1 949 résultats
1783réf. 40425Paris: Des Lauriers without PN 1783. Folio. Modern quarter dark red morocco with marbled boards black leather title label to spine gilt. i recto title verso blank i "Catalogue de Musique du fond de Des Lauriers Md. de Sapier rue St. Honoréa Paris" i dedication 211 i blank pp. Engraved throughout. With a short article from Marmontel's Mémoires laid down to blank verso of title in English translation regarding the opera's reception history. Occasional staining soiling and foxing to blank margins; small stain and hole under lowermost system of p. 65; blank upper outer margin of title through p. 7 dampstained; stain and minor loss to lower margin of pp. 18-22. In very good condition overall. Third edition unrecorded variant. Hopkinson 40A e. Wotquenne 46 pp. 215-16. Lesure p. 239 different issue. BUC p. 386. RISM G2816. "Iphigénie en Tauride was given on May 18 1778 with excellent singers; Rosalie Lavasseur sang Iphigénie Larrivée Oreste Legros Pylade and Moreau Thoas . The opera had a great success immediately and even Grimm wrote of it - I do not know whether this is melody but perhaps it is something better. When I hear Iphigénie I forget I am at the opera; I seem to be listening to a Greek tragedy with music by Lekain and Mlle Clarion. It was the crowning point of Gluck's career. Guillard had provided an excellent libretto more classical than Goethe's poem less Christian and more ruthless; and Gluck had seized on the contrast between Scythians and Greeks upon the perfectly dramatic figures of Iphigenia and Orestes and had produced a work which both re-created a part of Greek tragedy and at the same time foretold a new world." Cooper: Gluck p. 258. While Marie-Antoinette is not actually mentioned on the title she was the queen to whom the work is dedicated. Des Lauriers [without PN] unknown books
réf. AM3148N°62. AVRIL 1984. USURES D'USAGE DE LA COUVERTURE. PHOTOS SUR DEMANDE
réf. RO50058689PETERS. NON DATE. In-8. Broché. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 144 pages de partitions. Plats en couleur. Annotations sur le premier plat. Page de titre illustrée en couleur monochrome. Représentée pour la première fois par l'académie royale de musique le mardi 18 May 1779.. . . . Classification Dewey : 780.26-Partitions
1800réf. RO50056034DESLAURIERS. VERS 1800. In-Folio. Relié. Etat d'usage, Plats abîmés, Dos abîmé, Mouillures. 211 pages de partitions. Plats trés frottés et rognés à restaurer. Dos partiellement manquant. Légères mouillures sur le bas des pages, sans conséquences sur la lecture. Annotations sur la première page blanche. Représenté pour la première fois par l'Académie Nationale de musique le mardi 18 May 1779.. . . . Classification Dewey : 780.26-Partitions
réf. RO50049612CHOUDENS. NON DATE. In-8. En feuillets. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur acceptable. 211 pages de partitions. Illustration en noir et blanc sur le premier plat. Edition conforme à la partition manuscrite. Paroles de Guillard. . . . Classification Dewey : 780.26-Partitions
réf. RO50013216Enoch & cie. XXème. In-8. Broché. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 144 pages. Ornements en couverture et en page titre. Bande de papier collée sur le dos.. . . . Classification Dewey : 780.26-Partitions
réf. 44376Paris Chez Le Marchand, Marchand de Musique 1788 in 12 (18,5x12,5) 1 fascicule broché, couverture muette d'attente de l'époque, 32 pages. Christoph Willibald von Gluck, 1714-1787. Nouvelle édition corrigée. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1809réf. 40434Bonn: Chez N. Simrock PN 609 1809. Oblong folio. Quarter black leather with gilt rules mid-brown cloth boards spine in compartments gilt with titling gilt marbled edges. 1f. recto title verso cast list 3-149 pp. Text in French and German. Engraved throughout. With contemporary signature of former owner "Mappes" to upper outer corner of free front endpaper with handstamp of August Kuby in Munich below; "Amalie Mappes" to upper outer corner of title. Binding worn rubbed bumped and slightly stained. Occasional soiling; small ink stains browning and foxing to blank margins; small loss to lower outer corner of p. 27. First Edition. Hopkinson p. 41 40F. Wotquenne 40. RISM G2753 and GG2753 no copies in the U.S. Iphigenie en Aulide was first performed in Paris at the Opéra on 19 April 1774. "Judging from contemporary accounts such as the memoirs of Mannlich the several months of rehearsals for Iphigénie en Aulide must have been quite a spectacle with the irascible 60-year-old composer struggling to reform the bad habits of the singers and players of the Académie Royale to teach them his new opera. However the première of Iphigénie en Aulide in April 1774 was a triumph but the run of performances was interrupted by the death of Louis XV a month later. All the theatres closed and during the period of mourning Gluck quickly revised Orfeo ed Euridice and made a French version of the opera with a translation of the text by Pierre Louis Moline." Jeremy Hayes in Grove Music Online. Chez N. Simrock [PN 609] unknown books
réf. RO50063475C.F.Peters. Non daté. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 136 pages de partitions en noir et blanc.Signet conservé.. . . . Classification Dewey : 780.26-Partitions
réf. RO50045932C.F PETERS. NON DATE. In-8. Relié. Etat d'usage, Plats abîmés, Dos satisfaisant, Intérieur acceptable. 136 pages de partitions. Page de titre illustrée en couleur. Plats marbrés. Titre, auteur et filets dorés au dos. Tampon sur la page de titre. Coins et plats frottés.. . . . Classification Dewey : 780.26-Partitions
réf. SA06I-00217C. F. Peters. Used - Acceptable. Acceptable condition. French and German. Writing inside. Dampstained. Operas Vocal Scores C. F. Peters unknown
réf. 0365879266.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0366300784.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1783réf. 40425Paris: Des Lauriers without PN 1783. Folio. Modern quarter dark red morocco with marbled boards black leather title label to spine gilt. i recto title verso blank i "Catalogue de Musique du fond de Des Lauriers Md. de Sapier rue St. Honoréa Paris" i dedication 211 i blank pp. Engraved throughout. With a short article from Marmontel's Mémoires laid down to blank verso of title in English translation regarding the opera's reception history. Occasional staining soiling and foxing to blank margins; small stain and hole under lowermost system of p. 65; blank upper outer margin of title through p. 7 dampstained; stain and minor loss to lower margin of pp. 18-22. In very good condition overall. Third edition unrecorded variant. Hopkinson 40A e. Wotquenne 46 pp. 215-16. Lesure p. 239 different issue. BUC p. 386. RISM G2816. "Iphigénie en Tauride was given on May 18 1778 with excellent singers; Rosalie Lavasseur sang Iphigénie Larrivée Oreste Legros Pylade and Moreau Thoas . The opera had a great success immediately and even Grimm wrote of it - I do not know whether this is melody but perhaps it is something better. When I hear Iphigénie I forget I am at the opera; I seem to be listening to a Greek tragedy with music by Lekain and Mlle Clarion. It was the crowning point of Gluck's career. Guillard had provided an excellent libretto more classical than Goethe's poem less Christian and more ruthless; and Gluck had seized on the contrast between Scythians and Greeks upon the perfectly dramatic figures of Iphigenia and Orestes and had produced a work which both re-created a part of Greek tragedy and at the same time foretold a new world." Cooper: Gluck p. 258. While Marie-Antoinette is not actually mentioned on the title she was the queen to whom the work is dedicated. Des Lauriers [without PN] unknown
1809réf. 40434Bonn: Chez N. Simrock PN 609 1809. Oblong folio. Quarter black leather with gilt rules mid-brown cloth boards spine in compartments gilt with titling gilt marbled edges. 1f. recto title verso cast list 3-149 pp. Text in French and German. Engraved throughout. With contemporary signature of former owner "Mappes" to upper outer corner of free front endpaper with handstamp of August Kuby in Munich below; "Amalie Mappes" to upper outer corner of title. Binding worn rubbed bumped and slightly stained. Occasional soiling; small ink stains browning and foxing to blank margins; small loss to lower outer corner of p. 27. First Edition. Hopkinson p. 41 40F. Wotquenne 40. RISM G2753 and GG2753 no copies in the U.S. Iphigenie en Aulide was first performed in Paris at the Opéra on 19 April 1774. "Judging from contemporary accounts such as the memoirs of Mannlich the several months of rehearsals for Iphigénie en Aulide must have been quite a spectacle with the irascible 60-year-old composer struggling to reform the bad habits of the singers and players of the Académie Royale to teach them his new opera. However the première of Iphigénie en Aulide in April 1774 was a triumph but the run of performances was interrupted by the death of Louis XV a month later. All the theatres closed and during the period of mourning Gluck quickly revised Orfeo ed Euridice and made a French version of the opera with a translation of the text by Pierre Louis Moline." Jeremy Hayes in Grove Music Online. Chez N. Simrock [PN 609] unknown
réf. NOTE0073Paris Chez Sieber Rue de filles St. Thomas No.21. entre les rues Richelieu et Vivienne. PlNr. 3. um 1795. Gr.4°. 2 Bl. 298 gest. S. Hldr. d. Zt. Rücken u. Kanten stärker berieben. Rechts unten mit kleinem Wurmbefall der ersten 55 Bl. ausserhalb des Plattenrandes. Sehr sauberer Abzug fast fleckenfrei. Hopkinson 40A i; nicht in CPM. Bibliographisch nicht nachgewiesene Übernahme der dritten Auflage des Werks von Des Lauriers rue St.Honore durch den Verlag Sieber. Die ursprüngliche Verlagsangabe wurde mit einem bedruckten Papierstreifen überklebt. Sonst ist unser Exemplar mit Hopk. 40Ai ident eingebundenes Katalogblatt Preis PlNr. Früher Partitur-Druck von den Platten der Originalausgabe. Paris, Chez Sieber, Rue de filles St. Thomas No.21. entre les rues Richelieu et Vivienne. (PlNr. 3.) [um 1795]. unknown
1912réf. 075188Leipzig: AKtiengesellschaft 1912. Hardcover. Very Good/No Jacket. 4 vo. Iphigenie in Aulis: opera in 3 acts Of Chr. W. Von Gluck; According to Richard Wagner's adaptation v. 1847. Piano drawing With text By Hans Von Bulo no dte given inscripton dated 1912; Unversal Editon; red c w/black titles; 149 clean unmarked pages.with bookplate and signature of Dr Hermann Schneider July 24 1901- 30 January 1973 a Swiss poet writer and editor of some note AKtiengesellschaft hardcover
1812réf. 41214Berlin: Schlesinger's Buch= und Musikhandlung Unter den Linden No. 34. PN 50 1812. Oblong folio. Contemporary dark brown mottled calf-backed marbled boards with oval label titled in manuscript to upper. 1f. recto title verso blank 3 "Personen" and incipits 4-123 i blank pp. Provenance Noted American harpsichordist Louis Bagger 1926-2024 Binding worn rubbed and bumped. Very occasional minor soiling to blank lower margins; occasional minor showthrough; small stains to title with small circular publisher's handstamp to inner margin. Hopkinson 46Ca. Gluck's work is a tragedy in four acts to a libretto by Nicolas-François Guillard after Guymond de la Touche's Iphigénie en Tauride itself based on Euripides's work of the same name. "Iphigénie en Tauride was the crowning achievement of Gluck's career a result of the combination of his lifelong experience as an opera composer and a libretto which is arguably the best he ever set." Jeremy Hayes in Grove Music Online It was first performed in Paris at the Opéra on 18 May 1779 "with excellent singers; Rosalie Lavasseur sang Iphigénie Larrivée Oreste Legros Pylade and Moreau Thoas. . The opera had a great success immediately and even Grimm wrote of it - I do not know whether this is melody but perhaps it is something better. When I hear Iphigénie I forget I am at the opera; I seem to be listening to a Greek tragedy with music by Lekain and Mlle Clarion. It was the crowning point of Gluck's career. Guillard had provided an excellent libretto more classical than Goethe's poem less Christian and more ruthless; and Gluck had seized on the contrast between Scythians and Greeks upon the perfectly dramatic figures of Iphigenia and Orestes and had produced a work which both re-created a part of Greek tragedy and at the same time foretold a new world." Cooper: Gluck p. 258. Schlesinger's Buch= und Musikhandlung, Unter den Linden No. 34. [PN 50] unknown books
1900réf. 28969London: Novello Ewer & Co 1900. Large octavo. Full dark red blindtooled cloth with titling gilt to upper and spine all edges gilt. 1f. recto title verso blank 1f. recto cast list and argument verso explanation of abbreviations 137 i blank 1f. recto index verso printer's device pp. Binding slightly worn rubbed and bumped. Some signatures split or partially split. A tragedy in four acts to a libretto by Nicolas-François Guillard after Guymond de la Touche's Iphigénie en Tauride itself based on Euripides Iphigénie en Tauride was first performed in Paris at the Opéra on May 18 1779. "Iphigénie en Tauride was the crowning achievement of Gluck's career a result of the combination of his lifelong experience as an opera composer and a libretto which is arguably the best he ever set." Jeremy Hayes in Grove Music Online. Novello, Ewer & Co unknown books
réf. RO50065935Henry litolff's. Non daté. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur frais. 214 pages de partitions en noir et blanc. Certaines cahiers sont désolidarisés et couverture désolidarisée.. . . . Classification Dewey : 780.26-Partitions
réf. RO50052624ENOCH & CIE. NON DATE. In-4. Relié demi-cuir. Etat d'usage, Coins frottés, Dos frotté, Intérieur frais. 214 pages de partitions. Roulettes, illustrations, compositeur et titre dorés au dos de l'ouvrage. Page de titre illustrée en noir et blanc. Carte illustrée en couleur contre collée sur la première page. Tampon et annotation sur la page de titre. Quelques épidermures. Signet.. . . . Classification Dewey : 780.26-Partitions
réf. R160216160Philip Reclam. Non daté. In-16. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 63 pages -ouvrage en allemand gothique - rousseurs sur les plats. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
1900réf. 28967Braunschweig: Henry Litolff PN Collection Litolff No. 80 1900. Large octavo. Half mid-tan mottled calf with marbled boards raised bands on spine in gilt-ruled compartments titling gilt. 1f. recto title within architectural border verso cast list and contents 3-144 pp. Binding slightly worn. A tragedy in four acts to a libretto by Nicolas-François Guillard after Guymond de la Touche's Iphigénie en Tauride itself based on Euripides Gluck's opera was first performed in Paris at the Opéra on May 18 1779. "Iphigénie en Tauride was the crowning achievement of Gluck's career a result of the combination of his lifelong experience as an opera composer and a libretto which is arguably the best he ever set." Jeremy Hayes in Grove Music Online. Henry Litolff [PN Collection Litolff No. 80] unknown books
réf. RO50052625ENOCH & CIE. NON DATE. In-4. Relié demi-cuir. Etat d'usage, Coins frottés, Dos frotté, Quelques rousseurs. 144 pages de partitions. Roulettes, illustrations, compositeur et titre dorés au dos de l'ouvrage. Page de titre illustrée en noir et blanc. Carte illustrée en couleur contre collée sur la première page. Annotation sur la page de titre. Quelques épidermures. Signet.. . . . Classification Dewey : 780.26-Partitions
réf. 161146Winterthur: Ziegler o.J. Softcover. Papier minim gebräunt und etwas stockfleckig. 8°. ohne Einband Möglicherweise zur Aufführung der Oper 1858 in Zürich gedruckt. Frankreich; 19. Jahrhundert; Ziegler, paperback
