2 534 résultats
réf. 43483586-nnew. unknown
réf. 242042938Berlin Julius Springer. 1921 paper wrappers 20 pp. remarks and underlinings with pen also on frontwrapper else good Erweiterte Fassung des festvortrages Gehalten an der preussischen Akademie der Wissenschaften zu Berlin am 27. Januar 1921. Berlin, Julius Springer unknown
1921réf. 17649Berlin: Verlag Von Julius Springer 1921. First Trade Edition. Wraps. Very good. The first trade edition of Geometrie Und Erfahrung Geometry and Experience by Albert Einstein from the collection of Einstein's English translator Dr. Wilfrid Perrett. Octavo 20pp. Publisher's original wraps bound with two staples. Light soiling and wear on wraps internally clean. Includes two illustrations advertisements on verso of rear flap. Staples showing rust some wear to edges of original wraps. Weil 115 Schlipp-Shields 143 This copy is signed by Wilfrid Perrett on the front cover. This work first appeared in the Sitzungsberichte der Preussischen Akademie der Wissenschaften accompanied by an "author's offprint" which was bound in orange wrappers. Weil 114. This work is the first separate trade edition. The recipient of this copy Dr. Wilfrid Perrett worked with Dr. George Barker Jeffery to translate many of Einstein's most notable works into English. Perrett was a "distinguished German scholar" and would "overlook the literary side of the work" while Jeffery would oversee the mathematical translations. The two worked together on Das Relativitätsprinzip On the Relativity Principle beginning in 1922 and numerous other works by Einstein over his career. Jammer 113-114. Verlag Von Julius Springer unknown
1921réf. 46479Berlin Julius Springer 1921. Uncut in orig. printed wrappers. 20 pp. Some marks on the 3 last leaves and on backwrapper probably after a rubberband. First edition. - Weil: 115. - Boni: 122. unknown
1921réf. 38642Berlin Julius Springer 1921. Uncut in orig. printed wrappers. 20 pp. First edition. - Weil: 115. - Boni: 122. unknown
1921réf. 32432Berlin: Julius Springer 1921. First Edition. First Edition. Einstein Albert. GEOMETRIE UND ERFAHRUNG. Geometry and Experience PP.121-131. Julius Springer Berlin 1921. Erweiterte Fassung des Festvortrages gehalten an der Preussischen Akademie der Wissenschaften zu Berlin am 27. Januar 1921. 8VO. 20PP. With 2 text illustrations. Original printed cream wrapper. First Edition. Weil 115. HBS52699. At 1921 at the Prussian Acedemy's commemorative session honoring Frederick the Great founder of the Academy Einstein delivered this lecture in which he summed up his views on the geometrization of physics and relativity and the relation of mathematics to the external world. Here he gave his famous answer to the puzzling question of why mathematics should be so well adapted to describing the external world: "Insofar as the Laws of Mathematics refer to the external world they are not certain; and insofar as they are certain they do not refer to reality" D.B.S. Vol. 4 p. 330. A fine copy. This is a mature work of Einstein published when he was 42 years old and in the year he received the Nobel Prize in Physics. Julius Springer unknown
1933réf. 015021Bâle Kunsthalle Basel 1933 In-8 carré Broché
réf. 41141Paris, Editions des Chroniques du Jour (coll. "XXe siècle"), 1934. In-4°, 140p. + XCVI planches. Broché, couverture illustrée rempliée.
1921réf. 38642Berlin, Julius Springer, 1921. Uncut in orig. printed wrappers. 20 pp.
1921réf. 46479Berlin, Julius Springer, 1921. Uncut in orig. printed wrappers. 20 pp. Some marks on the 3 last leaves and on backwrapper probably after a rubberband.
1921réf. 88645Berlin, Julius Springer, 1921, in-8, 20 pp, Broché, couverture crème imprimée de l'éditeur, Première édition de cette conférence prononcée par Einstein (1879-1955) à l'occasion de la séance commémorative de l'Académie prussienne en l'honneur de Frédéric le Grand. Le physicien y résume ses théories sur la géométrisation de la physique et de la relativité, ainsi que sur la relation des mathématiques au monde : "Comment est-il possible que la mathématique, qui est un produit de la pensée humaine et indépendante de toute expérience, puisse s'adapter d'une si admirable manière aux objets de la réalité ? La raison humaine serait-elle donc capable, sans avoir recours à l'expérience, de découvrir par la pensée seule les propriétés des objets réels ?" L'opuscule a été publié l'année où il reçut le prix Nobel. Cachet ex-libris du révolutionnaire Russe et bibliophile Marcel Bekus (1888-1939). Bon exemplaire. Rares rousseurs marginales, agrafes oxydées. Couverture rigide
2004réf. 24945Köln : DuMont-Literatur-und-Kunst-Verl., 2004. 1. Aufl. 271 S.; Ill.; graph. Darst. Pp.
réf. 298744Independently published, printed in Poland by Amazon Fullfillment, 2020. Originalbroschur. 28 cm
1994réf. 50826München, Droemersche Verlagsanstalt, Th.KnaurNachf.,, 1994. 687 Seiten , 22 cm, Hardcover/Pappeinband
1926réf. 39022Berlin: Das Kunstarchiv Verlag 1926. First edition. Softcover. g. Quarto. 36pp. Original printed wrappers. Catalog published on the occasion of an exhibition of paintings and drawings by George Grosz held during the Spring of 1926 in Berlin at the Galerie Alfred Flechtheim. This catalog features 24 duo-tone and b/w photographic reproductions. Includes a poem by Gottfried Benn and four essay on the artist and his work by Carl Einstein Marc Neven Max Herrmann and Florent Fels. Some age-wear and moderate soiling on wrappers. Upper corners bumped thus slightly affecting pages throughout. Text in German gothic script with one of the four essays in French. Wrappers in overall good- to good interior in good to very good condition. Alfred Flechtheim 1878-1937 was a German art dealer art collector journalist and publisher. Flechtheim appeared in the art world shortly after 1900 with a collection of paintings by Vincent van Gogh and Paul Cézanne; French Avant garde early works of Pablo Picasso Georges Braque and André Derain; paintings of Wassily Kandinsky Maurice de Vlaminck Alexej von Jawlensky Gabriele Münter and the Rhein Expressionists Heinrich Campendonk August Macke Heinrich Nauen de and Paul Adolf Seehaus de. Flechtheim opened his first gallery in Düsseldorf in 1913 followed by galleries in Berlin Frankfurt Cologne and Vienna. Flechtheim served in the German Army during World War I but not at the front. His art business collapsed during the war but he re-opened in Düsseldorf in 1919. In 1921 he founded "Der Querschnitt" the Cross Section a cultural magazine. Legendary glamorous parties in Flechtheim's gallery overflowed with the glitterati of the new Berlin: movie stars titans of finance prizefighters and artists of every stripe. As Hitler rose to power in the late 1920s and early 1930s Flechtheim became a bête noire because of the art he espoused and championed. In 1933 Sturmabteilung men broke up an auction of Flechtheim's paintings. The Nazis aryanized Flechtheim's gallery as they would many other Jewish businesses and turned it over to Flechtheim's business manager Alex Vömel. After the war former party member Vömel said he didn't even remember who Flechtheim was. The Nazis seized and sold off Flechtheim's private collection as well as the contents of his gallery. Emigration and Death Six months after the Nazis came to power in 1933 Flechtheim penniless fled to Paris and tried to find work with his former business partner Daniel-Henry Kahnweiler. Flechtheim subsequently organized exhibits in London of the paintings of exiled German artists. In London Flechtheim slipped on a patch of ice was taken to a hospital punctured his leg on a rusty nail in his hospital bed developed septicemia leading to amputation of his leg and died. Das Kunstarchiv Verlag unknown books
1926réf. 39022Berlin: Das Kunstarchiv Verlag 1926. First edition. Softcover. g. Quarto. 36pp. Original printed wrappers. Catalog published on the occasion of an exhibition of paintings and drawings by George Grosz held during the Spring of 1926 in Berlin at the Galerie Alfred Flechtheim. This catalog features 24 duo-tone and b/w photographic reproductions. Includes a poem by Gottfried Benn and four essay on the artist and his work by Carl Einstein Marc Neven Max Herrmann and Florent Fels. Some age-wear and moderate soiling on wrappers. Upper corners bumped thus slightly affecting pages throughout. Text in German gothic script with one of the four essays in French. Wrappers in overall good- to good interior in good to very good condition. Alfred Flechtheim 1878-1937 was a German art dealer art collector journalist and publisher. Flechtheim appeared in the art world shortly after 1900 with a collection of paintings by Vincent van Gogh and Paul Cézanne; French Avant garde early works of Pablo Picasso Georges Braque and André Derain; paintings of Wassily Kandinsky Maurice de Vlaminck Alexej von Jawlensky Gabriele Münter and the Rhein Expressionists Heinrich Campendonk August Macke Heinrich Nauen de and Paul Adolf Seehaus de. Flechtheim opened his first gallery in Düsseldorf in 1913 followed by galleries in Berlin Frankfurt Cologne and Vienna. Flechtheim served in the German Army during World War I but not at the front. His art business collapsed during the war but he re-opened in Düsseldorf in 1919. In 1921 he founded "Der Querschnitt" the Cross Section a cultural magazine. Legendary glamorous parties in Flechtheim's gallery overflowed with the glitterati of the new Berlin: movie stars titans of finance prizefighters and artists of every stripe. As Hitler rose to power in the late 1920s and early 1930s Flechtheim became a bête noire because of the art he espoused and championed. In 1933 Sturmabteilung men broke up an auction of Flechtheim's paintings. The Nazis aryanized Flechtheim's gallery as they would many other Jewish businesses and turned it over to Flechtheim's business manager Alex Vömel. After the war former party member Vömel said he didn't even remember who Flechtheim was. The Nazis seized and sold off Flechtheim's private collection as well as the contents of his gallery. Emigration and Death Six months after the Nazis came to power in 1933 Flechtheim penniless fled to Paris and tried to find work with his former business partner Daniel-Henry Kahnweiler. Flechtheim subsequently organized exhibits in London of the paintings of exiled German artists. In London Flechtheim slipped on a patch of ice was taken to a hospital punctured his leg on a rusty nail in his hospital bed developed septicemia leading to amputation of his leg and died. Das Kunstarchiv Verlag unknown
1985BORINGHIERI 1985 SEGNI DEL TEMPO ALLA COPERTINA, VOLUME INTONSO, MAI SFOGLIATO.
1983réf. 310602San Francisco: Gay Atheist League of America 1983. Magazine. 20p. 5.5x8.5 inches very good digest-size booklet in stapled wraps. Gay and Lesbian Freethought journal. Gay Atheist League of America unknown books
1999réf. 22986München ; Zürich Diana-Verl.; München, 1999. 428 S. 19 cm, Broschiert ,aus rechtlichen Gründen im Schnitt als Mängelexemplar gekennzeichnet ,
2000réf. x-0312231024Palgrave Macmillan 2000. Hardcover. New. 253 pages. 9.00x5.75x1.00 inches. Palgrave Macmillan hardcover
1946réf. 110238New York: Rudolf Schick Publishing Co 1946. Hardcover. Near Fine. First edition. Modest offsetting from front endpapers from a clipping else near fine without dustwrapper. Rudolf Schick Publishing Co hardcover books
2001réf. 1-3898211681ibidem-Verlag 2001. Paperback. New. 134 pages. German language. 8.11x5.67x0.39 inches. ibidem-Verlag paperback
1942réf. 162740London: Allen & Unwin 1942. 1st edition. Nice copy. octavo. hardback in original cloth 335pp. index A collection of 20 essays on the meaning of freedom published in the midst of WW2 Allen & Unwin hardcover
1924réf. LFA-126720222Un ouvrage de 57 pages, format 145 x 230 mm, broché, publié en 1924, Mercure de France, bon état, rare