Ungerer, TomiBiblio.com
1 895 résultats
1967réf. 003958New York: Harper & Row 1967. Hardcover. Very Good /very good-. Large 8vo. Bound in illustrated boards and matching dust jacket. Full-color illustrations by Ungerer. Very Good previous owner's name in ink to front free endpaper rubbing and bumping to extremities internally clean and bright in Very Good- dust jacket with 1" tear to lower edge of front cover several shorter tears and wear to extremities age-toning overall. Attractive copy. Harper & Row hardcover
1928réf. 002972Garden City NY: Doubleday Doran & Company 1928. First edition. Hardcover. Very Good. Millard C. E. 8vo. x 2 312 pp. Bound in full yellow cloth title and decoration stamped in black on cover and spine deckle edge top edge stained orange illustrated endpapers. Lacking dust jacket. Full-color frontispiece and three full-color fifteen full-page black and white and numerous in-text black and white illustrations by C. E. Millard. Good internally age-toned evidence of water staining to text block effecting lower margins of many pages top edge of front cover also has some light blue staining some light soiling bumping and fraying to extremities and fading to spine. Doubleday, Doran & Company hardcover
1849réf. 13615061903Boston: Rand and Mann 1849. Brown cloth. Binding lightly cracking spine lightly rubbed small holes in front joint waterstain at bottom of front endpapers: VG-/no dj. 12mo. Illustrated with black and white wood engravings Rand and Mann hardcover
1874réf. 093826London: Cassell Petter & Galpin 1874. 3rd Edition . Hardcover. Good. 8vo - over 7¾ - 9¾" tall. W.C. Walter Crane; E.G. Ernest Griset; F.B. F. Barnard and others. Third edition dated 1874 from the printer's mark at rear octavo hardback Pictorial gilt brown cloth all edges gilt viii 226 pp 7 coloured plates by Walter Crane deduced from his monogram on some plates so probably lacking a colour frontispiece. Many wood cut illustrations by Griset and Barnard Gilt rubbed and dull Good condition overall. No inscriptions. Cassell Petter & Galpin hardcover
2003réf. 57131Girasol Collectables: Ontario Canada 2003. Magazine. Fine unread copy. A Girasol Facsimile Reprint of the very first Issue of WEIRD TALES. Girasol Collectables: Ontario, Canada unknown
1934réf. 25366Fantasy Publications: Everett PA 1934. First edition & 1st printing. Pictorial wrappers. Staples rusting a VG copy. No 3 Winter 1934. Five issues of semi-professional fanzine/magazine published in total from May 1934 to Summer 1935 some issues distributed using more than one cover design/colour. This issue includes ''Lilies'' by Robert Bloch his first published story. See: Tymn and Ashley eds Science Fiction Fantasy and Weird Fiction Magazines pp. 401-404. All five issues with variant covers are rare. Fantasy Publications: Everett, PA unknown
1934réf. 56770Fantasy Publications: Everett PA 1934. First edition & 1st printing. Pictorial wrappers. Staples rusting a VG copy. No 2 July/August 1934. Five issues of semi-professional fanzine/magazine published in total from May 1934 to Summer 1935 some issues distributed using more than one cover design/colour. This second issue used three different covers with different colours and different cover art: this copy is orange. Stories include ''The Garden of Fear'' by Robert E. Howard and ''The Dark Beasts'' by Frank Belknap Long. See: Tymn and Ashley eds Science Fiction Fantasy and Weird Fiction Magazines pp. 401-404. All five issues with variant covers are rare. Fantasy Publications: Everett, PA unknown
1990réf. 54788Terminus Publishing: PA 1990. First edition & 1st printing. Hardcover. Fine copy as issued without dustjacket as new. Vol 52 no 2 issue 299 Winter 1990/1991. Special Jonathan Carroll Issue: all artwork by Tom Kidd. LIMITED HARDCOVER: 200 numbered hardcover copies signed by Carroll and Kidd and the three editors of the magazine John Betancourt George Scithers and Darrell Schweitzer. Terminus Publishing: PA hardcover
réf. rja664117UKslim Qrto HBdw/djillustrated1st edn. FINE/FINE. No owner inscrptn and no price-clip to dw/dj. Bright crisp clean glossy laminated colour pictorial artwork by Errol Le Cain illustrated dw/dj panels with black lettering to front panel; with negligible shelf-wear to edges and corners - no major nicks or tears present. Topfore-edges bright and clean; contents bright tight clean solid and sound - pristine - no dog-ear reading creases to any pages' corners appears unread apart from my collation. Bright crisp clean sharp-cornered colour pictorial illustrated glazed boards - design repeated from dw/dj and clean plain white endpapers. UKslim Qrto HBdw/dj illustrated1st edn32pp unpaginated and excluding front free endpapers includes 13 full-page coloured illustrations which includes the illustrated dedication page other coloured illustrations and border edge decorations on every page; plus colour illustrated title page aforementioned dedication page with full-page full-colour illustrated frntis to it's reverse. An increasingly and highly collected and prolific children's book illustrator and an unusual item in Le Cain's bold style and will be an important and welcome addition to the canon for discerning collectors and fans alike. Errol John Le Cain b.1941 - d.1989. Worked as Erroll Le Cain. Born in Singapore son of a member of the police force. During his childhood he travelled extensively in the Far East and lived for five years in India. He worked in Pearl & Dean advertising studios 1956-60 and on animated films and titles in the Richard Williams Studio 1960-67. Following that he worked freelance as a filmtelevision and exhibition designer. As a book illustrator Le Cain had developed a distinctive graphic style in which outline and pattern are dominant elements. He aimed to create bold simple designs retaining relevant detail that can be dramatic or humorous and adapts his style to the varying moods of the stories. He uses pen and ink with gouache for colour work. He won the Kate Greenaway Medal with 'Hiawatha's Childhood' UK FABER1984 in 1985. Please contact seller @ rpaxtonden@blueyonder.co.uk because of the lighter weight and value of this item for correct shipping/ Pp quotes - particularly ALL overseas buyers - BEFORE ordering through the order page! N.B. ALL buyers please note stocks' shipping quotes are adjusted for any refunds AFTER receipt of order and BEFORE the despatch of the order especially if the item is offered either Pp included/FREE. N.B. US/Canada customers please be aware: Standard US AIRMAIL to these destinations can now in some cases cost more than the price of the book! If speed is not of the essence then Economy rate is recommended - at approx. anything from a 1/3rd to 1/2 of the standard US AIR quote/rate - sometimes arriving sooner than the 42 days - but not always. LONDON.FABER and FABER LIMITED,1988. hardcover
1987réf. 238301987. Ivan Velez Jr.'s Tales of the Closet issues 1 through 8 1987 to 1992 follows eight gay and lesbian teenagers in Queens through isolation family violence homophobia racism health pregnancy religion drug use and the fear of being outed. Published by the Hetrick Martin Institute as an educational comic for gay and lesbian young adults the series placed Puerto Rican Black white and Asian American teenagers within the same continuing narrative at a point when AIDS suicide and family rejection shaped the Institute's work with queer youth. Tony Vega Ramona Sinclair Mary Ryan Kyle Hooks Shorty Mancini Scott Lind Jenny Chin and Benjamin Kanas recur across the series allowing Velez to address sexuality alongside race class religion gender and family life through characters whose relationships develop from issue to issue. The present group contains the first eight consecutive issues of the nine issues eventually published between 1987 and 1993 lacking only the final issue and preserves nearly the entire original Hetrick Martin Institute run before Velez later returned to the work in collected form. Velez Jr. Ivan writer and artist. Tales of the Closet. New York: Hetrick Martin Institute 1987 to 1992. Near complete run of eight consecutive comic issues nos. 1 through 8 of nine published. 8vo. Original pictorial wrappers with black and white illustrated interiors. Velez's cover scenes range from the eight central teenagers carrying placards to figures confronting brick walls shattered surfaces urban streets and other graphic expressions of confinement and conflict. Interior thematic title pages organize individual installments around social problems encountered by the recurring cast and Hetrick Martin Institute publication statements identify the series as a "Graphic Book" project associated with lesbian and gay youth suicide prevention. The first issue dated "Summerfall 1987" bears the interior heading "isolation"; subsequent issues carry the narrative through themes including health pregnancy and religion. Issue no. 5 opens its "pregnancy" section with named character portraits and recounts friendships formed amid secrecy fear and threatened violence while no. 6 describes the protagonists as "a tight knit group of friends" confronting religion drug abuse and suicide. The Hetrick Martin Institute had been working with lesbian and gay youth in New York before Velez began Tales of the Closet and the comic translated that institutional mission into serialized narrative directed toward teenagers themselves. Contemporary coverage from the period describes Tales as written and drawn by Velez and following a multiracial multiethnic group of eight gay and lesbian teenagers while the series' original publication context placed copies directly within the Institute's youth outreach work. Velez's decision to sustain the same ensemble across multiple years gave subjects ordinarily isolated in educational literature a shared social setting: Tony's Puerto Rican family conflict Ramona's experience as a Black lesbian and the lives of Mary Kyle Shorty Scott Jenny and Benjamin allow questions of sexuality to unfold amid racial identity reproductive crisis religion violence addiction friendship and unstable family relationships. The AIDS crisis forms part of the immediate setting in which those subjects were being presented to young readers while suicide prevention appears within the publication program itself rather than as retrospective interpretation. The series remained unfinished after nine issues ending before Velez could publish the planned conclusion; he subsequently began collecting the original comics in 2005 with the intention of completing the narrative. Light toning to pulp paper stock as expected with minor edge wear rubbing and softening to corners; pictorial wrappers remain bright. Overall very good condition. A near complete consecutive run of the Hetrick Martin Institute's graphic outreach to lesbian and gay teenagers preserving eight years of Velez's recurring Queens cast as they confront queer adolescence during the AIDS crisis through a medium produced expressly for young readers. unknown
1980réf. 364762San Francisco 1980. Unbound. Fine. First edition. A black and white photomechanically reproduced flyer on 8.5" x 11" paper. Original flyer for the legendary San Francisco punk venue On Broadway. Featured here are four dates: Saturday April 7 Social Distortion Tales of Terror Remains Stiffs; April 14th The U.K. Subhumans; April 17th The Circle Jerks; and May 4th Black Flag. A black and white photocopy of an unusually happy punk kid or someone with a cheery grimace. From a San Francisco art professor who collected his students collage work a great example of punk street art. unknown
1864réf. FGN12-C-6Paris: Bachelin Deflorenne 1864. Leather. Very Good. 6" by 4". None. A first edition of this biography of Judith Frere the companion of the songwriter Jean de Beranger. Featuring an engraved portrait frontispiece by G. Staal. The original paper wraps have been bound in. In French. In a half calf binding with marbled boards and decorative endpapers. Externally some shelfwear. Internally generally firmly bound although the frontispiece is working loose. Occasional light foxing prominent to first and last few pages with the odd mark Very Good Bachelin Deflorenne hardcover
réf. ria9786207763993_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The period between the beginning of the 1980s and the end of the 1990s is characterised by stop-and-go growth with intervals of economic stagnation interspersed with periods of unsustained growth. In this context there was a high leve paperback
réf. ria9786207763979_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Der Zeitraum zwischen Anfang der 1980er und Ende der 1990er Jahre ist durch ein Stop-and-Go-Wachstum gekennzeichnet bei dem sich Phasen wirtschaftlicher Stagnation mit Phasen nicht nachhaltigen Wachstums abwechselten. In diesem Zusamme paperback
réf. ria9786207763986_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; La période comprise entre le début des années 1980 et la fin des années 1990 est caractérisée par une croissance en dents de scie avec des intervalles de stagnation économique entrecoupés de périodes de croissance non soutenue. Dans ce paperback
2019réf. 2-6139757304Novas Edições Acadêmicas 2019. Paperback. New. 8.66x5.87x0.28 inches. Novas Edições Acadêmicas paperback
1855réf. O22945CCharles DeSilver 1855. Hardcover. Good/No Jacket. Book has wear at top and bottom of spine and on corners. Cloth is faded and gold on spine is also faded. Pages have some foxing. Names inside. PROMPT PROFESSIONAL SERVICE! Charles DeSilver hardcover
réf. 1804769762.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1928réf. 010682New York: Thomas Nelson 1928 40 pgs. Pictorial boards nibbling along top edge wear to corners and spine ends clean and birght inside. One of the best-known tales from The Arabian Nights' Entertainments illustrated in color throughout by Anne Anderson. . First Edition. Pictorial Boards. Very Good/No Jacket. Illus. by Anne Anderson. 12mo. Thomas Nelson unknown
1954réf. 010392Garden City: Doubleday 1954 Beige cloth pictorially stamped in three colors light cover soil and mild bumping to spine ends; color pictorial dust jacket with wear to edges and folds overall darkened original price intact $5.00. A large and lovely profusely illustrated collection of nursery rhymes. De Angeli's work appears as delicate line art textual color artwork and full page color plates. Quite a lavish production. "De Angeli's work reflects the mood and heart of childhood in the cherubic faces of her characters and will undoubtedly continue to do so for some time." Peterson & Solt pg 303. Uncommon especially signed. Caldecott Honor. Signed by Illustrator. Stated First Edition. Pictorial Cloth. Very Good Plus/Good. Illus. by Marguerite De Angeli. Folio. Doubleday hardcover
1898réf. 010303London and New York: John Lane The Bodley Head 1898 Blue cloth pictorially stamped and titled in gilt gilt and cloth darkened stain to upper cover roughness to inner rear hinge A collection of 12 fairy tales illustrated with detailed and imaginative b&w line art by Charles Robinson. . First Edition. Pictorial Cloth. Very Good Minus/No Jacket. Illus. by Charles Robinson. 8vo. John Lane The Bodley Head hardcover
1919réf. 7000885London: Heinemann 1919. Bound in decorative boards with great illustration by Rackham on the front panel as well as througout the book. The glassine protector to the illustration on the frontispiece shows a 3/4" tear but is whole and still protecting the color illustration. Green decorated endsheets. Uniform scuffing to extremes of book but nothing alarming. The book has held up well over the past 100 years. . First Edition Thus. Hard Cover. Very Good/No Jacket. Illus. by Arthur Rackham. 4to - over 9¾" - 12" tall. Heinemann Hardcover
1910réf. 009546London: Macmillan 1910 Green cloth pictorially stamped and titled in gilt spine and edges sunned slight spine lean sporadic foxing heavier at beginning and end some fraying at extremities. Kingsley's classic illustrated with 16 color plates by Warwick Goble preceded by a limited edition and trade edition in a larger format and with 32 plates. . First Thus. Pictorial Cloth. Very Good Minus/No Jacket. Illus. by Warwick Goble. Thick 8vo. Macmillan hardcover
1880réf. 009319New York: Thomas Nelson 1880 Date based on institutional holdings. 64 pgs.Pictorial boards edges worn and rubbed through binding shaken small marginal loss from one page offsetting opposite illustrations else clean. Juvenile verse with lovely color artwork on every page by artists Sowerby and Emmerson. Beautifully printed by the Dalziel Brothers Brain and Co. and Clay Son and Taylor. First American Edition. Pictorial Boards. Good to Very Good/No Jacket. Illus. by John George Sowerby & Henry Hetherington Emmerson. 4to. Thomas Nelson unknown
1933réf. 009349Racine WI: Whitman Publishing 1933 Color printed covers light soil and wear clean inside the entire book is printed on stiff card with a linen-like finish. The tale of goldilocks told in 12 pages including covers each page with color artwork by Charlotte Stone. Pictorial Wraps. Very Good/No Jacket As Issued. Illus. by Charlotte Stone. 4to. Whitman Publishing unknown
