End venues the Theatre Royal Covent Garden Theatre Royal Drury Lane and the Lyceum Theatre entered into a rapid race to produce the first fully-gaslit public performances in a West End venue. The Royalty an East End theatre later renamed The East London Theatre had previously installed gas piping and lighting fixtures across both the auditorium and the stage in 1816 demonstrating the viability of such a project. The English Opera House led by director Samuel Arnold proudly boasted on August 6 1817 that 'Gas Lighting will this evening be introduced over the whole stage' seemingly claiming themselves the winners of the century's most contested technical theatre contest. Despite this the lack of an illuminated auditorium meant that the theatre's audience remained in candlelight until a month later when the venue opened fully illuminated for the first time. The Theatre Royal Drury Lane despite only revealing its gaslit stage on the 6th September 1817 was able to argue that due to their introduction of gaslighting into the auditorium several weeks prior they were in fact the first of the three theatres to achieve the much vied- for feat. On the same night The Theatre Royal Covent Garden also offered a demonstration of gaslight on their stage finally concluding the rivalry and introducing a vital element of technical staging into London's leading venues for the remainder of the century. . Dimensions. [s.n.] unknown
réf. 0365552127.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 15-6007London: Thomas Jenkins 1960. 8vo. 4 pp. Folded Page Very Good with creasing rubbing and minor staining. Ballet program from January 28 1960. London: Thomas Jenkins, 1960. unknown
réf. 2439115 July 1859. London. Meyerbeer is said to have been the most frequently performed opera composer during the nineteenth century. He encouraged and supported the young Wagner who turned on him viciously later in life. Lady Molesworth née Andalusia Carstairs d.1888 had herself been a professional singer. She was the widow of Sir William Molesworth 1810-55 founder of the London Review and owner under the editorship of John Stuart Mill of the Westminster Review. Regarding the present item Meyerbeer notes in his diary for Sunday 17 July ‘Big dinner and musical soiree at Lady Molesworth’s.’ Sir Charles Santley recalls in his reminiscences ‘singing for Meyerbeer at a party at Lady Molesworth’s house’ in order to reassure him that he was up to the part of Hoel in Chorley’s English version of ‘Dinorah’. 1p 12mo. On recto of first leaf of a bifolium. In fair condition lightly aged and folded four times for postage. Blot at top right-hand corner in same ink as note. Reads: ‘Meyerbeer présente ses respectueux hommages à Mylady Molesworth & se rendra avec autant d’empressement que de plaisir à l’aimable invitation de Mylady pour dimanche prochain / Londres 14 Juillet 59.’ See image. 15 July 1859. London. unknown
1974réf. 021488Garden City New York: Doubleday & Company 1974 First printing of the stated first edition. Light shelf wear else book and dust jacket in fine condition. Doubleday & Company hardcover
réf. 1334379114.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1333965206.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 23408Dated 1924 or 1925 according to docketing with the name and name of the Company. Eleven Signatures of members of the D'Oyly Carte Opera Company 7 signatures on 7 x 13 x 8cm paper laid down on detached album leaves good condition 18 x 14cm 4 2 each signatures on same album leaves all with tissue fronts. Signatures as follows usually with a brief greeting such as "Best wishes" or "Yours sincerely": singles Sydney Granville Eileen Sharp Bertha Lewis Sidney Pointer Aileen Davies Henry A. Lytton Leo Sheffield; doubles Charles Goulding/Darrell Fancourt Joseph F. Griffin/Winifred Lawson. All "best known" for their roles in Gilbert and Sullivan Savoy Operas. WITH: Signature of "R. D'Oyly Carte" on paper 11.5 x 4 clipped from Typed Letter Signed preserving only the typed words "Yours faithfully" and the signature. Dated 1924 or 1925 according to docketing, with the name and name of the Company. unknown
réf. 0260635537.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1334479127.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1817réf. AQ35026London: s.n. 1817. Single leaf broadside. Browning and staining to edges with very small loss to lower right corner small hole and tear to title slightly obscuring final letters. A scarce playbill recording an early effort by London's Lyceum Theatre renamed The English Opera House in the summer of 1817 to present an illumination of the 'audience part of the theatre' during a performance of 'Free and Easy' a comic opera. Although the use of gaslight in street-lamps had first been demonstrated a decade prior in 1807 the goal to introduce gaslighting to the commercial stage took years to evolve into the competitive landscape of 1817 where three of London's premier West End venues the Theatre Royal Covent Garden Theatre Royal Drury Lane and the Lyceum Theatre entered into a rapid race to produce the first fully-gaslit public performances in a West End venue. The Royalty an East End theatre later renamed The East London Theatre had previously installed gas piping and lighting fixtures across both the auditorium and the stage in 1816 demonstrating the viability of such a project. The English Opera House led by director Samuel Arnold proudly boasted on August 6 1817 that 'Gas Lighting will this evening be introduced over the whole stage' seemingly claiming themselves the winners of the century's most contested technical theatre contest. Despite this the lack of an illuminated auditorium meant that the theatre's audience remained in candlelight until a month later when the venue opened fully illuminated for the first time. The Theatre Royal Drury Lane despite only revealing its gaslit stage on the 6th September 1817 was able to argue that due to their introduction of gaslighting into the auditorium several weeks prior they were in fact the first of the three theatres to achieve the much vied- for feat. On the same night The Theatre Royal Covent Garden also offered a demonstration of gaslight on their stage finally concluding the rivalry and introducing a vital element of technical staging into London's leading venues for the remainder of the century. Rare; COPAC records no copies in the UK OCLC adds a single copy overseas Yale. . Dimensions 170 x 340 mm. [s.n.] unknown
réf. 036685223X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback