Gluck, LouiseBiblio.com
1.931 Ergebnisse
1994Best.-Nr. Q-0880013699Ecco 1994-08-21. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Ecco hardcover
1994Best.-Nr. 26074new hc Ecco hardcover
1994Best.-Nr. 1389597Hopewell NJ: The Ecco Press 1994. First Edition First Printing. Hardcover. Octavo 134 pages. In Very Good condition with a Very Good condition dust jacket. White spine with black lettering. Dust jacket is wrapped in a mylar covering price is uncut "$22.00 - Canada $28.99" and has mild wear along the spine head and tail edges. Boards have mild wear along the head and tail edges and stains on the head and tail edges. Textblock has stains on the end-pages pastedowns and edges. Signed flat by Louise Glück on title page. DL consignment. Shelved in Case 0. Louise Glück was born on April 22 1943 in New York City to parents of Russian and Hungarian Jewish descent. Glück was taught Greek mythology and classic stories from a young age which greatly influenced her works. Glück began writing poetry in highschool eventually taking some poetry classes and attending workshops where she more deeply developed her craft. After a tumultuous life and career Glück finally began seeing wider success in her work in the 1990's. That success however came with personal pains which she channeled into her work producing a collection of essays in 1994 titled "Proofs & Theories: Essays on Poetry" 1389597. Shelved Dupont Bookstore. The Ecco Press hardcover books
1994Best.-Nr. 613545Hopewell New Jersey: The Ecco Press 1994. Hardcover. Near Fine/Near Fine. First edition. 134pp. Octavo. Ink owner on first page and hint of edgewear near fine in near fine dust jacket with some sunning to the spine and indentation and a few creases to the rear wrap. The Ecco Press hardcover books
1994Best.-Nr. 581893Hopewell New Jersey: The Ecco Press 1994. Hardcover. Fine/Fine. First edition. 134pp. Faint age-toning at the edges of the endpapers else fine in a fine dust jacket. The Ecco Press hardcover books
1994Best.-Nr. 81141Hopewell NJ: The Ecco Press 1994. First Edition. First Printing. Octavo 23.5cm; beige paper-covered boards and black cloth backstrip with titles stamped in gilt on spine and publisher's logo embossed onto lower front cover; dustjacket; xii34-1344pp. Sprinkle of foxing to upper edge of textblock a few faint scuffs to front cover with previous owner's circular embossed stamp at lower front endpaper and upper rear endpaper; Near Fine. Dustjacket is unclipped priced $22.00 gently spine-sunned with some trivial surface wear; Near Fine. A collection of 16 essays on poetry by the Nobel Prize-winning author. The Ecco Press unknown books
1994Best.-Nr. 8051Hopewell N. J.: Ecco Press 1994. First edition. Signed by Gluck. Very fine copy. 8vo original cloth dust jacket. Very fine copy. Ecco Press unknown books
1994Best.-Nr. 191563New Jersey: Ecco Press 1994. Admiration affection and even nostalgia for the year of tandem reading First edition presentation copy inscribed by the author opposite half-title page "for David with admiration affection and even nostalgia - I miss our exchanges. Love Louise". Glück had been guest editor of the American poet's annual anthology The Best American Poetry in 1992. The collaboration occurred in spite of her apprehension towards the "tyranny of tastemaking" Glück p. xxi. This collection of essays by the Nobel laureate draws on her biography the poets who influenced her and contemporary critical thought to form "the testament of a major poet". Several of the essays first appeared in literary journals; this is their first appearance in book form. Glück's introduction to The Best American Poetry is included in the selection from her work. An Ecco Press promotional slip is loosely inserted. Octavo. Original cream boards black cloth backstrip lettered in gilt publisher's imprint in blind to front cover. With dust jacket. One edge of promotional slip sunned and corner folded. Slight lean to spine small scratch to cloth on front board mark across centre of rear board; subtle crease at tail of jacket minimal bumping along top edge else a crisp unclipped example: a very good copy in near-fine jacket. David Lehman and Louis Glück ed. The Best American Poetry 1993. hardcover
1994Best.-Nr. 8310New York: The Ecco Press 1994. First Edition. First Printing. Octavo 23.5cm; cream paper-covered boards and black cloth backstrip with titles stamped in gilt on spine and publisher's logo embossed onto front cover; dustjacket; xii34-1346pp. Signed by the author on the title page. A few very faint surface scuffs to lower rear cover else very Near Fine in a Fine unclipped dustjacket priced $22.00 with the publisher's query card laid in. Sharp copy of the Pulitzer Prize-winning poet's first collection of non-fiction gathering 16 essays on poetry touching on T.S. Eliot George Oppen Sylvia Plath and her skepticism of post-modern critical thought. 8310. The Ecco Press unknown
1994Best.-Nr. 613545Hopewell New Jersey: The Ecco Press 1994. Hardcover. Near Fine/Near Fine. First edition. 134pp. Octavo. Ink owner on first page and hint of edgewear near fine in near fine dust jacket with some sunning to the spine and indentation and a few creases to the rear wrap. The Ecco Press hardcover
1994Best.-Nr. 1389597Hopewell NJ: The Ecco Press 1994. First Edition First Printing. Hardcover. Octavo 134 pages. In Very Good condition with a Very Good condition dust jacket. White spine with black lettering. Dust jacket is wrapped in a mylar covering price is uncut "$22.00 - Canada $28.99" and has mild wear along the spine head and tail edges. Boards have mild wear along the head and tail edges and stains on the head and tail edges. Textblock has stains on the end-pages pastedowns and edges. Signed flat by Louise Glück on title page. DL consignment. Shelved in Case 0. Louise Glück was born on April 22 1943 in New York City to parents of Russian and Hungarian Jewish descent. Glück was taught Greek mythology and classic stories from a young age which greatly influenced her works. Glück began writing poetry in highschool eventually taking some poetry classes and attending workshops where she more deeply developed her craft. After a tumultuous life and career Glück finally began seeing wider success in her work in the 1990's. That success however came with personal pains which she channeled into her work producing a collection of essays in 1994 titled "Proofs & Theories: Essays on Poetry" 1389597. Shelved Dupont Bookstore. The Ecco Press hardcover
1994Best.-Nr. 581893Hopewell New Jersey: The Ecco Press 1994. Hardcover. Fine/Fine. First edition. 134pp. Faint age-toning at the edges of the endpapers else fine in a fine dust jacket. The Ecco Press hardcover
1994Best.-Nr. 81141Hopewell NJ: The Ecco Press 1994. First Edition. First Printing. Octavo 23.5cm; beige paper-covered boards and black cloth backstrip with titles stamped in gilt on spine and publisher's logo embossed onto lower front cover; dustjacket; xii34-1344pp. Sprinkle of foxing to upper edge of textblock a few faint scuffs to front cover with previous owner's circular embossed stamp at lower front endpaper and upper rear endpaper; Near Fine. Dustjacket is unclipped priced $22.00 gently spine-sunned with some trivial surface wear; Near Fine. A collection of 16 essays on poetry by the Nobel Prize-winning author. The Ecco Press unknown
1994Best.-Nr. 8051Hopewell N. J.: Ecco Press 1994. First edition. Signed by Gluck. Very fine copy. 8vo original cloth dust jacket. Very fine copy. Ecco Press unknown
1985Best.-Nr. 26780München, C. Bertelsmann Verlag GmbH, Blanvalet Verlag GmbH, 1985. 479 Seiten , 21 cm, Hardcover/Pappeinband
Best.-Nr. R160198130NON INDIQUE. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 18 pages - Quelques photographies et illustrations en noir et blanc dans le texte. . . . Classification Dewey : 782.1-Théâtre musical, opéra
2019Best.-Nr. x-0967254310Tisza Publishing 2019. Hardcover. New. 482 pages. 6.14x1.44x9.21 inches. Tisza Publishing hardcover
Best.-Nr. 0967254310.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 52674512like new. unknown
Best.-Nr. 52674512-nnew. unknown
1947Best.-Nr. 69717Hamburg, Globus Verlagsges.m.b.H., 1947. Origi.Broschur, 8°, ca.16 Blatt. Mit Abbildungen.
2015Best.-Nr. BN433762Editions des Vanneaux 2015. 2015. Softcover. Poser la voix dans les mains Poser la voix dans les mains Schlechter Lysiane & Michael Gluck Editions des Vanneaux paperback
1775Best.-Nr. 40412Paris: chés Miger 1775. Sheet size 284 x 204 mm. The composer is depicted in a circular frame one-third length turned left with head facing forward and eyes raised. He is dressed in a pleated coat waist-length jacket shirt and cravat. The circular frame sits on a stone shelf and is adorned with a branch of laurel with lettering below as follows: CHRISTOPHE GLUCK // De l'art d'aller au coeur par des accords touchants letzter Buchstabe verdruckt / Nul autre mieux que lui n'a montré la puissance / Et de tous ses rivaux c'est le seul dont les chants / Ayent charmé son pays l'Italie et la France." Slight browning; minor abrasions primarily to margins with minor paper loss; some paper repairs. Scarce. chés Miger unknown books
1775Best.-Nr. 40412Paris: chés Miger 1775. Sheet size 284 x 204 mm. The composer is depicted in a circular frame one-third length turned left with head facing forward and eyes raised. He is dressed in a pleated coat waist-length jacket shirt and cravat. The circular frame sits on a stone shelf and is adorned with a branch of laurel with lettering below as follows: CHRISTOPHE GLUCK // De l'art d'aller au coeur par des accords touchants letzter Buchstabe verdruckt / Nul autre mieux que lui n'a montré la puissance / Et de tous ses rivaux c'est le seul dont les chants / Ayent charmé son pays l'Italie et la France." Slight browning; minor abrasions primarily to margins with minor paper loss; some paper repairs. Scarce. chés Miger unknown
1864Best.-Nr. 404171864. Height 26.75" 68 cms. With the artist's name "Francin" to truncation of left arm; integral base inscribed "Gluck." Some wear and soiling; age-toned. In quite good condition overall. Provenance Catalogue of the Collection Musicale André Meyer 1961 Vol. I p. 97 and plate 122. Auction catalogue of Pescheteau-Badin Godeau et Leroy Collection Musicale André Meyer et a divers Paris July 2 1998 Lot 101 including color photograph. Auction catalogue of Bonhams London The Roy Davids Collection London 3 October 2005 Lot 246 illustrated. Houdon: An Exhibition of Sculpture from the Collection of Michael Hall esq. Catalogue by Christine Defazio Karl Fugelso and Philip Mezzatesta. New York: Salander-O'Reilly Galleries 1998 pp. 12-15. Poulet et al.: Jean-Antoine Houdon - Sculptor of the Enlightenment. Exhibition Catalogue. The National Gallery of Art Washington D.C. 2003 pp. 102-108. Exposition du Centenaire de Houdon Paris: Galleries Buvelot 1928 pp. 40-41. Vitry: Une Liste d'oeuvres de J.-A. Houdon p. 9. The present sculpture exists in two versions: the present scarcer version with full shoulders and partial torso and a second version with partial shoulders and reduced torso "Following Houdon's plaster bust of Gluck shown in the Salon of 1775 . the marble was exhibited in 1777 . and destroyed in the fire at the Paris Opera 28-29 Oct. 1873. A faithful reproduction ordered in 1798 by Alexandre Lenoir for the Musée des monuments français and executed in marble by Guillaume Francin is in the Musée national du chateau de Versailles. The Louvre's plaster cast workshop distributed copies of this reproduction beginning in 1864." Poulet et al.: Jean-Antoine Houdon - Sculptor of the Enlightenment. Exhibition Catalogue. The National Gallery of Art Washington D.C. 2003 p. 107. "The present bust is probably one of the Louvre's copies. . It was in his depiction of Gluck that Houdon first showed the ravages of smallpox on a subject - it was a common affliction in eighteenth-century France but artists were expected to flatter their subjects in this respect at least." Bonhams catalogue "Gluck was an artist a great musician and therefore must be given the attributes of a genius. His face was deeply pockmarked and the sculptor used this fact to establish his theme. He clothed him in a heavy coat whose texture is an overall pattern of slashed grooves free and direct in their expressive impact. Here there was no attempt to stimulate the appearance of the actual material but rather in a manner almost Rodinesque to bring out the quality of the clay. The open shirt the unbuttoned vest the short disheveled hair and the alert titled pose of the head all emphasize the impact of genius." Arnason: The Sculptures of Houdon p. 34. unknown books
