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2021Best.-Nr. G1949363848I3N00ABC Multicultural LLC 2021. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. ABC Multicultural LLC paperback
2021Best.-Nr. SONG1949363848ABC Multicultural LLC 2021-05-27. paperback. Used: Good. 7.50x0.07x9.25. Buy with confidence. Excellent Customer Service & Return policy. ABC Multicultural LLC paperback
Best.-Nr. 1391750314.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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1790Best.-Nr. 46402269A Paris, chez Boieldieu jeune, Rue de Richelieu, (vers 1790 ?) ; in-4, cartonnage bradel, papier vert marbré moderne. Titre, 293 pp., 2 ff. blancsPartition d’orchestre, gravée par Melle Lobry, de l’Alceste en français. Traduit de l’Italien par F. L. Gand Leblanc, bailli du Roulet. Ex-libris manuscrit “L. Rossignol (du Mans)” Ce dernier a rédigé une table de l’opéra (à l’encre) au verso du titre. Bel exemplaire, dans un élégant cartonnage à l’ancienne.
Best.-Nr. 4303Paris, Mme Veuve Launer, sans date (vers 1860). In-4 (27 cm) (2) feuillets, 224 pages. Reliure demi-chagrin vert, plats toilés, gardes marbrées, dos lisse orné de roulettes et filets dorés. Reliure frottée légèrement aux coiffes et aux coins. Trois premiers feuillets acidifiés, autrement bel état. Cachets de la Société Chorale Union Lyrique du Havre. [ Vve L. 3321 ].
1825Best.-Nr. 64538Edition Nicolo, 1 vol. in-4 reliure demi-vélin vert, Chez Madame Veuve Nicolo, à Paris, édition gravée et imprimée par Marquerie, s.d. [ circa 1825 ], 1 f. et 226 pp.
Best.-Nr. R150022168CALMANN LEVY .. 1932.. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur acceptable. 30 pages.. . . . Classification Dewey : 792-Théâtre
Best.-Nr. RO50065938choudens. Non daté. In-8. Broché. Bon état, Plats abîmés, Dos satisfaisant, Intérieur frais. 247 pages de partitions en noir et blanc.Couverture désolidarisée.. . . . Classification Dewey : 780.26-Partitions
Best.-Nr. RO50031830Au ménestrel. XIXème. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 3 pages. Imprimé sur du papier à la forme.. . . . Classification Dewey : 780.26-Partitions
1777Best.-Nr. 40432Paris Lyon: Au Bureau d'Abonnement Musical Rue du Hazard Richelieu et Aux Adresses Ordinaires. A Lion Chez Castaud Place de la Commedie 1777. Folio. Early dark brown morocco. 1f. recto title verso publisher's catalogue 293 pp. With "Lagny" in contemporary black ink to blank inner margin of p. 1. Binding worn rubbed and bumped. Slightly worn; title slightly browned and foxed; occasional minor foxing soiling browning and small stains; several leaves slightly trimmed at outer margin not affecting text or notation; small loss to blank lower outer corner of p. 87; light impression to lowermost system of p. 43. Lacking pp. 35/36. Second edition. Wotquenne 44. Hopkinson p. 54 44Acc. Lesure p. 236. BUC p. 385. RISM G2639. Alceste an opera in three acts with text by R. de Calzabigi and a ballet by Noverre was first performed on 26 December 1767 at the Burgtheater in Vienna. It was revised by Gluck for a performance in Paris on 23 April 1776. "Gluck himself stressed the nature of Alceste as a `reform opera' by providing in the preface dedicating the printed score to the Grand Duke Leopold a discussion that goes far beyond the conventional. .That key document at once a manifesto and a defense . is a sharp repudiation of the theory practice and conventions of the old "opera seria" represented in its final phase by Metastasio and his favourite composer Hasse." TNG Vol. 7 pp. 463 and 467. Au Bureau d'Abonnement Musical, Rue du Hazard Richelieu et Aux Adresses Ordinaires. A Lion Chez Castaud Place de la Commedie unknown books
1777Best.-Nr. 40432Paris Lyon: Au Bureau d'Abonnement Musical Rue du Hazard Richelieu et Aux Adresses Ordinaires. A Lion Chez Castaud Place de la Commedie 1777. Folio. Early dark brown morocco. 1f. recto title verso publisher's catalogue 293 pp. With "Lagny" in contemporary black ink to blank inner margin of p. 1. Binding worn rubbed and bumped. Slightly worn; title slightly browned and foxed; occasional minor foxing soiling browning and small stains; several leaves slightly trimmed at outer margin not affecting text or notation; small loss to blank lower outer corner of p. 87; light impression to lowermost system of p. 43. Lacking pp. 35/36. Second edition. Wotquenne 44. Hopkinson p. 54 44Acc. Lesure p. 236. BUC p. 385. RISM G2639. Alceste an opera in three acts with text by R. de Calzabigi and a ballet by Noverre was first performed on 26 December 1767 at the Burgtheater in Vienna. It was revised by Gluck for a performance in Paris on 23 April 1776. "Gluck himself stressed the nature of Alceste as a `reform opera' by providing in the preface dedicating the printed score to the Grand Duke Leopold a discussion that goes far beyond the conventional. .That key document at once a manifesto and a defense . is a sharp repudiation of the theory practice and conventions of the old "opera seria" represented in its final phase by Metastasio and his favourite composer Hasse." TNG Vol. 7 pp. 463 and 467. Au Bureau d'Abonnement Musical, Rue du Hazard Richelieu et Aux Adresses Ordinaires. A Lion Chez Castaud Place de la Commedie unknown
1776Best.-Nr. 1634Paris; Lion Lyon: Au Bureau d’Abonnement Musical Rue du Hazard Richelieu Et Aux Adresses Ordinaires; Chez Castaud Place de la Commedie 1776. First edition. In contemporary green vellum with red title vignettes on spine and front panel. Tinted edges. Contemporary bookseller’s vignette on title page Chez Pujolas Montpellier. Cover rubbed at extremities stained damaged at corners. Title page torn at lower corner with no effect to text. Old shelf mark in ink on the title page. Bookblock somewhat loose. Pages lightly brown. Occasional stains. A brown stain to the lower edge of the fists few leaves and to the side edge of the last leaves. Overall in very good condition. First edition. In contemporary green vellum with red title vignettes on spine and front panel. Tinted edges. Contemporary bookseller’s vignette on title page Chez Pujolas Montpellier. 2 305 1 p. First edition of the full score of the French revised version of Gluck’s Alceste. "The first edition consisting of 305 numbered pages - of which only two copies have been found by me - exists in two states." Hopkinson. A scarce true first edition of the full score of Christoph Willibald Gluck’s 1714–1784 opera finished in 1767 and recomposed for the Paris performances in 1776. The present edition consisting of 305 numbered pages with the printed price on the title page “Prix 24 Fr” and with the “Catalogue” on the verso of the title page. RISM G 2638; Hopkinson 44A; Wotquenne 44 . Au Bureau d’Abonnement Musical, Rue du Hazard Richelieu, Et Aux Adresses Ordinaires; Chez Castaud Place de la Commedie unknown
Best.-Nr. R100090615Calmann Lévy. non daté. In-12. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Papier jauni. 31 pages - coiffes abîmées - dos fendu.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Best.-Nr. RO50064429C.F. Peters. Non daté. In-8. Broché. Etat d'usage, Tâchée, Dos plié, Intérieur frais. 175 pages de partitions en noir et blanc.Quelques pages sont désolidarisées.. . . . Classification Dewey : 780.26-Partitions
1815Best.-Nr. 25656Bonn: N. Simrock PN 1125. 1815. Oblong folio. Contemporary marbled boards. 1f. recto title verso blank 3 cast list and table of contents 4-159 i blank pp. Engraved. Disbound. Boards quite worn; spine lacking. Slightly worn soiled foxed and stained; some corners slightly turned; minor underlining and annotations in red pencil to cast list; early repairs to inner margins of title and table of contents not affecting text; small binder's holes to inner margins. Later edition of the French version. Hopkinson 44C a. The French version of Alceste to a libretto by Marie François Louis Gand Leblanc Roullet was first performed at the Académie Royale de Musique in Paris on 23 April 1776. "Gluck's revision of Alceste for performance in Paris in 1776 amounts almost to a recomposition. His alterations were far more extensive than those he had made in his Paris adaptation of Orfeo . The French Alceste had a new text by Roullet Gluck's librettist for Iphigénie en Aulide based on Calzabigi's libretto; but alterations to the plot and the order of events led to major differences between the two. The principals at the première of the French version included Rosalie Levasseur Alcestis Joseph Legros Admetus Henri Larrivée Hercules Moreau Apollo and Nicolas Gélin High Priest. At the first Paris performances of Alceste the Act 3 denouement was substantially different from the version familiar today and closer to the Italian original. Gluck and Roullet after much criticism altered the act to incorporate a part for Hercules who has no place in the Italian original. Just as Gluck was arranging more music to enlarge the final divertissement again to please Parisian taste he heard of the death of his adopted daughter Marianne in Vienna; he left Paris and assigned the completion of the divertissement to Gossec. This revised version published in Paris in 1776 is the one that has nearly always been performed subsequently." Jeremy Hayes in Grove Music Online. N. Simrock [PN 1125.] unknown books
1815Best.-Nr. 25656Bonn: N. Simrock PN 1125. 1815. Oblong folio. Contemporary marbled boards. 1f. recto title verso blank 3 cast list and table of contents 4-159 i blank pp. Engraved. Disbound. Boards quite worn; spine lacking. Slightly worn soiled foxed and stained; some corners slightly turned; minor underlining and annotations in red pencil to cast list; early repairs to inner margins of title and table of contents not affecting text; small binder's holes to inner margins. Later edition of the French version. Hopkinson 44C a. The French version of Alceste to a libretto by Marie François Louis Gand Leblanc Roullet was first performed at the Académie Royale de Musique in Paris on 23 April 1776. "Gluck's revision of Alceste for performance in Paris in 1776 amounts almost to a recomposition. His alterations were far more extensive than those he had made in his Paris adaptation of Orfeo . The French Alceste had a new text by Roullet Gluck's librettist for Iphigénie en Aulide based on Calzabigi's libretto; but alterations to the plot and the order of events led to major differences between the two. The principals at the première of the French version included Rosalie Levasseur Alcestis Joseph Legros Admetus Henri Larrivée Hercules Moreau Apollo and Nicolas Gélin High Priest. At the first Paris performances of Alceste the Act 3 denouement was substantially different from the version familiar today and closer to the Italian original. Gluck and Roullet after much criticism altered the act to incorporate a part for Hercules who has no place in the Italian original. Just as Gluck was arranging more music to enlarge the final divertissement again to please Parisian taste he heard of the death of his adopted daughter Marianne in Vienna; he left Paris and assigned the completion of the divertissement to Gossec. This revised version published in Paris in 1776 is the one that has nearly always been performed subsequently." Jeremy Hayes in Grove Music Online. N. Simrock [PN 1125.] unknown
1954Best.-Nr. 28504Milan: G. Ricordi & C. 1954. This is the piano score words with piano accompaniment of the famous opera by Gluck. A Very Good copy tight bright and clean. Hard Cover. Very Good/No Dust Jacket. 4to - over 9¾" - 12" tall. G. Ricordi & C. Hardcover