Über die Natur der Cometen
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ref. 139048792X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0332466604.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Contains b&w plates. 285x225 mm. XVI+216 pages. Rebound hardcover. Cover edges slightly worn. Spine yellowing. Pen inscription on spine. Text block edges slightly age-stained. Pages slightly yellowing. Else in good condition.
1998Very light shelfwear to DJ. Remainder mark to top of the textblock. ; Sather Classical Lectures; 1.12 x 9.25 x 6.25 Inches; 384 pages; Modern readings of ancient Athenian drama tend to view it as a presentation of social or moral problems, as if ancient drama showed the same realism seen on the present-day stage. Such views are belied by the plays themselves, in which supremely violent actions occur in a legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin Burnett urges readers to peel away twentieth-century attitudes toward vengeance and reconsider the revenge tragedies of ancient Athens in their own context. After a consideration of how our view of Elizabethan drama has obscured an accurate view of the ancient tragedies, Burnett reviews early Greek notions of vengeance as expressed in the Odyssey, Heracles' tales, Pindar's odes, Attic judicial processes, and the legend of Harmodius and Aristogeiton. Then, setting aside post-Platonic and Judeo-Christian notions of criminality, she provides new interpretations of all the Attic tragedies in which revenge is a central theme: Aeschylus' Libation Bearers, Sophocles' Ajax, Electra, and Tereus, and Euripides' Children of Heracles, Hecuba, Medea, Electra, and Orestes. Burnett shows that for the ancients, revenge meant a redress of imbalances in both human and divine worlds, achieved through human actions. The vengeful heroines thus appear in a new light. Electra, Hecuba, Medea, and others cease to be the picture of depravity in dramas that are grotesque and sensational, and are instead representative human figures who respond with grandeur to the outsize demands of necessity and supernatural powers.
1988A Very Good paperback with lightly rubbed covers. Clean, tight, unmarked. ...
2019New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 176 p., musical scores. Compositions for baglama: In baglama Bozuk, Misket and Müstezat tunings.= Baglama için besteler: Baglama, Bozuk, Misket ve Müstezat düzenlerinde. The instrument of Baglama, which has been shaped within many years in the rural areas and has a rich and profound history, began to create its tradition in the urban areas after the establishment of the Turkish Republic. In the past, this instrument mostly passed down the vocal melodies; however, now it is agreed by many music authorities that it is about time it must be a part of instrumental music on its own as well. The primary purpose of this book is to contribute to Baglama new tradition without ignoring its richness dating back to old times. This book involves twenty works composed in the tunings of baglama, of bozuk, of misket and of müstezat. Those compositions, prepared to be played in both picked and pickless (selpe) styles, are thought to be beneficial for baglama education as well, and thus it is agreed that methodical symbols should be used in the notation.
