Bernd GluckBiblio.com
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réf. BN126341Müller C.F. Hardcover. Wärmetechnisches Raummodell. Wärmetechnisches Raummodell. Bernd Glück Müller C.F. hardcover
1968réf. 11359N. Y.: New American Library 1968. First edition of the Nobel Prize-winning poet's scarce first book. The white dust jacket is faintly discolored as usual with a shallow chip at the head of the spine otherwise a fine copy. 8vo original cloth dust jacket. The white dust jacket is faintly discolored as usual with a shallow chip at the head of the spine otherwise a fine copy. New American Library unknown books
2008réf. 465198Iowa City Iowa: University of Iowa Center for the Book 2008. Unbound. Fine. Broadside. Measuring 12" x 26". Fine. Limited to 150 copies. This is copy 129. Signed by the poet. Issued in honor of Glück's visit to the Iowa Writers Workshop in April 2008. University of Iowa Center for the Book unknown
2012réf. 8311New York: Farrar Straus and Giroux / Ecco 2012. First Edition. First Printing. Thick octavo 23.5cm; light gray paper-covered boards with titles stamped in black on spine; dustjacket; xviii45-6342pp. Signed by the author on the title page. Tiny crimp to base of spine else Fine in a Fine unclipped dustjacket priced $40.00. A substantial volume representing work from the first five decades of the Nobel Prize-winning poet's career gathering selections from her first collection Firstborn 1968 through A Village Life 2009. 8311. Farrar, Straus and Giroux / Ecco unknown
2004réf. 34038Louisville KY: Sarabande Books 2004. Near Fine. Louisville KY: Sarabande Books 2004. First Editions. Each volume signed by the poet at title page without inscription. Five octavo volumes; stapled wraps. Housed in red cloth slipcase stamped in gilt. Very light rubbing to extremities; Near Fine. The volumes constitute #3 of the publisher's long-running Quarternote Chapbook Series; scarce thus and a lovely set. Sarabande Books unknown
1966réf. 41722Chapel Hill NC: Lillabulero 1966. Very Good. Chapel Hill NC: Lillabulero 1966-1974. Fourteen issues in thirteen volumes complete. The first two volumes in tall folio format 36.5cm the third through fifth issues slightly shorter 33cm and the final eight issues in octavo format 24cm; all issues bound in pictorial card wrappers yapp edges; illus. throughout. Moderate wear to margins especially to the larger format issues else a Very Good and sound set. Complete collection of this poetry and literature magazine the brain child of young Russell Banks while a student at UNC Chapel Hill. Contributors included the leading and up-and-coming poets of the day including Robert Creeley Charles Simic W.S. Merwin Wendell Berry Jim Harrison and in the final issue Louise Gluck. While some of the individual issues are quite common complete sets are rare. Lillabulero unknown
réf. 109840A Paris, Au Bureau d'Abonnement Musical, Rue du Hazard Richelieu Et Aux Adresses Ordinaires, A. P. D. R., sans date (circa 1775), 1f.blanc, titre avec le catalogue des ouvrages de musique de l'éditeur au verso, 298 pages, 2ff.blancs, cartonnage moderne avec les pages de gardes remplacées, titres dorés sur pièce de titre en basane brune. Des rousseurs, traces d'humidité et petits trous de ver dans la marge supérieure, 2pages refaites à la main et collées sur les pages 24 et 26, quelques notes manuscrites dans la marge. Comme pour l'Edition originales de chez Le Marchand les partitions ont été gravées par Huguet.
1980réf. 613552New York: The Ecco Press 1980. Hardcover. Near Fine/Very Good. First edition clothbound issue. Octavo. 52pp. Touch of sunning at the spine ends near fine in very good dust jacket sunned at the spine and moderately worn with some tiny nicks and short creases at the spine ends and lower front corner. Inscribed by Glück on the title page: "for Peter - Louise Glück with good wishes. The Ecco Press hardcover
1770réf. 291401Bologna: Sassi 1770. hardcover. very good. 5 librettos 12mo & small 8vo bound together in 1 volume. 72 pages. 60pp. 32pp. and 7pp. Vellum backed marbles boards. Bologna: Sassi 1770 - 1771. Very good . A scarce group of opera librettos. Sassi unknown books
1792réf. 24757Paris: Des Lauriers without PN 1792. Folio. Full contemporary green vellum with mid-tan leather label with decorative border gilt lettered "Romagnat" to upper edges colored in red. 1f. title 211 i blank pp. Engraved. With blank overpaste to title with later manuscript note in pencil: "On a caché par cette . un nom . d'une personne qui a été guillotinée: Marie-Antoinette" by this overpaste a name of a guillotined person has been obscured: Marie-Antoinette. Labels to verso of upper board: printed advertisement of "Husson Marchand Papier" to upper left corner; "Ex libris Georges van Parys" in the shape of a G clef to center. Bass figures entered throughout: pp. 1-31 164-70 and 174-end in pencil otherwise in ink. Some moderate browning; occasional creasing and staining. Second edition first issue. Hopkinson 46A a. Wotquenne 46 pp. 215-16. Lesure p. 239. RISM G2816. "Iphigénie en Tauride was given on May 18 1778 with excellent singers; Rosalie Lavasseur sang Iphigénie Larrivée Oreste Legros Pylade and Moreau Thoas . The opera had a great success immediately and even Grimm wrote of it - I do not know whether this is melody but perhaps it is something better. When I hear Iphigénie I forget I am at the opera; I seem to be listening to a Greek tragedy with music by Lekain and Mlle Clarion. It was the crowning point of Gluck's career. Guillard had provided an excellent libretto more classical than Goethe's poem less Christian and more ruthless; and Gluck had seized on the contrast between Scythians and Greeks upon the perfectly dramatic figures of Iphigenia and Orestes and had produced a work which both re-created a part of Greek tragedy and at the same time foretold a new world." Cooper: Gluck p. 258. While Marie-Antoinette is not actually mentioned on the title she was the queen to whom the work is dedicated. Hopkinson describes a later issue with a new title without the dedication 46 A c. Georges van Parys 1902-1971 was a French composer of operetta and film music. Des Lauriers [without PN] unknown books
1985réf. 126New York: Ecco Press 1985. Hardcover. Very good/Very good. Very good condition there is a small black dot at the very end of the lower edge of the text and some age toning to the end papers. Full signature above her name on the title page with an additional personal inscription opposite which is simply signed "Louise". Dust jacket has original price of $13.50 and is in a protective sleeve. A truly lovely and signed copy by this Nobel winner. Ecco Press hardcover
réf. 13454155 pp.; 50 plates 10 in colour 48 text illus. Text: German. Zürich 1925. Hbk. Folio. Former Library copy with the associated markings. KEYWORDS: 053 India - miniaturen/ schilderingen unknown
1770réf. 291401Bologna: Sassi 1770. hardcover. very good. 5 librettos 12mo & small 8vo bound together in 1 volume. 72 pages. 60pp. 32pp. and 7pp. Vellum backed marbles boards. Bologna: Sassi 1770 - 1771. Very good . A scarce group of opera librettos. Sassi unknown
1980réf. 43091New York: Ecco Press 1980. Fine/Fine. New York: Ecco Press 1980. First Edition. Octavo 22cm; publisher's cloth in unclipped dust jacket; 48pp. Dust jacket shows small bumps at spine ends and corners; otherwise remarkably clean. Binding sound. Textblock endsheets and interior pages clean. A Near Fine copy in like jacket. Signed by the author without inscription on full title page. Ecco Press unknown
1805réf. 18110A Paris: A L'Imprimerie du Conservatoire Faubourg Poissonniere No. 152 1805. Used; Like New/Used; Like New. Messe De Requiem Par Mozart. Exécutée pour la première fois à Paris par le Conservatoire de Musique le 30 Frimaire An 13 21 décembre 1804. Cet ouvrage est précédé d un extrait de la vie de l'Auteur par Charles-Louis de Sevelinges. Early French edition of Mozart's final opus which was performed for the first time in Paris in 1804 bound together with: De Profundis. Musique de Gluck. Ouvrage Posthume Gravé sur le Manuscrit Original de l'Auteur Paris: Faubourg 1805. 138; 15 pp. Full score with Süßmayr's completion. Engraved throughout. Stamped on both title pages by music dealer Étienne Ozi. Hardcover later brown boards with gold lettering to spine. Some light corner wear and small loss to head of spine with this fragment present. Overall fine. 13.5 x 10 inches 34.3 x 25.3 cm. Hirsch IV 877. WorldCat records only three copies. Mozart's Requiem remains one of his best-loved works not little because of the mythology surrounding it. Mozart left it unfinished when he died in December 1791. The completion by Franz Xaver Süßmayr made in order to fulfill the Count von Walsegg's commission of the piece is still generally the completion performed today although several modern musicologists have offered alternative completions. The first French performance took place in Paris in 1804 with the present title page giving the date of 30 Frimaire An 13 in the French Revolutionary calendar. Gluck's De Profundis is a short setting of Psalm 130 for SATB choir and small orchestra with an unusual and low instrumentation oboe viola horn three trombones cello and continuo. The work was first performed at Gluck's own funeral in November 1787 conducted by none other than Antonio Salieri. The use of trombones with the associations of death and the afterlife make it a fitting pairing with Mozart's Requiem. A L'Imprimerie du Conservatoire Faubourg Poissonniere No. 152 hardcover books
1980réf. 1389637New York NY: The Ecco Press 1980. First Edition First Printing. Hardcover. Small octavo 48 pages. In Very Good condition with a Very Good condition dust jacket. Black spine with purple and grey-green lettering. Dust jacket is wrapped in a mylar covering price is uncut "9.95" has mild shelving wear mild wear along the extremities and chipping along the fore corners. Textblock has a stain on page 41 stains on the "American Poetry Series" page and second front end-page and stains on the head edge. Signed flat by Louise Glück on the title page. DL consignment. Shelved in Case 0. Louise Glück was born on April 22 1943 in New York City to parents of Russian and Hungarian Jewish descent. Glück was taught Greek mythology and classic stories from a young age which greatly influenced her works. Glück began writing poetry in highschool eventually taking some poetry classes and attending workshops where she more deeply developed her craft. After a mixed career of teaching and writing poetry Glück would produce her third collection of poems; "Descending Figure" in 1980. "Descending Figure" was released to generally positive reviews though some criticized Glück as hating children for her poem "The Drowned Children" most regarded the collection as a overall improvement in Glück's work. 1389637. Shelved Dupont Bookstore. The Ecco Press hardcover
1990réf. 124951New York: The Ecco Press 1990. First edition of the Nobel Prize-winning author's collection of poetry prompted by the death of her father. Octavo original half cloth. Association copy inscribed by the poet opposite the half-title page "For Stuart I look forward to your new work I wish you all good fortune - Louise." The recipient Stuart Dischell is a fellow poet and friend of Gluck. Fine in a fine dust jacket. Jacket illustration by Michaela Sullivan. Jacket illustration by Christa Naher. In 1984 Gluck joined the faculty of Williams College in Massachusetts as a senior lecturer in the English Department. The following year her father died. The loss prompted her to begin a new collection of poems Ararat 1990 the title of which references the mountain of the Genesis flood narrative. Writing in The New York Times in 2012 the critic Dwight Garner called it "the most brutal and sorrow-filled book of American poetry published in the last 25 years" The Ecco Press hardcover books
1985réf. 12660New York: Doubleday 1985. Limited Edition. Hardcover. Fine/Fine. 8vo. Pp. 248. Illustrated with several sections of black & white photography. Bound in brown cloth; spine lettered in gilt. Clean and fresh throughout. Of a signed edition limited to 536 hand-numbered copies this is copy 274. The limitation of 536 refers to Mantle's home-run record. A handsome well preserved copy. Doubleday hardcover
2021réf. 1633EXCEPTIONALLY SCARCE SIGNED! FIRST EDITION THUS first printing. Full number line present. Book is brand new and unread. Personally hand signed by Nobel Prize winning poet Louise Gluck directly to bespoke bookplate which is laid in rather than affixed. NOT inscribed to anyone. Dust jacket hand covered in protective archival grade Mylar for many worry free years of reading/collecting! It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need the book-length sequence of poems like a landscape seen from above a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone a copper beech a mother and father and sister a garden a husband and son a horse a dog a field on fire a mountain―persistently emerge and reappear with the dark energy of the inevitable shot through with the bright aspect of things new-made. From the outset "Come here / Come here little one" Gluck's voice has addressed us with deceptive simplicity the poems in lines so clear we "do not see the intervening fathoms." From within the earth's bitter disgrace coldness and barrenness my friend the moon rises: she is beautiful tonight but when is she not beautiful To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it the one fated to die and the other to endure. Farrar, Straus and Giroux hardcover
1968réf. 505887THE NEW AMERICAN LIBRARY 1968. Book. Near Fine. Hardcover. Signed by Authors. 1st Edition. NO JACKET FIRST EDITION FIRST PRINTING OF THE POET'S FIRST BOOK. SIGNED BY THE AUTHOR ON THE TITLE PAGE. THE NEW AMERICAN LIBRARY Hardcover
1994réf. 191563New Jersey: Ecco Press 1994. Admiration affection and even nostalgia for the year of tandem reading First edition presentation copy inscribed by the author opposite half-title page "for David with admiration affection and even nostalgia - I miss our exchanges. Love Louise". Glück had been guest editor of the American poet's annual anthology The Best American Poetry in 1992. The collaboration occurred in spite of her apprehension towards the "tyranny of tastemaking" Glück p. xxi. This collection of essays by the Nobel laureate draws on her biography the poets who influenced her and contemporary critical thought to form "the testament of a major poet". Several of the essays first appeared in literary journals; this is their first appearance in book form. Glück's introduction to The Best American Poetry is included in the selection from her work. An Ecco Press promotional slip is loosely inserted. Octavo. Original cream boards black cloth backstrip lettered in gilt publisher's imprint in blind to front cover. With dust jacket. One edge of promotional slip sunned and corner folded. Slight lean to spine small scratch to cloth on front board mark across centre of rear board; subtle crease at tail of jacket minimal bumping along top edge else a crisp unclipped example: a very good copy in near-fine jacket. David Lehman and Louis Glück ed. The Best American Poetry 1993. hardcover
réf. ANAIS-0880010819Ecco. hardcover. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. Ecco hardcover
réf. 124951New York: The Ecco Press 1990. First edition of the Nobel Prize-winning author's collection of poetry prompted by the death of her father. Octavo original half cloth. Association copy inscribed by the poet opposite the half-title page "For Stuart I look forward to your new work I wish you all good fortune - Louise." The recipient Stuart Dischell is a fellow poet and friend of Gluck. Fine in a fine dust jacket. Jacket illustration by Michaela Sullivan. Jacket illustration by Christa Näher. In 1984 Glück joined the faculty of Williams College in Massachusetts as a senior lecturer in the English Department. The following year her father died. The loss prompted her to begin a new collection of poems Ararat 1990 the title of which references the mountain of the Genesis flood narrative. Writing in The New York Times in 2012 the critic Dwight Garner called it "the most brutal and sorrow-filled book of American poetry published in the last 25 years" The Ecco Press hardcover
réf. 013233NY: Antaeus Editions 1976. 1st Edition Limited. Soft cover. As New. First edition limited issue this #12 0f 50 signed copies from a total edition of 500. Stapled printed wrappers French flaps 12p unnumbered. Designed and printed by Ronald Gordon at The Oliphant Press. As new. Antaeus Editions unknown
réf. 8308New York: The Ecco Press 1992. First Edition. First Printing. Octavo 23.5cm; goldenrod paper-covered boards and black cloth backstrip with titles stamped in gilt on spine and publisher's logo embossed onto front cover; dustjacket; xiv633pp. Inscribed by the author opposite the title page: "For Tim - With good wishes - Louise Glück." Fine in a very Near Fine dustjacket unclipped priced $19.95 with a single tiny tear to upper rear panel. Publisher's query card laid in. Folded and laid into this copy is a flyer from a signing event at the Folger Shakespeare Library on Tuesday March 2 1993 which reproduces the full text of Glück's holograph poem "The Silver Lily." Text offset printed in black on pale grey watermarked paper measuring 8.5" x 11"; one horizontal fold some mild handling else Near Fine. The Nobel Prize-winning poet's sixth collection written during a ten-week period in the summer of 1991. These are verses in which "ecstatic imagination supplants both empiricism and tradition creating an impassioned polyphonic exchange.The poems of this sequence see beyond mortality the bitter discovery on which individuality depends" from front flap. Winner of the Pulitzer Prize for Poetry in 1993. 8308. The Ecco Press unknown
