2 274 résultats
réf. 16729Paris, s.n., s.d.. In-folio, 298 pp., cartonnage de l'époque rouge, "percheron" estampé sur le premier plat, dos à nerfs orné de filets dorés (frottements, trous de ver, petites taches).
réf. 1391746821.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1396728074.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0364899050.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0364127457.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 042872924X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0428729428.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. RO50058688PETERS. NON DATE. In-8. Broché. Etat d'usage, Tâchée, Dos plié, Quelques rousseurs. 173 pages de partitions. Plats en couleur. Annotations sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
réf. RO50028561Edition Peters. début XXème. In-8. Broché. Bon état, Tâchée, Dos fané, Quelques rousseurs. 173 pages. Titre, auteur et filets dorés sur le dos. Couverture souple cartonnée. Ornements en page titre.. . . . Classification Dewey : 780.26-Partitions
1795réf. 36809Paris: Des Lauriers 1795. Folio. Quarter dark green calf with green cloth boards spine in decorative compartments gilt titling gilt marbled edges. 1f. recto title verso blank 1f. recto publisher's catalogue verso blank 211 pp. Engraved. Occasional performance markings in blue pencil. Some browning foxing and soiling; light dampstaining to upper portion of leaves; final leaves slightly creased at lower outer corners; small handstamp to upper margin of title. Second Edition. Hopkinson 46 A c the present copy is presumably from an earlier issue without plate number and with fewer items in the catalogue. Loewenberg 371. Sonneck p. 56. Lesure p. 239. BUC p. 386. RISM G2816. With this opera "Gluck foreshadowed most clearly the musical achievement of Wagner. For it was not until Iphigenie en Tauride that he contrived a balance between musical and dramatic interest which was of its school a perfect one . Iphigenie en Tauride is the one indisputable masterpiece produced by Gluck the one composition which can be measured against the very highest productions in its own or any other branch of musical expression." Cooper: Gluck p. 260. Des Lauriers unknown books
réf. R150201209CALMANN LEVY. NON DATE. In-8. Broché. Etat passable, Plats abîmés, Dos abîmé, Intérieur frais. 39 pages- plats désolidarisés. . . . Classification Dewey : 792-Théâtre
1899réf. RO50023220"Imprimerie des Annales. 17 décembre 1899. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches représentant ""Lady Smith"" par Reynolds, ""Les accusés de la haute-cour (Paul Deroulède et Jules Guérin)"" de Malteste, et photos et gravures noires et blanches ayant pour thème ""Le congrès socialiste : les chefs du parti socialistes"".. . . . Classification Dewey : 780.26-Partitions"
réf. 75707Opéra de Marseille /Solin 1999 livre tragédie 20,5*15 90 pages
1783réf. 40425Paris: Des Lauriers without PN 1783. Folio. Modern quarter dark red morocco with marbled boards black leather title label to spine gilt. i recto title verso blank i "Catalogue de Musique du fond de Des Lauriers Md. de Sapier rue St. Honoréa Paris" i dedication 211 i blank pp. Engraved throughout. With a short article from Marmontel's Mémoires laid down to blank verso of title in English translation regarding the opera's reception history. Occasional staining soiling and foxing to blank margins; small stain and hole under lowermost system of p. 65; blank upper outer margin of title through p. 7 dampstained; stain and minor loss to lower margin of pp. 18-22. In very good condition overall. Third edition unrecorded variant. Hopkinson 40A e. Wotquenne 46 pp. 215-16. Lesure p. 239 different issue. BUC p. 386. RISM G2816. "Iphigénie en Tauride was given on May 18 1778 with excellent singers; Rosalie Lavasseur sang Iphigénie Larrivée Oreste Legros Pylade and Moreau Thoas . The opera had a great success immediately and even Grimm wrote of it - I do not know whether this is melody but perhaps it is something better. When I hear Iphigénie I forget I am at the opera; I seem to be listening to a Greek tragedy with music by Lekain and Mlle Clarion. It was the crowning point of Gluck's career. Guillard had provided an excellent libretto more classical than Goethe's poem less Christian and more ruthless; and Gluck had seized on the contrast between Scythians and Greeks upon the perfectly dramatic figures of Iphigenia and Orestes and had produced a work which both re-created a part of Greek tragedy and at the same time foretold a new world." Cooper: Gluck p. 258. While Marie-Antoinette is not actually mentioned on the title she was the queen to whom the work is dedicated. Des Lauriers [without PN] unknown books
réf. AM3148N°62. AVRIL 1984. USURES D'USAGE DE LA COUVERTURE. PHOTOS SUR DEMANDE
réf. RO50058689PETERS. NON DATE. In-8. Broché. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 144 pages de partitions. Plats en couleur. Annotations sur le premier plat. Page de titre illustrée en couleur monochrome. Représentée pour la première fois par l'académie royale de musique le mardi 18 May 1779.. . . . Classification Dewey : 780.26-Partitions
1800réf. RO50056034DESLAURIERS. VERS 1800. In-Folio. Relié. Etat d'usage, Plats abîmés, Dos abîmé, Mouillures. 211 pages de partitions. Plats trés frottés et rognés à restaurer. Dos partiellement manquant. Légères mouillures sur le bas des pages, sans conséquences sur la lecture. Annotations sur la première page blanche. Représenté pour la première fois par l'Académie Nationale de musique le mardi 18 May 1779.. . . . Classification Dewey : 780.26-Partitions
réf. RO50049612CHOUDENS. NON DATE. In-8. En feuillets. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur acceptable. 211 pages de partitions. Illustration en noir et blanc sur le premier plat. Edition conforme à la partition manuscrite. Paroles de Guillard. . . . Classification Dewey : 780.26-Partitions
réf. RO50013216Enoch & cie. XXème. In-8. Broché. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 144 pages. Ornements en couverture et en page titre. Bande de papier collée sur le dos.. . . . Classification Dewey : 780.26-Partitions
réf. 44376Paris Chez Le Marchand, Marchand de Musique 1788 in 12 (18,5x12,5) 1 fascicule broché, couverture muette d'attente de l'époque, 32 pages. Christoph Willibald von Gluck, 1714-1787. Nouvelle édition corrigée. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1809réf. 40434Bonn: Chez N. Simrock PN 609 1809. Oblong folio. Quarter black leather with gilt rules mid-brown cloth boards spine in compartments gilt with titling gilt marbled edges. 1f. recto title verso cast list 3-149 pp. Text in French and German. Engraved throughout. With contemporary signature of former owner "Mappes" to upper outer corner of free front endpaper with handstamp of August Kuby in Munich below; "Amalie Mappes" to upper outer corner of title. Binding worn rubbed bumped and slightly stained. Occasional soiling; small ink stains browning and foxing to blank margins; small loss to lower outer corner of p. 27. First Edition. Hopkinson p. 41 40F. Wotquenne 40. RISM G2753 and GG2753 no copies in the U.S. Iphigenie en Aulide was first performed in Paris at the Opéra on 19 April 1774. "Judging from contemporary accounts such as the memoirs of Mannlich the several months of rehearsals for Iphigénie en Aulide must have been quite a spectacle with the irascible 60-year-old composer struggling to reform the bad habits of the singers and players of the Académie Royale to teach them his new opera. However the première of Iphigénie en Aulide in April 1774 was a triumph but the run of performances was interrupted by the death of Louis XV a month later. All the theatres closed and during the period of mourning Gluck quickly revised Orfeo ed Euridice and made a French version of the opera with a translation of the text by Pierre Louis Moline." Jeremy Hayes in Grove Music Online. Chez N. Simrock [PN 609] unknown books
réf. RO50063475C.F.Peters. Non daté. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 136 pages de partitions en noir et blanc.Signet conservé.. . . . Classification Dewey : 780.26-Partitions
réf. RO50045932C.F PETERS. NON DATE. In-8. Relié. Etat d'usage, Plats abîmés, Dos satisfaisant, Intérieur acceptable. 136 pages de partitions. Page de titre illustrée en couleur. Plats marbrés. Titre, auteur et filets dorés au dos. Tampon sur la page de titre. Coins et plats frottés.. . . . Classification Dewey : 780.26-Partitions
réf. SA06I-00217C. F. Peters. Used - Acceptable. Acceptable condition. French and German. Writing inside. Dampstained. Operas Vocal Scores C. F. Peters unknown
réf. 0365879266.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback