467 risultati
1990rif. 31464Stein am Rhein : Christiana-Verl. 1990. 525 S. : Ill. ; 22 cm, mit Schutzumschlag Pp., gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
1869rif. 49833Leipzig, Verlagsbuchhandlung von Weber 1868-1869. XII, 416; X, 542 Seiten, 8° (22,5 x 15 cm), goldgeprägte Orig.-Halbledereinbände mit marmorierten Papierbezügen.
1970rif. 232671970. Adolf Hürlimann, Zürich. Mit vier Original-Zinkographien in grau von Gottfreid Honegger. Original-Pappband mit OUmschlag, 24 (4) ungezählte Seiten, lose Bogen, 4°.
1972rif. 47809Teufen : Niggli 1972. 98 S. : überwiegend Abb. (z. T. farb.); ; 21 x 23 cm Pp., Softcover/Paperback, leichte Gebrauchsspuren am Einband, sonst guter Zustand
1956rif. 153720New York: Verlag George Wittenborn 1956. Original; one of 30 copies printed. Small folio. Contents VG- with light age toning to edges of most "pages." Small spot at bottom edge of publication card. All color lithos are pristine except for one that has age toning to fore edge not affecting the image. White covers are soiled with a tiny tear at head of spine and a number ink in ink at bottom. White card folio with bw image and lettering on cover; French flaps. Contents include 7 card pages folded in half vertically with text and a total of: 5 bw photographs and 5 original multi-colored lithographs. This publication of the work of Swiss artist Gottfried Honegger contains both original text In German and original lithographs. The text consists of 24 short paragraphs beginning."The art created by people shows their philosophical or ideological position; art is a contribution to the public discussion. The art is a collection of the difficulties and joys of all people; art is active history." The illustrations include 4 bw scientific photographic images 1 bw relief photo and 5 multi-colored original lithographs none signed. The colors on the lithographs are vibrant and rich. The lithos were pressed by Marcel Wild Zurich and only 30 copies were produced according to the text. The typography by Dolf Hurlimann also in Zurich and 100 copies of the text were produced. Very scarce. Only one other copy found at the Schweizerische Nationalbibliothek Swiss National Library. Verlag George Wittenborn unknown books
1984rif. 63108Zürich, Verlag 3, 1984. 4°. Mit 7 mont. Orig.-Lithographien. 2 Bll., 20 S., 3 Bll. (die letzten beiden weiß), lose Lagen in OKart.-Umschlag m. transparentem OUmschlag.
1983rif. 180249London: Juda Rowan Gallery 1983. First edition. Exhibition brochure for a show that ran May 26 through June 29 1983. Single sheet folded twice. Includes 2 color illustrations a brief text by Serge Lemoine biographical information and list of public collections. A clean very near fine copy. Uncommon ephemera with only 3 copies listed in OCLC and none in the United States. Juda Rowan Gallery unknown books
2004rif. 153100Rudolfstetten: Galerie ArtPoint 2004. Softcover. G Ex-art library with red dot label on front cover; average wear to cover edges; otherwise nice. White & color illus. wraps 24 pp. 19 color illus. 1 BW illus. Text is in German. Issued in conjunction with a 2004 exhibition of work by American pop-op artist James Rosenquist b. 1933. With an essay by Gottfried Honegger a chronology and remarks by the artist as well as 19 full-color examples of his work. Galerie ArtPoint paperback books
1949rif. 63103Lausanne, Henri Kaeser Éditeur, o. J. (1949). Fol. Mit 11 (2 farb.) num u. sign. Orig.-Lithographien. 4 (2 weiße) Bll., lose in OKart. m. illustr. OUmschlag.
1954rif. 18517Zürich: Kratz Press 1954. Limited edition. Softcover. vg. Ex library. 1/100. Portfolio. 5 double-page color- and 2 full-page b/w original lithographs by Gottfried Honegger in stiff paper wraps with printed glassine. Minor staining to glassine small closed tear on head of spine. Thin line of white-out on verso of each plate small date stamp on verso of one of the double-page lithos. Text by Katherine Kuh English and Willy Rotzler German small stamp as well as library number in pencil on text page. Includes text "transmissions". original lithographs by gottfried honegger" on heavy card stock as issued. Wonderful original work by the Swiss painter and sculptor. Very good condition. Kratz Press unknown books
in-8, 383 pp., illustrations, 2 index, broché. Tres bel exemplaire, très frais. [NAN-4]
1925rif. 28589Paris: Editions Maurice Senart PN E.M.S. 6938 1925. Folio. Original publisher's ivory printed wrappers. 1f. recto title verso dedication 1f. recto cast list verso notes on first performance 112 pp. Occasional performance annotations in pencil. Wrappers somewhat worn and soiled; small perforations to upper; small tears repaired with no loss; spine reinforced with tape; small oval handstamp to front free endpaper. Slightly browned; contemporary signature to upper outer corner of title; small perforations to preliminary leaves. First Edition. Sprat 53a. "Honegger . provided incidental music for Judith another of Morax's biblical dramas: this score too was reworked producing both an opéra sérieux 1925 and an action musicale for the concert hall 1927." Geoffrey K. Sprat in Grove Music Online. "A member of Les Six Honegger's serious-minded musical aesthetic was entirely different from that of others in the group. He developed unusual musical and dramatic forms in large-scale works for voices and orchestra and was one of the 20th century's most dedicated contrapuntists with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance . Honegger . provided incidental music for Judith another of Morax's biblical dramas: this score too was reworked producing both an opéra sérieux 1925 and an action musicale for the concert hall 1927." op. cit. Editions Maurice Senart [PN E.M.S. 6938] unknown books
1952rif. 28592Lausanne: Fœtisch Frères S.A. PN F. 5990 F. 1952. Folio. Original publisher's ivory wrappers printed in red and black. 1f. recto dedication verso blank 1f. recto title verso contents in French 5-93 i contents in German pp. Text in French and German. Wrappers very slightly worn. Minor creasing to corners. "Le roi David . in its original version as a 27-movement incidental score for Morax's drame biblique was composed in two months between February and April 1921. The première of this staged version 11 June 1921 was followed by 11 further performances and the favourable response from audience and critics encouraged Morax and Honegger to produce a concert version for larger forces 1922; apart from rescoring the music remained unchanged. With a narration provided by Morax to link the items this 'psaume symphonique' was widely performed: in Paris for instance it was mounted on consecutive nights for three months. The work secured Honegger's international reputation and he was soon dubbed 'Le roi Arthur'. A series of tonal and thematic correspondences unite the work whose dramatic impact is ensured by the tightly controlled relationship between the dramatic and musical emotive peaks." Geoffrey K. Sprat in Grove Music Online. "A member of Les Six Honegger's serious-minded musical aesthetic was entirely different from that of others in the group. He developed unusual musical and dramatic forms in large-scale works for voices and orchestra and was one of the 20th century's most dedicated contrapuntists with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance. While he undoubtedly benefited from the immense publicity accorded to 'Les Six' his own distinctive musical language attracted widespread acclaim even before his music for René Morax's Le roi David 1921 catapulted him to international prominence." op. cit. Fœtisch Frères (S.A.) [PN F. 5990 F.] unknown books
1937rif. 33825Paris: Maurice Senart PN E.M.S. 8737 1937. Original publisher's dark ivory wrappers with titling in red within ruled border. Unbound as issued. 1f. recto title verso blank 22 pp. Somewhat browned. First Edition. Spratt 109. "A member of Les Six Honegger's serious-minded musical aesthetic was entirely different from that of others in the group. He developed unusual musical and dramatic forms in large-scale works for voices and orchestra and was one of the 20th century's most dedicated contrapuntists with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance. Despite his admiration for Debussy and Ravel his music is often rugged and uncompromising." Geoffrey K. Spratt in Grove Music Online. Maurice Senart [PN E.M.S. 8737] unknown books
1952rif. LPLP0021Berlin, Deutsche Grammophon 1952. EP.10'' 78 rpm.(Variable Micrograde 78) in OInnenhülle, diese leicht angestaubt. LP mint -. (72249).
rif. 841373360X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 79892Zürich gta 2007. Gr.8° 184 S. zahlr. oft farb. Abb. Brosch. m. OU u. Bauchbinde OU min. gebrauchsspurig Buch tadellos. EA. Von Gottfried Honegger auf Titelblatt signiert. - Gottfried Honegger 1917-2016 Schweizer Grafiker Maler und Plastiker war ein Vertreter der konstruktiv-konkreten Kunst. Seit Mitte der 60er Jahre schuf er Skulpturen und Werke für den öffentlichen Raum. Dazu zählt beispielsweise die Installation Culur aus dem Jahr 1997. Sie besteht aus neun Metallsäulen in den Regenbogenfarben auf der Hochwasser-Schutzmauer bei Orden/Maloja eine zehnte Säule steht beim Bildungs- und Ferienzentrum Salecina. Honegger sagte über dieses Werk: «Die Arbeit hier in Maloja ist für mich so etwas wie eine Symbiose zwischen dem Schönen dem Liebevollen an sich und dem Bemühen unseren Augen etwas zu bieten was zum Denken anregt was uns zur Gemeinschaft verpflichtet. Der Dialog zwischen einer gewaltigen Natur einer nützlichen Technik und dem Geistigen der Kunst scheint mir hier eine ideale Verbindung eingegangen zu sein.» Honegger verstand sich als Citoyen der immer wieder zu kultur- u. gesellschaftspolitische Fragen pointiert Stellung nahm. 010 Zürich, gta, 2007 unknown
1966rif. 75991London: Faber and Faber 1966. Pages clean and bright boards tidy spotting on top closed edge rubbing to dust jacket with some staining d-j price clipped. Hard. Good/Fair. 8vo. Faber and Faber Hardcover
rif. 4963Zürich Verlagsgesellschaft 1925. 4° o. P. 51 Abb. a. ca. 24 Taf. XXV S. Anzeigen Brosch. Rücken etw. beschienen Einbandränder knittrig innen tadellos; gutes Ex. EA. «Ausgeführte Bauten» und 3 «Wettbewerbe» sowie 1 «Projekt» von Otto Honegger «Diplom. Architekt S. A. D. G. Zürich». Die Photos von H. Wolf-Bender Zürich. 010 Zürich, Verlagsgesellschaft, 1925 unknown
rif. 77984o. Angaben Zürich Selbstvlg. 1933. 4° o. P. zahlr. Abb. u. Pläne a. 32 Taf. davon 1 farbig Brosch. Min. gebrauchsspuriges allg. tadelloses frisches Ex. EA. Bauten von Otto Honegger «Dipl. Architekt S. A. D. G. u. S. I. A. Zürich». Mit Widmung Honeggers auf Vakatblatt. 010 o. Angaben, [Zürich, Selbstvlg.], 1933 unknown
rif. 77983o. Angaben Zürich Selbstvlg. 1933. 4° o. P. zahlr. Abb. u. Pläne a. 32 Taf. davon 1 farbig Brosch. Kopf läd. über Rücken stockfl. Eckknick in Hinterdeckel äusserste Bl. etw. stockfl. innen sonst tadellos. EA. Bauten von Otto Honegger «Dipl. Architekt S. A. D. G. u. S. I. A. Zürich». Mit Widmung Honeggers auf Vakatblatt. 010 o. Angaben, [Zürich, Selbstvlg.], 1933 unknown
rif. 97240Zürich Chronos 2021. Gr.8° 476 S. Kart. Tadell. Was für Bildungsziele dienen der Gestaltung eines «gelingenden Lebens» Wie kann man sich diesen annähern Welche Rolle spielt dabei ein acht samer Umgang mit literarischen Werken Jürg Beat Honegger versteht Bildung als ein Geschehen das gewollt oder ungewollt immer und überall stattfindet und sich auf uns sowie auf unser Verhältnis zueinander und zur Welt auswirkt. Wichtig ist die Vielfalt von prägenden Einflüssen bewusst zu machen und Akzente zu setzen. Aus humanistischer Sicht sind dabei «Kompetenzen» skills und deren quantifizierbare ökonomische Verwertbarkeit weniger zentral als die Wirkung von Inhalten und die Stärkung von Ressourcen und Resilienz. Der philosophisch und psychologisch orientierte Literaturwissenschaftler veranschaulicht seine Gedanken mit literarischen Beispielen. So erscheint Goethes Iphigenie als Inbegriff einer Psychotherapeutin und der Erzähler in «Mario und der Zauberer» trägt zur Klärung der Frage nach dem freien Willen bei. – Gute Bildung hilft sich mit Freude den Herausforderungen des Lebens zu stellen mit ihnen zurechtzukommen und sich im gemeinschaftlichen Ganzen konstruktiv zu verhalten. 010 Zürich, Chronos, 2021 unknown
1981rif. 33129Locarno 1981. Ateliers Lafranca No.1 Signiert vom Künstler auf Umschlag. No.300 v.500 Expl.Schutzhülle aus handgeschöpftem Papier des Ateliers Lafranca. O-Karton-Schuber Editions Lafranca Quart kl.-8 Hln. Kunst unknown
rif. 51082Locarno Lafranca 1981. Kl.8° 67 S. m. zahlr. s/w Abb. OHLwd. m. OBüttenpapierumschlag in Kartonschuber. Tadell. Exemplar Nr. 315. Text frz. 010 Locarno, Lafranca, 1981 unknown
1931rif. 90568Paris: Editions Maurice Senart 1931. Paperback Quarto. Paperback. Good. wraps 122 pp text in French covers are worn on the edges spine torn on the top and bottom Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. Editions Maurice Senart paperback