Uecker, GüntherAntiquariat.de
430 risultati
rif. 13273DBo.J. [3 Warenabbildungen]
2014rif. 62554AB's-Hertogenbosch., Luiscius Books., 2014. 62 x 45 x 10,5 cm. OLeinen Kassette / OLeinen-Mappe., 62554AB Objektkasten im Leinen teils etwas angestaubt, leinenmappe minimal aufgebogen. Sehr gutes, funktionierendes Exemplar.
1992rif. 16445Cantz, Edition, 1992. 119(1) Seiten, OLeinen m. OU in Leinen-Kassette 45x32cm, Zum Ausstellungskatalog in Wien 1992 wurde diese vorliegende Vorzugsausgabe in einer Auflage von 15 Unikaten herausgegeben. Das Unikat ist rückseitig von Uecker signiert mit Jahreszahl versehen und am oberen Rand an der Mappe montiert. Es liegt in einer separaten Mappe lose der Kassette bei. Sehr gutes Exemplar. Fine copy with an unicat artwork by Uecker. Info zur Abbildung: sie ist quer eingestellt: bitte nach rechts aufgestellt vorstellen! (ein technischer Fehler). [2 Warenabbildungen]
1959rif. 48782Antwerp.: Hessenhuis Anvers. 1959. Original stapled paper covers half-sized front cover showing the aluminated plate by Heinz Mack as published. Slight creasing to cover otherwise a very good copy. Square 4to. 212 x 214 mm. Introduction in Dutch and French by Marc Cammewaert curator of the show. Text in French by Bathazar on Bury. The very early and rare document on the Zero Group and New Realism together with the invitation to the vernissage. This legendary exhibition was held at the Hessenhuis Antwerp March 21 - May 3 1959 the vernissage was on 21st March.Contributing artists were Breer Pol Bury Yves Klein Heinz Mack Mari Bruno Munari Necker Dieter Rot Soto Daniel Spoerri Jean Tinguely and Van Hoeydonck.The catalogue contains 2 black and white reproductions of works by Mack; Otto Piene - text in German French English and 1 reproduction of the work 'reines Licht' Pure Light; Pol Bury - two lacerated blank plates; Dieter Rot - 'Carré dépliable' Unfoldable Square originally published in No.2 of the Spoerri's artist magazine 'Material'; Emmett Williams - 'Progression' folding sheet poem to be published in the forthcoming issue No.3 of 'Material'; P. Van Hoeydonck - a text by Maurits Blicke. Tinguely's contribution is the reproduction of his manifesto 'Für Statik' For Statics which he had dropped just a week before the opening of this show March 14th from an airplane on Düsseldorf Germany. Hessenhuis Anvers. unknown
rif. 61298BBo.J. [3 Warenabbildungen] Heinz Mack, geboren am 8. März 1931 in Lollar. Mitbegründer der international einflussreichen Gruppe Zero.
2012rif. 31241BBDüsseldorf. Richter /Fey 2012. 100 Exemplare. 8° Mit 1 OSerigraphie auf Spiegelkarton von Heinz Mack u. 1 OFarblithographie auf Bütten v. Otto Piene, jeweils signiert und nummeriert. brosch., in bedrucktem Original-Pappschuber. Mit montiertem Sonnenblumenkern von Jean Tinguely und dem montierten Streichholz von Daniel Spoerri. 100
1997rif. 13272DBSt. Gallen, Erker-Presse, 1997. 4°. 31,5 x 23,0 cm. [8] Doppelblätter Büttenpapier in Original-Kartonmappe mit Original-Schutzumschlag. [4 Warenabbildungen]
1960rif. 65476ABMilano., E.P.I. editoriale periodici italiani., 1960. 30 x 21 cm. 24 unpaginierte S. OKarton., 65476AB Umschlag an den Rändern leicht nachgedunkelt, etwas angestaubt und am Rücken etwas berieben und marginal knitterspurig. Gutes Exemplar.
rif. 22098Near Fine. THE ZERO MOSTEL CONDOLENCE ARCHIVE SEPTEMBER 1977-APRIL 1978 THE DEATH OF TEVYE: THE PRIVATE CONDOLENCE ARCHIVE OF HORIZON PRESS PUBLISHER BEN RAEBURN. A profoundly intimate self-contained manuscript and ephemera archive documenting the immediate shock private grief and permanent institutional legacy following the sudden death of theatrical legend Zero Mostel on September 8 1977. PRESERVED BY A FRIEND. Comprising 10 pieces of correspondence/legal papers plus a memorial program preserved in the private files of Mostel's closest friend and publisher Ben Raeburn of Horizon Press the collection bridges the gap between the post-war New York artistic avant-garde and the formal establishment of Mostel's public memory. A COMMUNITY IN MOURNING. The archive features deeply personal correspondence from photography titan Aaron Siskind poets and publishers Coburn Britton and Stanley Moss philosopher James K. Feibleman intellectual critic Manny Geltman author Morris Lurie and music editor Rose N. Rubin. Crucially the collection includes the private legal files of Mostel's personal attorney Harold Cande mapping out the behind-the-scenes funding and design of the permanent Zero Mostel Study Carrels at the Benjamin N. Cardozo School of Law Library. FROM LOSS TO LEGACY. The archive culminates in the rare unmailed official program for the first-anniversary retrospective at Lincoln Center featuring cover art by Al Hirschfeld. An irreplaceable primary research assemblage documenting the final earthly footprint of a mid-century cultural icon. KEY FEATURES GRIEF FROM PARIS: Original postcard sent from Paris by legendary photographer Aaron Siskind signed 'Aan' dated September 11 1977 balancing professional obligations with heavy personal grief. VOICES OF A CREATIVE CIRCLE: Highly expressive urgent condolence letters from major independent publishing and literary figures including Coburn Britton on 'PROSE' letterhead philosopher James K. Feibleman poet Stanley Moss Australian author Morris Lurie and 'Dissent' editor Manny Geltman. AN INTIMATE VOICE: A rare emotionally raw handwritten note from prominent music editor and folk song authority Rose N. Rubin speaking directly to the internal family dynamic of the estate. FROM PRIVATE LOSS TO PUBLIC MEMORY: Three detailed legal documents from Brooklyn Counselor Harold Cande and Yeshiva University outlining a $10000 memorial library tribute funded in Mostel's honor. THE CULMINATION The official four-page Lincoln Center exhibition invitation from September 1978 complete with Al Hirschfeld's definitive caricature of Mostel as Tevye. SPECS: 11 distinct archival items including 1 postcard 6 letters handwritten and typed 1 legal carbon copy and 1 exhibition program. Sizes vary from standard postcard dimensions to 8.5 x 11 inches. Provenance: Retained intact within the private estate files of Horizon Press founder Ben Raeburn and Pat Pearcy. CONDITION Memorial Announcement: The card block is crisp structurally sound and entirely free of postal cancellations or addresses. Shows light uniform hand-soiling throughout the pale-green cardstock. While typically a detraction within the context of this specific provenance this gentle patination strongly suggests intimate repeated handling by Raeburn in the years following his friend's passing-a moving physical testament to a lifelong association. Letters and Notes: Some were folded for mailing. All remain in fine to near fine condition. HISTORICAL SIGNIFICANCE : THE PRIVATE RECORD - While the public record documents Zero Mostel as a towering mercurial force of the American stage this private archive captures the immediate unvarnished shock of his sudden passing within the elite nucleus of the post-war New York avant-garde. Horizon Press under the visionary direction of publisher Ben Raeburn served as a vital sanctuary for mid-century modernism fostering deep cross-disciplinary alliances between theatrical icons abstract photographers independent poets and political critics. MEMORY BECOMES LEGACY. This collection is far more than a repository of grief; it is a primary document charting how a close-knit artistic community mobilized to transform raw loss into permanent legacy-moving from intimate private condolences to formal legal advocacy and ultimately to public institutional commemoration at Lincoln Center. Preserved intact within Raeburn's estate files it stands as an irreplaceable testament to the profound unspoken bonds that underwrote twentieth-century American cultural history. SCHOLARLY FEATURES PRIVATE VOICES: Offers unedited raw insights into how the post-war Manhattan intellectual crowd experienced a sudden monumental loss. AN INTACT PUBLISHER'S FILE: Represents a cohesive unculled sub-file from an elite independent publisher's estate guaranteeing authentic historical context. SUBJECTS: Zero Mostel Ben Raeburn Horizon Press Aaron Siskind Al Hirschfeld Performing Arts History New York Publishing History Mid-Century Intellectuals. GENRES: Archival Collections Correspondence Ephemera Memorial Programs. FULL ANALYTICAL OVERVIEW TRANSCRIPTIONS with IMAGES Available via PDF HERE unknown
1970rif. 31224BBStoccarda [Stuttgart], Cantz, 1970. 36,5 x 21,8 cm. 4 Hefte mit je einer Original Grafik ( z.B. Uecker Prägedruck) - 36 Bl., Abb. mit Text. In Mappe. Sehr schön und sauber erhalten!
1970rif. 63329ABStoccarda [Stuttgart], Cantz, 1970. 36,5 x 21,8 cm. 4 Hefte mit je einer Original Grafik ( z.B. Uecker Prägedruck) - 36 Bl., Abb. mit Text. in Umschlag. sehr guter Zustand. sehr schön erhalten.
rif. 14451DBo.J. Otto Piene, geboren am 18. April 1928 in Laasphe, gestorben am 17. Juli 2014 in Berlin. Künstler und Mitbegründer der Künstlergruppe ZERO. Wegbereiter der Licht- und Feuerkunst sowie der Sky-Art-Aktionen. [3 Warenabbildungen]
1977rif. 35358BBKarlsruhe, Rottloff, 1977. 30 x 30 cm. 230 S. zahlr. Ill. (z.T. farb.). 40 farbige Original Seriegraphien. Roter Leineneinband - kein Schutzumschlag. Geringe Textbräunung, sehr schön und sauber erhalten!
1958rif. 219094New York 1958. Full length. Gelatin silver print. 1 vols. 33.7 x 23 cm. Approximately 13-1/4 x 9 inches. Fine. Atelier stamp on verso and docketed by Van Vechten in ink giving the subject of the photograph "Zero Mostel as Leopold Bloom in Ulysses in Nightown" the date and the number of negative and print "IV qq 15". Full length. Gelatin silver print. 1 vols. 33.7 x 23 cm. Approximately 13-1/4 x 9 inches. Burgess Meredith's production in 1958 marked a comeback for one of America's greatest comedians. Mostel whose career had been stalled by his McArthur-era blacklisting made a triumphant return to the stage as Bloom. unknown
1958rif. 219095New York 1958. Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Fine.Atelier stamp on verso and docketed in ink giving the subject of the photograph "Zero Mostel as Leopold Bloom in Ulysses in Nightown" the date and the number of negative and print "IV qq 7". Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Burgess Meredith's production in 1958 marked a comeback for one of America's greatest comedians. Mostel whose career had been stalled by his McArthur-era blacklisting made a triumphant return to the stage as Bloom. unknown
1958rif. 219094New York 1958. Full length. Gelatin silver print. 1 vols. 33.7 x 23 cm. Approximately 13-1/4 x 9 inches. Fine. Atelier stamp on verso and docketed by Van Vechten in ink giving the subject of the photograph "Zero Mostel as Leopold Bloom in Ulysses in Nightown" the date and the number of negative and print "IV qq 15". Full length. Gelatin silver print. 1 vols. 33.7 x 23 cm. Approximately 13-1/4 x 9 inches. Burgess Meredith's production in 1958 marked a comeback for one of America's greatest comedians. Mostel whose career had been stalled by his McArthur-era blacklisting made a triumphant return to the stage as Bloom. unknown books
1958rif. 219095New York 1958. Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Fine.Atelier stamp on verso and docketed in ink giving the subject of the photograph "Zero Mostel as Leopold Bloom in Ulysses in Nightown" the date and the number of negative and print "IV qq 7". Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Burgess Meredith's production in 1958 marked a comeback for one of America's greatest comedians. Mostel whose career had been stalled by his McArthur-era blacklisting made a triumphant return to the stage as Bloom. unknown books
1970rif. 16420Venedig, 1970. Hefte je 16 Seiten, ca. 36,5x22 cm. Die 4 OBroschuren in OMappe. Mappe etwas berieben und etwas gebräunt; die Broschur von Uecker minimal berieben, die Grafiken in sehr gutem Zustand. Grafiken: Thomas Lenk: Farbserigrafie auf Transparentpapier. Heinz Mack: Serigrafie in Silber auf Karton. Georg Karl Pfahler: Farbserigrafie auf Karton. Günther Uecker: Nagelbild Prägedruck. Texte in deutsch - englisch - italienisch. So komplett eher selten. Gutes Exemplar. Good copy with 4 original graphics. Rare.
1970rif. 36420ABEssen., Museum Folkwang., 1970. 36,5 x 22,5 cm. 64 unpaginierte S. OKarton-Mappe, OKarton in OPapp-Versandkarton (ungenutzt)., 36420AB 4 Bände in Mappe. 1. Auflage. Sehr gutes, nahezu druckfrisches Exemplar.
1967rif. 63033ABFrankfurt, Seide, 1967. 313 S., tls. signierte Original Grafiken als Beilage. Or.Kart., broschiert. Einb. m. leichten Gebrauchsspuren, innen sehr guter Zustand. Egoist-Bibliothek Bd. 1.
1970rif. 51493ABEssen., Museum Folkwang., 1970. 37 x 23 cm. 64 unpaginierte S. OKarton-Mappe, OKarton., 51943A 4 Bände in Mappe. 1. Auflage. Mappe vorne mit einem schwachen, kreisrunden Feuchtigkeitsfleck ohne Auswirkungen, sonst sehr gutes Exemplar.
1972rif. 24302ABMünchen., Verlag Edition Heseler., 1972. 29 x 21 cm. 67 S. 6 Falttafeln. OKarton mit OUmschlag und bedrucktem, transparentem OFolienumschlag., 24302AB Sehr gutes Exemplar.
rif. 11131Nine black & white full-page illus. 24 pp. 8vo screen-printed wrappers staple-bound. Rome: Galleria Appia Antica 1959. Rare catalogue for one of the earliest ZERO group exhibitions organized by gallerist Hans Sonnenberg 1928-2017. Three shows took place under his direction this one in Rome and the others in Rotterdam and Antwerp. The Düsseldorf ZERO artists Heinz Mack Otto Piene and Günther Uecker demanded Sonnenberg give up the name and he cheekily acquiesced by changing the name of his gallery in The Hague from ZERO to Orez. In Rome Sonnenberg presented drawings silkscreens collages and lithographs by Kees van Bohemen Karl Fred Dahmen Piero Manzoni Wim Motz Ian J. Pieters Joop Sanders Jan Schoonhoven Emil Schumacher Shinkichi Tajiri and Jaap Wagemaker. Each artist is provided two pages in the catalogue one with a full-page illustration of their work and the facing page information on where they were born and currently live. Sonnenberg is recorded as the “manager” on the final page. Near fine; small scuffs to the wrappers. WorldCat records two copies in North American libraries as of October 2025. unknown
1959rif. 64369ABRotterdam., Hans Sonnenberg., [1959]. 28 unpaginierte S. OKarton., 64369AB_1 Kapital mit einem winzigen Riss, sonst sehr gutes und frisches Exemplar.
rif. 15886DBo.J. (Otto Piene, geboren am 18. April 1928 in Laasphe, gestorben am 17. Juli 2014 in Berlin. Künstler und Mitbegründer der K
