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PARIS, Armand Colin - 1900 - In-8 - Cartonnage éditeur - Partitions - 67 pages
PARIS, Lib. Plon - Ed. Le bon plaisir - 1948 - In-8 - Broché - Exemplaire non coupé - 521 pages - Très bel exemplaire
SAINT-LEU-LA-FORET, Procure de Musique Religieuse - 1949 - In-8 - Broché - 99 pages - Très propre
PARIS, Ed. Senart Maurice - 1938 - Grand in-8 - Broché - Bandeaux, culs-de-lampes - Partitions - Recueillis, transcrits en notation moderne, et disposés pour l'usage scolaire à 2,3 et 4 voix égales par Henry Expert - 50 pages Morceaux de Peletier, Gardane, J. Géro, Claudin de Sermisy, P. Certon, C. Janequin, G. Costeley, C. Le Jeune
PARIS, Ed. Paul Beuscher - Coll. "Arpège" - sans date - In-4 - Broché - Couverture illustrée avec 1er plat en partie détaché - 23 partitions de chansons - 64 pages - Propre
Petit In-folio, 28 x 35 cm - Reliure pleine toile (coins usés) - Dos lise avec pièce de titre en maroquin rouge, titre doré - Divers éditeurs - Partitions éditées entre 1890 & 1910 - chaque partition illustrée en NB ou couleurs - 1 page restaurée maladroitement - Entre 4 & 10 pages par partition - Ensemble en très bon état
PARIS, Ed. Hohner - sans date - 5ème édition - In-8 - Broché - Illustrations, partitions - 28 pages - Bon exemplaire
BONN, Archives Beethoven / HAMBOURG, Polydor International GMBH - 1969 - In-4 carré - Reliure pleine toile éditeur sous jaquette - Sous emboitage - Nombreuses illustrations NB et en couleurs, dans le texte et HT, certaines PP - 272 pages - Très bel exemplaire
1946Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed by Lawyer Usmanbas sent to his daughter Fetânet Hanim who was sister of Turkish musician Ilhan Usmanbas, (1921-). 22x14 cm. In Ottoman script. 1 p. Full. Dated 26-7-[1]946. He mentions a lawsuit in detail.
1925Very Good Turkish, Ottoman (1500-1928) Paperback. Illustrated covers with portrait of Ismail Hakki Bey and borders. Art-nouveau illustrated borders on frontispiece. Taped and repaired spine. Cr. 8vo. (20 x 14 cm). In Ottoman script. 158, [2] p., musical scores. In contrary of the tradition of Ottoman book printing, this is numbered from right to left. Ismail Hakki Bey was a Turkish composer, musician and educator during the Ottoman Empire. The Society of Ottoman Music was founded by Ismail Hakk' Bey in March 1909 at the flat above the Fevziye Coffehouse. Ismail Hakki Bey, while he was the president and director of the Ottoman Society of Music, applied to the Ministry of Education to have a permit to open a private music school. After the permission was granted, The School of Ottoman Music, (1910-1920), the first private music school in the Ottoman State, was inaugurated on January 5th 1910. This book includes his teachings of solfege and musical scores with scores mostly. Lithograph. Roumi: 1341 = Gregorian: 1925. Second Enlarged Edition. Özege 18193.
1917Very Good Russian Original sheet music. Folio. (33 x 26 cm). In Russian and German. 17 p. Musical scores with fine illustrated cover. Tape on spine. Water stains on pages. Otherwise a good copy. [SHEET MUSIC] Geisha [= Die Geisha]. Muz. Sidney Djonsa (Sidney Jones). (Selection). The Geisha, a story of a tea house is an Edwardian musical comedy in two acts. The score was composed by Sidney Jones to a libretto by Owen Hall, with lyrics by Harry Greenbank. Additional songs were written by Lionel Monckton and James Philp. The Geisha opened in 1896 at Daly's Theatre in London's West End, produced by George Edwardes. The original production had the second longest run of any musical up to that time. The cast starred Marie Tempest and C. Hayden Coffin, with dancer Letty Lind and comic Huntley Wright. The show was an immediate success abroad, with an 1896 production in New York and numerous tours and productions in Europe and beyond. It continued to be popular until World War II and even beyond to some degree. The most famous song from the show is "The Amorous Goldfish". Stmped by A. Comendinger who was a legendary musical publisher in Constantinople in 19th and 20th century. This is a rare Russian Edition. This "selected" edition is not in OCLC.
1918Very Good Greek, Modern (post 1453) Paperback. Roy. 8vo. (24 x 17 cm). In Greek. 77 p., 3 numerous b/w plates, musical scores in the old Byzantine notation system. Signed and inscribed by Parkratou.
1978Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Italian. 260, [12] p. Il canto e la spada. Canti di guerra del popolo Turco. The song and the sword: Songs of War of Turkish people. Signed and inscribed by Masala. First Edition.
1990New English Paperback. Pbo. Mint. In Turkish. 119 p. Crwon 8vo. (20 x 14 cm). Biography of Wojciech Bobowski (Ali Ufki 1610-1675) and his musical psalms. Ali Ufkî ve mezmurlar.
1986Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 96 p., b/w plts. Music publications from Ottoman Empire up today, 1876-1986.= Osmanli Imparatorlugu'ndan günümüze belgelerle müzik (nota) yayinciligi, 1876-1986. "Publications of music is an enlightened part of our history of music. The subject was not considered as a whole, various important writings appeared on magazines stayed scattered, and the dpcuments were not collected. This book is the first step taken on this subject. The publication houses which mostly cannot be remembered in our days our presented for interests in this book depending on the notescores and other documents. And so, the untrue argument stating that the first publications of Turkish music were realized by the minorities is falsified and the line of progress of the Turkish music publications which began with Haci Emin Efendi in 1876, is put together the first time according to the documents, in chronological order.". This is still the best reference for not only history of Turkish / Ottoman classical music publications, but also collectible sheet musics.
2007New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. B/w ills. 406 p. Folk songs of Ordu City in the Black Sea Region with a CD. Ordu'nun dereleri: Ordu türküleri. With CD.
2009Fine English Original bdg. HC. Roy. 8vo. (23 x 16 cm). In Turkish. Color photos. 184 p. A biographical study on Michael Jackson. Popun krali Michael Jackson.
1854Very Good English Modern cloth bdg. Cr. 8vo. (20 x 14 cm). In French. 79 p. L'Autriche va au partage de la Turquie, rôle que joue l'Angleterre.
2011New English Paperback. Pbo. 4to. (30 x 21 cm) In English and Turkish. [18], 488 p., musical scores, with a CD. The makams that have been rarely used in Turkish Classical Music.= Klasik Türk Musikisi'nde az kullanilan makamlar. With a CD.
1955Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Greek. 63, [1] p., musical scores. Ta grota bimata: Eis tin Bizantinin ekklisiastikin mousikin. A study on Byzantine songs and notation system.
1995Fine English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In English. 335 p., color and b/w ills. The music makers in Turkey. "What part does Turkey play in 'world music' and what are the contributions of contemporary Turkish musicians? The music makers in Turkey attempts to involve responses to these questions and with its detailed documentation covering Turkish musical scene from all obvious aspects, it is the first to fill a long-felt needed. The book begins with a substantial section eplaining the cultural heritage inherited starting from antique era; Turkish music in the eyes of Europeans since the Renaissance; the effects of Turkish music on that of Europe and the effects of European music on traditional Turkish music; harmonization technique of Turkish music modes; eminent Turkish composers and their output; opera and ballet; orchestras; conductors; chamber music; prominent soloists; choruses; military music; traditional music;; musical education; musicologists and critics; international music festivals, foundations and societies. This book will afford a greater appreciation and understanding of music in Turkey and make it an essential guide".
2017New Turkish Paperback. Roy. 8vo. (23 x 16 cm). In Turkish. 204 p., ills., musical scores and a CD. Sehirlerimize besteler: Gözü gönlü güzel insan Amir Ates.
1917Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Sedarabân Mürebb' Zincir ikâ'inda. Darü'l-Elhan Külliyati No. 1. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Haci Sadullah Aga was a composer and performer. He was the son of Hafiz Kerim Efendi, one of the muezzins of Fatih Mosque, and was one of the greatest composers of the reign of Sultan Selim III. In some sources, the information regarding his life have been jumbled together with other namesake composers of his era. Some of his works may have been confused with those of other namesake composers. Therefore, information regarding his life is not precise. As far as it is known, after his first education, he was accepted to Enderun Mektebi (The Palace School in which the devshirmeh [T.N. selected for the army] children were educated) and he was educated in literature and history and gained skill in javelin, Indian club and horse riding. He had served in the Russo-Turkish War in 1767. It is said that he received great attention from Selim III because he had a beautiful voice and he was a master singer (vocalist) and that he was the head of the fasil committee of the sultan for some time. Sadullah Aga, who is accepted as the most powerful composer of the school of Selim III, was also the 'musahib' (talk friend) of the sultan and later he became the head 'musahib'. He was an eloquent and cheerful person with a nice personality. He served as a music teacher at Enderun and served at the Palace during the reign of Mahmud II. Sadullah Agha followed the footsteps of Itrî and under the influence of Itrî he had integrated lyricism to his compositions, which are considered to be among the greatest pieces of the classical repertoire. He developed a style that is pertinent to classical rules but is more lyrical. His influence on all composers of his period can be seen. Around thirty works of Haci Sadullah Aga, who had composed hundreds of works, has reached the present day. Compositions and 'semaî' are dominant among these works. All of these works are secular and mostly literal works. His works contain a high level of lyricism and musicality. Especially all of his works that formed the 'Bayati-Araban' set are among the most beautiful examples of the classical music repertoire. Sadullah Aga, who is among the elite composers of Classical Turkish music, lived his last years by secluding to the residence given to him seven years before his death by the sultan and died at the age of seventy eight. He has many great songs in various tones. Darülelhan published 121 scores before 1928, this is the first one. Özege 3585. Not in OCLC. Extremely rare.
1917Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Naksî Agir Semâî - Muhayyer Naksî Yürük Semâî. Darü'l-Elhan Külliyati No.3 [The House of Melodies Collected Works No. 3]. [With original stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). First Semâîs' composer is unknown, second one is by Eyyûbî Bekir Aga. He was an early classical Turkish composers. Ahmed Hamdi Tanpinar's devoted his book 'Mahur Beste' to Eyyûbî Efendi and inspired by him. Darülelhan published 121 scores before 1928, this is the third one. Özege 3585. Not in OCLC. Extremely rare.
1917Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Remel. Darü'l-Elhan Külliyati No. 7 [The House of Melodies Collected Works No. 7]. [With original personal stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Almost known nothing for the life of Halil Efendi. There are four compositions with their lyrics up to now. Darülelhan published 121 scores before 1928, this is the seventh one. Özege 3585. Not in OCLC. Extremely rare.