14 709 résultats
1965réf. 6376Berlin, Heidelberg, New York : Springer, 1965. Invited Papers Presented at the International Symposium Hamburg 1965 (Springer Tracts in Modern Physics - Ergebnisse der exakten Naturwissenschaften, Volume 39 / 1965) 168 S. (24 cm) Leinen / gebundene Ausgabe
1955réf. 3425399Köln, Westdeutscher Verlag, 1955. 41 S. OKart. (Einband am Rand leicht gebräunt).
1997réf. 1162551München: Beck, 1997. 161 S. Originalleinen mit Schutzumschlag.
2004réf. 500063006JEANMICHELPLACE 2004 140 pages 16 4x1 4x22 2cm. 2004. Broché. 140 pages.
1967réf. 3112985Mainz: Hase & Koehler 1967-72. XII, 280; 191; 253 Seiten. Gr. 8° (22,5-25 cm). Orig.-Leinenbände mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].
1966réf. 3320510Mainz, v. Hase & Koehler, 1966. 127 S. OKart.
1947réf. 310833Hamburg, Phönix-Verlag., 1947. 55 Seiten. Originalbroschur. 19cm
2011réf. 63337Frankfurt, M. ; München ; London ; New York, NY : Frankfurter Verl.-Gruppe 2011. 119 S. : Ill. ; 31 cm Pp., gebundene Ausgabe, Hardcover/Pappeinband, Einband oben lichtsschattig, sonst Exemplar in gutem Erhaltungszustand
réf. 60482Hamburg : Argument Verlag [2019]. 238 Seiten ; 18 cm Broschur, Exemplar in sehr gutem Erhaltungszustand
réf. 234781Hamburg : Felix Meiner Verlag, 2016. XIII; 355 Seiten. Originalpappband. 23 cm
réf. DADAX0265197589New unknown
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réf. SONG3764367091Used: Good unknown
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1955(Codice UM/0288) In 8° 253 pp. Traduzionedi Nemi Orsola e Furst Henry. Cartone editoriale, sovraccoperta illustrata di Bruno Munari. Buono stato. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
réf. SONG0415363047Used: Good unknown
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2021br. «Le opere d'arte accompagnano costantemente Joris-Karl Huysmans (1848-1907): non solo nella sua attività letteraria, gremita di riferimenti ad artisti e dipinti, ma anche, e forse soprattutto, nelle diverse fasi della sua esistenza, delle quali le opere d'arte costituiscono il simbolico riflesso, il veicolo estetico della conoscenza di sé attraverso forme e colori. Come in una catena di specchi, vita, arte e letteratura si incalzano in un susseguirsi di intersezioni che si legittimano e chiarificano reciprocamente; le immagini, come parole dipinte, evocano suggestioni e riflessioni che la scrittura da sola sembra inabile a produrre, così come le parole sviluppano dall'eccitamento visivo indizi e ispirazioni che concorrono verso un unico destino. Gli articoli qui raccolti coprono un periodo di mutamenti cruciali nell'opera e nella vita dello scrittore, compreso il raggiungimento della celebrità, dopo l'inaspettato successo di "À rebours", che gli permette indubbiamente una maggiore libertà interpretativa in fatto di critica d'arte. Huysmans, in questi anni (il libro è del 1889), sta ormai per abbandonare l'impressionismo; è nel pieno dell'estetica simbolista-decadente e si accosta alla cultura satanista, in fondo alla quale si intravede, lontano ma inevitabile, il faticoso approdo alla fede. Di qui deriva l'eclettismo nella scelta degli artisti trattati, che vede la compresenza di Degas e Moreau, Whistler e Chéret, Cézanne e Rops. E di qui forse anche il fatto che «Qualcuno» fosse, tra i suoi libri, quello che Huysmans preferiva, proprio perché il più denso di esperienze interiori, vividamente attuali ma sospese tra un passato disatteso e un incerto avvenire.» (dallo scritto di Luca Quattrocchi)
réf. 9039G. Charpentier, éditeur, Paris, 1908. In-12, demi-percaline bleue, dos avec pièce de titre, fleuron et filets dorés, 301 pp. Le Salon de 1879 - L'exposition des Indépendants en 1880 - Le Salon officiel de 1880 - Le Salon officiel de 1881 - L'exposition des Indépendants en 1881 - Appendice (1882).
1997réf. 58161München : Beck 1997. 321 S. ; 18 cm kart., Softcover/Paperback
1988Scholar's name to ffep (R. E. Fantham) in pencil with light pencil markings on a couple of pages. Very light shelfwear to book else fine. DJ spine is sunned with tears to top of DJ spine and a few small chips. ; Special Edition for Sandpiper books -- reprint of 1988 edition. In this study of the Hellenistic poets of the third century B. C. Hutchinson provides a much-needed picture of the poetry of the period while demonstrating its quality and vitality. The work of the Hellenistic poets in the third century BC has not only an important place in Greek literature, but also a particular significance for Latin poetry. Hutchinson explores the works of such writers as Theocritus, Callimachus, and Apollonius of Rhodes--developing a generalconception of poetry that centers around the poets' handling of tone, level, and form--and offers a fresh analysis of the influence of Hellenistic poetry on the city of Rome. Despite much technical work on the texts and language of these authors - Theocritus, Callimachus, Apollonius Rhodius, and others - previous literary criticism on most of the major figures is limited in quantity and scope. He explores the work of the individual writers in turn, while developing a general conception of the poetry as a whole, centred around the poets' handling of tone, level, and form. The book concludes with a fresh approach to the influence of Hellenistic poets in Rome. All quotations in Greek or Latin have been translated by the author. ; Oxford University Press Academic Monograph Reprints; 392 pages
1997Lower corners are bumped. Scholar's name to ffep (Robert Brown). Light shelfwear to DJ. Dustjacket is protected in mylar. ; Special Edition for Sandpiper books -- reprint of 1988 edition. In this study of the Hellenistic poets of the third century B. C. Hutchinson provides a much-needed picture of the poetry of the period while demonstrating its quality and vitality. The work of the Hellenistic poets in the third century BC has not only an important place in Greek literature, but also a particular significance for Latin poetry. Hutchinson explores the works of such writers as Theocritus, Callimachus, and Apollonius of Rhodes--developing a generalconception of poetry that centers around the poets' handling of tone, level, and form--and offers a fresh analysis of the influence of Hellenistic poetry on the city of Rome. Despite much technical work on the texts and language of these authors - Theocritus, Callimachus, Apollonius Rhodius, and others - previous literary criticism on most of the major figures is limited in quantity and scope. He explores the work of the individual writers in turn, while developing a general conception of the poetry as a whole, centred around the poets' handling of tone, level, and form. The book concludes with a fresh approach to the influence of Hellenistic poets in Rome. All quotations in Greek or Latin have been translated by the author. ; Oxford University Press Academic Monograph Reprints; 392 pages
1997Very light creasing to bottom edge of DJ. Light shelfwear and rubbing to DJ. ; Special Edition for Sandpiper books -- reprint of 1988 edition. In this study of the Hellenistic poets of the third century B. C. Hutchinson provides a much-needed picture of the poetry of the period while demonstrating its quality and vitality. The work of the Hellenistic poets in the third century BC has not only an important place in Greek literature, but also a particular significance for Latin poetry. Hutchinson explores the works of such writers as Theocritus, Callimachus, and Apollonius of Rhodes--developing a generalconception of poetry that centers around the poets' handling of tone, level, and form--and offers a fresh analysis of the influence of Hellenistic poetry on the city of Rome. Despite much technical work on the texts and language of these authors - Theocritus, Callimachus, Apollonius Rhodius, and others - previous literary criticism on most of the major figures is limited in quantity and scope. He explores the work of the individual writers in turn, while developing a general conception of the poetry as a whole, centred around the poets' handling of tone, level, and form. The book concludes with a fresh approach to the influence of Hellenistic poets in Rome. All quotations in Greek or Latin have been translated by the author. ; Oxford University Press Academic Monograph Reprints; 392 pages
