489 résultats
1963réf. 17598ENew York: The New York Times 1963. First Edition. Laid in is a 5” x 3” card signed by the author / actor Zero Mostel. Printed in a limited quantity by the New York Times on the occasion of the 1963 New York Book Fair with “Published by The New York Times for the fun of it and dedicated to the American Bookseller June l963." as part of the text. Illustrated with black & white photographs by Robert Frank. With decorative endpapers and a small black & white photo of Zero Mostel on the front free endpaper. Faint hint of dust soiling to the cloth else fine. A delightful book of black and white photographs of the comic genius actor and entertainer Zero Mostel reading various books. From the introductory text: “Well anyway what Zero Mostel has to say about books Robert Frank has caught with his camera. The result we think is eloquent and amusing. We hope you like it.” A sweet portrayal of Zero Mostel best known for his films The Producers and A Funny Thing Happened On the Way to the Forum and for his legendary award winning portrayal on Broadway in the role of Tevye in Fiddler on the Roof. Rare autograph. The New York Times hardcover
1966réf. 158727London: Woodfall Films 1966. Shooting Script for the 1967 British short film. Two annotations in manuscript ink: one on the title page noting copy No. 11 and one on page eight noting a deletion. Clad in an ornate and eye-catching costume an opera singer must make his way through a succession of busy city streets in order to arrive on time for his performance. Originally commissioned by producer Oscar Lewenstein as one third of a planned anthology film titled "Red White and Zero." OCLC locates no holdings. AMPAS shows no holdings. Tall red untitled wrappers with a die-cut title window in the British style. Title page present dated 17.3.66 noted as Shooting Script with credit for director and screenwriter Peter Brook. 11 leaves with last page of text numbered 9. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound internally with three silver brads. Woodfall Films unknown
réf. 18543E8” x 10”. Original signed black & white photograph of Zero Mostel as his character Pseudolus from the film ‘A Funny Thing Happened on the Way to the Forum’ adapted from the Stephen Sondheim Tony Award winning Broadway musical play for which Mr. Mostel won a Tony Award for Best Actor in a Musical. Fine condition. The photo is a candid portrait of Mr. Mostel in his toga and headband with a delightful smiling expression on his face. Zero Mostel is best known for his films ‘The Producers’ ‘A Funny Thing Happened On the Way to the Forum’ and for his legendary award winning portrayal on Broadway in the role of Tevye in ‘Fiddler on the Roof.’ Rare autograph. 8” x 10” unknown books
réf. 124717ZERO+ Publishing, Claremont, California, 2016. 178 S. ; 31 x 25,5 cm ; Leinen.
réf. 18543E8” x 10”. Original signed black & white photograph of Zero Mostel as his character Pseudolus from the film ‘A Funny Thing Happened on the Way to the Forum’ adapted from the Stephen Sondheim Tony Award winning Broadway musical play for which Mr. Mostel won a Tony Award for Best Actor in a Musical. Fine condition. The photo is a candid portrait of Mr. Mostel in his toga and headband with a delightful smiling expression on his face. Zero Mostel is best known for his films ‘The Producers’ ‘A Funny Thing Happened On the Way to the Forum’ and for his legendary award winning portrayal on Broadway in the role of Tevye in ‘Fiddler on the Roof.’ Rare autograph. 8” x 10” unknown
1908réf. 509035Dublin: The University Press 1908. Softcover. Very Good. First edition. 12mo. 15pp. Tan pictorial wrappers printed in red. Moderate soiling and light creasing on covers else a very good copy of a scarce pamphlet. OCLC locates two copies. In his preface the anonymous poet states: "I offer you this little book having first received your sixpence in the hope that the soulful pathos of its lines may touch your conscience and lead you to own up. The joke has gone quite far enough: and as some one must have the Slipper it would be a much better game to hand out and stop the hunt-- a game at which Irishmen are au fait to which so-called Irishment submit Yours gently Zero. Badly-Had Street Dublin. (The University Press) unknown
1966réf. 10110BB(Köln, Galerie Der Spiegel, 1966). Gr. 4°. 29 Blatt mit Abbildungen und 2 signierten Serigraphien. Illustr. OBr., 1 (= Geh durch den Spiegel 45).
1969réf. 152375N.p.: N.p. 1969. Vintage borderless reference photograph taken on the set of the 1969 film showing Kim Novak topless mid-costume change aided by two wardrobe ladies. Based on the 1961 novel. A genre-bending film combining heist comedy and Western genres in which multiple gangs converge on Friendly Texas in order to attempt to rob the most unrobbable bank in the West. 7.5 x 9.5 inches. Near Fine. N.p. unknown books
1943réf. 65021943 Librairie Gründ ,1943, Paris, Relié. 1 volume. In-8. 118 pp. Reliure demi-chagrin caramel avec bande cuir de rappel superbe travail non signé , tranche superieure dorée. . Dos lisse avec un large nerf(4 cm) ou est positionné le titre et l'auteur . Couverture conservée. Illustration de 26 hors-texte en noir et de culs-de-lampe, gravés sur bois par Marcel Bovis, de Gus BOFA. Bel état. . Celui-ci un des 1000 exemplaires sur vélin pur chiffon.( no 557)Avec une lettre d'envoi de Gus Boffa vois photos . coffret de protection .
1949réf. 19458Kokomo IN: Recreational Reading Inc. 1949. A fine copy. 19458. Octavo single issue cover by DeSoto pictorial wrappers. Pulp magazine. First issue of this short lived magazine. From midnight to dawn Captain Zero becomes invisible. This magazine ".was the final new single-character publication to feature a mystery figure battling for justice." - Cook Mystery Detective and Espionage Magazine pp. 83-87. "City of Deadly Sleep" by G.T. Fleming-Roberts. Recreational Reading, Inc. unknown
1969réf. 152375N.p.: N.p. 1969. Vintage borderless reference photograph taken on the set of the 1969 film showing Kim Novak topless mid-costume change aided by two wardrobe ladies. Based on the 1961 novel. A genre-bending film combining heist comedy and Western genres in which multiple gangs converge on Friendly Texas in order to attempt to rob the most unrobbable bank in the West. 7.5 x 9.5 inches. Near Fine. N.p. unknown
1999réf. 60264BBMönchengladbach, B. Kühlen Verlag, 1999. Folio. 44,4 x 34,5 cm. Unpaginiert. Original-Pappband mit Deckelillustration in Gold und Farben und Schließbändern in Dunkelblau. Unpaginiert. [5 Warenabbildungen]
1999réf. 13418DBMönchengladbach, B. Kühlen Verlag, 1999. Folio. 44,4 x 34,5 cm. Unpaginiert. Original-Pappband mit Deckelillustration in Gold und Farben und Schließbändern in Dunkelblau. Unpaginiert. [9 Warenabbildungen]
1959réf. 64369ABRotterdam., Hans Sonnenberg., [1959]. 28 unpaginierte S. OKarton., 64369AB_1 Kapital mit einem winzigen Riss, sonst sehr gutes und frisches Exemplar.
réf. 15886DBo.J. (Otto Piene, geboren am 18. April 1928 in Laasphe, gestorben am 17. Juli 2014 in Berlin. Künstler und Mitbegründer der K
réf. 11131Nine black & white full-page illus. 24 pp. 8vo screen-printed wrappers staple-bound. Rome: Galleria Appia Antica 1959. Rare catalogue for one of the earliest ZERO group exhibitions organized by gallerist Hans Sonnenberg 1928-2017. Three shows took place under his direction this one in Rome and the others in Rotterdam and Antwerp. The Düsseldorf ZERO artists Heinz Mack Otto Piene and Günther Uecker demanded Sonnenberg give up the name and he cheekily acquiesced by changing the name of his gallery in The Hague from ZERO to Orez. In Rome Sonnenberg presented drawings silkscreens collages and lithographs by Kees van Bohemen Karl Fred Dahmen Piero Manzoni Wim Motz Ian J. Pieters Joop Sanders Jan Schoonhoven Emil Schumacher Shinkichi Tajiri and Jaap Wagemaker. Each artist is provided two pages in the catalogue one with a full-page illustration of their work and the facing page information on where they were born and currently live. Sonnenberg is recorded as the “manager” on the final page. Near fine; small scuffs to the wrappers. WorldCat records two copies in North American libraries as of October 2025. unknown
1970réf. 51493ABEssen., Museum Folkwang., 1970. 37 x 23 cm. 64 unpaginierte S. OKarton-Mappe, OKarton., 51943A 4 Bände in Mappe. 1. Auflage. Mappe vorne mit einem schwachen, kreisrunden Feuchtigkeitsfleck ohne Auswirkungen, sonst sehr gutes Exemplar.
1972réf. 24302ABMünchen., Verlag Edition Heseler., 1972. 29 x 21 cm. 67 S. 6 Falttafeln. OKarton mit OUmschlag und bedrucktem, transparentem OFolienumschlag., 24302AB Sehr gutes Exemplar.
1970réf. 36420ABEssen., Museum Folkwang., 1970. 36,5 x 22,5 cm. 64 unpaginierte S. OKarton-Mappe, OKarton in OPapp-Versandkarton (ungenutzt)., 36420AB 4 Bände in Mappe. 1. Auflage. Sehr gutes, nahezu druckfrisches Exemplar.
1967réf. 63033ABFrankfurt, Seide, 1967. 313 S., tls. signierte Original Grafiken als Beilage. Or.Kart., broschiert. Einb. m. leichten Gebrauchsspuren, innen sehr guter Zustand. Egoist-Bibliothek Bd. 1.
1970réf. 16420Venedig, 1970. Hefte je 16 Seiten, ca. 36,5x22 cm. Die 4 OBroschuren in OMappe. Mappe etwas berieben und etwas gebräunt; die Broschur von Uecker minimal berieben, die Grafiken in sehr gutem Zustand. Grafiken: Thomas Lenk: Farbserigrafie auf Transparentpapier. Heinz Mack: Serigrafie in Silber auf Karton. Georg Karl Pfahler: Farbserigrafie auf Karton. Günther Uecker: Nagelbild Prägedruck. Texte in deutsch - englisch - italienisch. So komplett eher selten. Gutes Exemplar. Good copy with 4 original graphics. Rare.
1958réf. 219094New York 1958. Full length. Gelatin silver print. 1 vols. 33.7 x 23 cm. Approximately 13-1/4 x 9 inches. Fine. Atelier stamp on verso and docketed by Van Vechten in ink giving the subject of the photograph "Zero Mostel as Leopold Bloom in Ulysses in Nightown" the date and the number of negative and print "IV qq 15". Full length. Gelatin silver print. 1 vols. 33.7 x 23 cm. Approximately 13-1/4 x 9 inches. Burgess Meredith's production in 1958 marked a comeback for one of America's greatest comedians. Mostel whose career had been stalled by his McArthur-era blacklisting made a triumphant return to the stage as Bloom. unknown books
1958réf. 219095New York 1958. Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Fine.Atelier stamp on verso and docketed in ink giving the subject of the photograph "Zero Mostel as Leopold Bloom in Ulysses in Nightown" the date and the number of negative and print "IV qq 7". Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Burgess Meredith's production in 1958 marked a comeback for one of America's greatest comedians. Mostel whose career had been stalled by his McArthur-era blacklisting made a triumphant return to the stage as Bloom. unknown books
1958réf. 219094New York 1958. Full length. Gelatin silver print. 1 vols. 33.7 x 23 cm. Approximately 13-1/4 x 9 inches. Fine. Atelier stamp on verso and docketed by Van Vechten in ink giving the subject of the photograph "Zero Mostel as Leopold Bloom in Ulysses in Nightown" the date and the number of negative and print "IV qq 15". Full length. Gelatin silver print. 1 vols. 33.7 x 23 cm. Approximately 13-1/4 x 9 inches. Burgess Meredith's production in 1958 marked a comeback for one of America's greatest comedians. Mostel whose career had been stalled by his McArthur-era blacklisting made a triumphant return to the stage as Bloom. unknown
1958réf. 219095New York 1958. Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Fine.Atelier stamp on verso and docketed in ink giving the subject of the photograph "Zero Mostel as Leopold Bloom in Ulysses in Nightown" the date and the number of negative and print "IV qq 7". Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Burgess Meredith's production in 1958 marked a comeback for one of America's greatest comedians. Mostel whose career had been stalled by his McArthur-era blacklisting made a triumphant return to the stage as Bloom. unknown