2274 risultati
rif. SKU0193831Worth Publishers 2016-02-15. Hardcover. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Worth Publishers hardcover
rif. Bloomsbury-9781442248649Rowman & Littlefield. Paperback. New. 320 pages Rowman & Littlefield paperback
rif. Bloomsbury-9781442248649Rowman & Littlefield. Paperback. New. 320 pages Rowman & Littlefield paperback
rif. 47608651-nnew. unknown
1990rif. DADAX0805806199Psychology Press 1990-01-02. 1. paperback. New. 5.98x0.95x9.02. Buy with confidence. Excellent Customer Service & Return policy. Psychology Press paperback
2003rif. __311017541XWalter De Gruyter Inc 2003. Hardcover. New. reprint 2013 edition. 160 pages. German language. 9.00x6.25x0.50 inches. Walter De Gruyter Inc hardcover
2000rif. __3486254456Oldenbourg 2000. Hardcover. New. reprint edition. 169 pages. German language. 9.06x6.10x0.79 inches. Oldenbourg hardcover
2001rif. 260629160Psychology Press 2001-02-01. hardcover. New. 6x0x9. Psychology Press hardcover
rif. R200087227ELPE PRODUCTIONS. NON DATE. In-8. Relié. Bon état, Couv. fraîche, Dos impeccable, Intérieur frais. 191 pages dans chaque volumes. 12 volumes. Titre et tomaisons dorés aux dos. Nombreuses photos et illustrations dans et hors texte en noir et blanc. 3 PHOTOS DISPONIBLES.. . . . Classification Dewey : 770-Photographie
1920rif. 62683Dresden-Niedersedlitz, H. G. Münchmeyer G.m.b.H., o. J. (um 1920). 8°. Mit tlw. ganzs. Textillustrationen von Adolf Wald u. einer Portraittafel. 2 Bll., 348 S., 2 weiße Bll., 31 S., HLdr. d. Zt. m. goldgepr. Rückentitel.
1969rif. 00540Anvil Press Poetry 1969. 1st Edition. Hardcover. Good. Scarce first UK. Anvil Press Northwood 1969. Hardback 53 pp. Red Cloth binding is fairly worn with some scuffing to the front board and shelfwear. Dust jacket is darkened all around. Spine faded. Scuffed on front cover. Worn and creased on edges. The first hardback edition of Louise Glück's first poetry collection showcasing her direct contained bleak and visionary voice. There are both hardbacks and paperback versions of the 1969 first edition and the hardback is even more scarce. Anvil Press Poetry hardcover
1989rif. 80140Texte à connotation érotique imprimé en typographie sur un rouleau de papier Japon écru rehaussé à l'aquarelle, rangés dans un bambou orné d'écritures travaillées. Tirage limité "à la demande".
1955rif. 19368CBBüdingen-Gettenbach, Lebensweiser-Verlag (= Karl O. Schmidt: Lebensweiser zur Selbst- und Schicksalsmeisterung - Handbücher der Erfolgs-Psychologie Band 3), 1955. 8°, 217 S., original Leineneinband (Hardcover), Erstausgabe ohne Schutzumschlag, Buchrücken oben an hinterer Kante minimal beschabt, sonst schönes, sauberes Exemplar.
1970rif. 738782PN. New. 1970. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1993rif. 14945The Ecco Press 1993. First Edition Second Printing. Hardcover. Very Good/Very Good. This is a First Edition Second Printing 1993. Front cover has a golden "Winner Pulitzer Prize and The Poetry Society of America William Carlos Williams Award" sticker. Dust jacket shows some light rubbing scuffing flaring and edge wear. Book itself shows some light scuffing and shelf wear. Page edges show some light foxing and has a small black marker mark on bottom edge. The Ecco Press hardcover
1985rif. SONG0691054495Princeton University Press 1985-10-21. n. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Princeton University Press hardcover
1985rif. Q-0880010819Ecco Press 1985-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Ecco Press hardcover
1890rif. 288451890. BKW 27/19. - Berlin August Hirschwald 12. Mai 1890 4° pp.421-440 feine Broschur. Erstdruck! Ausführlicher Vortrag gehalten in der Berliner medicinischen Gesellschaft am 30.April 1890. It is of historical interest to note that atempts at fixatng a prosthesis date back to 1890 when Gluck in a lecture to the German Medical Society discussed the use of bone glue or cement to fasten ivory devices." -cf. Nas Ser Eftekhar Principles of total hip arthroplasty p.4 unknown
1901rif. 346721901. BKW 38/36-37. - Berlin August Hirschwald 2. und 9. September 1901 4° pp.893-960 feine Broschur. unknown
1894rif. 346841894. BKW 31/ 7. - Berlin August Hirschwald Montag den 12. Februar 1894 4° pp.153-184 feine Broschur. Erstdruck! unknown
1897rif. 346201897. BKW 34/43-45. - Berlin August Hirschwald 1897 4° pp.929-996 feine Broschur. unknown
1774rif. 40430Paris: Chez Mr. Lemarchand . A.P.D.R. 1774. Folio. Unbound. Sewn. 1f. recto title verso publisher's catalogue 1f. recto dedication verso "Argument" 52 pp. Engraved. Incomplete with only first act and three pages of second act present. Worn overall with occasional staining foxing and soiling throughout primarily to blank margins; title worn and heavily browned stained and soiled with paper loss to edges; corners slightly bumped and creased; signatures separated; binder's holes to blank inner margin. First Edition unrecorded variant. Wotquenne 41. Hopkinson p. 43 41A. BUC p. 386. Lesure p. 240. RISM G2582. First performed in Vienna at the Burgtheater on 5 October 1762 in Italian to a libretto by Ranieri de' Calzabigi and in Paris at the Opéra on 2 August 1774 in French to a libretto by Pierre Louis Moline after Calzabigi. "The classical orientation of Calzabigi evident in Orfeo ed Euridice from the moment the curtain rose on the almost archaeologically recreated ancient funerary ritual e.g. the threefold calling of the name of the deceased coloured the entirety of his collaboration with Gluck. Despite the ambiguous attributions of the prefaces signed by the composer it is clear that Gluck largely shared his librettist's classical enthusiasms . It is revealing that Gluck sought out subject matter from Greek tragedy independently of Calzabigi after the latter's departure from Vienna - most probably with his inner conviction mixing with a desire to exploit the goût grec then prevailing in France . Calzabigi's poetry was almost completely devoid of metaphors and similes and placed a mere three characters in a fluid context of dances and choruses or both simultaneously. The action was reduced to essentials: a demonstration of the persuasive powers of music and a cautionary tale on the dangers of curiosity with Orpheus bewailing the loss of his wife already as the curtain rose. Gluck's approach as composer was no less radical particularly in his near-complete elimination of coloratura and of opening ritornellos in the solo numbers. Above all the opera was remarkable in its emphasis on continuity which was achieved chiefly through the enchaining of harmonically open-ended sections of music and through the complete avoidance of recitativo semplice in favour of orchestrally accompanied recitatives so as to avoid sharp contrasts of texture with the set pieces. This continuity and the nearly syllabic vocal writing were calculated to prevent applause and thus also to promote the audience's absorption in the spectacle." Bruce Alan Brown and Julian Rushton in Grove Music Online. Chez Mr. Lemarchand ... A.P.D.R. unknown
1774rif. 40430Paris: Chez Mr. Lemarchand . A.P.D.R. 1774. Folio. Unbound. Sewn. 1f. recto title verso publisher's catalogue 1f. recto dedication verso "Argument" 52 pp. Engraved. Incomplete with only first act and three pages of second act present. Worn overall with occasional staining foxing and soiling throughout primarily to blank margins; title worn and heavily browned stained and soiled with paper loss to edges; corners slightly bumped and creased; signatures separated; binder's holes to blank inner margin. First Edition unrecorded variant. Wotquenne 41. Hopkinson p. 43 41A. BUC p. 386. Lesure p. 240. RISM G2582. First performed in Vienna at the Burgtheater on 5 October 1762 in Italian to a libretto by Ranieri de' Calzabigi and in Paris at the Opéra on 2 August 1774 in French to a libretto by Pierre Louis Moline after Calzabigi. "The classical orientation of Calzabigi evident in Orfeo ed Euridice from the moment the curtain rose on the almost archaeologically recreated ancient funerary ritual e.g. the threefold calling of the name of the deceased coloured the entirety of his collaboration with Gluck. Despite the ambiguous attributions of the prefaces signed by the composer it is clear that Gluck largely shared his librettist's classical enthusiasms . It is revealing that Gluck sought out subject matter from Greek tragedy independently of Calzabigi after the latter's departure from Vienna - most probably with his inner conviction mixing with a desire to exploit the goût grec then prevailing in France . Calzabigi's poetry was almost completely devoid of metaphors and similes and placed a mere three characters in a fluid context of dances and choruses or both simultaneously. The action was reduced to essentials: a demonstration of the persuasive powers of music and a cautionary tale on the dangers of curiosity with Orpheus bewailing the loss of his wife already as the curtain rose. Gluck's approach as composer was no less radical particularly in his near-complete elimination of coloratura and of opening ritornellos in the solo numbers. Above all the opera was remarkable in its emphasis on continuity which was achieved chiefly through the enchaining of harmonically open-ended sections of music and through the complete avoidance of recitativo semplice in favour of orchestrally accompanied recitatives so as to avoid sharp contrasts of texture with the set pieces. This continuity and the nearly syllabic vocal writing were calculated to prevent applause and thus also to promote the audience's absorption in the spectacle." Bruce Alan Brown and Julian Rushton in Grove Music Online. Chez Mr. Lemarchand ... A.P.D.R. unknown books
rif. 363872400X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. ria9780742549319_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In Queers in Court Susan Gluck Mezey examines the contemporary battle for gay and lesbian rights in the United States tracing the evolution of issues from same sex marriage and privacy rights to military service and employment discrim hardcover
