SABRI KALIÇ.MareMagnum
79 202 résultats
2009Fine English Original bdg. HC. Roy. 8vo. (23 x 16 cm). In Turkish. Color photos. 184 p. A biographical study on Michael Jackson. Popun krali Michael Jackson.
1854Very Good English Modern cloth bdg. Cr. 8vo. (20 x 14 cm). In French. 79 p. L'Autriche va au partage de la Turquie, rôle que joue l'Angleterre.
2011New English Paperback. Pbo. 4to. (30 x 21 cm) In English and Turkish. [18], 488 p., musical scores, with a CD. The makams that have been rarely used in Turkish Classical Music.= Klasik Türk Musikisi'nde az kullanilan makamlar. With a CD.
1955Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Greek. 63, [1] p., musical scores. Ta grota bimata: Eis tin Bizantinin ekklisiastikin mousikin. A study on Byzantine songs and notation system.
1995Fine English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In English. 335 p., color and b/w ills. The music makers in Turkey. "What part does Turkey play in 'world music' and what are the contributions of contemporary Turkish musicians? The music makers in Turkey attempts to involve responses to these questions and with its detailed documentation covering Turkish musical scene from all obvious aspects, it is the first to fill a long-felt needed. The book begins with a substantial section eplaining the cultural heritage inherited starting from antique era; Turkish music in the eyes of Europeans since the Renaissance; the effects of Turkish music on that of Europe and the effects of European music on traditional Turkish music; harmonization technique of Turkish music modes; eminent Turkish composers and their output; opera and ballet; orchestras; conductors; chamber music; prominent soloists; choruses; military music; traditional music;; musical education; musicologists and critics; international music festivals, foundations and societies. This book will afford a greater appreciation and understanding of music in Turkey and make it an essential guide".
2017New Turkish Paperback. Roy. 8vo. (23 x 16 cm). In Turkish. 204 p., ills., musical scores and a CD. Sehirlerimize besteler: Gözü gönlü güzel insan Amir Ates.
1917Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Sedarabân Mürebb' Zincir ikâ'inda. Darü'l-Elhan Külliyati No. 1. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Haci Sadullah Aga was a composer and performer. He was the son of Hafiz Kerim Efendi, one of the muezzins of Fatih Mosque, and was one of the greatest composers of the reign of Sultan Selim III. In some sources, the information regarding his life have been jumbled together with other namesake composers of his era. Some of his works may have been confused with those of other namesake composers. Therefore, information regarding his life is not precise. As far as it is known, after his first education, he was accepted to Enderun Mektebi (The Palace School in which the devshirmeh [T.N. selected for the army] children were educated) and he was educated in literature and history and gained skill in javelin, Indian club and horse riding. He had served in the Russo-Turkish War in 1767. It is said that he received great attention from Selim III because he had a beautiful voice and he was a master singer (vocalist) and that he was the head of the fasil committee of the sultan for some time. Sadullah Aga, who is accepted as the most powerful composer of the school of Selim III, was also the 'musahib' (talk friend) of the sultan and later he became the head 'musahib'. He was an eloquent and cheerful person with a nice personality. He served as a music teacher at Enderun and served at the Palace during the reign of Mahmud II. Sadullah Agha followed the footsteps of Itrî and under the influence of Itrî he had integrated lyricism to his compositions, which are considered to be among the greatest pieces of the classical repertoire. He developed a style that is pertinent to classical rules but is more lyrical. His influence on all composers of his period can be seen. Around thirty works of Haci Sadullah Aga, who had composed hundreds of works, has reached the present day. Compositions and 'semaî' are dominant among these works. All of these works are secular and mostly literal works. His works contain a high level of lyricism and musicality. Especially all of his works that formed the 'Bayati-Araban' set are among the most beautiful examples of the classical music repertoire. Sadullah Aga, who is among the elite composers of Classical Turkish music, lived his last years by secluding to the residence given to him seven years before his death by the sultan and died at the age of seventy eight. He has many great songs in various tones. Darülelhan published 121 scores before 1928, this is the first one. Özege 3585. Not in OCLC. Extremely rare.
1917Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Naksî Agir Semâî - Muhayyer Naksî Yürük Semâî. Darü'l-Elhan Külliyati No.3 [The House of Melodies Collected Works No. 3]. [With original stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). First Semâîs' composer is unknown, second one is by Eyyûbî Bekir Aga. He was an early classical Turkish composers. Ahmed Hamdi Tanpinar's devoted his book 'Mahur Beste' to Eyyûbî Efendi and inspired by him. Darülelhan published 121 scores before 1928, this is the third one. Özege 3585. Not in OCLC. Extremely rare.
1917Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Remel. Darü'l-Elhan Külliyati No. 7 [The House of Melodies Collected Works No. 7]. [With original personal stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Almost known nothing for the life of Halil Efendi. There are four compositions with their lyrics up to now. Darülelhan published 121 scores before 1928, this is the seventh one. Özege 3585. Not in OCLC. Extremely rare.
1900In-8 (Cm 28 x 19), pp. 132, leg. mz. tela, leggero alone al margine interno (parte sup.) delle pp., qualche ingiallitura sparsa. Segni di restauro (rinforzo della pp.) al margine interno di alcune pp. Pagina 43 staccatasi nella parte inf. Ordinari segni d'uso e del tempo.
Ex-library book with the usual stamps and markings. Interior pages clean and unmarked; tight binding. Dark green cloth cover. 289 pages. The complete opera in piano/vocal score, but with libretto in English only, not Russian. Translation by Rosa Newmarch, from the libretto, based on Pushkin, by the composer's brother.
Miniature score, No. 293 in series. No markings of any kind. Spine creased and bottom of spine slightly worn.
Miniature score, No. 260 in series. No markings of any kind except one notation in pen on page 1. Some mild corner wear and denting. No date.
2016"Sawdust Castles has its roots in the forced migration of the author's parents when India and Pakistan were partitioned in 1947. It is a story abiout the experiences of a family who abandoned the place Bareilly, India, where their cultural identity had flourished for centuries. It is a narrative of the many miseries inflicted upon them by migration, and the pain of their crippled hopes and fractured dreams, the undignified circumstances they endured and the sufferings they braved ass they struggled to survive in Pakistan. Edited by S.M.Shahid. 330p. plates Author inscription on dedication paege lse new[The author became an actor, playwright, TV producer as well as a respected international banker who now lives in Toronto] Book
2003"First published in Greece, this account of Turkish policy towards Cyprus since the 1950s is essential reading for anyone wishing to know why the diplomatic stalemate appears so intractable.. of particular interest is the author' detailed study, often from primary sources, of Turkey's ambition to create a "legal" basis for the Turkish Cypriot's demand for separate self-determination and sovereignty. Introduction by Yiannos Kranidiotis. 278p+ plates, notes. index. Book
1980Music scores with text in Greek script, in transliteration, and in English translation 72p. maps This Greek publication was apparently re-distributed in the USA by Hansen House in a new cover as "World Charts Presents the Greek Song book" packed in [2 copies found in WorldCat] Book
1991Pygmalion with a twist of Ouzo. This famous movie starring Melina Mercouri,written and directed by Jules Dasson, with Oscar winning music by Manos Hadjidakis was originally released in 1960. MGM Videocassette release MV600659 [1991] Vintage B & W VHS cassette playing time 94 minutes. First video release Audio Book
1971Partituras y texto. "Premio Composición Coral 1971".
1989
1958Partituras y texto. Preciosas ilustraciones infantiles de Mairaxal, papel couché satinado.