Einstein

Einstein — marelibri

Portrait Photograph of Albert Einstein signed by Yousuf Karsh

1948réf. 2327Princeton NJ: np 1948. framed. Fine. ONE OF THE MOST CELEBRATED IMAGES OF EINSTEIN SIGNED BY MASTER PHOTOGRAPHER YOUSUF KARSH. On February 11 1948 Yousuf Karsh perhaps the most accomplished portrait photographer of his generation visited The Institute for Advanced Study in Princeton to fulfill a dream of his: to photograph Albert Einstein. As he later explained: "Among the tasks that life as a photographer had set me a portrait of Albert Einstein had always seemed a 'must' - not only because this greatest refugee of our century has been accounted by all the world as the most outstanding scientist since Newton but because his face in all its rough grandeur invited and challenged the camera." Karsh: Beyond the Camera David Travis ed. "At Princeton's Institute for Advanced Study I found Einstein a simple kindly almost childlike man too great for any of the postures of eminence. One did not have to understand his science to feel the power of his mind or the force of his personality" official Karsh website. "Awed before this unique intellect I yet ventured to ask Einstein his views on human immortality. He mused for a moment and then replied 'What I believe of immortality There are two kinds. The first lives in the imagination of people and is thus an illusion. There is a relative immortality which may conserve the memory of an individual for some generations. But there is only one true immortality on a cosmic scale ant that is the immortality of the cosmos itself. There is no other.' "He spoke of these ultimate mysteries as calmly as he might a student's question about mathematics - with such an air of quiet confidence indeed that I found his answer profoundly disturbing to one who held other views. Knowing him to be an accomplished violinist I turned the conversation and asked if there were any connection between music and mathematics. 'In art he said 'and in the higher ranges of science there is a feeling of harmony which underlies all endeavour. There is no true greatness in art or science without that sense of harmony. He who lacks it can never be more than a great technician in either field.' "Was he optimistic about the future harmony of mankind itself He appeared to ponder deeply and remarked in graver tones: 'Optimistic No. But if mankind fails to find a harmonious solution than there will be disaster on a dimension beyond anyone's imagination.' To what source should we look for the hope of the world's future 'To ourselves' said Einstein. He spoke sadly yet serenely as one who had looked into the universe far past mankind's small affairs. In this humor my camera caught him. the portrait of a man who had traveled beyond hope or despair." Yousuf Karsh Regarding Heroes. Opening quote from: Colin Naylor ed. Contemporary Photographers. Silver print. Photo taken Princeton 1948. Printed later. Signed by Karsh in full beneath the image on photographer's mount. With Karsh's original calling "card" - a 4x10 inch cardboard slip - included. Image: 8x9 inches. Framed to an overall size of 12x15 inches. Fine condition. np unknown books

The Manhattan Rare Book Company · États-Unis5 000,00 $US≈ 4 458,31 €

EINSTEIN, ALBERT; MAYER, WALTHERABAA

Autograph Letter. WITH: Manuscript Leaf of Calculations

1932réf. 3054Caputh Germany: np 1932. First edition. Very Good. AN IMPORTANT SCIENTIFIC LETTER FROM EINSTEIN TO HIS CLOSEST MATHEMATICAL COLLABORATOR ACCOMPANIED BY A MANUSCRIPT LEAF OF CALCULATIONS IN EINSTEIN'S HAND ON THE SAME LINE OF RESEARCH. Although the original association of the letter and the leaf of calculations cannot be confirmed the two pieces clearly emerge from the same scientific context and have been preserved together. A superb pair from the final months of Einstein's German period. The Letter: In this intense and intellectually urgent letter Einstein writes to Walther Mayer his indispensable mathematical collaborator often referred to as "Einstein's Calculator" describing a newly conceived approach to the technical obstacles in their unified-field theory involving semi-vectors spinors and modified Dirac-type equations. Einstein tells Mayer he believes he "sees a new possibility" one that determines key constants in the system without resorting to the semi-vector construction. He then sketches the structure of the revised scheme points to the condition under which the full set of field equations reduces to a single one and warns that if this same collapse occurs in the general case "the whole thing would be useless." With his imminent departure from Germany he urges Mayer to examine the issue quickly and gives instructions for where a reply will reach him while en route. Dirac and De Broglie - Significance of the Scientific References: Of particular importance is Einstein's explicit engagement in this letter with the work of Paul Dirac and Louis de Broglie two of the central figures in early quantum theory. Einstein refers directly to the Dirac equations introduced only a few years earlier which provided a relativistic formulation of the electron and played a foundational role in quantum mechanics. He also invokes the De Broglie equations for matter waves reflecting his continued effort to reconcile quantum ideas with relativistic field theory. These references place the letter squarely at the intersection of Einstein's unified-field program and the emerging quantum framework he famously regarded with both fascination and skepticism. The letter thus documents Einstein actively testing whether concepts originating in quantum mechanics-Dirac's relativistic wave equation and De Broglie's wave-particle duality-could be absorbed into a geometrically unified classical field theory. Letters in which Einstein explicitly grapples with Dirac and De Broglie at this technical level are rare and represent an important record of his engagement with the central theoretical developments of the early twentieth century. Historical Context: Einstein's collaboration with Walther Mayer beginning around 1930 produced some of the most technically sophisticated papers of Einstein's later career. Together they developed new mathematical structures-semi-vectors spinors and higher-dimensional tangent-space formulations-used in their unified-field attempts. This letter dates from December 1932 only weeks before Einstein left Germany permanently and belongs to the final phase of their joint work published in the Sitzungsberichte of the Prussian Academy. Einstein valued Mayer so highly that he later persuaded the Institute for Advanced Study to create a permanent position for him the only such appointment ever granted for one of Einstein's collaborators. The Manuscript Calculations: Accompanying the letter is a two-page manuscript leaf containing Einstein's working calculations: trial expressions constraint conditions and variant formulations of the same type of semi-vector and spinor problems addressed in the letter. While we cannot confirm that these pages were originally enclosed with the letter they concern the same scientific material and have been preserved alongside it. Einstein manuscript leaves of this depth and technical significance-especially when tied to a known collaborative problem-are scarce. Significance: Whether or not originally sent together the letter and the calculations form a powerful and coherent scientific pair offering a rare view of Einstein actively working through equations testing ideas and relying on Mayer to verify mathematical structure. They capture Einstein at a critical inflection point in both his scientific life and personal circumstances as he prepared to leave Germany forever. --------- The letter from Einstein to Mayer reads in full translated from the original German: Dear Mr. Mayer! I believe I see a new possibility which promises success. It is along the lines of the recently devised way according to which one places zero on the right side of the Dirac-Equations. The novelty is in the fact that the constants a1 . a4 aside from a totally irrelevant factor are completely known without passing on to the specific Semi-Vectors. After omission of the _-terms the equations read Ee st ys = s 1 xe Or for De-Broglie-Equations of the restless particle E4 st ys = s 1a x4 Here is what's new: How does one choose the ay so that the De Broglie - Choices stay largely undetermined Result: The four equations 1a reduce themselves into a single one when and only when if one lets a1 = 1 a2 = 1 a3 = 1 a4 = 1 I believe that with this selection ay is for the equation describing the _-terms 1 the fitting substitute for the DeBroglie-Equation. These equations are already supplied by the simplest Hamilton function. See if the general equations 1 degenerate with this placing for a as well. If this were the case the whole thing would be useless. I leave on Saturday. A letter that is sent to Antwerp to the `Oakland' Hapag Antwerp harbor will reach me until December 13. Cordial greetings from your A. E. Autograph Letter Signed Written in German. One page 8.5 x 11 in.; 216 x 279 mm. probably Caputh near Potsdam Germany the location of Einstein's country home Sunday 4 December 1932. Scattered spotting affecting four words; usual folds. WITH: Two-page leaf of mathematical calculations. Housed together in decorated half-leather box by noted book artist Sjoerd Hofstra. np unknown books

The Manhattan Rare Book Company · États-Unis65 000,00 $US≈ 57 958,10 €

EINSTEIN, ALBERT; PLAUT, FREDERICKABAA

Photograph Signed

1954réf. 2832Princeton NJ: np 1954. First edition. nb. Fine. EXTREMELY RARE AND BEAUTIFUL SIGNED PHOTOGRAPH OF EINSTEIN BY FREDERICK PLAUT. SIGNED ON THE IMAGE BY EINSTEIN: "A. Einstein 54". A fine photograph of Einstein in 1954 a year before his death sitting in his Princeton home surrounded by books and holding his pipe gazing slightly away from the camera. In his 1964 collection of photographs The Unguarded Moment the photographer Frederick Plaut explains the circumstances of his evocative photo of the elderly Einstein: "There must be a moment in every professional photographer's life when he is so in awe of his subject that he can scarcely focus his camera. That moment for me was when I met Albert Einstein at his home in Princeton. Certainly the great man was not formidable; he greeted my wife and me graciously and proceeded to chat with her while I went to work. I remember that she asked him about his music and when he told her that he no longer played his violin she murmured 'That's too bad.' He smiled 'Ah no. It would have been too bad if I went on.' In the final moments of our visit Einstein looked at me very seriously. 'I hope' he said 'you can sell these pictures for a good price.' Astounded I blurted out: 'Oh no Sir. I have nothing to sell. I just wanted to photograph you.' His face clouded. 'Not sell them If I had known that I never would have let you take them.' After we left I realized the significant of a delightful remark attributed to Mrs. Einstein. Someone once asked Mrs. Einstein whether she understood Professor Einstein's theory of relativity. She answered without hesitation 'No but I understand Professor Einstein'" Frederick Plaut The Unguarded Moment A Photographic Interpretation. The photographer Frederick Plaut moved to the United States from Europe in 1940. After being "discovered" by the legendary photographer Edward Steichen Plaut soon was invited to exhibit in numerous exhibitions. "At the Museum of Modern Art his photographs have been shown in many exhibitions including: 'The Family of Man' 'Music and Musicians' 'The Exact Instant' and others. Plaut's work has appeared in Time Life Esquire Look Saturday Review Vogue U.S. Camera Modern and Popular Photography andRealities et al" The Unguarded Moment. Provenance: Acquired directly from the family of the original recipient Arthur Klein with the original mailing envelope stamped "Jan 27 '54" from The Institute for Advanced Study in Princeton where Einstein was working at the time. Arthur Klein is primarily known for founding with his wife Luce Spoken Arts a highly influential company formed in the 1950s that created and distributed recordings of the works of famous writers and artists usually reading from their own works. Princeton NJ: 1954. Silver gelatin print approximately 4.75 x 6.75 inches. With Plaut's studio stamp on verso. Fine condition with Einstein signature - nicely centered at the base of the photograph - particularly strong. As Plaut mentioned in his account of the photographic session he never intended to sell this photograph and it is likely very few of these photos were printed and distributed. EXTREMELY RARE: WE CAN FIND NO OTHER EXAMPLE OF THIS PHOTOGRAPH SIGNED BY EINSTEIN. np unknown books

The Manhattan Rare Book Company · États-Unis22 000,00 $US≈ 19 616,59 €

EINSTEIN, ALBERT; VISHNIAC, ROMANABAA

Einstein at Work Suite of Seven Photographs

1980réf. 2611New York: np 1980. First edition. Clamshell box. Fine. EXTREMELY RARE COMPLETE SUITE OF SEVEN LARGE SILVER PRINTS FROM EINSTEIN'S FAMOUS PHOTO SHOOT AT PRINCETON WITH ROMAN VISHNIAC. Each print is signed by Vishniac and dated "At Princeton 1942" in his hand below the image and numbered on the back. "One day Vishniac decided to visit Albert Einstein at Princeton to offer greetings from mutual friends in Berlin. Uninvited he hoped Einstein would pose for a portrait but Einstein had little interest. Vishniac recalled: It was a singular experience. An idea had suddenly come to him and the room was filled with the movement of the great man's thought. I waited several minutes and then when I saw that he did not intend to say anything more to me and that he was off in a world of his own I started taking pictures. Einstein later admitted that a Vishniac photograph taken that day was his favorite portrait" Encyclopedia of Twentieth-Century Photography. Vishniac provided details about this portolfio in a letter to an original recipient the letter is not included here explaining: The size of the edition's limitation is uncertain due to my age and only spare time to make them. The most expensive portfolios - Ansel Adams Kertesz - are limited in large numbers I can never measure up - 999 1001 and similar. The originality of Portfolio "Einstein" consists of its special character. It is made not to get images but the feeling that you are present during the creativity by the Great Man. All pictures are made with "hidden camera" method. The value of this portfolio is great and can hardly be estimated today. Princeton/New York: 1942 negatives; 1980 silver prints. Elephant folio clamshell box approx. 17x21 in. housing seven silver prints. Image size: approx. 10.25 x 13.25 in.; with matte 16x20 in. A few minor blemishes to box. Photos in fine condition. RARE. np unknown books

The Manhattan Rare Book Company · États-Unis45 000,00 $US≈ 40 124,84 €

Einstein

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