1 931 résultats
1864réf. 404171864. Height 26.75" 68 cms. With the artist's name "Francin" to truncation of left arm; integral base inscribed "Gluck." Some wear and soiling; age-toned. In quite good condition overall. Provenance Catalogue of the Collection Musicale André Meyer 1961 Vol. I p. 97 and plate 122. Auction catalogue of Pescheteau-Badin Godeau et Leroy Collection Musicale André Meyer et a divers Paris July 2 1998 Lot 101 including color photograph. Auction catalogue of Bonhams London The Roy Davids Collection London 3 October 2005 Lot 246 illustrated. Houdon: An Exhibition of Sculpture from the Collection of Michael Hall esq. Catalogue by Christine Defazio Karl Fugelso and Philip Mezzatesta. New York: Salander-O'Reilly Galleries 1998 pp. 12-15. Poulet et al.: Jean-Antoine Houdon - Sculptor of the Enlightenment. Exhibition Catalogue. The National Gallery of Art Washington D.C. 2003 pp. 102-108. Exposition du Centenaire de Houdon Paris: Galleries Buvelot 1928 pp. 40-41. Vitry: Une Liste d'oeuvres de J.-A. Houdon p. 9. The present sculpture exists in two versions: the present scarcer version with full shoulders and partial torso and a second version with partial shoulders and reduced torso "Following Houdon's plaster bust of Gluck shown in the Salon of 1775 . the marble was exhibited in 1777 . and destroyed in the fire at the Paris Opera 28-29 Oct. 1873. A faithful reproduction ordered in 1798 by Alexandre Lenoir for the Musée des monuments français and executed in marble by Guillaume Francin is in the Musée national du chateau de Versailles. The Louvre's plaster cast workshop distributed copies of this reproduction beginning in 1864." Poulet et al.: Jean-Antoine Houdon - Sculptor of the Enlightenment. Exhibition Catalogue. The National Gallery of Art Washington D.C. 2003 p. 107. "The present bust is probably one of the Louvre's copies. . It was in his depiction of Gluck that Houdon first showed the ravages of smallpox on a subject - it was a common affliction in eighteenth-century France but artists were expected to flatter their subjects in this respect at least." Bonhams catalogue "Gluck was an artist a great musician and therefore must be given the attributes of a genius. His face was deeply pockmarked and the sculptor used this fact to establish his theme. He clothed him in a heavy coat whose texture is an overall pattern of slashed grooves free and direct in their expressive impact. Here there was no attempt to stimulate the appearance of the actual material but rather in a manner almost Rodinesque to bring out the quality of the clay. The open shirt the unbuttoned vest the short disheveled hair and the alert titled pose of the head all emphasize the impact of genius." Arnason: The Sculptures of Houdon p. 34. unknown
2008réf. x-0674027310Harvard Univ Pr 2008. Paperback. New. 238 pages. 9.00x6.00x0.75 inches. Harvard Univ Pr paperback
2008réf. DADAX0674027310Harvard University Press 2008-03-01. Illustrated. paperback. New. 6.14x0.60x9.25. Buy with confidence. Excellent Customer Service & Return policy. Harvard University Press paperback
2005réf. 11830308Harvard University Press 2005. First Harvard. Hardback Dustjacket. Very Good. Some jacket wear from storage. Harvard University Press hardcover
réf. 6835075Harvard University Press . Papeback. New. pp. 238 Illustrated edition Harvard University Press unknown
réf. 9592POLYEUCTE tragédie chrétienne en 5 actes et en vers. Nouvelle édition in 8. Titre-54 pages. Didot 1776. CINNA tragédie en 5 actes. Titre, avec vignette, 45 pages N.B. Duchesne 1783 Paris. Les HORACES tragédie nouvelle édition titre avec vignette, 52 pages. A. Toulouse, Jean Florent Baour 1778. Le Cid tragédie en 5 actes et en vers nouvelle édition titre, 56 pages, Didot l’aîné 1778. IPHIGENIE en TAURIDLE tragédie en 4 actes. Paroles de M. GUILLARD, musique de M le chevalier GLUCK ; Titre, 24 pages, A Paris chez Didot 1782. ( 3 ans après l’édition originale L’ensemble en un volume in 8 plein cuir fauve raciné à nerfs, pas de titre, reliure muette, tranches rouges.
2006réf. UMOSPOE00lhPoetry Foundation 2006. Very Good. Moss Thylias. Poetry: January 2006. Di Piero W.S.; Gluck Louise; Wiman Christian. Chicago: Poetry Foundation 2006. 349pp. 8vo. Paperback. Book condition: Very good with bumped edges. Poetry Foundation paperback books
1974réf. 44912New York: Gotham Book Mart 1974. Very Good . New York: Gotham Book Mart 1974. Poster 28.5x18cm; stiff brown paper printed in black. Creased once widthwise for mailing; edges lightly rubbed. Verso smudged with round red sealant sticker still present. Gotham Book Mart return address and "U.S. Postage PAID" stamped in black ink at verso. Very Good or better poster promoting a series of poetry readings. Scarce. . Gotham Book Mart unknown books
1974réf. 44912New York: Gotham Book Mart 1974. Very Good . New York: Gotham Book Mart 1974. Poster 28.5x18cm; stiff brown paper printed in black. Creased once widthwise for mailing; edges lightly rubbed. Verso smudged with round red sealant sticker still present. Gotham Book Mart return address and "U.S. Postage PAID" stamped in black ink at verso. Very Good or better poster promoting a series of poetry readings. Scarce. . Gotham Book Mart unknown
2021réf. 1403875London: Penguin Books 2021. First Edition Thus First Printing. Hardcover. Octavo xviii 696 pages. In Very Good minus condition with Very Good minus dust jacket. Spine white with teal and black lettering. Dust jacket protected with mylar covering price uncut: "£30.00." Slight creasing to edges and corners of dust jacket. Minor bumping to top edge of front board. Slight scratching to rear cover of dust jacket. Slight discoloration to top edge of text block. Interior pages clean. Signed bookplate adhered to title page. CM Consignment. Shelved in Case 0. Poems 1962-2012 first published in the USA by Farrar Staus and Giroux 2012 Published in Great Britain with additional poems under the present title in Penguin Classics 2021. 1403875. Shelved Dupont Bookstore. Penguin Books hardcover books
2021réf. 1403875London: Penguin Books 2021. First Edition Thus First Printing. Hardcover. Octavo xviii 696 pages. In Very Good minus condition with Very Good minus dust jacket. Spine white with teal and black lettering. Dust jacket protected with mylar covering price uncut: "£30.00." Slight creasing to edges and corners of dust jacket. Minor bumping to top edge of front board. Slight scratching to rear cover of dust jacket. Slight discoloration to top edge of text block. Interior pages clean. Signed bookplate adhered to title page. CM Consignment. Shelved in Case 0. Poems 1962-2012 first published in the USA by Farrar Staus and Giroux 2012 Published in Great Britain with additional poems under the present title in Penguin Classics 2021. 1403875. Shelved Dupont Bookstore. Penguin Books hardcover
2012réf. 100189NY:: Farrar Straus and Giroux. Near Fine. 2012. Paperback. 0374534098 . Eighth paperback printing. Near fine in illustrated wraps. . Farrar, Straus and Giroux, paperback books
2012réf. 68975NY:: Farrar Straus and Giroux. Near Fine in Near Fine dust jacket. 2012. Hardcover. 0374126089 . Third printing. Near fine in a near fine dust jacket. . Farrar, Straus and Giroux, hardcover books
2012réf. 68975NY:: Farrar Straus and Giroux. Near Fine in Near Fine dust jacket. 2012. Hardcover. 0374126089 . Third printing. Near fine in a near fine dust jacket. . Farrar, Straus and Giroux, hardcover
2012réf. 3116375Near Fine in Near Fine dust jacket. 2012. First Edition; First Printing. Hardcover. 0374126089 . First edition. Near fine in near fine dust jacket. Couple short tears at crest of spine on book. One corner tip mildly pushed. A few mildl dings at base of boards. 634pp. 6 6 1/2" X 9 1/4" Nobel Prize winning poet's complete poems up to this date. ; 6 1/2" x 9 1/3"; 634 pages . hardcover
2012réf. 8311New York: Farrar Straus and Giroux / Ecco 2012. First Edition. First Printing. Thick octavo 23.5cm; light gray paper-covered boards with titles stamped in black on spine; dustjacket; xviii45-6342pp. Signed by the author on the title page. Tiny crimp to base of spine else Fine in a Fine unclipped dustjacket priced $40.00. A substantial volume representing work from the first five decades of the Nobel Prize-winning poet's career gathering selections from her first collection Firstborn 1968 through A Village Life 2009. 8311. Farrar, Straus and Giroux / Ecco unknown
2021réf. Rear-Poetry-Gluck-12New York: Farrar Straus and Giroux 2021 New York: Farrar Straus and Giroux 2021. First edition. First printing with full number line including the 1. Hardcover. Full black paper-covered boards with silver spine lettering. Fine in a fine dust jacket. A clean tight copy. Publisher's original price intact on front flap $40.00. Comes with archival-quality mylar dust jacket protector. Octavo 634 pages. This book collects collects twelve volumes of Gluck's poetry spanning five decades including "Firstborn" "The House on Marshland" "Descending Figure" "The Triumph of Achilles" "Ararat" "The Wild Iris" "Meadowlands" "Vita Nova" "The Seven Ages" "Averno" and "A Village Life." Glück 1943-2023 was awarded the 2020 Nobel Prize in Literature "for her unmistakable poetic voice that with austere beauty makes individual existence universal.". 1st Edition. Hardcover. Fine/Fine. Farrar, Straus and Giroux hardcover
2021réf. 1633EXCEPTIONALLY SCARCE SIGNED! FIRST EDITION THUS first printing. Full number line present. Book is brand new and unread. Personally hand signed by Nobel Prize winning poet Louise Gluck directly to bespoke bookplate which is laid in rather than affixed. NOT inscribed to anyone. Dust jacket hand covered in protective archival grade Mylar for many worry free years of reading/collecting! It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need the book-length sequence of poems like a landscape seen from above a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone a copper beech a mother and father and sister a garden a husband and son a horse a dog a field on fire a mountain―persistently emerge and reappear with the dark energy of the inevitable shot through with the bright aspect of things new-made. From the outset "Come here / Come here little one" Gluck's voice has addressed us with deceptive simplicity the poems in lines so clear we "do not see the intervening fathoms." From within the earth's bitter disgrace coldness and barrenness my friend the moon rises: she is beautiful tonight but when is she not beautiful To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it the one fated to die and the other to endure. Farrar, Straus and Giroux hardcover
2012réf. 177567New York: Ecco 2012. First edition first printing inscribed by the author on the title page "for Adam Louise Glück with warm wishes". This compendium "is considered required reading by any aspiring poet - and arguably anyone serious about modern American literature" obit. Octavo. Original pale purple boards spine lettered in black. With dust jacket. Spine ends bumped; head of jacket mildly creased unclipped: a near-fine copy in like jacket. Clay Risen "Louise Glück 80 Nobel-Winning Poet Who Explored Trauma and Loss Dies" The New York Times October 13 2023. hardcover
2012réf. 146120New York: Farrar Straus and Giroux 2012. First edition of this collection of poems by the Nobel Prize-winning poet. Octavo original boards. Boldly signed Louise Gluck on the title page. Fine in a fine dust jacket. Jacket design by Gretchen Achilles. It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need the book-length sequence of poems like a landscape seen from above a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone a copper beech a mother and father and sister a garden a husband and son a horse a dog a field on fire a mountain―persistently emerge and reappear with the dark energy of the inevitable shot through with the bright aspect of things new-made. Farrar, Straus and Giroux hardcover
2012réf. 121357Farrar Straus and Giroux 2012. Book. Near Fine. Hardcover. 1st Edition. Name in ink to rear end paper. Highlighting to four pages. Complete number line. . Farrar, Straus and Giroux Hardcover
2012réf. 215457New York: Farrar Straus and Giroux 2012. First Edition; First Printing. Hardcover. Very Good in a Near Fine dust jacket. Farrar Straus and Giroux hardcover
2023réf. 54004Paris Editions d'Art FMA 2023 Deux leporelli in-4 maroufls et contrecolls en regard, (8 feuillets pour le texte, 4 feuillets pour la suite), assembls dans une chemise en velours bleu nuit. Etui (reliure de l'diteur).Inspir de lOdysse d'Homre, rcit fondateur de la culture occidentale, le rcit-pome indit de Michal Glck enlumin des ?uvres originales de Bernard Alligand nous transporte dans une toile arachnenne immersive, lumineuse et envotante. Les ?uvres parcourent lensemble du livre. Elles nous invitent suivre la main narrative de Pnlope par lillusion du tissage faisant cho au rcit-pome de lauteur. Le choix des matires (diffrentes textures de papier et gravures), rsine, poudres dor et dargent, le tumulte des effets marins (bleu/mer), la succession de bandes (tissage), la figuration suggestive (geste de Pnlope) ou symbolique des personnages (or/Dieux), crent une intensit particulire l?uvre-livre (extrait de la prsentation de l'diteur). Edition originale, illustre par Bernard Alligand de somptueuses compositions en couleurs qui ornent presque toutes les pages du livre et qui ont ncessit prs de 9.000 interventions manuelles (hors essais), selon de multiples techniques appliques soit sur un papier imprim offset bleu et recouvert dune acrylique blanche, soit sur un papier mtallis: photographies de compositions originales, impressions numriques, colorations avec de la rsine, enduits et incrustations de poudres argent et or. La mise en pages des lments dcoratifs a t ralise par des dcoupes, des assemblages et des collages. Certaines pages ont t rehausses d'empreintes froid obtenues par l'utilisation de plaques graves en carborundum avec des apports de matire et des passages sous presse sec bande/bande. Tirage limit 31 exemplaires numrots sur papier Moulin du Gu, signs par l'auteur et l'artiste. Un des 18 premiers exemplaires, seuls comporter une suite de 7 ?uvres originales en couleurs runies sous la forme d'un leporello sign par Bernard Alligand et mont en regard du livre. Cet ouvrage est une relle russite, tant par la qualit du texte et des illustrations, que par la typographie utilise et la mise en pages. Chacune des illustrations entirement ralises la main, est unique.
réf. 27445BRUEGHEL GLUCK Gustav. PIETER BRUEGHEL THE ELDER. Paris: Hyperion Press 1937. 4to. Cloth dust jacket. 34 2 pages 63 plates of which 38 colored. First edition. Comprehensive catalog of the works of Pieter Brueghel the Elder the sixteenth century Renaissance artist from the Netherlands. Originally written in German it is translated into English by Eveline Byam Shaw. Filled with illustrations and thirty-eight colored plates tipped in the text. Signatures at beginning and end of book are loose. unknown books
1937réf. 129443Paris: Editions Hyperion 1937. Softcover. Very Good. Hyperion edition. 35pp. 63 color and black and white tipped in plates. Text in French. Bottom corners bumped extremities lightly worn about very good in age-toned and lightly soiled wrappers. Editions Hyperion unknown books
