Gluck, LouiseBiblio.com
2 278 résultats
2012réf. 3116375Near Fine in Near Fine dust jacket. 2012. First Edition; First Printing. Hardcover. 0374126089 . First edition. Near fine in near fine dust jacket. Couple short tears at crest of spine on book. One corner tip mildly pushed. A few mildl dings at base of boards. 634pp. 6 6 1/2" X 9 1/4" Nobel Prize winning poet's complete poems up to this date. ; 6 1/2" x 9 1/3"; 634 pages . hardcover
2012réf. 8311New York: Farrar Straus and Giroux / Ecco 2012. First Edition. First Printing. Thick octavo 23.5cm; light gray paper-covered boards with titles stamped in black on spine; dustjacket; xviii45-6342pp. Signed by the author on the title page. Tiny crimp to base of spine else Fine in a Fine unclipped dustjacket priced $40.00. A substantial volume representing work from the first five decades of the Nobel Prize-winning poet's career gathering selections from her first collection Firstborn 1968 through A Village Life 2009. 8311. Farrar, Straus and Giroux / Ecco unknown
2021réf. Rear-Poetry-Gluck-12New York: Farrar Straus and Giroux 2021 New York: Farrar Straus and Giroux 2021. First edition. First printing with full number line including the 1. Hardcover. Full black paper-covered boards with silver spine lettering. Fine in a fine dust jacket. A clean tight copy. Publisher's original price intact on front flap $40.00. Comes with archival-quality mylar dust jacket protector. Octavo 634 pages. This book collects collects twelve volumes of Gluck's poetry spanning five decades including "Firstborn" "The House on Marshland" "Descending Figure" "The Triumph of Achilles" "Ararat" "The Wild Iris" "Meadowlands" "Vita Nova" "The Seven Ages" "Averno" and "A Village Life." Glück 1943-2023 was awarded the 2020 Nobel Prize in Literature "for her unmistakable poetic voice that with austere beauty makes individual existence universal.". 1st Edition. Hardcover. Fine/Fine. Farrar, Straus and Giroux hardcover
2021réf. 1633EXCEPTIONALLY SCARCE SIGNED! FIRST EDITION THUS first printing. Full number line present. Book is brand new and unread. Personally hand signed by Nobel Prize winning poet Louise Gluck directly to bespoke bookplate which is laid in rather than affixed. NOT inscribed to anyone. Dust jacket hand covered in protective archival grade Mylar for many worry free years of reading/collecting! It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need the book-length sequence of poems like a landscape seen from above a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone a copper beech a mother and father and sister a garden a husband and son a horse a dog a field on fire a mountain―persistently emerge and reappear with the dark energy of the inevitable shot through with the bright aspect of things new-made. From the outset "Come here / Come here little one" Gluck's voice has addressed us with deceptive simplicity the poems in lines so clear we "do not see the intervening fathoms." From within the earth's bitter disgrace coldness and barrenness my friend the moon rises: she is beautiful tonight but when is she not beautiful To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it the one fated to die and the other to endure. Farrar, Straus and Giroux hardcover
2012réf. 177567New York: Ecco 2012. First edition first printing inscribed by the author on the title page "for Adam Louise Glück with warm wishes". This compendium "is considered required reading by any aspiring poet - and arguably anyone serious about modern American literature" obit. Octavo. Original pale purple boards spine lettered in black. With dust jacket. Spine ends bumped; head of jacket mildly creased unclipped: a near-fine copy in like jacket. Clay Risen "Louise Glück 80 Nobel-Winning Poet Who Explored Trauma and Loss Dies" The New York Times October 13 2023. hardcover
2013réf. SKU0576463FSG Adult 2013-11-05. paperback. Good. 5x1x8. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking FSG Adult paperback
2012réf. 146120New York: Farrar Straus and Giroux 2012. First edition of this collection of poems by the Nobel Prize-winning poet. Octavo original boards. Boldly signed Louise Gluck on the title page. Fine in a fine dust jacket. Jacket design by Gretchen Achilles. It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need the book-length sequence of poems like a landscape seen from above a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone a copper beech a mother and father and sister a garden a husband and son a horse a dog a field on fire a mountain―persistently emerge and reappear with the dark energy of the inevitable shot through with the bright aspect of things new-made. Farrar, Straus and Giroux hardcover
2012réf. 121357Farrar Straus and Giroux 2012. Book. Near Fine. Hardcover. 1st Edition. Name in ink to rear end paper. Highlighting to four pages. Complete number line. . Farrar, Straus and Giroux Hardcover
2021réf. 1-037460438XFarrar Straus & Giroux 2021. Hardcover. New. 656 pages. 9.25x6.25x2.00 inches. Farrar Straus & Giroux hardcover
2012réf. 215457New York: Farrar Straus and Giroux 2012. First Edition; First Printing. Hardcover. Very Good in a Near Fine dust jacket. Farrar Straus and Giroux hardcover
2023réf. 54004Paris Editions d'Art FMA 2023 Deux leporelli in-4 maroufls et contrecolls en regard, (8 feuillets pour le texte, 4 feuillets pour la suite), assembls dans une chemise en velours bleu nuit. Etui (reliure de l'diteur).Inspir de lOdysse d'Homre, rcit fondateur de la culture occidentale, le rcit-pome indit de Michal Glck enlumin des ?uvres originales de Bernard Alligand nous transporte dans une toile arachnenne immersive, lumineuse et envotante. Les ?uvres parcourent lensemble du livre. Elles nous invitent suivre la main narrative de Pnlope par lillusion du tissage faisant cho au rcit-pome de lauteur. Le choix des matires (diffrentes textures de papier et gravures), rsine, poudres dor et dargent, le tumulte des effets marins (bleu/mer), la succession de bandes (tissage), la figuration suggestive (geste de Pnlope) ou symbolique des personnages (or/Dieux), crent une intensit particulire l?uvre-livre (extrait de la prsentation de l'diteur). Edition originale, illustre par Bernard Alligand de somptueuses compositions en couleurs qui ornent presque toutes les pages du livre et qui ont ncessit prs de 9.000 interventions manuelles (hors essais), selon de multiples techniques appliques soit sur un papier imprim offset bleu et recouvert dune acrylique blanche, soit sur un papier mtallis: photographies de compositions originales, impressions numriques, colorations avec de la rsine, enduits et incrustations de poudres argent et or. La mise en pages des lments dcoratifs a t ralise par des dcoupes, des assemblages et des collages. Certaines pages ont t rehausses d'empreintes froid obtenues par l'utilisation de plaques graves en carborundum avec des apports de matire et des passages sous presse sec bande/bande. Tirage limit 31 exemplaires numrots sur papier Moulin du Gu, signs par l'auteur et l'artiste. Un des 18 premiers exemplaires, seuls comporter une suite de 7 ?uvres originales en couleurs runies sous la forme d'un leporello sign par Bernard Alligand et mont en regard du livre. Cet ouvrage est une relle russite, tant par la qualit du texte et des illustrations, que par la typographie utilise et la mise en pages. Chacune des illustrations entirement ralises la main, est unique.
réf. 0822957175-11-1University of Pittsburgh Press. 1. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. University of Pittsburgh Press unknown
réf. 0822957175.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000réf. SONG0822957175University of Pittsburgh Press 2000-03-15. 1. paperback. Used: Good. 6.00x0.80x9.00. Buy with confidence. Excellent Customer Service & Return policy. University of Pittsburgh Press paperback
2021réf. SONG19493637752021-05-08. Pap/Com. paperback. Used: Good. 7.50x0.09x9.25. Buy with confidence. Excellent Customer Service & Return policy. paperback
réf. 27445BRUEGHEL GLUCK Gustav. PIETER BRUEGHEL THE ELDER. Paris: Hyperion Press 1937. 4to. Cloth dust jacket. 34 2 pages 63 plates of which 38 colored. First edition. Comprehensive catalog of the works of Pieter Brueghel the Elder the sixteenth century Renaissance artist from the Netherlands. Originally written in German it is translated into English by Eveline Byam Shaw. Filled with illustrations and thirty-eight colored plates tipped in the text. Signatures at beginning and end of book are loose. unknown books
1937réf. 129443Paris: Editions Hyperion 1937. Softcover. Very Good. Hyperion edition. 35pp. 63 color and black and white tipped in plates. Text in French. Bottom corners bumped extremities lightly worn about very good in age-toned and lightly soiled wrappers. Editions Hyperion unknown books
réf. 27445BRUEGHEL GLUCK Gustav. PIETER BRUEGHEL THE ELDER. Paris: Hyperion Press 1937. 4to. Cloth dust jacket. 34 2 pages 63 plates of which 38 colored. First edition. Comprehensive catalog of the works of Pieter Brueghel the Elder the sixteenth century Renaissance artist from the Netherlands. Originally written in German it is translated into English by Eveline Byam Shaw. Filled with illustrations and thirty-eight colored plates tipped in the text. Signatures at beginning and end of book are loose. unknown
réf. 66421 . hardback. Good. Translated by Eveline Byam Shaw. Illus. Large 4to. Paris Hyperion 1937. Coloured plates tipped in. Pages loose from spine and some water damage else a good copy in stained dust wrapper. hardcover
1939réf. 6941Paris: Editions Hyperion. Very Good- in Good dust jacket. 1939. Second Edition. Hardcover. Cover is cream/brown tweed look with Brueghel stamped in dark brown letters on front; brown lettering on spine. Pages are tight and overall quite clean. DJ has a paste down from one of the paintings. Title page states second edition Paris Editions Hyperion but then is stamped under that in red 'Made in England'; also states 'traduit par Jean Petithuguenin' but not certain what is supposed to be translated as all of the text is in French. Copyright page states 1936 printed in Belgium. On the verso page facing the title page it states in French was reprinted in April 1939 for Editions Hyperion Paris etc. There are 35 pages of text each describing a plate. Not all of the plates are numbered; some pages have a large clear Roman number in the bottom corner. There are dozens of color paste downs of each brilliant painting; some of the paste downs are lose at one side; each is framed by grey outlining. Many of the color paintings also have a b/w detail of the previous paste down plate. " Pieter Brueghel the Elder or Bruegel c.1525 September 9 1569 was a Flemish/Dutch Renaissance painter and printmaker known for his landscapes and peasant scenes Genre Painting. He is nicknamed 'Peasant Brueghel' to distinguish him from other members of the Brueghel dynasty but is also the one generally meant when the context does not make clear which "Brueghel" is being referred to. From 1559 he dropped the 'h' from his name and started signing his paintings as Bruegel. He was an apprentice of Pieter Coecke van Aelst whose daughter Mayke he later married. In 1551 he was accepted as a master in the painters' guild of Antwerp. He traveled to Italy.later settline in Brussels. He was the father of Pieter Brueghel the Younger and Jan Brueghel the Elder. Both became painters but as they were still infants when their father died and neither received any training from him. " A scarce book and version of this important collection of Peter Brueghel the Elder's works. Oversized 5#. ; B & W and Color; 9 x 12 1/2; 35 pages; Hardcover has shelf wear bumping sunning/fading some foxing throughout the book; miscellaneous faint stain marks on all sides of text block. Tidy black ink inscription in upper corner of front end paper dated Christmas 1942. DJ has most damage but is still entire and intact. Has rubbing/fading/scraping on various spots all over sunning shelf wear bumping; what may be remains of water marks at bottom of spine/front cover. In a mylar cover. . Editions Hyperion hardcover
1944réf. 2205270016The Commodore Press London Publications for Arts and History 1944. Hardcover. Good. 9x7x0. 1944 printing. From the library of Benjamin B. King. Hardcover and dust jacket. Tears to jacket with loss. Good binding and cover. Shelf wear. Light foxing. Owner's name on front end page. Small tear to front end page. "Benjamin B. King was an intelligence officer for the British Royal Air Force during World War II. After World War 2 broke out in Europe in September 1939 he joined the British Royal Air Force as a 'penguin' who could not fly because of eyesight problems. He was assigned to Coastal Command at the airbase in Wick in the very north of Scotland which provided defense for Britain in the North Sea engaging the Germany Navy and Air Force. After his stint at Wick Ben was transferred to the vital but vulnerable British base at Gibraltar off the coast of Spain where the British monitored German and Italian military operations in the Western Mediterranean. While in Gibraltar one of his tasks was to listen to Luftwaffe radio communications and track the movement of German and Italian airplanes. After Gibraltar Ben was called back to Britain and assigned to the secret British code-breaking operations at Bletchley Park in England which played a critical role in the Allies' war effort by monitoring and decoding German military communications and ultimately breaking the German Enigma code." - Obit. This is an oversized or heavy book which requires additional postage for international delivery outside the US. The Commodore Press London Publications for Arts and History hardcover
1937réf. 000706Paris France: Hyperion Press 1937. Hardcover. Very Good/Good. Folio - over 12 - 15" tall. Gray cloth boards have mild staining and shelfwear. One of the previous owners inked a single letter on the front cover end papers are toned a bit of water-damage to the top pages and three inked signatures from previous owners. Two on the first page and one on the title page. Jacket is toned has wear to the edges water-staining to the front cover and is in a mylar jacket for protection. English language text translated from German by Eveline Byam Shaw. Color and black and white prints throughout. Hyperion Press hardcover
réf. 18-6673London: The Hyperion Press 1939. Folio. ca 200 pp. Hard Cover. Good. Gray cloth covered boards. Well worn to spine with some pages detached but present. Mounted color and B&W plates throughout. Text in English.Heavy volume additional shipping fee may apply.Provenance: Ex-libris. Originally from the Oliver Collection of the Royal Holloway and Bedford New College Library. Library book plate and other library markings present on spine and inside front cover. London: The Hyperion Press, [1939?]. hardcover
réf. 9780198704577New. unknown
réf. 21657299-nnew. unknown
