KINDERSLEY, RichardAntiquariat.de
Cohen, GidonBiblio.com
The Failure of a Dream
2007réf. biblio112Unread mint condition. I B Tauris hardcover
29a the broadway · Royaume-Uni42,00 £GB≈ 50,16 €
14 709 résultats
1962réf. 3437652Oxford, Clarendon Press, 1962. 260 S. OLwd.
2007réf. biblio112Unread mint condition. I B Tauris hardcover
1953réf. 2091202133001689Kawaideshobo 1953. Soft Cover. Fine. Number of books: 1 Kawaideshobo paperback
1930réf. biblio59Three volumes. Macmillan and Co. London. 1930 1931 1935. Octavo. xii 428pp Frontis. 7 further plates; xiii 333pp Frontis. 6 further plates; vii 241pp Photo Frontis. Original blue cloth spine labels browned faded and sunned to spines covers mottled/marked. Scuff to Vol. II rear board. Tissue guards. "From the author" tipped in to Volume I inscribed "To Jermyn Moorsom from his friend F. S. Oliver" to ffep Volume II. Frederick Scott Oliver 1864-1934 Political writer businessman Jermyn Moorsom 1881-1951 Son of James Marshall Moorsom. Haileybury Eton. One of Darling's Kingsmen at Cambridge one of Josie Low's "Quartet" friend of EM Forster etc. m. Pamela Milbourne-Swinnerton-Pilkington 1926. Became a sheep farmer at Hyndlee Hawick and later moved to Durrus near Cork. Died March 1951 Durrus Court Bantry having changed his surname to 'Moorson'. "This is a book about politics. Its subject is the endless adventure of governing men. Its object is to show how politicians of various sorts contrived to carry on governments and to thwart discredit and destroy governments…" Macmillan and Co hardcover
1988réf. 303482Mineola, Dover, 1988. XXXIII,741 pages. Originalbroschur. 23cm
1946A clean, unmarked book with a tight binding. Full maroon cloth boards. Slight edge wear to price-clipped dust jacket. 518 pages. Previous owner's name label inside.
1931A clean, unmarked book with a tight binding. 518 pages. Edge wear and fraying to green cloth cover.
1949réf. 285092New York, New York Institute of Finance, 1949. VIII, 273 Seiten. Originalleinen. 21 cm
2002(Codice MD/0949) In 8º (23,5x16 cm) 298 pp. First edition. Pencil underlining. Hardcover, original green cloth, no dust jacket. Fine. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1978- Hardcover, very good condition, with lightly compressed, lightly slanted spine, ltly bumped corners. Lt spine crease. Lt. bump at top. Ownership embossed stamp on ffep, o/w clean, tight, unmarked. Price-clipped dj very good, ltly rubbed, sm. chip at fr
1979réf. 2405San Francisco: San Francisco Museum of Modern Art 1979. First edition. Paperback. Very Good. Folio - newspaper format art exhibition catalog of the first full scale presentation of Judy Chicago's Dinner Party. A very good copy with some bending and curling at the corners and a bit of wear at the single fold crease. Free of tears or writing. One dark spot above the E in Dinner on the front cover. 9 pages with descriptions of each of the 39 place settings. Scarce in this original ephemeral newsprint format - a later publication by Anchor Press expands the text and analysis but this is the original exhibit publication. San Francisco Museum of Modern Art paperback
1903réf. 3118462London, MacMillan, 1903. XXVI, 454 S. OLwd (Exlibris).
réf. 0804709599.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1850réf. 3342217London, 1850. (Nachdruck, New York 1968). 476; 156 S. OLwd.
1970réf. 3344024Cambridge, University Press, 1970. XI, 271 S. OLwd.
1997Very minor lifting of corners of wraps. ; Toronto Old English Studies; 0.69 x 9.78 x 6.78 Inches; 230 pages; The date of Beowulf, debated for almost a century, is a small question with large consequences. Does the poem provide us with an accurate if idealized view of early Germanic culture? Or is it rather a creature of nostalgia and imagination, born of the desire of a later age to create for itself a glorious past? If we cannot decide when, between the 5th and 11th centuries, the poem was composed, we cannot distinguish what elements in Beowulf belong properly to the history of material culture, to the history of myth and legend, to political history, or to the development of the English literary imagination. This book represents both individual and concerted attempts to deal with this important question, and presents one of the most important inconclusions in the study of Old English. The contributors raise so many doubts, turn up so much new and disturbing information, dismantle so many long-accepted scholarly constructs that Beowulf studies will never be the same: henceforth every discussion of the poem and its period will begin with reference to this volume.
1986pp. xiii, 498. Edges foxed. 4to. Original cloth spine over paper covered boards. Original dust jacket, soiled. Hardbound. Very good. AMERICANA BOX 10
1976réf. 3426230London, Heinemann, 1976. XVI, 301 S. OLwd.
1894réf. DEMO000524IChicago: John E. Hoham & Co 1894. Official Edition. Hardcover. good. portraits. 4to 824 pages cloth John E. Hoham & Co hardcover
1954Prima edizione. First edition. In 8o.legatura editoriale t.tela,titoli in blu e rosso al piatto e al dorso.Ottima copia.Pp.234
1937réf. 2092902137200662Not Available 1937. Soft Cover. Fine. Number of books: 1 Not Available paperback
1982IN HEBREW. Contains B&W plates. 24.5x17.5 cm. 170 pages. Hardcover. Cover slightly rubbed and slightly wrinkled. Spine faded. Ex-library copy with usual marks. Else in good condition.
2008Unwrapped in Plastic. ; Mnemosyne, Supplements. Monographs on Greek and Roman Language and Literature; 0.6 x 9.7 x 6.4 Inches; 146 pages; Dance of Words argues for a fundamental difference in the modes of expression of actor and chorus. The chorus views the action from the perspective of dancers and singers, while the actors' understanding is shaped by the responsibility they have to make things happen. While this responsibility fashions the actors' considerations of cause and effect, linear movement through time and space, and a sense of history, the chorus' sensibilities arise out of the rhythms of its song and movements. Its mode of expression is a particular way of communicating and elaborating on man's place in the larger order, and its view of the action is bounded by the way that song and dance mirror that order.
1986A very good paperback. Clean, tight, unmarked. ...
