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ref. 22085Near Fine. HALFWAY AROUND THE WORLD ZERO MOSTEL SAW A FOUNTAIN PEN AND THOUGHT OF BEN RAEBURN. "I SAW A SHOP LOADED WITH FOUNTAIN PENS. I THOUGHT OF YOU." FRIENDSHIP IN A FEW LINES - AN UNGUARDED MOMENT . A warm and highly personal autograph postcard from actor artist and cultural icon Zero Mostel to Horizon Press founder Ben Raeburn. Written while traveling in Kyoto Japan the card provides direct evidence of the friendship between the two men and offers a rare glimpse into the informal personal relationships that existed behind New York's mid-century literary and publishing world. HUMOR ACROSS THE PACIFIC - ZERO BEING ZERO. Unlike formal presentation inscriptions or professional correspondence the postcard captures an unguarded moment of genuine affection. Mostel recounts discovering a shop filled with fountain pens immediately thinking of Raeburn purchasing one for him and joking about spending two hours practicing the Palmer Method before writing. The note closes with greetings to Pearl Raeburn and a characteristically humorous observation regarding a mutual acquaintance in Tokyo. PHYSICAL DESCRIPTION: Original color picture postcard depicting the Hotel Miyako Kyoto Japan. Approximately 5.5 by 3.5 inches. Addressed in Mostel's hand to Ben Raeburn at 150 Fifth Avenue New York City. Japanese postage stamp and postal cancellation present. Signed 'Love from Zero.' TRANSCRIPTION AVAILABLE CONDITION: Minor handling wear and age-related toning. Postal markings clear. Handwriting dark and fully legible. Signed by Zero Mostel. SCARCITY NOTE: Personal not professional correspondence from Zero Mostel is encountered far less frequently than signed books photographs or theatrical material. Association correspondence linking Mostel directly to publisher Ben Raeburn appears particularly uncommon. HISTORICAL SIGNIFICANCE - THE PERSONAL SIDE OF CULTURAL HISTORY MORE THAN A STAGE LEGEND Zero Mostel remains one of the defining performers of twentieth-century American stage and screen remembered for Fiddler on the Roof The Producers and his role as a prominent figure within New York's artistic community. This postcard preserves a personal connection between Mostel and independent publisher Ben Raeburn founder of Horizon Press and a central figure in postwar literary publishing. A FOUNTAIN PEN A FRIEND A MEMORY. The significance of this postcard lies not in its Japanese origin but in the relationship it documents. Mostel's note reads as one friend writing another while abroad with no apparent expectation that the message would ever be preserved. The fountain-pen anecdote is especially revealing demonstrating that Raeburn's interests were sufficiently well known that Mostel immediately associated him with a display of writing instruments encountered halfway around the world. THE HORIZON PRESS CIRCLE . The card also illustrates the social and cultural networks surrounding Horizon Press during its most active years. Raeburn's surviving correspondence frequently reveals connections among writers artists actors publishers and intellectuals; this postcard provides unusually direct evidence of that circle operating on a personal rather than professional level. SIGNED WITH AFFECTION. Particularly appealing is the closing signature 'Love from Zero' which transforms the item from a routine travel postcard into a tangible record of friendship. SUBJECTS: Zero Mostel Ben Raeburn Horizon Press American Theatre Literary Friendships Publishing Networks Kyoto Japan Autograph Postcards New York Cultural History. Autograph Material Association Copy Material Performing Arts Literary History Publishing History unknown
1966ref. 158727London: Woodfall Films 1966. Shooting Script for the 1967 British short film. Two annotations in manuscript ink: one on the title page noting copy No. 11 and one on page eight noting a deletion. Clad in an ornate and eye-catching costume an opera singer must make his way through a succession of busy city streets in order to arrive on time for his performance. Originally commissioned by producer Oscar Lewenstein as one third of a planned anthology film titled "Red White and Zero." OCLC locates no holdings. AMPAS shows no holdings. Tall red untitled wrappers with a die-cut title window in the British style. Title page present dated 17.3.66 noted as Shooting Script with credit for director and screenwriter Peter Brook. 11 leaves with last page of text numbered 9. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound internally with three silver brads. Woodfall Films unknown
1959ref. 48782Antwerp.: Hessenhuis Anvers. 1959. Original stapled paper covers half-sized front cover showing the aluminated plate by Heinz Mack as published. Slight creasing to cover otherwise a very good copy. Square 4to. 212 x 214 mm. Introduction in Dutch and French by Marc Cammewaert curator of the show. Text in French by Bathazar on Bury. The very early and rare document on the Zero Group and New Realism together with the invitation to the vernissage. This legendary exhibition was held at the Hessenhuis Antwerp March 21 - May 3 1959 the vernissage was on 21st March.Contributing artists were Breer Pol Bury Yves Klein Heinz Mack Mari Bruno Munari Necker Dieter Rot Soto Daniel Spoerri Jean Tinguely and Van Hoeydonck.The catalogue contains 2 black and white reproductions of works by Mack; Otto Piene - text in German French English and 1 reproduction of the work 'reines Licht' Pure Light; Pol Bury - two lacerated blank plates; Dieter Rot - 'Carré dépliable' Unfoldable Square originally published in No.2 of the Spoerri's artist magazine 'Material'; Emmett Williams - 'Progression' folding sheet poem to be published in the forthcoming issue No.3 of 'Material'; P. Van Hoeydonck - a text by Maurits Blicke. Tinguely's contribution is the reproduction of his manifesto 'Für Statik' For Statics which he had dropped just a week before the opening of this show March 14th from an airplane on Düsseldorf Germany. Hessenhuis Anvers. unknown
ref. 3211831754.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1979ref. 402571Zero Press 1979. FIRST THUS. Paperback. Like New/No Jacket. First Edition Thus First Printing. Published by Zero Press 1979. Octavo. Paperback. Book is like new with light shelf wear and price whited out on back cover. An excellent volume in this landmark philosophical series. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. Zero Press paperback
ref. 1998329089.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2015ref. K16KS1021Mayor Gallery London 2015. 1st Edition. SOFTCOVER. Square 4to in stiff card covers with thick card jacket 81pp on stiff art paper colour plates etc. One of 500 copies made __CONDITION : NEW copy in a NEW Dust Jacket. . __We always ship in PROTECTIVE CARD PARCELS Mayor Gallery, London paperback
1965ref. 000017002New York: Horizon Press 1965 1965. First edition. Hardcover. Near Fine/Very Good or better. 4to. Unpaginated. Black cloth with gold lettering on the front board and spine lettering in blind on the spine as well. Illustrated with in-text black and white drawings by Mostel and with 152 full-page black and white photographs by Max Waldman. A gift inscription on the free front endpaper; jacket price-clipped lightly worn and toned. Horizon Press [1965] hardcover
1965ref. 16-B09411Horizon Press New York 1965. Hardcover. Very Good/acceptable. signed by photographer. Signed and dedicated by the photographer Max Waldman and includes a typed letter affixed to inside d/w flap explaining publishing difficulties to the actor Morgan Sheppard. Horizon Press, New York, hardcover
ref. 11131Nine black & white full-page illus. 24 pp. 8vo screen-printed wrappers staple-bound. Rome: Galleria Appia Antica 1959. Rare catalogue for one of the earliest ZERO group exhibitions organized by gallerist Hans Sonnenberg 1928-2017. Three shows took place under his direction this one in Rome and the others in Rotterdam and Antwerp. The Düsseldorf ZERO artists Heinz Mack Otto Piene and Günther Uecker demanded Sonnenberg give up the name and he cheekily acquiesced by changing the name of his gallery in The Hague from ZERO to Orez. In Rome Sonnenberg presented drawings silkscreens collages and lithographs by Kees van Bohemen Karl Fred Dahmen Piero Manzoni Wim Motz Ian J. Pieters Joop Sanders Jan Schoonhoven Emil Schumacher Shinkichi Tajiri and Jaap Wagemaker. Each artist is provided two pages in the catalogue one with a full-page illustration of their work and the facing page information on where they were born and currently live. Sonnenberg is recorded as the “manager” on the final page. Near fine; small scuffs to the wrappers. WorldCat records two copies in North American libraries as of October 2025. unknown
1971ref. RMP804MÉXICO 1971. 8º. 370 pp. índice. Holandesa con puntas; desgaste en lomo y puntas. Al interior el forro original en rústica. Portadilla y página de título a dos tintas; dos hojas sin numeración con carta de Andrés Henestrosa y con un artículo sobre la obra que no son parte del facsímil; retratos de los personajes a página completa fuera de numeración. Interiores en muy buenas condiciones. Ejemplar identificado con el número 333 dedicado a "Lic Alejandro Palma". Obra escrita por Vicente Riva Palacio con el pseudónimo de "Cero". Los Ceros retratos picarescos de personajes de la época —en su mayoría escritores— constituye una obra sin parangón en la literatura mexicana por la incisiva erudición y gozosa ironía de que hace gala su autor. Desfilan por las páginas personajes como Guillermo Prieto Manuel Paynó Juan de Dios Peza Francisco Sosa Juan A. Mateos y Justo Sierra entre otros. Muy bien logrado facsímil. hardcover
1965ref. 177108New York: Horizon Press 1965. VG light shelfwear to boards overall wear and fading to slipcase. Pages with text and illustrations are otherwise very clean. Tan cloth boards with gilt lettering on front and spine issued in plain brown slipcase unpaginated profusely illustrated in bw. Includes bw lithograph signed by Mostel laid-in. "This edition is limited to two hundred and fifty numbered copies signed by the artist and accompanied by an unbound original signed lithograph on custom made French BFK Rives rag paper. This is copy number 156." and signed by artist on ffep. Photographs by Max Waldman with some personal words and drawings by Zero Mostel. Horizon Press hardcover
2010ref. 137517London: Sotheby's 2010. Softcover. NF. White wraps with embossed design French folds. 160 pp. Profusely illustrated in color many color plates. An auction of 49 major works "embodying some of the most significant advances in the development of Contemporary Art from masterpices by Yves Klein Lucio Fontana and Piero Manzoni to outstanding works by the core members of ZERO Otto Piene Heinz Mack and Gunther Uecker along with a host of others.an incomprable collection of Post-Informel Nachinformel ZERO art." - p. 13. Contains extensive explanatory text on ZERO and artwork in the collection. Color plates of the artwork and many additional related images. Sotheby's paperback
ref. 9395511303.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1978ref. 57172New York: Random House. Very Good in Fine dust jacket. 1978. First Edition; First Printing. 1/4 Cloth. 0394411811 . A Very Good first Printing of the First Edition Presentation Copy that has some sunning to the boards and other wera that is age related in a Fine dust-jacket. Volume is signed and inscribed by authors Jack and Madeline Gilford on the front flyleaf; 170 Years of Show Business is a book about the history of show business. It is written by Kate Mostel Madeline Gilford and Jack Gilfrod and Zero Mostel.; 8vo; 175 pages; Signed by Author & Illustrator . Random House hardcover
1978ref. 55648New York: Random House. Fine in Fine dust jacket. 1978. First Edition; First Printing. 1/4 Cloth. 0394411811 . A lovely first Edition/First Printing housed in a like dust-jacket; This book is a look back at the history of show business starting with its early roots in vaudeville and progressing to the present. The authors focus on the lives and careers of some of the most well-known stars of show business including Zero Mostel Judy Garland Barbra Streisand and Gene Kelly. The book is written in a lively and entertaining style making it a perfect read for anyone interested in the history of show business.; 8vo; 175 pages . Random House hardcover
1965ref. 014022Horizon Press 1965. Book. Fine. Cloth in Box. Signed by Authors. Limited Edition. 4to - over 9¾ - 12" tall. Limited Edition 1/250 Signed Copies #46 Fine Copy In Like Fine Slipcase Beautiful Copy. Horizon Press Hardcover
ref. 1998329143.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2008ref. 272036New York: Sperone Westwater Gallery 2008. hardcover. very good. Hundres of illustrations. 320pp. thick oblong 8vo printed boards. New York: Sperone Westwater and Ghen: Mer. Paper Kunsthalle 2008. Internally fine a very good copy. Sperone Westwater Gallery unknown
1965ref. 28530NY: Horizon 1965. First Edition. 4to pages not numbered. Presentation on flyleaf by Waldman. Many photographs of Mostel in pantomime and a section on his role as Tevye in Fiddler On the Roof. Includes drawings by Mosel and an interview. VG in chipped and soiled dj. Horizon unknown
ref. 34426Scanned image available on request. Very Good. Pulp Magazine. unknown
1968ref. 007566Hollywood CA: Huntington Hartford Theatre 1968. Autograph. Very good condition. Paperback. Signed by Authors. First Edition. Octavo 8vo. Stagebill for May 1968. Signed in ink on interior page by Zero Mostel Jules Munshin Alan Oppenheimer Alvin Epstein and additionally inscribed "To Otto Best Always" and signed Gwyda Donhowe. Overall slight shelfwear and soiling. Huntington Hartford Theatre Paperback
1981ref. 021737Manchester UK: City Fun Collective Publisher 1981. Wraps. Very Good. no date 1981. 11 ¾ by 8 ¼ inches. 20 pages including covers. Single issue of this influential Manchester zine known for its social commentary on punk music the left the right etc. As Wilkinson notes "City Fun's witty hostility towards identitarian fragmentation was not confined to gender and sexuality" Wilkinson p. 102. Nothing was sacred in its takes on the peripheral or not so peripheral social and political issues affecting punks etc. Some reviews of music along with commentary on the music industry. VERY GOOD condition. Minor wrinkling and toning. City Fun Collective, Publisher unknown
ref. albf92eed61fc701d90Preface by Jean Cassou compiled by Raphael Alberti. M. Goslitizdat. 1938. 80 p. Please contact us for details on condition of available copies of the book.�SKUalbf92eed61fc701d90. unknown
ref. 15456600like new. unknown