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2003Best.-Nr. x-1402013728Kluwer Academic Pub 2003. Hardcover. New. 356 pages. 9.50x6.50x1.00 inches. Kluwer Academic Pub hardcover
2004Best.-Nr. x-1402018320Kluwer Academic Pub 2004. Hardcover. New. 1st edition. 208 pages. 9.50x6.25x0.50 inches. Kluwer Academic Pub hardcover
2002Best.-Nr. x-1402001916Kluwer Academic Pub 2002. Hardcover. New. 1st edition. 445 pages. 9.50x6.50x1.00 inches. Kluwer Academic Pub hardcover
1889Best.-Nr. 80946Boston: The New Ideal Publishing Company 1889. Eleven pamphlets bound in a single volume with spine title "Evolution Essays vol.I." 12mo 19cm; half-morocco over brown cloth; variously paginated. Marginal water-stain to first nine and final dozen leaves; externally rubbed and worn; complete and Good. Essays by prominent lecturers applying Darwinian concepts to a wide variety of subjects including biological evolution but also planetary science geology social systems etc. The first two pamphlets are biographies of Herbert Spencer and Charles Darwin. OCLC cataloguing notes that fifteen pamphlets were issued in the series; the first eleven are here as follows: 1. THOMPSON Charles Greenleaf. Herbert Spencer. 2. CHADWICK John W. Charles Robert Darwin. 3. SERVISS Garrett P. Solar and Planetary Evolution. 4. JANES Lewis G. Evolution of the Earth. 5. POTTS William. Evolution of Vegetal Life. 6. RAYMOND Rossiter W. Evolution of Animal Life. 7. COPE E.D. The Descent of Man. 8. ECCLES Robert G. Evolution of the Mind. 9. SKILTON James A. Evolution of Society. 10. SAMPSON Z. Sidey. Evolution of Theology. 11. JANES Lewis G. Evolution of Morals. The New Ideal Publishing Company unknown
2006Best.-Nr. x-0415974194Routledge 2006. Paperback. New. 1st edition. 206 pages. 8.50x5.75x0.62 inches. Routledge paperback
2002Best.-Nr. x-3540437770Springer Verlag 2002. Paperback. New. 1st edition. 564 pages. 9.00x6.00x1.25 inches. Springer Verlag paperback
2003Best.-Nr. x-3540403426Springer Verlag 2003. Paperback. New. 1st edition. 405 pages. 9.25x6.00x1.00 inches. Springer Verlag paperback
1993Best.-Nr. x-0521428319Cambridge Univ Pr 1993. Paperback. New. 536 pages. 9.25x6.25x1.25 inches. Cambridge Univ Pr paperback
1979Best.-Nr. x-3764311029Birkhauser 1979. Paperback. New. 1979 edition. 455 pages. German language. 10.90x10.10x1.50 inches. Birkhauser paperback
2003Best.-Nr. x-3540202218Springer Verlag 2003. Paperback. New. revised edition. 12 pages. 9.00x5.75x1.00 inches. Springer Verlag paperback
Best.-Nr. BN25475Parsing Theory I - Languages and Parsing. Softcover. Parsing Theory I - Languages and Parsing Parsing Theory I - Languages and Parsing Parsing Theory I - Languages and Parsing paperback
Best.-Nr. BN25483Ökologisches Arbeiten - Zur Theorie und Praxis ökologischen Arbeitens als Weiterentwicklung der marktwirtschaftlich organisierten Arbeit. Softcover. Ökologisches Arbeiten - Zur Theorie und Praxis ökologischen Arbeitens als Weiterentwicklung der marktwirtschaftlich organisierten Arbeit Ökologisches Arbeiten - Zur Theorie und Praxis ökologischen Arbeitens als Weiterentwicklung der marktwirtschaftlich organisierten Arbeit Ökologisches Arbeiten - Zur Theorie und Praxis ökologischen Arbeitens als Weiterentwicklung der marktwirtschaftlich organisier paperback
2001Best.-Nr. BN26180Laaber 2001. 2001. Hardcover. 282 x 228 x 29 cm. Der Weg der Popmusik im 20. Jahrhundert führt von einem Phänomen nationaler Massenkultur hin zu einem globalen System interaktiver kultureller Strömungen. Begriffe wie World Music Techno oder Hip-Hop sind längst eigenständige Kategorien der internationalen Musikindustrie geworden. Seit den 1970er Jahren hat auch die Musikforschung allmählich begonnen sich mit den verschiedensten Aspekten der Popmusik auseinanderzusetzen. In diesem Band werden nun erstmals umfassende kulturelle soziologische aber auch ästhetische Fragen gleichermaßen berücksichtigt. Die Entwicklung des Populären der Musik im 20. Jahrhundert steht dabei im Mittelpunkt der Betrachtung. Es werden musikalisch-stilistische Dimensionen wie auch die musikindustriellen Bedingungen von Produktion und Verbreitung untersucht. Peter Wicke und seinem internationalen Autorenteam gelingt es ein facettenreiches Bild zu zeichnen das die Vielschichtigkeit dieses Phänomens deutlich werden läßt. Bd.8 Rock- und Popmusik Gebundene Ausgabe Peter Wicke Herausgeber Oliver Schöner Übersetzer Melanie Krämer Übersetzer Reihe/Serie Handbuch der Musik im 20. Jahrhundert ; 8 Zusatzinfo 95 Abb. 17 Notenbeisp. Sprache deutsch Maße 220 x 275 mm Einbandart Leinen Kunst Musik Theater Musiker Popmusik Rock 20. Jahrhundert Musikwissenschaften Musiktheorie Musiklehre Sachbücher Music Film Theater Pop Rock Hiphop Jugendkulturen Musikgeschichte Pop Popmusik Rock Rockmusik Techno Videoclip ISBN-10 3-89007-428-6 3890074286 ISBN-13 978-3-89007-428-3 9783890074283 Musik Musiker Popmusik Rock 20. Jahrhundert Musikwissenschaften Musiktheorie Musiklehre Sachbücher Music Film Theater Pop Rock Hiphop Jugendkulturen Musikgeschichte Pop Popmusik Rock Rockmusik Techno Videoclip Kunst Theater ISBN-10 3-89007-428-6 3890074286 ISBN-13 978-3-89007-428-3 9783890074283 Der Weg der Popmusik im 20. Jahrhundert führt von einem Phänomen nationaler Massenkultur hin zu einem globalen System interaktiver kultureller Strömungen. Begriffe wie World Music Techno oder Hip-Hop sind längst eigenständige Kategorien der internationalen Musikindustrie geworden. Seit den 1970er Jahren hat auch die Musikforschung allmählich begonnen sich mit den verschiedensten Aspekten der Popmusik auseinanderzusetzen. In diesem Band werden nun erstmals umfassende kulturelle soziologische aber auch ästhetische Fragen gleichermaßen berücksichtigt. Die Entwicklung des Populären der Musik im 20. Jahrhundert steht dabei im Mittelpunkt der Betrachtung. Es werden musikalisch-stilistische Dimensionen wie auch die musikindustriellen Bedingungen von Produktion und Verbreitung untersucht. Peter Wicke und seinem internationalen Autorenteam gelingt es ein facettenreiches Bild zu zeichnen das die Vielschichtigkeit dieses Phänomens deutlich werden läßt. Bd.8 Rock- und Popmusik Gebundene Ausgabe Peter Wicke Herausgeber Oliver Schöner Übersetzer Melanie Krämer Übersetzer Reihe/Serie Handbuch der Musik im 20. Jahrhundert ; 8 Zusatzinfo 95 Abb. 17 Notenbeisp. Sprache deutsch Maße 220 x 275 mm Einbandart Leinen Laaber hardcover
Best.-Nr. SONG0821800256Brand: Amer Mathematical Society 0000-00-00. paperback. Used: Good. 6.75x0.50x10.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Amer Mathematical Society paperback
2000Best.-Nr. ZB2633902000. vol. 1 ex library good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. unknown
1991Best.-Nr. ZB3938081991-2002. volumes 1-20. 1991-2002. partly bound library markings textually clean & tight price is for the set. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. unknown
1950Best.-Nr. 64391San Francisco West Berkeley & Los Angeles CA: California Ink Co. Inc. ca. 1950. 4to. 6 pp unpaginated. on thick boards w/ metal-comb bindings at gutter margin & upper fore-edge w/ 66 gradated colour swatches organized into 4 columns on two leaves; w/ 63 handy “Tear-off Swatches” showing the Cal Ink colour chart and available for swatches to be torn off and matched w/ all present except for original base piece of “M704” showing that it was a popular colour for Cal Ink clients. Self-printed colour-illustrated boards colour wheel on front cover covers printed & illustrated in colour minor scuffing remnants of old label partially affecting colour wheel slight scuffing edgewear still VG bright copy. First edition thus of this wonderfully printed and inventive colour ink sample catalogue for colour newspaper inks developed specially for the newly introduced American Newspaper Publishers Association & American Association Advertising Agencies colour standards. Prior to their initial studies and reports newspapers were often published with muddy misaligned and very inaccurate colours and formed a committee which by 1951 had produced specific standards on colour inks for comics cartoon strips and colour advertising in newspapers. This catalogue advertises with the California Ink Company’s Process Standard Colours Intermix Colours and finally the Cal Ink Standard R.O.P. Run-of-Paper colours. The section on “Handy Tear-off Swatches” provides an excellent colour chart as well as actual colour samples which could be ordered at the time from California Ink.The firm was founded in 1891 in Los Angeles as a Union Oil Co. subsidiary and moved to San Francisco in 1896 by E.L. Hueter and managed by Lewars b. 1866 who along with others in the company opened the office in their factory at West Berkeley following the 1906 Earthquake & Fire which destroyed their records. In 1919 the company was reincorporated and purchased by Graham Shattuck Reed & Nathan. They developed a white ink for marking bees perfumed ink for use in advertising were main suppliers of pigment colours and varnishes on the West Coast and developed the first “Litho Red” ink made in the U.S.k and developed the first magnetic inks for check imprinting in 1950. No copies located in Worldcat; See: Susan Cerny California Ink Co. Industrial Site 1326-1404 Fourth Street Berkeley CA Berkeley Landmarks 2019. California Ink Co., Inc. hardcover
2004Best.-Nr. AME_9789812382184World Scientific 2004. 2nd. Hardcover. New/New. _ World Scientific hardcover
1968Best.-Nr. 64548South Bend IN: Bernell Corporation ca. 1968. 8vo. Two facing leaves of 24 colour wool yarn samples mounted on thick card stock and inserted into mustard-coloured vinyl publisher’s portfolio together w/ 1 leaf of instructions & details for the samples and a black felt bag holding an additional 23 of 24 loose colour wool yarn samples still a VG copy from the library of Elof Axel Carlson 1931-2025 noted geneticist historian of science and fierce opponent of eugenics. First edition of this exceedingly scarce test developed by the Bernell Corporation to be used in conjunction with Ishihara-type colour-blindness test charts. Unlike the colour dot patterns first developed by Ishihara as an ophthalmological surgeon at the Imperial Japanese Army hospital these samples including the colours: red orange yellow green blue & biolet and selections of rose blue-green brown & gray were designed to be a tactile interactive test with children of any age colour matching offering an essential visual aid for family members to see just how their child with or without optical learning disabilities handles colours as well as aiding educators themselves in assessing colour perceptions of children without colour blindness. Worldcat locates 1 copy Special Ed Serv. Agency Lib. AK. Bernell Corporation, unknown
1913Best.-Nr. 63411Chicago IL & Amherst MA: Carter White Lead Company Arms Pocket Book & Leather Novelty Co. 1913. 64mo. 2.5 x 4 in. 2 55 3 pp. With 1 large folding 4-pp. paint sample plate w/ 32 mounted colour paint samples text elevation illustrations of Arts & Crafts 4-Square and Spanish Revival homes. Flexible brown pigskin embossed borders rounded corners gilt lettering stamped on front cover couple minor closed tears to final text leaf minor age toning to endpapers still a VG copy. Third edition of this compact vest pocket edition of the very scarce Carter paint calculator designed to provide specific instructions on how to mix Carter White Lead Paints sold by the gallon with their specific additional colours linseed oil turpentine and “Japan Drier” to be carefully mixed beforehand after the painter had determined the specific amount of paint by using the calculator. Carter Master Painter “Color Packs” came in 53 different colours shades and tints including Lamp Black French Ochre Venetian Red Raw Umber Burnt Sienna Parisian Blue and others as carefully depicted in the folding colour paint sample chart. Carter White Lead Co. was founded in 1878 by Levi Carter 1831-1903 and partners who pioneered the use of powdered lead in mixing durable paints building and operating the Chicago plant which at the beginning of the 20th Century was the largest single white lead factory in the World as well as plants in East Omaha and Montreal. In the first decade of the 20th Century they claimed to produce half of all paint used in North America. Worldcat locates 1 copy Athenaeum of Philadelphia; See: Adam Fletcher A History of the Carter White Lead Company Factory in East Omaha North Omaha History Jan. 20 2020; Jacqui Ainlay-Conley: Progress in a Can: An Examination of One Industry Through the Gilded Age and Progressive Era Historical Studies Journal Spring 2007 Vol. 24 pp. 1-15. Carter White Lead Company, [Arms Pocket Book & Leather Novelty Co.], hardcover
2006Best.-Nr. USD_9783540278030Springer 2006. 1st. Hardcover. Used - Like New/Used - Like New. _ Springer hardcover
2001Best.-Nr. USD_9780387406220Springer 2001. 1st. Paperback. Used - Like New/Used - Like New. _ Springer paperback
Best.-Nr. A9781781884850Hardback. New. hardcover
Best.-Nr. B9781781884850Hardback. New. hardcover
2006Best.-Nr. AME_9783540278030Springer 2006. 1st. Hardcover. New/New. _ Springer hardcover
