2955 risultati
1932rif. 72837Indianapolis: Popular Fiction Publishing 1932. Pulp Magazine Very Good/Near Fine. C.C. Nenf. Indianapolis: Popular Fiction Publishing: 1932. Pulp Magazine Very Good/Near Fine Cover artwork by: C.C. Nenf Clean straight and tight with lightly rubbed covers and toning to extremities of text block. Still bright glossy crease-free spine. An excellent example. Lovecraft and Smith! Popular Fiction Publishing unknown
1939rif. 72930New York: Weird Tales 1939. Pulp Magazine Good. Hannes Bok:. New York: Weird Tales: 1939. Pulp Magazine Good 128 pp. Cover artwork by: Hannes Bok: Top inch of spine strip missing and repaired with aging clear tape. Spine strip faded modest dap stain at fore-edge of front cover verso. Still clean and tight. Lovecraft Long Bloch and others. Weird Tales unknown
rif. 1005X9YEJ45Hardcover. Very Good. hardcover
1910rif. 009700Akron OH: Saalfield Publishing Company 1910 Date based on institutional copies. Covers soil bright and clean inside with an occasional mark. A selection of illustrations by Greenaway with brief descriptive text. Printed entirely in color on cloth. An uncommon Greenaway item. . Cloth. Very Good/No Jacket. Illus. by Kate Greenaway. 16mo. Saalfield Publishing Company hardcover
1970rif. 009467New York: Harper & Row 1970 Green cloth in illustrated dust jacket with a sunned spine. Gorgeously illustrated edition of the famous fairy tale. First Edition. Cloth. Fine/Near Fine. Illus. by Nancy Ekholm Burkert. 12mo. Harper & Row hardcover
1935rif. 009572London: Frederick Warne & Co. 1935 Light green cloth pictorially stamped in 2 colors and gilt minor shelf wear and a previous owner's bookplate to copyright page else clean; matching dust jacket with a whisper of wear and slight darkening along top edge. A compilation of 4 of L. Leslie Brooke's children's books with 32 humorous color plates by Brooke as well as equally charming work in line throughout. No date circa 1935 based on listed titles. . Later Printing. Pictorial Cover. Near Fine/Near Fine. Illus. by L. Leslie Brooke. Small 4to. Frederick Warne & Co. hardcover
1899rif. 009612No Place: Juvenile Publishers 1899 Unpaginated. Pictorial boards accented in gilt cloth spine corners worn edges rubbed clean overall with a few signs of use internally. The publishers really tried to pack a lot into this one little book! We start out with an alphabet with two examples and brief verse for each letter then we go on to counting then days of the week then months and finish off with some natural history. Peppered throughout the book are Mother Goose rhymes. The book is illustrated in two-color plus line art printed with blue ink and there is a color frontis depicting Little Red Riding Hood. There are even some Wain-esque cats! Something for everyone really. . Pictorial Boards. Very Good/No Jacket. Illus. by Various. 8vo. Juvenile Publishers unknown
1980rif. 009277New York: William Morrow & Co 1980 Blind stamped hard cover corner crease to endpaper else fine; dust jacket price clipped else fine. Library binding but NOT ex-library. Andersen's famous fairy tale beautifully illustrated in color by Austrian illustrator Lisbeth Zwerger. . First American Edition. Hard Cover. Near Fine/Near Fine. Illus. by Lisbeth Zwerger. Small Oblong 4to. William Morrow & Co hardcover
1960rif. 009065South Norwalk CT: Antonio Frasconi 1960 Tan card covers pictorially printed in orange and black some offsetting inside covers tiny stains in gutter from string binding. Six Spanish nursery rhymes printed in orange ink each accompanied by a woodcut by Frasconi printed in black ink. Scarce item published by the artist. Pictorial Wraps. Near Fine/No Jacket. Illus. by Antonio Frasconi. 24mo. Antonio Frasconi unknown
1885rif. 008866London: George Routledge & Sons 1885 8" x 9.5". 24 pgs. Paper wraps front cover printed in color edge wear closed tear near base of spine old bookseller sticker inside front cover. Published between 1886 and 1900 based on rear cover titles and size of book. This was Caldecott's last shilling picture book. The text a nonsense verse was written by Samuel Foote allegedly to test the actor Macklin who boasted that he could memorize anything with a single read-through Osborne pg 63. Illustrated with 6 color plates the balance in line. The best part is there is a bear wearing a dress!. Thwaite pg 197 Muir English Children's Books pg. 199 and British Book Illustrators 1860-1900 pg 36 C20. . Early Edition. Pictorial Wraps. Very Good. Illus. by Randolph Caldecott. Small Oblong 4to. George Routledge & Sons unknown
1983rif. 008745New York: Alfred A Knopf 1983 Blind-stamped red paper boards with burgundy cloth spine; color illustrated dust jacket with light wear original price intact $10.95. The classic Grimm's fairy tale with full and partial-page color artwork by Nonny Hogrogian. This copy is signed by Nonny Hogrogian on the half-title page. Scarce especially in nice condition and signed!. Signed by Illustrator. First Printing. Quarter Cloth. Fine/Near Fine. Illus. by Nonny Hogrogian. 4to. Alfred A Knopf hardcover
1973rif. 008334New York: Farrar Strauss Giroux 1973 Blue cloth very slightly sunned at edges; color pictorial dust jacket worn at extremities a few edge tears with old tape repair on verso original price intact $5.95. Re-telling of an old Cornish play that was performed at Christmas time. Brilliantly pictured by Zemach in color throughout. Caldecott Medal. Very scarce. Stated First Edition. Cloth Hard Cover. Near Fine/Good Minus. Illus. by Margot Zemach. 4to. Farrar Strauss Giroux hardcover
rif. 008245York: J Kendrew 1820. Original yellow covers are faded top corner with creases otherwise a beautiful survival. 16 woodcuts including covers illustrated the nursery rhyme. Davis 28. Osborne pg 105. Original Wraps. Very Good. Illus. by Engravings. 64mo. J Kendrew paperback
1955rif. 006733Copenhagen: Thaning & Appel 1955 Pictorial boards with wear to spine ends sunned spine. Published in commemoration of HCA's birth in 1805. The verses were recreated by Dutch artist Dagmar Starcke as cloth appliques which were reproduced for this book. Opposite each illustration is an English translation of the verse. This copy was a gift from the artist's sister to her son's pediatrician and it is inscribed by her and includes a brief note. First Edition Thus. Very Good/No Jacket. Illus. by Dagmar Starcke. 12mo. Thaning & Appel hardcover
rif. 003129New York: Metropolitan Life Circa 1930. Color illustrated paper wraps small nick at the edge "belongs to" section filled in. Mother Goose rhymes re-worked for this nice little advertising piece. The artwork in full color throughout is quite charming and well done. Original Wraps. Very Good. Illus. by Emma Clark. 12mo. Metropolitan Life paperback
2001rif. 003188Paris: Casterman 2001 Illustrated boards with red cloth spine. Famous fairy tale illustrated with full color plates by Jean-Marc Rochette. This special copy has been inscribed by Rochette with a full page color drawing of the character from the book. . Signed by Illustrator. First Edition. Illustrated Boards. Fine/No Jacket As Issued. Illus. by Jean-Marc Rochette. Oblong 4to. Casterman hardcover
rif. R6-4RNN-87XSFine. Visually inspected by owner: Hardback with dust jacket as pictured no marks in text and binding solid. First American Edition as stated with number line. Pages look unturned. We ship M-F by 4pm and Sat. by 12 pm with tracking info. hardcover
1844rif. 560207Philadelphia PA: Thomas Cowperthwait and Co. Good with No dust jacket as issued. 1844. Hardcover. Small volume in faded brown cloth. Spine indicates volume 11 possibly Roman numeral 2 of Parley's Cabinet Library. Scattered light foxing throughout. ; 16mo 6" - 7" tall; 320 pages . Thomas, Cowperthwait and Co hardcover
1931rif. 72023Indianapolis: Popular Fiction Publishing 1931. Pulp Magazine Near Fine. Indianapolis: Popular Fiction Publishing: 1931. Pulp Magazine Near Fine 432 pp. Remarkably incredibly and amazingly well-preserved. Clean and tight with covers still somewhat glossy. Modest rippling and with very light wear and toning to extremities. Maybe you've heard of some of the contributors to this issie: H.P. Lovecraft Robert E. Howard Edmond Hamilton Henry Whitehead Otis Albert Kline. It's a privilege and a thrill to have something like this pass over my desk. Jeepers! Popular Fiction Publishing unknown
1937rif. 30827Indianapolis IN: Popular Fiction Publishing Company 1937. Text paper tanned but supple mild soiling to front cover mild reading creases cover has been re-glued a very good copy. An evocative Brundage cover. 30827. Octavo single issue cover art by Margaret Brundage pictorial wrappers. Pulp Magazine. Includes stories by Paul Ernst Robert Bloch and Henry Kuttner Edgar Daniel Kramer and others. This issue's "The Eyrie" has the announcement of the passing of H. P. Lovecraft and tributes by a number of authors. Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
1897rif. 24This book is over 122 years old. "The Raven" in particular—Poe investigates the loss of ideal beauty and the difficulty in regaining it. These pieces are usually narrated by a young man who laments the untimely death of his beloved. "To Helen" is a three stanza lyric that has been called one of the most beautiful love poems in the English language. The subject of the work is a woman who becomes in the eyes of the narrator a personification of the classical beauty of ancient Greece and Rome. "Lenore" presents ways in which the dead are best remembered either by mourning or celebrating life beyond earthly boundaries. In "The Raven" Poe successfully unites his philosophical and aesthetic ideals. In this psychological piece a young scholar is emotionally tormented by a raven's ominous repetition of "Nevermore" in answer to his question about the probability of an afterlife with his deceased lover. Charles Baudelaire noted in his introduction to the French edition of "The Raven": "It is indeed the poem of the sleeplessness of despair; it lacks nothing: neither the fever of ideas nor the violence of colors nor sickly reasoning nor drivelling terror nor even the bizarre gaiety of suffering which makes it more terrible." Poe also wrote poems that were intended to be read aloud. Experimenting with combinations of sound and rhythm he employed such technical devices as repetition parallelism internal rhyme alliteration and assonance to produce works that are unique in American poetry for their haunting musical quality. In "The Bells" for example the repetition of the word "bells" in various structures accentuates the unique tonality of the different types of bells described in the poem.Poe's stature as a major figure in world literature is primarily based on his ingenious and profound short stories poems and critical theories which established a highly influential rationale for the short form in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story Poe was also the principal forerunner of the "art for art's sake" movement in nineteenth-century European literature. Whereas earlier critics predominantly concerned themselves with moral or ideological generalities Poe focused his criticism on the specifics of style and construction that contributed to a work's effectiveness or failure. In his own work he demonstrated a brilliant command of language and technique as well as an inspired and original imagination. Poe's poetry and short stories greatly influenced the French Symbolists of the late nineteenth century who in turn altered the direction of modern literature. It is this philosophical and artistic transaction that accounts for much of Poe's importance in literary history. This book contains the first collection of Poems Poems and Tales. See Pictures Houghton Mifflin Company hardcover
1935rif. 30829Indianapolis IN: Popular Fiction Publishing Company 1935. Text paper tanned but supple mild edge wear with stress creases crease at lower right front corner a nearly fine copy. 30829. Octavo single issue cover art by Margaret Brundage pictorial wrappers. Pulp Magazine. Includes stories by Edmond Hamilton Paul Ernst C. L. Moore Gustav Meyrink and others. Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
1899rif. 2221708ORIGINAL 14 PARTS First edition in the original 14 parts. 11" x 8 1/2" circa 400 b/w illustrations by Lemercier and Helen Stratton who gets sole credit on the title page. Original stitched green pictorial wrappers. Part 14 with half title title page contents and list of illustrations 320 pages. No dust jacket. Very good minor rubbing; signs of handling and some light foxing. Scarce. Printed by Butler & Tanner The Selwood Printing Works. Some illustrations in first two parts are signed "Lemercier" in the plate. George Newnes paperback
1915rif. 29511HBDJ 1915 ON COPYRIGHT PG. 1ST EDITION EARLY ISSUE VG/VG 112pp 16pp unpaginated Word to Grown-ups. Green boards orange lettering and decoration. Light wear to corners but boards otherwise are clean and bright contents a bit shaken. Dust jacket is chipped lightly soiled and darkened along spine and front panel. From the Sleepy-Time Tales series.Book and jacket in good condition. Published in VG/VG SOLD AS-IS GREEN CLOTH ILLUSTRATED CVR & Titled in RED ON FRONT 5x7 1/4. BACK OF DJ ADVERTISES 2 SERIES ENDS WITH TUCK ME IN TALESTALES SMALL CHIPS LOWERE DJ SPINE & BACK CORNER Dust Jacket Protected by Mylar Cover Clean Tight Texts Back DJ Illustrated Color Endpapers Flap Ends with Tale Freddie Firefly10 Tuck-me-in titles on rear flap two series ads on rear panel. NOT PRICECLIPPED BUT NO PRICE Wonderful Spring. MAPLE-SUGAR LEARNS TO SWIM. Climbs Blue Mountain LIKES Baked Beans Mrs. E. His Little Sister SILKIE eagle is Angry Cuffy's Home was Built Straight into Side of Mountain ROOF WAS VERY Very THICK. Grosset & Dunlap hardcover
1894rif. 01809New York and London: Harper & Brothers Publishers 1894. First edition. Twelvemo. Brown pictorial cloth stamped in gilt; v 437 1 pp.; illustrations. The scarce first edition of Twilight Land a collection of fairy tales written and illustrated by Howard Pyle and the result of Pyle's "untrammelled imagination an inexhaustible vocabulary and a long-practised pencil." Illustrated with black & white illustrations profusely throughout. A Very Good copy with some rubbing to cloth; gilt to spine rubbed and dulled; corners bumped; owner's penciled name to front endpaper bookseller's ticket to rear pastedown else clean throughout. We find no other copies of this first edition in commerce 2015. Harper & Brothers Publishers hardcover