2 860 résultats
1944Very Good Russian First Edition of this early Soviet compilation of Nart and Ossetian epics. Valentina Aleksandrovna Dynnik-Sokolova was a Russian and Soviet literary critic and translator, member of the Union of Writers of the USSR. Dynnik-Sokolova has articles, where she considered, among other researchers, the question of the similarity of the ancient Russian composition of the 12th century with the works of Western European medieval poetry. Original cloth bdg. Foolscap 8vo. (17 x 13 cm). In Russian. 78 p., ills. OCLC 4925492.
1923Very Good Turkish, Ottoman (1500-1928) Original pictorial wrappers. Demy 8vo. (22 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). 302 p. Slightly chipped on extremities, stains on cover. Otherwise a good copy. First Ottoman Turkish edition of this Arabic historical novel that takes its subject from Arabic nights. "Romance and intrigue provide the central plot of the novel that is woven into the broader picture of the fall of the Barmakis. Harun held his sister Abbasa in great affection and loved to spend his evenings in her company. But his favorite companion was Ja'far. It was quite unsuitable for a man from outside the family to be admitted to the company of a young woman, but Harun found a way to arrange things; he decided to marry them to each other in what the French call a "marriage blanc". As he explained to Ja'far "you see her only in my company, your body never approaches hers and you have no conjugal relations with her. You may thus share our evenings of pleasure without risk." Ja'far accepted and swore solemnly in front of witnesses never to visit his young wife, stay alone with her or even spend a minute under the same roof unless Harun was present. But Jafar was handsome and Abbasa's beauty was second to none. The inevitable occurred. How and why no one is certain. There was a great political advantage for Ja'far to unite himself with the sister of the Caliph. But did his mother who was close to both her son and Abbasa prod them in that direction? Or was their deep love sufficient to consummate their marriage, as Zaidan seems to imagine? No one knows for sure and the novel does not speculate on what really happened. The only sure thing is that Abbasa became pregnant and gave birth to at least one child and perhaps two as related in the novel. And when Harun learned of the relationship, this was the beginning of the end for the Barmakis. The close friendship between Harun and Ja'far spawned jealousies among the Caliph's entourage. Chief among them was the hostility that Al-Fadl ibn al-Rabi' had towards Ja'far. The two men detested each other and did everything they could to destroy each other. Last but not least Zubayda, Harun's favorite Hashemite wife also did not like Ja'far. He had been a tutor to al-Ma'mun, the son of a Persian slave girl, her son's rival. It was known that Harun admired Ma'mun's gifts and was thinking of promoting him over Al-Amin in the order of succession. There is every reason to believe that Zubayda exercised her considerable influence against Ja'far. She comes across as shrewd, skillful, and willful. Zaidan never explicitly speculates to what extent al-Rashid's reaction was politically or emotionally motivated. The narrative and dialogue suggest a combination of those factors. Ja'far had been disloyal to Harun and had stained the family honor: his disobedience could not go unpunished. But Harun was shrewd and feared for his power and influence - to the extent that the Barmakis might usurp the Abbasid caliphate. Within this broad historical canvass, Zaidan's fast-paced narrative with its twists and turns is full of suspense. It covers only a few months of Harun al-Rashid's reign but one that fatefully changed the course of 'Abbasid history." (Source: The Zaidan Foundation). Zaidan was a prolific Lebanese novelist, journalist, editor, and teacher, most noted for his creation of the magazine Al-Hilal, which he used to serialize his twenty-three historical novels. His primary goal, as a writer and intellectual during the Nahda, was to make the common Arabic population know their own history through the entertaining medium of the novel. He has enjoyed widespread popularity. He is also considered to have been one of the first thinkers to help formulate the theory of Arab nationalism. OCLC: 780178860.; Özege 2.
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Very Good Turkish, Ottoman (1500-1928) In 1/5 decorative leather bound with moon-star and tughra embossing. Roy. 8vo. (23 x 16 cm)., 288 p. Ozege:-. No bibliographic detail inside the book, and it seems study was not completed. Text is cut in last page, and informed us that study will have been as 4 volumes set in preface (moukaddimah), but the other volumes or/and any bibliographic details not found in any source and bibliographic study. Fîrûznâme.
réf. SONG1550749439Used: Good unknown
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1964Very Good Russian Rare second edition of Nazim Hikmet Ran's 'Cloud in love' in Russian as well as in any Slavic languages, translated by Russian Turcolog and philologist Lely Nikolayeviç Starostov, (1924-1985). It's an allegorical story about an evil desert spirit who tries to destroy an oasis that is tendered by beautiful Aishe. Luckily, a Cloud falls in love with her and protects the oasis, although it costs him a life. This script also was used as it was for Soviet animation with the same title 'Vlyublennoye oblako', which was made in 1959 by Roman Kachanov, one of the pioneers of Soviet stop motion animation. Paperback. Cr. 8vo. (20 x 14 cm). In Russian. 118, [1] p., b/w ills.
1950réf. 16728ABVienna, ca. 1950. 18,5 : 22,5 cm. 6 coloured aquatints mounted on cardboard by Maria Millanich
1913réf. 700006Macmillan 1913. This is the scarce and desireable edition that contains 32 full color illustrations by Warwick Goble. This book is a former library copy and does not have the original binding. It has a library binding in red with black designs. Simple black text on spine. Original book has no library markings new rear endpaper attached to library binding show some remnants of card slot removal. No other markings that I can find. 32 colour illustrations by Warwick Goble with captioned tissue-guards all present. List of illustrations indicated that there should be a plate on page 299 "They were very friendly however and inquired her name. Snowdrop' answered she." is actually bound in at page 304. Pages show some soil and foxing wear at edges a few pages have small closed tears. All illustrations were printed on glossy stock paper and show much less soil. 7 inches by 9 inches with 379 pages. Ex-Library. Hard Cover. Good/No Jacket. Illus. by WARWICK GOBLE. Macmillan Hardcover
1920réf. 011375London Paris & New York: Raphael Tuck & Sons 1920 140 pgs 4 pgs of ads. Color pictorial boards with brown cloth spine shelf wear and light surface wear FFEP is newer half-title browned else bright and clean. Contains a brief bio of Han Christian Andersen plus the fairy tales Red Shoes Steadfast Tin Soldier Wild Swans Tinder-Box Little Match Girl Thumbelina Ugly Duckling Little Tuk Little Ida's Flowers Shepherdess and the Chimney Sweeper Storks and Little Mermaid. Illustrated with 12 color plates plus partial-page line art throughout by Mabel Lucie Attwell. Circa 1920. . Early Edition. Pictorial Boards. Very Good/No Jacket. Illus. by Mabel Lucie Attwell. Large 8vo. Raphael Tuck & Sons unknown
1920réf. 011375London Paris & New York: Raphael Tuck & Sons 1920 140 pgs 4 pgs of ads. Color pictorial boards with brown cloth spine shelf wear and light surface wear FFEP is newer half-title browned else bright and clean. Contains a brief bio of Han Christian Andersen plus the fairy tales Red Shoes Steadfast Tin Soldier Wild Swans Tinder-Box Little Match Girl Thumbelina Ugly Duckling Little Tuk Little Ida's Flowers Shepherdess and the Chimney Sweeper Storks and Little Mermaid. Illustrated with 12 color plates plus partial-page line art throughout by Mabel Lucie Attwell. Circa 1920. . Early Edition. Pictorial Boards. Very Good/No Jacket. Illus. by Mabel Lucie Attwell. Large 8vo. Raphael Tuck & Sons unknown books
1939réf. 009767London: Hatchard & Co 1939 190 pgs. Vellum backed cloth boards blue spine label. a tiny bit of wear to edge of spine label else fine and clean housed in a later slip case which has a long abrasion to one panel. Illustrated with 2 color plates there would have been more if the book had not been rushed to publication to avoid WWII paper restrictions. Limited Edition #371/500 signed by Dulac and Crary on the limitation page. A delightful modern fairy tale. Hughey 91a. . Signed by Author & Illustrator. First Limited Edition. Hard Cover. Near Fine/No Jacket. Illus. by Edmund Dulac. 4to. Hatchard & Co hardcover
1939réf. 009767London: Hatchard & Co 1939 190 pgs. Vellum backed cloth boards blue spine label. a tiny bit of wear to edge of spine label else fine and clean housed in a later slip case which has a long abrasion to one panel. Illustrated with 2 color plates there would have been more if the book had not been rushed to publication to avoid WWII paper restrictions. Limited Edition #371/500 signed by Dulac and Crary on the limitation page. A delightful modern fairy tale. Hughey 91a. . Signed by Author & Illustrator. First Limited Edition. Hard Cover. Near Fine/No Jacket. Illus. by Edmund Dulac. 4to. Hatchard & Co hardcover books
1992réf. 1121 O42SIGNED LIMITED FIRST EDITION FIRST PRINTING stated complete number line to 1 Cambridge Candlewick Press 1992 ISBN #156402072X. Deluxe Limited Slipcased Edition #7 of 350 numbered copies. Signed by Sendak and Iona Opie. New and includes publishers paper with original price of $75 and Limitation Number No. 7 on the label. A collection of traditional children's poems and riddles illustrated by Maurice Sendak mostly in color. Books are Carefully Packed and Shipped Daily with Delivery Confirmation from Dry Smoke-Free shop. Complete Satisfaction Guaranteed. Candlewick Press hardcover