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1950Fine Turkish Paperback. Folio. (31 x 23 cm). In Turkish. 61, [1] p., xv numerous color plates. Renklerin armoni sistemleri. Kalmik was an artist and art historian, known for his work in studying the lyrical-abstract Turkish painters. In 1928, Academy of Fine Arts in the Department of Painting by entering the first Nazmi Ziya's, then Ibrahim Calli 's was a student. In 1937, after graduation time in various newspapers and magazines and worked. In 1939 Paris 'e went and André Lhote 's studied painting at the workshop. Sorbonne University 's also took courses in art history. After returning to Turkey in 1940 in Ankara and Istanbul, was an art teacher at various high schools (1942-47). In 1947 Istanbul Technical University Faculty of Architecture 'in the colors and shapes began to teach composition. In 1967-68 Berlin Technical University's department of architecture as a guest lecturer in the basic design taught. Previously, impressionistic understanding Kalmik employees, located in Europe at the time of cubism was interested. Braque 'la Picasso 's, then Fernand Léger and Henri Matisse's figures were impacted by understanding. After returning to Turkey maintained a distinct outer line of figurative abstraction and had a strong sense of pattern. In the 1960s, fishermen, boats and sailboats in front of an abstract landscape imagery began funding. With solid color stain, which highlights the contours of a lyrical expression in the works of this period are seen. As well as the etching Kalmik also makes the picture in the 1960s in the figurative sense of the prints that are dominant. As well as objects and natural appearance of the figure given the place and occupancy of the space in this building has been used in a balanced manner. Domestically and abroad, participated in many group exhibitions, solo exhibitions opened. Picture, as well as many of the Republican era artists such as Turkish official's theoretical and philosophical concepts of articles on who wrote, conferences and radio talk conducts the Kalmik, "The Color of Harmony Systems" and "Nature and Art Texture entitled" two books in the 1950s, Istanbul Technical was published by the University. First Edition.
1958Light soiling to front board. Light rubbing to base of spine. Clean text. ; 12mo 7" - 7½" tall; 194 pages; Extensive English introduction, commentary and Latin Text.
1922Library stamp to inner cover. No other ex-lib markings. Former owner's name stamped to inner cover. Spine cover split along one side. Spine crudely repaired with cellotape. ; 12mo 7" - 7½" tall; 194 pages; Extensive English introduction, commentary and Latin Text.
1922Many notes in ink to Latin text. Former owner's name to ffep. Spine cover split along sides- almost detached. Still serviceable. ; 12mo 7" - 7½" tall; 194 pages; Extensive English introduction, commentary and Latin Text.
1969121 S. Tab. Fig. 4°. In polnischer Sprache.
207 S. Gr.-8°. OBrosch, Notenbeisp.
243 S. Gr.-8°. OBrosch. Notenbeisp. Ill. U.a. über J.S. Bach: Chaconne BWV 1004, Cantates BWV 34A & 34; Schumann; Carnaval Op. 9; Boulez: Structures.
xvi, 207 S. 8°. OBrosch.
214 pages + Appendix. Ill. 4°. OBrosch. Dissertation Leiden University in order to obtain the degree of Doctor in the year 2017.
1925ref. 007642Prag, Verlag des Parteivorstandes der Deutschen sozialdemokratischen Arbeiterpartei in der Tschechoslowakischen Republik 1925-1926, 1925. 234; 286 S. Orig.-Halbleinenbände. Mit altem Namensstempel. Das hintere Rückengelenk von Band 1 ca. 7 cm aufgeplatzt und der Rücken von Band 2 verblaßt, insgesamt handelt es sich jedoch um ein ordentliches, noch gut erhaltenes Exemplar der seltenen Originalausgabe mit nur leichten Gebrauchsspuren.
1910ref. 5763NLeipzig, Max Hesse, 1910. (VNr. M.H.V. 202), Klein-Quart, 81, (1) Seiten Flexibler Original-Halbleinenband Titel mit Händlerstempel
192336 S. Beigebunden sind: ders.: Die vergleichende Musikwissenschaft, ihre Methoden und Probleme (1924) (120 S. MIT EIGENH. WIDMUNG DES VERFASSERS); Das Konstruktionsprinzip der Wiederholung in Musik, Sprache und Literatur (1925) (40 S.); Verleichende Kunst- und Musikwissenschaft (1925) (33 S.). (Akademie d. Wissensch. in Wien. Philosophisch-historische Klasse. Sitzungsberichte. 199. . Bd., 3. Abh., 200. Bd. 5. Abh., 201. Bd. 2. Abh., 201. Bd., 3. Abh.).
1974cm. 17 x 25, iv-376 pp. con 2 tavv. f.t. Accademia toscana di scienze e lettere ?La Colombaria? - Serie Studi 727 gr. iv-376 p.
1996(Codice MT/2180) In 8°, unnumb. pages, 150 b/w and 34 colour plates. Language: german. Ex libris. Softcover, fine. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
2016br. Che legame c'è tra i triangoli e le probabilità di vincere al Lotto? Come è possibile calcolare a mente in meno di un secondo la somma di tutti i numeri naturali fino ad un milione? Come si può scoprire se una dichiarazione dei redditi nasconde una manipolazione? Le risposte vengono da alcune insolite proprietà dei numeri naturali che in questo libro sono illustrate in modo semplice ma con il giusto rigore matematico. Numeri triangolari e numeri perfetti, probabilità e caso, giochi d'azzardo e paradossi del concetto di infinito sono gli ingredienti che condiscono le pagine di 9 e 99, il cui titolo è legato ad una legge matematica curiosa ma poco conosciuta. Accanto alla matematica divertente e intuitiva, non mancano apposite appendici in cui dettagliate dimostrazioni soddisferanno i lettori più esigenti. Da Pitagora a Gauss, da Archimede ad Hilbert, da Eulero a Buzzati (passando per Aristotele e Sant'Agostino), il libro propone un inconsueto viaggio nel tempo tra le curiosità nascoste nel mondo dei numeri, mostrando che la matematica non è una fredda materia scolastica da cui liberarsi il prima possibile, ma una disciplina dai risvolti piacevoli ed affascinanti.
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