RATTA CESARE (CURATORE)MareMagnum
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RATTA CESARE (CURATORE) Acquafortisti italiani. Volume I raccolta di acqueforti, acquetinte, puntesecche, maniera nera, di 150 artisti. Volume II con 160 incisioni di 45 artisti. Volume III ed ultimo con 172 incisioni di 55 artisti. Bologna, Ratta s.d., Volumi 3 in 4° massimo/folio, brossure originali con immagine ai piatti anteriori, solo una minuscola ripresa ad una cuffia superiore. Volume primo: cc. 169 n.n. delle quali 2 in velina. Come spiegato dall'editore in una nota inserita al vol. II, le tavole n. 114 e 116 di C. Casanova sono state inserite per errore essendo in litografia anziché acquaforte come invece indicato. Commenti di Raffaello Biordi e Alfredo Petrucci. Volume secondo: cc. 165 n.n. con la detta iconografia - Volume terzo: cc. 162 n.n. con la detta iconografia. Tiratura di 500 esemplari numerati (344 - 191 - 276). Esemplari in stato di conservazione molto buona, solamente una mancanza all'ang. inf. della tav. 98, lontano dall'immagine. Monumento tipografico del grande Cesare Ratta Buono (Good) .
1852Due volumi rilegati in uno in 8° (mm. 260x170), pp. 282, 270, due incisioni all'antiporta + 50 inc. in acciaio finemente dipinte a mano d'epoca. Legatura originale in percallina verde con dorso a nervi decorato in oro. Buon esemplare della più riuscita opera del celebre illustratore francese, stampata nel 1847 per la prima volta. Le belle tavole raffigurano fiori in sembianza di figure femminili, delineate con grande eleganza. Qualche abrasione al dorso.
1926ref. 10952Paris, NRF Gallimard, 1926 ; 4 tomes, petit in-8 ; cartonnage rigide de papier gauffré à grand décor polychrome sur les deux plats et le dos (les quatre décors sont différents), vignette lithographiée en camaïeu au centre des plats, titre et tomaison dorés au dos, étui doré avec large ruban (reliure de l'éditeur) ; 57 ; 60 ; 48 ; 65 pp. ; et au total 24 illustrations gravées à l'eau-forte, 6 par volume (les 8 en-têtes et les 8 lettrines sont gravés sur les mêmes cuivres) par J. Rosoy, G. Labaye et H. David.
ref. 2015First English Language Edition. 897 pp. offset in stiff wrappers chiefly illustrated in black and white. 4to. Very good. 2015 Catalogue raisonné of the artist's books of Raymond Pettibon. From the library of translator and onetime member of the Situationist International Donald Nicholson-Smith inscribed to Nicholson-Smith by Pettibon at half-title page and additionally by editor Ohrt at title page. A nice association copy which suggests an affinity between Pettibon's illustrations and the graphic work of the Situationist International. D.A.P.
ref. 2015First English Language Edition. 897 pp. offset in stiff wrappers chiefly illustrated in black and white. 4to. Very good. 2015 Catalogue raisonné of the artist's books of Raymond Pettibon. From the library of translator and onetime member of the Situationist International Donald Nicholson-Smith inscribed to Nicholson-Smith by Pettibon at half-title page and additionally by editor Ohrt at title page. A nice association copy which suggests an affinity between Pettibon's illustrations and the graphic work of the Situationist International. D.A.P. books
ref. 011-Wo.J. Feder in Grau und Schwarz, grau laviert, teils weiß gehöht, auf braunem Velin, links unten mit unleserlicher mehrzeiliger Anmerkung, rechts unten datiert ?26 Nov. 36.? Ca. 13:9,8 cm. Auf alten Untersatz montiert, beigefügt ausgeschnittene Signatur ?Marianne Chodowiecka fec.?. In den Rändern ungleich beschnitten.
ref. 124-Do.J. Feder in Schwarz, Braun und Bleistift, auf Bütten mit Wasserzeichen: Wappen. 21,5:35,9 cm. Insgesamt nicht ganz frisch, eine Ecke eingerissen.
1936ref. 31578New York: C.J.H. Publications Inc. 1936. Text paper tanned but quite supple light edge wear with tiny closed tears at the upper and lower spine. A very good or better copy with bright front cover. 31578. Large octavo single issue illustrations by Fred Meagher pictorial wrappers saddle stapled. Pulp magazine. The only issue which includes eight full page color illustrations. An attempt to blend the comic strip and pulp field which did not find the right audience. Includes the lead story which stars Flash Gordon and three other SF stories. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 273-274. C.J.H. Publications, Inc. unknown
1961ref. 21274Pasadena TX: Glenn Lord 1961-1973. Some age tanning to edges of early issues a nearly fine to fine set except for the Winter 1965 issue has a closed tear to the lower front cover and some wear along upper front edge a very good copy. Complete sets are uncommon. 21274. Small octavo printed wrappers. All published. A major source for material by and about Robert E. Howard. Many Howard poems letters and fragments of fiction are printed here for the first time. Most issues are scarce especially the early numbers. Glenn Lord unknown
1936ref. 34746Chicago: Popular Publications Inc. 1936. First edition. Mild tanning to text paper slight edge wear slight wear to spine ends a bright fine copy. 34746. Octavo single issue cover by John Howitt pictorial wrappers. Pulp magazine. "Laboratory of the Damned" with Norvell Page writing as "Grant Stockbridge." The character was established to be a direct competitor to Street and Smith's Shadow magazine. After Doc Savage and The Shadow this was the most popular hero character. The Spider character was considered one of the most brutal and violent of the pulp era. Reference: Cook Mystery Detective and Espionage Magazines pp. 521-527. Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 602-604. Popular Publications, Inc. unknown
ref. 38635S.l.n.d. [Vienne Adamek?] s.d. [premier tiers du XIXe siècle] 9 x 10,7 cm environ en feuille, à tirette, légèrement jauni
ref. 045-Wo.J. Feder in Schwarz, auf bräunlichem dünnem Velin. 25:40,7 cm. Skizzenbuchblatt. - Insgesamt nicht ganz frisch. Mit spitzem Strich hielt Cornelia Gurlitt hier einen Landschaftsausschnitt fest, eine für die Künstlerin charakteristische Bearbeitung.
1927ref. 31969New York: Experimenter Publishing Co. 1927. Text paper mildly tanned front cover shows a touch of edge rubbing a lovely copy bound in brown cloth which has preserved this issue quite nicely. This issue does not appear to be trimmed for binding. 31969. Large octavo single issue bound volume pictorial wrappers in brown cloth with spine stamped in gold. Bedsheet-sized pulp bound. This features the first printing of "Master Mind of Mars" by Edgar Rice Burroughs. The only issue of AMAZING STORIES ANNUAL. Released in July 1927 its 100000-print run sold out. The success of the ANNUAL encouraged Gernsback to launch AMAZING STORIES QUARTERLY in January 1928. Reference: Tymn and Ashley eds Science Fiction Fantasy and Weird Fiction Magazines pp. 49-51. Experimenter Publishing Co. unknown
1948ref. 33277Sauk City Wisconsin: Arkham House 1948-1949 volume 1 number 1-volume 2 number 4. First edition. Touch of wear to corner tips and spine ends to several issues the usual rust staining from the staples a nearly fine to fine set. A very nice set. 33277. Octavo printed wrappers. All published. A short lived but important periodical. In addition to printing first appearances of fiction by Ray Bradbury H. P. Lovecraft Clark Ashton Smith Robert Bloch Theodore Sturgeon A. E. van Vogt and many others the magazine published essays criticism memoirs and book reviews. One issue was devoted to science fiction. The final issue included an index. All issues were limited to 1200 copies except the "All Science-Fiction Issue" that had a 2000-copy print run. Reference: Parnell Monthly Terrors pp. 14-15 listing contents. Tymn and Ashley eds. Science Fiction Fantasy and Weird Fiction Magazines pp. 112-114. Arkham House unknown
ref. 100977New York October 14 1976. 1976. Very good. - Over 110 words penned in two columns on his personal 7 inch high by 8-1/2 inch wide ruled "Message/Reply" stationery. John Cage writes to Sydney Cowell Henry Cowell's widow about Henry Cowell's compositions "Recv enclosed letter from my Japanese composer friend. Located piece in Ms. at Lincoln Center. It is actually 2 pieces called Set of Two but one was too difficult and the other was recorded in Japan under the title Prelude for Vn & Hapschd. I have given Kuniharu Akiyama's address to Mr. Jackson." He goes on to indirectly refer to his own compositions "Renga" and "Apartment House 1776" which were performed in Boston: "The Boston piece went very well. Seiji was marvelous. Now must wk with Boulez on it. Singers were great." Signed "John". There are minor annotations along the top edge in an unidentified hand and staple holes at top left. Else near fine. John Cage's compositions "Renga" and "Apartment House 1776" were performed simultaneously by the Boston Symphony Orchestra under Seiji Ozawa on September 29 1976. Boulez performed the works with the New York Philharmonic on November 5th of that year. The Japanese avant-garde composer Kuniharu Akiyama 1929-1996 was also a music critic and a poet. He was a founding member of the Jikken Kobo group of avant-garde artists. The American avant-garde composer John Cage 1912-1992 was a pioneer in electroacoustic music and the unconventional use of instruments. An artist and music theorist he was Merce Cunningham's lover and influential in the development of modern dance. Henry Cowell and Arnold Schoenberg were both his teachers. Henry Cowell's wife Sidney Robertson Cowell 1903-1995 was a pianist and an American ethnomusicologist and collector of folk songs. New York, October 14, 1976.
1933ref. 34710Chicago: Popular Publications Inc. 1933. Mild tanning to text paper slight edge wear reading crease with separation at lower left spine edge inked date stamp to upper front cover spine is bright red a nearly fine to fine copy. 34710. Octavo single issue cover by John Howitt pictorial wrappers. Pulp magazine. The third issue. With this issue and the remainder of the run the house pseudonym of Grant Stockbridge is used. This issue "Wings of Black Death" with Norvell Page writing as "Grant Stockbridge." The character was established to be a direct competitor to Street and Smith's Shadow magazine. After Doc Savage and The Shadow this was the most popular hero character. The Spider character was considered one of the most brutal and violent of the pulp era. Reference: Cook Mystery Detective and Espionage Magazines pp. 521-527. Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 602-604. Popular Publications, Inc. unknown
1999ref. __0750306165Inst of Physics Pub Inc 1999. Hardcover. New. 1st edition. 192 pages. 9.00x6.00x1.25 inches. Inst of Physics Pub Inc hardcover
CAMPEDELLI OTTAVIO Bologna 1792 - 1862, studiò presso l'Accademia della città affermandosi nel genere storico paesaggistico. Il suo stile, nel corso degli anni, si indirizzò maggiormente verso idealizzazioni pittoresche e, in seguito, sfociò in un accentuato naturalismo. , , Foglio di cm 30,5 x 23,2, una piccola mancanza al margine superiore sinistro che colpisce per circa cm 3,5 x 1 (massimo), altro minuscolo angoletto mancante in basso a destra. Non toccando l'immagine ambedue le piccole mancanze sono facilmente riprendibili. Disegno a penna con tracce di matita e con alcune figure solo a matita, scena di paesaggio con querce e armenti, probabilmente su un lungofiume. Al retro si nota scritta a matita " Dintorni di Riola Campedelli con (?)". Sempre al retro, della stessa mano, si ritrova un bell'abbozzo di mucca. Tavola conforme a quelle presenti alle Collezioni d'arte della Cassa di Risparmio, si veda il volume curato da F. Varignana, I disegni vol. III Dal paesaggio romantico alla veduta urbana Buono (Good) .
1965ref. 014529Paris Nouveau Cercle Parisien du Livre 1965 En feuilles, couverture illustrée à rabats
Inchiostro bruno e matita misure: mm 177 x 235 Pittore, disegnatore, bibliofilo, letterato, collezionista, poeta, critico e storico dell’arte. A soli quindici anni è accolto nell'Accademia dell’Arcadia per i suoi componimenti poetici. Successivamente segue a Brera i corsi di Traballesi, Knoller e Appiani. Nel 1795 è a Roma dove stringe amicizia con Felice Giani , Angelika Kauffmann e soprattutto con Antonio Canova, di cui diventa amico fraterno. Nel 1801, a soli ventiquattro anni , è nominato Segretario dell’Accademia di Brera. Grazie anche al sostegno della Repubblia Cisalpina egli imprime una svolta radicale alla suddetta istituzione, redigendo i nuovi statuti, ampliando la collezione della Pinatoca (si ricorda fra tutti l’acquisto dello “Sposalizio della Vergine” di Raffaello) e raccogliendo svariato materiale didattico; dalle stampe ai gessi ai libri. Viaggia intanto a Roma, Napoli e Parigi, dove fa la conoscenza di David. Nel 1802 vince il concorso bandito dalla repubblica Cisalpina con il dipinto “La Riconoscenza della Repubblica italiana a Napoleone”. Nel 1807 da le dimissioni dall'Accademia a causa dei contrasti col governo e la nuova politica – da lui giudicata troppo severa- di Napoleone. Nello stesso anno, su incarico del Viceré Eugenio di Beauharnais realizza una copia del Cenacolo vinciano. Per questa occasione pubblica nel 1810 il saggio “Del Cenacolo di Leonardo da Vinci”, che riscuote un immediato successo ed è ancora oggi considerato un testo fondamentale per lo studio del pittore toscano. Bossi muore prematuramente nel 1815 lasciando incompiuta la commissione per gli affreschi di Villa Melzi a Bellagio. Giuseppe Bossi fu un infaticabile ed eccelso disegnatore. Egli utilizzava il disegno come momento di studio ed elaborazione delle proprie idee figurative. Dotato di un segno veloce, sicuro ed energico; era inoltre in grado di realizzare, grazie all'uso di sapienti campiture acquerellate, opere di grande atmosfera. Esemplare grafico elegante. Le figure sono descritte attraverso la linea di contorno e sono visibili i ripensamenti dell'artista nel rappresentare i tre personaggi lasciati a matita. Studio preparatorio su carta vergellata. Ottimo stato di conservazione. Bibliografia: AA.VV. “Giuseppe Bossi Pittore”, Busto Arsizio, 1965; L.T.Brunetto “Giuseppe Bossi. L’Uomo e L’opera”, Busto Arsizio, Pianezza Editore, 1983; F. Leone & F. Mazzocca (a cura di)“L’officina neoclassica”, Silvana editoriale, Faenza, 2009; G. Fusconi (a cura di) L’Artista e il suo atelier. I disegni dell’acquisizione Osio all’Istituto Nazionale per la Grafica”, Palombi editori, Roma, 2006.
1933ref. 34709Chicago: Popular Publications Inc. 1933. Mild tanning to text paper slight edge wear closed tears at upper spine edge mild spine fade a nearly fine to fine copy. 34709. Octavo single issue cover by John Howitt pictorial wrappers. Pulp magazine. The second issue. "The Wheel of Death" by R. T. M. Scott. This is the last to be written by Scott starting with the next third issue a house pseudonym was used. The character was established to be a direct competitor to Street and Smith's Shadow magazine. After Doc Savage and The Shadow this was the most popular hero character. The Spider character was considered one of the most brutal and violent of the pulp era. Reference: Cook Mystery Detective and Espionage Magazines pp. 521-527. Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 602-604. Popular Publications, Inc. unknown
2015ref. 111723Park Books. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and German. -- with a bonus offer-- . 2015. 3906027538 . Park Books paperback
1619ref. 48626Venedig, Nicolo Misserini, 1619. 4°. Mit breiter figürl. gest. Titelbordüre, 2 doppelblattgr. Kupferkarten u. 40 doppelblattgr. Kupfertafeln. 8 Bll., 407 S., 12 Bll., Etw. späterer Pgmt.-Bd. m. durchzogenen Bünden u. handschriftl. Rückentitel.
Paris, L. Turgis, 1850 circa. Numero quattro litografie in colore d'epoca, cm 53 x 66 (il foglio). In basso al centro "Lithographiées par Lafosse d'après Lazerges", la firma di Lafosse nella parte figurata alla metà del margine laterale sinistro. Non facile a reperirsi la serie completa delle quattro. L'Asia e l'Europa presentano abrasioni del foglio nella parte superiore, lievissime fioriture d'insieme, tenue e bella la coloritura, molto decorative.
